| Janusz A. Zajdel Award | |
|---|---|
 The statuette of the Janusz A. Zajdel Award. | |
| Country | Poland |
| Presented by | the Polish science fiction and fantasy fandom |
| First awarded | 1984 |
| Website | zajdel |
The Janusz A. Zajdel Award (Nagroda imienia Janusza A. Zajdla), often called just Zajdel, is the annual award given by the Polish science fiction and fantasy fandom for the best stories published in the previous year.
It is the most prestigious of several Polish awards for that genre of literature.[1][2]
The winners are chosen in a vote by fans present at the annual Polcon convention from up to five nominations in each of two categories:[3]
Instant-runoff voting with "No award" as one of the choices is the method used.[3] Vote counts are not announced.
The award was created in 1984 (to be awarded from 1985) under the name Sfinks (not to be confused with the Sfinks Award, an award of the SFinks magazine). After the death of the first winner, Janusz A. Zajdel, in 1985, the name was changed in his memory. Zajdel's widow, Jadwiga Zajdel, has presented the award to the winners since then.[4][5]
Until 1989, the award was given by Polish science fiction fan associations, voting as units; since 1990, all fans present at Polcon convention can vote. Since 1991 the system has been based on two-tier ballot, compared to the system used in the Hugo Award.[4][6]
Until 1991, there was a single award given for the best story; since 1992, there are two categories: novel and short story.[6] The year 1991 also saw the introduction of the Zajdel statuette, designed by sculptor Wiesław Bielak.[6]
In 2014, a free online e-book of the stories nominated for year 2013 was made available.[7]
The year given is the year of publication. Since 1992, novels and short stories have been judged separately. The winners of the award are:[8]
| Year | Novel | Short story |
|---|---|---|
| 1984 | Janusz Andrzej Zajdel, Paradyzja | |
| 1985 | Marek Baraniecki, Głowa Kasandry | |
| 1986 | no award | |
| 1987 | no award | |
| 1988 | Edmund Wnuk-Lipiński, Rozpad połowiczny | |
| 1989 | no award | |
| 1990 | Andrzej Sapkowski, Mniejsze zło | |
| 1991 | Marek S. Huberath, Kara większa | |
| 1992 | Feliks Wiktor Kres, Król Bezmiarów | Andrzej Sapkowski, Miecz przeznaczenia |
| 1993 | no award | Andrzej Sapkowski, W leju po bombie |
| 1994 | Andrzej Sapkowski, Krew elfów | Ewa Białołęcka, Tkacz Iluzji |
| 1995 | Rafał Aleksander Ziemkiewicz, Pieprzony los kataryniarza | Konrad Tomasz Lewandowski, Noteka 2015 |
| 1996 | Tomasz Kołodziejczak, Kolory sztandarów | Rafał A. Ziemkiewicz, Śpiąca królewna |
| 1997 | Marek S. Huberath, Druga podobizna w alabastrze | Ewa Białołęcka, Błękit Maga |
| 1998 | Rafał A. Ziemkiewicz, Walc stulecia | Anna Brzezińska, A kochał ją, że strach |
| 1999 | Marek S. Huberath, Gniazdo światów | Antonina Liedtke, CyberJoly Drim |
| 2000 | Anna Brzezińska, Żmijowa harfa | Jacek Dukaj, Katedra |
| 2001 | Jacek Dukaj, Czarne oceany | Andrzej Ziemiański, Autobahn nach Poznań |
| 2002 | Andrzej Sapkowski, Narrenturm | Andrzej Pilipiuk, Kuzynki |
| 2003 | Jacek Dukaj, Inne pieśni | Andrzej Ziemiański, Zapach szkła |
| 2004 | Jacek Dukaj, Perfekcyjna niedoskonałość | Anna Brzezińska, Wody głębokie jak niebo |
| 2005 | Jarosław Grzędowicz, Pan Lodowego Ogrodu, volume 1 | Jarosław Grzędowicz, Wilcza zamieć |
| 2006 | Jarosław Grzędowicz, Popiół i kurz | Maja Lidia Kossakowska, Smok tańczy dla Chung Fonga |
| 2007 | Jacek Dukaj, Lód | Wit Szostak, Miasto grobów. Uwertura |
| 2008 | Rafał Kosik, Kameleon | Anna Kańtoch, Światy Dantego |
| 2009 | Anna Kańtoch, Przedksiężycowi, volume 1 | Robert M. Wegner, Wszyscy jesteśmy Meekhańczykami |
| 2010 | Jacek Dukaj, Król Bólu i pasikonik | Anna Kańtoch, Duchy w maszynach |
| 2011 | Maja Lidia Kossakowska, Grillbar Galaktyka | Jakub Ćwiek, Bajka o trybach i powrotach |
| 2012 | Robert M. Wegner, Niebo ze stali | Robert M. Wegner, Jeszcze jeden bohater |
| 2013 | Krzysztof Piskorski, Cienioryt | Anna Kańtoch, Człowiek nieciągły |
| 2014 | Michał Cholewa, Forta | Anna Kańtoch, Sztuka porozumienia |
| 2015 | Robert M. Wegner,Pamięć wszystkich słów | Robert M. Wegner, Milczenie owcy |
| 2016 | Krzysztof Piskorski, Czterdzieści i cztery | Łukasz Orbitowski and Michał Cetnarowski, Wywiad z Borutą |
| 2017 | Rafał Kosik, Różaniec | Marta Kisiel, Szaławiła |
| 2018 | Robert Wegner, Każde martwe marzenie | Marta Kisiel, Pierwsze słowo |
| 2019[9] | Radek Rak, Baśń o wężowym sercu albo wtóre słowo o Jakóbie Szeli [A Tale of the Serpent's Heart or the Second Word about Jakub Szela] |
Marta Potocka, "Chomik" ["Hamster"] |
| 2020 | Agnieszka Hałas, Czerń nie zapomina | Krzysztof Matkowski and Krzysztof Rewiuk, Święci z Vukovaru |
| 2021 | Magdalena Salik, Płomień | Michał Cholewa, Ucieczka |
| 2022 | Radek Rak, Agla. Alef | Michał Cholewa, Na granicy |
The novel is loosely based on the legends about Jakub Szela, the leader of a 1846 peasant uprising known as the Galician slaughter. It gained several other literary awards.[10]
Marta Potocka is a young writer, with several short stories. She works as a programmer. Her winning work "Chomik" ["Hamster"] was published in the e-zine Esensja, no. 5, 2019. The story is set in the near future Poland. The heavily criticized Social Insurance Institution is closed and the basic social security payment is introduced to everybody subject to the condition that to qualify for it the person must join the program of Social Monitoring. The Social Insurance Institution is replaced with the Social Balance Institution, whose function is to control that people spend as much money as possible. Those who do not want to spend are called "hamsters", i.e., "hoarders". An employee of SII tries to handle a particularly tough "hamster" and fails, but instead uncovers a much larger problem. [10] Chomik is available online.[11]
