Jimmie Spheeris (November 5, 1949 – July 4, 1984) was an American singer-songwriter who released four albums in the 1970s on the Columbia Records and Epic Records labels. Spheeris died in 1984, at the age of 34, after a motorcycle accident.
Biography
Jimmie (James) Spheeris was born in Phenix City, Alabama, to Juanita 'Gypsy' and Andrew Spheeris, who owned and operated a traveling carnival called the Majick Empire.[1] These childhood years of colorful transience were a major influence on later work, as evidenced in songs such as "Lost in the Midway" and "Decatur Street," among others.
Spheeris had two sisters, Penelope and Linda, and a brother, Andy. After his father was murdered by a "belligerent carnival-goer,"[2] Gypsy Spheeris moved the family to San Diego, California. The family eventually settled in Venice, California. Gypsy Spheeris tended bar at an establishment on Main Street called The Circle.
Spheeris moved to New York City in the late 1960s to pursue his songwriting career.[3] The liner notes on his debut album credit friend and fellow songwriter Richie Havens,[4] who introduced Spheeris to Columbia Records executive Clive Davis. Davis signed Spheeris to a four album recording contract and his debut album was released on the Columbia label.
Spheeris' 1972 debut album, Isle of View, garnered a devoted following and FM radio airplay, most notably for the song "I Am the Mercury." His 1973 album, The Original Tap Dancing Kid, was followed by a period of extensive concert touring. Spheeris returned to the recording studio in 1975 with The Dragon is Dancing and released Ports of the Heart in 1976. After Ports of the Heart, Spheeris had no recording contract. Except for a 1980 single, "Hold Tight," Spheeris released no new material through a major record label.
Spheeris died at the age of 34 in Santa Monica, California, when his motorcycle collided with a van at 2 a.m. on the morning of July 4, 1984. The driver of the van, Bruce Burnside, was charged with driving under the influence of alcohol and felony vehicular manslaughter.[5] Hours before his death, Spheeris finished the self-titled album, Spheeris, which was produced by Paul Delph. This final album was not publicly released for 16 years. Delph would later record two of Spheeris' songs for his final album A God That Can Dance.
In 1998, independent record label Rain Records began re-releasing Spheeris' catalog on CD, but stopped production in 2001 following the cancellation of a music licensing contract with Sony Music Special Products (owner of Spheeris’ catalog).
Style
Jimmie Spheeris, c. 1976
Spheeris primarily composed on the guitar and piano. His musical genre was generally in the folk music and singer-songwriter traditions, although later work explored jazz, rock music, jazz-rock fusion and new wave music.
With few exceptions, Spheeris’ guitar compositions employed the use of open tunings, also referred to as alternate tunings. Johnny Pierce (November 30, 1953 – December 12, 2005), worked with Spheeris as a recording session and touring artist from 1973 to 1980, and wrote extensive guitar tablature regarding the tunings Spheeris used throughout his career.[6]
Spheeris’ vocal range was primarily baritone and tenor, with occasional falsetto flourishes. His voice is most often described by music critics and fans as "soulful," "sultry," or "smoky."[7]
Musicians
Longtime friend Jackson Browne contributed backing vocals on Spheeris' 1976 album, Ports of the Heart. Recording artist Laura Nyro and Spheeris were also friends, sharing a New York City apartment for a time in the early 1970s.
The following is a partial list of musicians who contributed to recordings by Jimmie Spheeris:
