The Visitors was initially workshopped at the Yellamundie Festival in 2013, before a development at the Melbourne Theatre Company Cybec Electric series / Melbourne Indigenous Festival in 2014 directed by Leah Purcell.
Sydney Theatre Company has announced new production of Stolen in its 2024 season, to be directed by Ian Michael.
Rainbow's End
Rainbow's End premièred in 2005, and toured Melbourne, Sydney, regional Australia, and Japan in 2007, and has had numerous subsequent productions. Harrison was awarded for Rainbow's End the Drover Award (Tour of the Year) and a Helpmann Awards nomination for Best Regional Touring Production. It has been studied on the New South Wales Higher School Certificate and is currently on the Victorian Certificate of Education English syllabus. Rainbow's End tells the simple, yet convoluted story of three generations of First Nations women; young Dolly, her mother the happy-go-lucky Gladys, and the wise and stern Nan Dear, living in their shanty perched on the flats of the Goulburn River in 1950s regional Victoria. The play was initially directed by Wesley Enoch.[3]
On a Park Bench
On a Park Bench was created through workshops at Playbox and the Banff playRites Colony. The play was a finalist in the Lake Macquarie Drama Prize.[2]
Blakvelvet
Blakvelvet won the 2006 Theatrelab Indigenous Award.[2]
Novels and short stories
The Visitors
The narrative arc presented in Harrison's play The Visitors is reconceptualized as a literary novel, also called The Visitors, published by HarperCollins in 2023, and shortlisted for the 2024 Indie Book Award.
Becoming Kirrali Lewis
Harrison's novel, Becoming Kirrali Lewis, won the State Library of Queensland 2014 black&write! Indigenous Writing Fellowship, was shortlisted in the Prime Minister's Literary Awards 2016, and was Highly Commended in the Victorian Premier's Literary Awards 2016. Becoming Kirrali Lewis is a coming-of-age teen fiction novel about the search by Stolen Generations member Kirrali Lewis for her biological parents, which turns stereotypes on their heads. Becoming Kirrali Lewis was published by Magabala Books in 2015.
Born, Still
Short story, Born, Still, was published by the State Library of Queensland in Writing Black: New Indigenous Writing from Australia, launched in May 2014, and in the anthology Flock published by University of Queensland Press in 2021. Born, Still is a gentle reflection on the death of a daughter before birth.
Born, Still was subsequently re-worked as a play, workshopped at the National Play Conference in 2018 with a reading at the Melbourne Writers Festival also in 2018.
First Nations Monologues
First Nations Monologues (edited by Harrison) is an anthology of 30 contemporary First Nations playwrights’ most notable theatrical monologues. Published by Currency Press in 2023, it pays homage to the diverse perspectives that resonate throughout Australia.
Healing our communities, healing ourselves
In an act of generous courage, Harrison confessed in 2010 to her own struggles with mental health in an essay published in the Medical Journal of Australia. At a time when mental health was a career-ending stigma, she did so as a platform for talking about First Nations' mental health more broadly. Harrison’s essay Healing Our Communities, Healing Ourselves[4] argued that First Nations people faced the dual challenge of transgenerational trauma and its associated impact on mental health, in parallel with the more widely acknowledged structural barriers. She argued a healthy First Nations person and community represents best practice but that we First Nations workers travel a parallel journey, working to improve our community’s wellbeing, while sometimes struggling with our own. In recognition of her contribution to mental health awareness the Medical Journal of Australia awarded Harrison the Dr Ross Ingram Essay Prize.
Other works
Harrison originally created, and has led Blak & Bright - First Nations Literary Festival in Naarm (Melbourne) since 2015, currently in the role of Artistic Director / Chief Executive Officer. Blak & Bright is a bi-annual four-day festival celebrating the diverse expressions of First Nations story-tellers.
Indig-curious; Who can play Aboriginal roles? published by Currency House in 2012 explores the issues raised by First Nations identity in theatre. The essay was derived from Harrison's University of Queensland Masters Exegesis.
Harrison contributed a chapter to Many Voices, Reflections on experiences of Indigenous child separation, which was published in 2002 by the National Library of Australia, Canberra. This work was also related to the theme of the stolen generations.[2]
