You do not have permission to edit this page, for the following reasons:

This IP address has been blocked from editing Wikipedia.
This does not affect your ability to read Wikipedia pages.
Most people who see this message have done nothing wrong. Some kinds of blocks restrict editing from specific service providers or telecom companies in response to recent abuse or vandalism, and can sometimes affect other users who are unrelated to that abuse. Review the information below for assistance if you do not believe that you have done anything wrong.

The IP address or range 44.201.0.0/16 has been blocked (disabled) by ‪ST47‬ for the following reason(s):

The IP address that you are currently using has been blocked because it is believed to be a web host provider. To prevent abuse, web hosts may be blocked from editing Wikipedia.
You will not be able to edit Wikipedia using a web host provider because it hides your IP address, much like a proxy or VPN.
We recommend that you attempt to use another connection to edit. For example, if you use a proxy or VPN to connect to the internet, turn it off when editing Wikipedia. If you edit using a mobile connection, try using a Wi-Fi connection, and vice versa. If you are using a corporate internet connection, switch to a different Wi-Fi network. If you have a Wikipedia account, please log in.
If you do not have any other way to edit Wikipedia, you will need to request an IP block exemption.

How to appeal if you are confident that your connection does not use a web host's IP address:
If you are confident that you are not using a web host, you may appeal this block by adding the following text on your talk page: ((unblock|reason=Caught by a web host block but this host or IP is not a web host. My IP address is _______. Place any further information here. ~~~~)). You must fill in the blank with your IP address for this block to be investigated. Your IP address can be determined here. Alternatively, if you wish to keep your IP address private you can use the unblock ticket request system. There are several reasons you might be editing using the IP address of a web host (such as if you are using VPN software or a business network); please use this method of appeal only if you think your IP address is in fact not a web host.

Administrators: The IP block exemption user right should only be applied to allow users to edit using web host in exceptional circumstances, and they should usually be directed to the functionaries team via email. If you intend to give the IPBE user right, a CheckUser needs to take a look at the account. This can be requested most easily at SPI Quick Checkuser Requests. Unblocking an IP or IP range with this template is highly discouraged without at least contacting the blocking administrator.

This block will expire on 23:54, 31 July 2024.

Even when blocked, you will usually still be able to edit your user talk page, as well as email administrators and other editors.

For information on how to proceed, please read the FAQ for blocked users and the guideline on block appeals. The guide to appealing blocks may also be helpful.

Other useful links: Blocking policy · Help:I have been blocked
Your IP address is in a range that has been blocked on all Wikimedia Foundation wikis. The block was made by ‪AntiCompositeNumber‬. The reason given is Open proxy/Webhost: Visit the FAQ if you are affected .
- Start of block: 13:55, 18 August 2022
- Expiry of block: 13:55, 18 April 2025
Your current IP address is 44.201.28.123. The blocked range is 44.201.0.0/16. Please include all above details in any queries you make. If you believe you were blocked by mistake, you can find additional information and instructions in the No open proxies global policy. Otherwise, to discuss the block please post a request for review on Meta-Wiki. You could also send an email to the stewards VRT queue at stewards@wikimedia.org including all above details.

You can view and copy the source of this page:

((Short description|British painter, scenery and costume designer))
((Use dmy dates|date=February 2021))
((Use British English|date=July 2012))
((Infobox artist
| bgcolour      =
| name          = Isabel Rawsthorne
| image         = Isabel Rawsthorne Deakin.jpg 
| imagesize     =
| caption       = Photograph by [[John Deakin]] c.1966–67.
| birth_name    = Isabel Nicholas
| other_names   = ((unbulleted list
| Isabel Delmer
| Isabel Lambert
| Isabel Rawsthorne
))
| birth_date    = ((birth date|1912|7|10|df=y))
| birth_place   = London, England, United Kingdom
| death_date    = ((death date and age|1992|1|27|1912|7|10|df=y))
| death_place   = [[Essex]], England, United Kingdom
| field         = painting, drawing and ballet/opera design
| training      = [[Liverpool College of Art]], [[Royal Academy]]
| movement      =
| spouse        = ((unbulleted list
| ((marriage|[[Sefton Delmer]]|1936|1947|end=divorced))
| ((marriage|[[Constant Lambert]]|1947|1951|end=died))
| ((marriage|[[Alan Rawsthorne]]|1955|1971|end=died))
))
| works         =
| patrons       =
| awards        =
))

'''Isabel Rawsthorne''' (born '''Isabel Nicholas''', 10 July 1912 – 27 January 1992), also known at various times as '''Isabel Delmer''' and '''Isabel Lambert''',<ref name="Thorpe">((cite news |last=Thorpe |first=Vanessa |title=What's in a surname? The female artists lost to history because they got married |url=https://www.theguardian.com/artanddesign/2021/feb/13/whats-in-a-surname-the-female-artists-lost-to-history-because-they-got-married |work=The Guardian |date=13 February 2021 |access-date=14 February 2021))</ref> was a British [[Painting|painter]], [[Scenic design|scenery]] and [[Costume design|costume]] designer, and occasional [[Model (art)|artists' model]]. During the [[Second World War]] she worked in [[black propaganda]]. She was part of an artistic [[Bohemianism|bohemian]] society that included [[Jacob Epstein]], [[Alberto Giacometti]] and [[Francis Bacon (artist)|Francis Bacon]].<ref name=cage>((cite book |last1=Jacobi |first1=Carol |title=Out of the Cage: The Art of Isabel Rawsthorne |date=18 February 2021 |publisher=The Estate of Francis Bacon Publishing |location=London |isbn=978-0-500-97105-5 |url=https://www.francis-bacon.com/outofthecage))</ref>

==Life==
((Moresources|section|date=August 2023))
[[File:CJSPA3.jpg|thumb|300px|''Untitled (Migrations)'', oil on canvas; 1970s]]
Born '''Isabel Nicholas''', the daughter of a [[Captain (nautical)|master mariner]], in the East End of London, she was raised in [[Liverpool]] and the [[Wirral Peninsula|Wirral]].<ref name="Thorpe" /> She studied at the [[Liverpool College of Art]], won a scholarship to the [[Royal Academy]] in London<ref>''Isabel Rawsthorne 1912&ndash;1992 Paintings, Drawings and Designs'', Harrogate, 1997</ref> and spent two years in the studio of the sculptor [[Jacob Epstein]].<ref>J. Rose, ''Demons and Angels: A Life of Jacob Epstein'', London, 2002</ref> She was the mother of Epstein's son Jackie (born 1934), and briefly assumed the name "Margaret Epstein" (the name of Epstein's wife) in order to register Jackie's birth.((r|cage|p=53))

Rawsthorne's first show was a sell-out, and by September 1934 she was living in Paris. She worked with [[André Derain]], and lived and travelled for a time with [[Balthus]] and his wife. She was painted several times by Derain and [[Pablo Picasso]].<ref name=YorkPost>((cite web |url=http://www.yorkshirepost.co.uk/art/Isabel-Rawsthorne-The-woman-who.4394719.jp |title=Isabel Rawsthorne: The Woman who was a walking Work of Art |date=15 August 2008|accessdate=20 January 2010|work=[[Yorkshire Post]]))</ref> In 1936 she married her first husband, the foreign correspondent for the ''[[Daily Express]]'', [[Sefton Delmer]].<ref name=MGayford>((cite web |author=Martin Gayford|url=https://www.telegraph.co.uk/culture/4714993/More-than-a-face-to-remember.html|archive-url=https://web.archive.org/web/20130225160907/http://www.telegraph.co.uk/culture/4714993/More-than-a-face-to-remember.html|url-status=dead|archive-date=25 February 2013|title=More than a face to remember |date=25 July 1998|accessdate=11 August 2017|work=[[The Daily Telegraph]]))</ref>((r|cage|p=63)) 

The travel, parties and luxurious apartment in the [[Place Vendôme]], never replaced her [[Rive Gauche|Left Bank]] life, however; and most days she made the long walk there and back. A lifelong [[Socialism|socialist]], she visited Spain while Delmer was reporting the [[Spanish Civil War]].

Rawsthorne was at the heart of the Paris avant-garde and became involved with [[Alberto Giacometti]].<ref>V Wiesinger, ''Alberto Giacometti, Isabel Nicholas, Correspondences'', Paris, 2007</ref><ref name=YorkPost/> They shared many intellectual enthusiasms and a commitment to a modern form of [[Representation (arts)|representational painting]]. Her characteristically astonished gaze and defiant stance can be seen in the new kind of etiolated figure that Giacometti developed over the next decade.<ref>[http://www.duisburg.de/micro2/lehmbruck_en/medien/bindata/GiacomettiFlyer_29E.pdf For example ''The Chariot'', text]</ref> 

The onset of World War II forced Rawsthorne to leave Paris. She relinquished at least one ticket out and did not flee until the day the Germans arrived on [[Battle of France#A new German offensive and the fall of Paris|14 June 1940]].

She remained with Delmer for the first part of the war, but they divorced in 1947.((r|cage|p=194)) She maintained indirect links with France by working in intelligence and [[black propaganda]] for the [[Political Warfare Executive]].<ref>S. Delmer, ''Black Boomerang''[http://www.seftondelmer.co.uk/] accessed 26 January 2010</ref> During the [[Italian Campaign (World War II)|Italian Campaign]], she edited the magazine ''Il Mondo Libero''. About this time, 1943–44, she encountered [[Francis Bacon (painter)|Francis Bacon]] within the arty set around the [[Broadcasting House|BBC]], although they probably did not become intimate until a few years later. Rawsthorne's closest wartime friends appear to have been John Rayner (typographer, journalist and soldier ([[Special Operations Executive|SOE]]), the photographer [[Joan Leigh Fermor]] (then Rayner), the [[Elsa Schiaparelli|Schiaparelli]] model Anna Phillips, and the composer [[Elizabeth Lutyens]], but her social life encompassed many others including the poets [[Louis MacNeice]] and [[Dylan Thomas]] (she shared working quarters with Thomas), [[Ian Fleming]], and old friends from Paris, [[Peter Rose Pulham]], [[Peter Watson (arts benefactor)|Peter Watson]] (editor of the journal [[Horizon (magazine)|''Horizon'']]) and the spy [[Donald Maclean (spy)|Donald Maclean]].<ref>C. Jacobi, "Cat's Cradle – Francis Bacon and the Art of 'Isabel Rawsthorne'", ''Visual Culture in Britain'', Manchester, 2009.</ref>

Returning to Paris in 1945, Rawsthorne was re-united with Giacometti and lived with him for a short while, but they never married.<ref>J Lord, ''Giacometti: A Biography'', London, 1983</ref><ref name=CKanot>((cite web |author=Carol Kano|url=https://www.nytimes.com/2005/11/20/arts/design/20kino.html?pagewanted=all |title=Real Women Have Curves |date=20 November 2005|accessdate=10 May 2017|work=[[The New York Times]]))</ref> She continued to be involved in the evolution of the figurative style associated with [[Existentialism]]. She socialised with [[Simone de Beauvoir]], [[Jean-Paul Sartre]], [[Jean Wahl]] and other intellectuals, and for a time lived a few doors away from the headquarters of the journal ''[[Les Temps Modernes]]''. She also entertained the philosopher [[A. J. Ayer]] in Paris, saw [[Eduardo Paolozzi]] and Bacon, and had relationships with [[Georges Bataille]] and the composer [[René Leibowitz]]. In the winter of 1946/47 she withdrew to modest lodgings in the [[Indre]] to work alone. The composer [[Constant Lambert]] visited her in 1947 and they married later that year.<ref name=BTRG>Lloyd, Stephen. ''Constant Lambert: Beyond The Rio Grande''. Woodbridge: The Boydell Press, 2014; ((ISBN|978-1-84383-898-2))</ref>((r|cage|p=202))

Following her second marriage, her base became London. Her art world associates, including Bacon and [[Lucian Freud]], created a potent mix with a glitzier musical set, including the [[Sitwells]], Lutyens, [[Frederick Ashton]], [[Margot Fonteyn]] and [[Alan Rawsthorne]].<ref>D. Heyes, 'Rawsthorne and Lambert' (1996), The Friends of Alan Rawsthorne [http://www.musicweb-international.com/rawsth/heyes.htm]. Accessed 26 January 2010.</ref> 

From 1949, she and Bacon showcased their figurative brand of modern art at the [[Hanover Gallery]] and she exhibited in group shows organised by the [[Institute of Contemporary Arts|ICA]] and the [[British Council]]. She began a career as a designer for the [[Royal Ballet]] and the opera at [[Royal Opera House#Third theatre|Covent Garden]] and [[Sadler's Wells]].<ref name=BTRG/><ref>((cite news |last=Kennedy |first=Maev |title=Isabel Rawsthorne: elusive painter who led the art world a merry dance |url=https://www.theguardian.com/artanddesign/2013/mar/26/isabel-rawsthorne-art-dance-exhibition |work=The Guardian |date=2013-03-26 |accessdate=2016-06-25))</ref>

Lambert died in 1951((r|cage|p=286)) and Rawsthorne returned to Paris to paint. She continued to see Giacometti, but eventually married [[Alan Rawsthorne]] in 1951.((r|cage|p=297)) They moved to a thatched cottage in rural [[Essex]] with a purpose built studio, near friends such as the politician [[Tom Driberg]], poet [[Randall Swingler]], artists [[Michael Ayrton]] and Biddy and [[Roy Noakes]]; Bacon had a house not far away. Six of Bacon's portraits of Rawsthorne were shown in his 1967 show, including ''Portrait of Isabel Rawsthorne''.<ref name=Tatefb>((cite web |title=Catalogue entry:''Portrait of Isabel Rawsthorne'' (1966) Francis Bacon |url=http://www.tate.org.uk/art/artworks/bacon-portrait-of-isabel-rawsthorne-t00879 |publisher=[[Tate]] |accessdate=11 August 2017))</ref> In all, between 1964 and 1970 he painted 14 images of her, including five triptychs. Giacometti died in 1966, Alan Rawsthorne in 1971, and Isabel Rawsthorne in 1992; Bacon outlived her by a few months.((r|cage|pp=286, 338)) Apart from visits to London and Paris, Africa, Greece and Australia, and a short period in Cambridge (1972-3), she lived in the cottage for forty years - half of her life. She raised geese, a nod to her interest in [[Konrad Lorenz]], and became involved in the emergent [[Environmentalism#Origins of the modern environmental movement|environmentalist]] movement. She and her last husband are buried in Thaxted churchyard.<ref>[http://www.thaxted.co.uk/?History_of_Thaxted:Thaxted_Parish_Church Thaxted churchyard].</ref>

==Career==
Rawsthorne's work was dominated by the body, primarily paintings of figures and animals. Her father supplied exotic creatures to British zoos and as a child she took to drawing these and other wildlife. Later she became interested in [[natural history]] and new ideas in [[Anthropology]], [[Ecology]] and [[Ethology]], such as those of her friends [[Michel Leiris]] and [[Georges Bataille]]. These inform the skeletal bird, fish and bat figures of her 1949 Hanover Gallery show, the haunting ape series, and her last, large ''Migration'' pictures.<ref name=cage/>

Rawsthorne's two years with Epstein and their mutual enthusiasm for [[Auguste Rodin|Rodin]] developed her ideas about [[vitalism]] and movement, but she never became part of British [[Neo-Romanticism#1930-1955|Neo-Romanticism]]. In Paris she continuing her studies of the nude at the liberal [[Académie de la Grande Chaumière]]. She associated with [[Alberto Giacometti|Giacometti]], [[Tristan Tzara]] and the [[Surrealism|Surrealist circle]] but was committed to a [[Figurative art|figurative]] form of modern art which she called 'Quintessentialism'.<ref>P. Rose Pulham, 'Isabel Lambert' ''Isabel Lambert'', London, 1949</ref> She maintained connections to an alternative circle of representational artists including [[Francis Gruber]] and [[Peter Rose Pulham]], as well as [[Balthus]] and [[André Derain|Derain]].  Her outlook was anti-idealist, intellectual and, like Giacometti, she saw painting from the real world as a challenge that could never be fully met.<ref name=cage/>

During the 1940s Rawsthorne adapted animal, archaic and pre-historic imagery into motifs of birth, sexuality and death. She did not share the fashionable interest in the formal properties of [[Art of Oceania|Oceanic]] or [[Greek art|Archaic art]]. Instead, she investigated the uncanny 'presence' achieved by ancient figures, especially [[Art of ancient Egypt|Egyptian sculpture]]. She also studied this quality in [[Northern Renaissance|Early Renaissance]] paintings, and in the evidence of the body itself, X-rays, skeletons, figures and animals she found in the countryside or drew in [[London Zoo]].

In the 1950s and '60s her explorations of the embattled origins of art and life were adapted into designs for the ballet and opera, such as a [[Minoan civilization#Art|Minoan]] [[Tiresias]] created for the [[Tiresias (ballet)|ballet]] of the same name premiered in 1951 at [[Royal Opera House#Third theatre|Covent Garden]], the last work of her husband Constant Lambert.<ref name=YorkPost/> She continued her studies of the body, in motion this time, in the practice rooms of the Royal Ballet. Over the next twenty years she painted images of Fonteyn, [[Rudolph Nureyev]], [[Antoinette Sibley]] and other dancers which developed a vivacious new language of movement. In 1961 she worked from the figure and landscape in [[Nigeria]] shortly after its [[Nigeria#Post-independence|Independence]], at the [[Demas Nwoko#Zaria art school|Zaria Art School]] with the artist Clifford Frith (grandson of [[William Powell Frith]]).

Rawsthorne explored the ambiguities of appearance through the theme of the double – for instance, reflections, such as those seen in the practice room mirrors. During the late 1960s and '70s, the deaths of Giacometti and Rawsthorne prompted her to refine these ideas in a set of ethereal double portraits juxtaposing living, dead and sculpted likenesses.<ref>[http://www.npg.org.uk/collections/search/person.php?search=sa&OConly=true&sText=rawsthorne&LinkID=mp08058&role=art For example, ''Reflected Portrait of Alan'']</ref> These works returned to the ''[[matière]]'' relief effects of the early 1950s and exchanged ideas with Bacon and the sculptor [[Roy Noakes]][http://www.npg.org.uk/collections/search/person.php?search=sa&sText=noakes&LinkID=mp07953&role=art]. Some of these new works and a selection of her innovative dancers were presented to the public at the Marlborough Gallery [http://www.marlboroughfineart.com/] in 1968.<ref>''Isabel Lambert'', Marlborough Gallery, London, 1968</ref>

From the 1950s onwards she developed a series of paintings based on the Essex countryside. Existential rather than pastoral, they responded to environmentalist publications such as [[Rachel Carson]]'s ''Silent Spring''. The last of these, ''Migrations'', embed bird and animal motifs in timeless settings. The extraordinary brushwork and relief effects developed over a life-time of drawing in close association with sculptors, was combined with a new potency of colour and epic scale. Swathes of yellow evoke the deserts of pre-history and post-history, as well as the very immediate issue of the fields of [[Rapeseed|oil seed rape]] that were appearing in the 1970s.

In later life, widely read biographies of Giacometti and Bacon brought Rawsthorne fame as a model and muse,<ref>Lord, ''Giacometti: A Biography''; D Farson, ''The Gilded Gutter Life of Bacon'', London,1993</ref> but unfortunately had the effect of obscuring her main profession.<ref name="Thorpe"/> By the 1980s she was better known as a once beautiful siren, or the bon viveur that Bacon partied with and painted as 'Isabel Rawsthorne'.<ref>The Estate of Francis Bacon [http://www.francis-bacon.com/world/isabel-rawsthorne/?c=People] ((Webarchive|url=https://web.archive.org/web/20110711022841/http://www.francis-bacon.com/world/isabel-rawsthorne/?c=People|date=11 July 2011)) accessed 26 January 2010</ref><ref name=YorkPost/> Since her death, however, serious scholarship has ensued, several paintings have entered public collections<ref name=NPGir>((cite web |url=http://www.npg.org.uk/collections/search/person.php?search=sa&OConly=true&sText=rawsthorne&LinkID=mp08058&role=art|title=Search the Collection: Isabel Rawsthorne (nee Nicholas)'' |accessdate=14 August 2017|work=National Portrait Gallery))</ref><ref name=TateEraw>((cite web |url=http://www.tate.org.uk/servlet/ArtistWorks?cgroupid=999999961&artistid=2615&page=1 |title=Isabel Rawsthorne (1912–1992) Artworks |accessdate=14 August 2017|work=[[Tate]]))</ref> and retrospectives have been exhibited.

==Exhibitions==
* ''Isabel Nicholas: Animal Studies'', [[Arnold Haskell]]'s Valenza Gallery, London, 1933((r|cage|p=38))
* ''Watercolours by [[Paul Nash (artist)|Paul Nash]], [[Frank Dobson (sculptor)|Frank Dobson]], [[Percy Hague Jowett|P.H. Jowett]], [[Adrian Allinson]], Isabel Nicholas'', Redfern Gallery, London, 1934((r|cage|p=42))
* ''Isabel Lambert: Recent Paintings'', [[Hanover Gallery]], London, 1949((r|cage|p=204))
* ''London-Paris (New Trends in Paintings and Sculpture)'', [[Institute of Contemporary Arts]], London, 1950,((r|cage|p=224)) 1955
* Isabel Lambert, [[Michael Ayrton]], Milan, 1950((r|cage|p=222))
* Exhibition of Drawings, [[Institute of Contemporary Arts]], London, 1951
* ''Recent Trends in Realist Painting'', [[Institute of Contemporary Arts]], London, 1952((r|cage|p=230))
* Exhibition of Paintings, [[Institute of Contemporary Arts]], London, 1954
* ''Contemporary English Theatre Design'', [[Arts Council of Great Britain]], 1957
* ''Isabel Lambert - Recent Paintings'', [[Hanover Gallery]], London, 1959((r|cage|p=306))
* ''Three Stage Designers: [[Leslie Hurry]], Isabel Lambert, [[Sophie Fedorovitch]]'', [[Arts Council of Great Britain]], 1963/64((r|cage|p=294))
* ''Dancers of the Royal Ballet: An Exhibition of Drawings and Gouaches by Isabel Lambert'', [[Mermaid Theatre]], London, 1966, Arts Council Gallery, Cambridge, 1967((r|cage|p=352))
* ''Isabel Lambert'', [[Marlborough Fine Art]], London, 1968((r|cage|p=398))
* ''Isabel Lambert: Exhibition of Work'', Framlingham Art Gallery, Suffolk, 1974((r|cage|p=379))
* ''Isabel Lambert: Dancers in Action. Drawings, paintings, stage designs'', [[October Gallery]], London, 1986((r|cage|p=387))
* Exhibition of work, [[Fry Art Gallery]], Saffron Walden, 1990
* ''Isabel Rawsthorne 1912&ndash;1992 A Memorial Retrospective'', Woods Gallery, Leicester, 1992
* ''Isabel Rawsthorne 1912&ndash;1992 Paintings, Drawings and Designs'', Mercer Art Gallery/[[October Gallery]] 1997-98
* ''Isabel Rawsthorne: Natural History'', [[Oxford University Museum of Natural History]], 1998&ndash;1999
* ''Transition: The London Art Scene in the Fifties'', [[Barbican Centre|Barbican Art Gallery]], 2002
* ''Epstein and Isabel: Artist and Muse'', [[Harewood House]], 2008.
* ''Friends and Lovers, Number 3'', The Old Workhouse, Pateley Bridge, 2008-9
* ''Alberto Giacometti "Die Frau auf dem Wagen" Triumph und Tod'', [[Lehmbruck Museum]], Duisburg, 2010
* ''Migration'', The Old Workhouse, Pateley Bridge, 2010
* ''Isabel Rawsthorne: Moving Bodies'', [[The New Art Gallery Walsall]], 2012
* ''Alberto Giacometti and Isabel Rawsthorne, a Conversation'', [[Tate Britain]], 2022
* ''The Many Sides of Isabel Rawsthorne: the story of a local and international artist'', [[Fry Art Gallery]], 2022

==Theatre design==
* ''[[Tiresias (ballet)|Tiresias]]'', [[Sadler's Wells Ballet]], 1951((r|cage|p=271))
* ''[[Elektra (opera)|Elektra]]'', [[Sadler's Wells Opera]], 1953((r|cage|p=294))
* ''[[Denis ApIvor|Blood Wedding]]'', [[Sadler's Wells Ballet]], 1953((r|cage|p=294))
* ''[[Coppélia]]'', [[Sadler's Wells Ballet]], 1953((r|cage|p=294))
* ''[[Life Is a Dream|Life's a Dream]]'', [[Group Theatre (London)|The Group Theatre]], 1953((r|cage|p=294))
* ''Madame Chrysanthème'', [[Sadler's Wells Ballet]], 1955((r|cage|p=294))
* ''Jabez and the Devil'', [[The Royal Ballet]], 1961((r|cage|p=309))

==Further reading==
* [[Peter Rose Pulham|P Rose Pulham]], 'Isabel Lambert' ''Isabel Lambert'', catalogue, London: Hanover Gallery, 1949
* J Lord 'Sudbury Cottage', ''A Gift for Admiration, Further Memoirs'', Farrar Straus & Giroux, New York, 1998
* V Wiesinger'', Alberto Giacometti, Isabel Nicholas, Correspondences'', Paris: FAAG, 2007
* V Wiesinger and M Harrison, ''Isabel and Other Intimate Strangers'', New York: Gagosian Gallery, 2008
* Carol Jacobi, 'Muse and Maker: Isabel Lambert and Alberto Giacometti' ''Alberto Giacometti "Die Frau auf dem Wagen" Triumph und Tod'', catalogue ed. Veronique Wiesinger and Gottlieb Leinz, Duisburg Museum, Germany, Jan 2010
* [https://www.francis-bacon.com/outofthecage Carol Jacobi, ''Out of the Cage: The Art of Isabel Rawsthorne'', London: The Estate of Francis Bacon Publishing, Feb 2021]<ref name="Thorpe"/>

==References==
<references/>

==External links==
* ((Art UK bio))
* Interview, ''Woman's Hour'', BBC Radio 4 [http://www.bbc.co.uk/radio4/womanshour/2005_36_fri_03.shtml]
* Ballet designs ''Royal Opera House''[http://www.rohcollections.org.uk/CollectionDesLambert.aspx]
* ''The Chariot'', Lehmbruck Museum [http://www.duisburg.de/micro2/lehmbruck_en/presse/press_release_alberto_giacometti.php]
* Photograph of Isabel Lambert (Rawsthorne), The Estate of Francis Bacon [https://web.archive.org/web/20110711022841/http://www.francis-bacon.com/world/isabel-rawsthorne/?c=People]

((Authority control))

((DEFAULTSORT:Nicholas, Isabel))
[[Category:1912 births]]
[[Category:1992 deaths]]
[[Category:20th-century English women artists]]
[[Category:Alumni of Liverpool College of Art]]
[[Category:Alumni of the Académie de la Grande Chaumière]]
[[Category:Alumni of the Royal Academy Schools]]
[[Category:Painters from Liverpool]]
[[Category:English artists' models]]
[[Category:Modern painters]]

Pages transcluded onto the current version of this page (help):

Isabel Nicholas (edit)
Template:Abbr (view source) (protected)
Template:Ambox (view source) (template editor protected)
Template:Art UK bio (view source) (semi-protected)
Template:Art UK bio/plural (view source) (semi-protected)
Template:Authority control (view source) (template editor protected)
Template:Birth date (view source) (template editor protected)
Template:Br separated entries (view source) (template editor protected)
Template:Catalog lookup link (view source) (template editor protected)
Template:Cite book (view source) (protected)
Template:Cite news (view source) (protected)
Template:Cite web (view source) (protected)
Template:Count (view source) (template editor protected)
Template:DMCA (view source) (template editor protected)
Template:Dated maintenance category (view source) (template editor protected)
Template:Dated maintenance category (articles) (view source) (template editor protected)
Template:Death date and age (view source) (template editor protected)
Template:Delink (view source) (protected)
Template:FULLROOTPAGENAME (view source) (template editor protected)
Template:Find sources mainspace (view source) (template editor protected)
Template:Hlist/styles.css (view source) (protected)
Template:ISBN (view source) (template editor protected)
Template:If both (view source) (template editor protected)
Template:If empty (view source) (protected)
Template:In string (view source) (protected)
Template:Infobox artist (view source) (template editor protected)
Template:Infobox person (view source) (template editor protected)
Template:MONTHNAME (view source) (template editor protected)
Template:MONTHNUMBER (view source) (template editor protected)
Template:Main other (view source) (protected)
Template:Marriage (view source) (template editor protected)
Template:Marriage/doc (edit)
Template:Marriage/styles.css (view source) (template editor protected)
Template:More citations needed (view source) (template editor protected)
Template:Moresources (view source) (template editor protected)
Template:Ns has subpages (view source) (protected)
Template:PAGENAMEBASE (view source) (template editor protected)
Template:Pagetype (view source) (protected)
Template:Plainlist/styles.css (view source) (protected)
Template:Pluralize from text (view source) (template editor protected)
Template:R (view source) (template editor protected)
Template:R/ref (view source) (template editor protected)
Template:R/superscript (view source) (template editor protected)
Template:R/where (view source) (template editor protected)
Template:SDcat (view source) (protected)
Template:Short description (view source) (protected)
Template:Short description/lowercasecheck (view source) (protected)
Template:Sp (view source) (template editor protected)
Template:Str ≠ len (view source) (template editor protected)
Template:Str ≥ len (view source) (template editor protected)
Template:Trim (view source) (protected)
Template:Unbulleted list (view source) (template editor protected)
Template:Use British English (view source) (template editor protected)
Template:Use dmy dates (view source) (template editor protected)
Template:Wdib (view source) (template editor protected)
Template:Webarchive (view source) (template editor protected)
Template:Wikidata image (view source) (template editor protected)
Template:YEAR (view source) (template editor protected)
Template:Yesno (view source) (protected)
Template:Yesno-no (view source) (template editor protected)
Template:Yesno-yes (view source) (template editor protected)
Module:Age (view source) (template editor protected)
Module:Arguments (view source) (protected)
Module:Authority control (view source) (template editor protected)
Module:Authority control/auxiliary (view source) (template editor protected)
Module:Authority control/config (view source) (template editor protected)
Module:Catalog lookup link (view source) (template editor protected)
Module:Category handler (view source) (protected)
Module:Category handler/blacklist (view source) (protected)
Module:Category handler/config (view source) (protected)
Module:Category handler/data (view source) (protected)
Module:Category handler/shared (view source) (protected)
Module:Check for clobbered parameters (view source) (template editor protected)
Module:Check for unknown parameters (view source) (protected)
Module:Check isxn (view source) (template editor protected)
Module:Citation/CS1 (view source) (protected)
Module:Citation/CS1/COinS (view source) (protected)
Module:Citation/CS1/Configuration (view source) (protected)
Module:Citation/CS1/Date validation (view source) (protected)
Module:Citation/CS1/Identifiers (view source) (protected)
Module:Citation/CS1/Utilities (view source) (protected)
Module:Citation/CS1/Whitelist (view source) (protected)
Module:Citation/CS1/styles.css (view source) (protected)
Module:Complex date (view source) (template editor protected)
Module:Date (view source) (template editor protected)
Module:DateI18n (view source) (template editor protected)
Module:DecodeEncode (view source) (template editor protected)
Module:Delink (view source) (protected)
Module:Detect singular (view source) (template editor protected)
Module:Disambiguation/templates (view source) (protected)
Module:EditAtWikidata (view source) (protected)
Module:Find sources (view source) (template editor protected)
Module:Find sources/config (view source) (template editor protected)
Module:Find sources/links (view source) (template editor protected)
Module:Find sources/templates/Find sources mainspace (view source) (template editor protected)
Module:GetParameters (view source) (template editor protected)
Module:I18n/complex date (view source) (template editor protected)
Module:ISOdate (view source) (template editor protected)
Module:If empty (view source) (protected)
Module:If preview (view source) (template editor protected)
Module:If preview/configuration (view source) (template editor protected)
Module:If preview/styles.css (view source) (template editor protected)
Module:Infobox (view source) (template editor protected)
Module:Infobox/styles.css (view source) (template editor protected)
Module:InfoboxImage (view source) (template editor protected)
Module:List (view source) (protected)
Module:Message box (view source) (protected)
Module:Message box/ambox.css (view source) (protected)
Module:Message box/configuration (view source) (protected)
Module:Namespace detect/config (view source) (protected)
Module:Namespace detect/data (view source) (protected)
Module:Navbar (view source) (protected)
Module:Navbar/configuration (view source) (protected)
Module:Navbox (view source) (template editor protected)
Module:Navbox/configuration (view source) (template editor protected)
Module:Navbox/styles.css (view source) (template editor protected)
Module:Ns has subpages (view source) (protected)
Module:Pagetype (view source) (protected)
Module:Pagetype/config (view source) (protected)
Module:Pagetype/disambiguation (view source) (protected)
Module:Pagetype/setindex (view source) (protected)
Module:Pagetype/softredirect (view source) (protected)
Module:ParameterCount (view source) (template editor protected)
Module:Parameter validation (view source) (template editor protected)
Module:Parameter validation/default config (view source) (template editor protected)
Module:Plain text (view source) (template editor protected)
Module:SDcat (view source) (protected)
Module:Separated entries (view source) (protected)
Module:String (view source) (protected)
Module:String2 (view source) (template editor protected)
Module:TableTools (view source) (protected)
Module:Template wrapper (view source) (template editor protected)
Module:Text (view source) (template editor protected)
Module:Unsubst (view source) (protected)
Module:Wd (view source) (template editor protected)
Module:Wd/i18n (view source) (template editor protected)
Module:Webarchive (view source) (template editor protected)
Module:Webarchive/data (view source) (template editor protected)
Module:WikidataIB (view source) (template editor protected)
Module:WikidataIB/nolinks (view source) (template editor protected)
Module:WikidataIB/titleformats (view source) (template editor protected)
Module:WikidataIdentifiers (view source) (extended confirmed protected)
Module:Wikitext Parsing (view source) (protected)
Module:Yesno (view source) (protected)

Return to Isabel Nicholas.

Retrieved from "https://en.wikipedia.org/wiki/Isabel_Nicholas"