Isabelle Adjani | |
|---|---|
 Adjani at the 2018 Cannes Film Festival | |
| Born | Isabelle Yasmina Adjani 27 June 1955 Paris, France |
| Alma mater | University of Vincennes |
| Occupations |
|
| Years active | 1970–present |
| Partner(s) | Bruno Nuytten (1976–1981) Daniel Day-Lewis (1989–1995) |
| Children | 2 |
| Awards |  Legion of Honour - Knight (2010) |
Isabelle Yasmina Adjani LdH (born 27 June 1955) is a French actress and singer of Algerian and German descent. She is the only performer in history to win five César Awards for acting—all in the Best Actress category—for Possession (1981), One Deadly Summer (1983), Camille Claudel (1988), La Reine Margot (1994), and Skirt Day (2009). She was made a Knight of the Legion of Honour in 2010 and a Commander of the Order of Arts and Letters in 2014.
Her portrayal of Adèle Hugo in The Story of Adèle H. (1975) earned Adjani her first nomination for the Academy Award for Best Actress, which made her, at 20, the youngest nominee in that category at the time. Her second Best Actress nomination came for portraying Camille Claudel, making her the first French actress to receive two Academy Award nominations for foreign-language films. She won the Cannes Film Festival Award for her performances in Possession and Quartet (1981), becoming the only actress to win for two films in the same competition slate, and a Silver Bear for Camille Claudel. Her other notable film roles include The Tenant (1976), Nosferatu the Vampyre (1979), Subway (1985), Diabolique (1996), French Women (2014), and The World Is Yours (2018).
Isabelle Yasmina Adjani was born on 27 June 1955 in the 17th arrondissement of Paris, to Mohammed Cherif Adjani, an Algerian Kabyle from Constantine, and Emma Augusta "Gusti" Schweinberger, a German Catholic from Bavaria.[1][2][3][4][5][6][7]
Adjani's parents met near the end of World War II, when her father was in the French Army. They married and her mother returned with him to Paris, despite not speaking a word of French.[8][9] She asked him to take Cherif as his first name as she thought it sounded more "American".[10]
Isabelle grew up bilingual, speaking French and German fluently,[11][12][13] in Gennevilliers, a northwestern suburb of Paris, where her father worked in a garage.[14] After winning a school recitation contest, Adjani began acting by the age of 12 in amateur theater. She successfully passed her baccalauréat and was auditing classes at the University of Vincennes in 1976.[3]
Adjani had a younger brother, Éric, who was a photographer. He died on 25 December 2010, aged 53.[15][16]
At the age of 14, Adjani starred in her first motion picture, Le Petit Bougnat (1970).[17] She first gained fame as a classical actress at the Comédie-Française, which she joined in 1972. She was praised for her interpretation of Agnès, the main female role in Molière's L'École des femmes. She soon left the theatre to pursue a film career.
After minor roles in several films, she enjoyed modest success in the 1974 film La Gifle (The Slap), which François Truffaut saw. He immediately cast her in her first major role in his The Story of Adèle H. (1975) which he had finished writing five years prior. Critics praised her performance,[3] with the American critic Pauline Kael describing her acting talents as "prodigious".[18]
Only 19 when she made the film, Adjani was nominated for the Academy Award for Best Actress in a Leading Role, becoming the youngest Best Actress nominee at the time (a record she held for almost 30 years). She quickly received offers for roles in Hollywood films, such as Walter Hill's 1978 crime thriller The Driver. She had previously turned down the chance to star in films like The Other Side of Midnight. She had described Hollywood as a "city of fiction" and said, "I'm not an American. I didn't grow up with that will to win an award." Truffaut on the other hand said, "France is too small for her. I think Isabelle is made for American cinema."[3] She agreed to make The Driver because she was an admirer of Hill's first film Hard Times. Adjani said:
I think he is wonderful, very much in the tradition of Howard Hawks, lean and spare. The story is contemporary but also very stylized, and the roles that Ryan and I play are like Bogart and Bacall. We are both gamblers in our souls and we do not show our emotions or say a lot. For us, talk is cheap. I am really quite a mysterious girl in this film, with no name and no background. And I must say that it is restful not to have a life behind me; this way, I don't have to dig deep to play the part. All I know is that life for me is gambling and I am a loser. I have what people call a poker face.[19]
The film was seen more than 1.1 million times in Adjani's native France but did not do as well in the US.[20]
She played Lucy in the German director Werner Herzog's 1979 remake of Nosferatu which was well-received critically and performed well at box offices in Europe.[21] Roger Ebert loved the film, calling Herzog's casting of Adjani one of his "masterstrokes" in the film. He wrote that she "is used here not only for her facial perfection but for her curious quality of seeming to exist on an ethereal plane."[22] The cast and the crew filmed both English- and German-language versions simultaneously upon request of 20th Century Fox, the American distributor,[23] as Kinski and Ganz could act more confidently in their native language.
In 1981, she received a double Cannes Film Festival's Best Actress award for her roles in the Merchant Ivory film Quartet, based on the novel by Jean Rhys, and in the horror film Possession (1981). The following year, she received her first César Award for Possession, in which she had portrayed a woman having a nervous breakdown. In 1983, she won her second César for her depiction of a vengeful woman in the French blockbuster One Deadly Summer. That same year, Adjani released the French pop album Pull marine, written and produced by Serge Gainsbourg. She starred in a music video for the hit title song, "Pull Marine", which was directed by Luc Besson.
In 1988, she co-produced and starred in a biopic of the sculptor Camille Claudel. She received her third César and second Oscar nomination for her role in the film, becoming the first French actress to receive two Oscar nominations. The film was also nominated for the Academy Award for Best Foreign Language Film.
She received her fourth César for the 1994 film Queen Margot, an ensemble epic directed by Patrice Chéreau. She received her fifth César for Skirt Day (2009), the most that any actress has received. The film features her as a middle school teacher in a troubled French suburb who takes her class hostage when she accidentally fires off a gun she found on one of her students. It was premiered on the French Arte channel on 20 March 2009, attaining a record 2.2 million viewers) and then in movie theaters on 25 March 2009.[24] The film was her return to the cinema after eight years of absence.[25] In 2010, she made an appearance in the social comedy Mammuth, from directors Benoît Delépine and Gustave Kervern, and in which she played the phantom of Gérard Depardieu's first love.[26] The same year, she lent her voice to the character of Mother Gothel in the animated film Rapunzel.[27] In 2011, she co-starred in De Force, the first film directed by Frank Henry. She embodied the commander Clara Damico, head of the brigade for the repression of banditry.[28] in 2023 Adjani joined Netflix miniseries Perfect Couple [29]
In 1979, Adjani had a son, Barnabé Saïd-Nuytten, with the cinematographer Bruno Nuytten,[11] whom she later hired to direct her project Camille Claudel, a biopic of the sculptor who was the lover of Rodin.[14]
From 1989 to 1995, she had a relationship with Daniel Day-Lewis,[11] which ended before the birth of their son, Gabriel-Kane Day-Lewis, in 1995.[30]
Adjani was later engaged to the composer Jean-Michel Jarre; they broke up in 2004.[30]
Adjani has been vocal against anti-immigrant and anti-Algerian sentiment in France.[14] In 2009, she criticized statements by Pope Benedict XVI, who claimed that condoms are not an effective method of AIDS prevention.[31]
In September 2009, she signed a petition in support of Roman Polanski, calling for his release after he was arrested in Switzerland in relation to his 1977 charge for drugging and raping a 13-year-old girl.[32]
In 2017, Adjani was interviewed by Vincent Josse on the French public radio station France Inter. During the interview, she expressed her vaccine hesitancy and opposition to mandatory vaccination.[33]
In addition to specific awards for particular films, Adjani was made a Knight of France's Legion of Honour on 14 July 2010 for her contributions to the arts.[34]
