John Dastin [1] (c.1293-c.1386) was an English alchemist of the fourteenth century. Little is known of his life beyond the texts which are attributed to him (A biographical notice De vita, aetate ac scripsis Johannis Dastin is found in a 17th-century manuscript: Ms Oxford, Bold. Libr., Ashmol. 1445, VIII, fol. 53).[2] Dastin is known for correspondence with Pope John XXII and Cardinal Napoleone Orsini in defense of alchemical practice, dated to 1320.

Work attributed to Dastin was included in the 1625 Harmoniae imperscrutabilis Chymico-Philosophicae of Hermannus Condeesyanus,[3] the 1629 Fasciculus Chemicus of Arthur Dee, and the 1652 Theatrum Chemicum Britannicum of Elias Ashmole.

Recent research has revealed that John Dastin lived around 1293-1386. He was born in the village of Greet, in the county of Gloucestershire and was ordained deacon in 1311. He studied at Oxford and was appointed vicar of the church of Bringhurst, Leicestershire. In mid-1317 he traveled to Avignon to work in the service of Cardinal Napoleon Orsini (†1342) and obtained the benefits of a canonry of the collegiate church of Southwell. During his stay in Avignon he was known as "magister Johannes Anglicus." He worked at the court of Napoleon Orsini, and he helped Giovanni Gaetano Orsini during his legacy in Italy (1326-1334). Dastin returned to Oxford in 1341 and was appointed vicar of the Church of Aberford, in Yorkshire, associated with Oriel College. He died at an earlier date than 1386.[4]

Works

Letter to John XXII

Dastin argues that artificial transmutation into gold with the help of sulphur of mercury (argent vive) is equivalent to natural transformation. Furthermore, that "art imitates nature, and in certain respects corrects and surpasses it just as infirm nature is changed by the industry of medicine."[5]

Rosarius

The Rosarius Philosophorum, also known by its incipit Desiderabile desiderium (the desired desire). The Rosarium is known in manuscript[6] and was printed in 1702 by Jean-Jacques Manget in his Bibliotheca Chemica Curiosa.

It was also attributed to Dastin's contemporary Arnaldus de Villa Nova (1238-1311 or 1313) and translated into French under the title La Vraie Pratique de la noble science d'alchimie. Later still it was attributed to Nicolas Flamel under the title The Book of Washing.

Visio

In manuscripts, this text was often associated with the Visio Edwardi. It was printed for the first time in 1625 under the title Visio Ioannis Dastin,[7] and translated into English in 1652 in the Theatrum Chemicum Britannicum of Elias Ashmole as Dastin's Dreame.

Notes

  1. ^ Also Dastine, Dastyn, Daustin, Dastinus, Astin, Astinus. Also given in the forms Joannes Dacius, Johannes Anglicus and (according to Lynn Thorndike) Johannes de Vasconia.
  2. ^ Noted by Wilfred Theisen John Dastin's Letter on the Philosophers' StoneAmbix 1986, vol. 33, no2-3, pp. 78-87 (p.86 n. 3) cited by Pascale Barthélemy et Didier Kahn Les voyages d'une allégorie alchimique : de la Visio Edwardi à l'Oeuvre royalle de Charles VI in Comprendre et maîtriser la nature au Moyen Age. Mélanges d'histoire des sciences offerts à Guy Beaujouan, Genève-Paris / 1994 - [1]
  3. ^ The Visio super artem Alchemicam.[page needed]
  4. ^ José Rodríguez-Guerrero, “Un Repaso a la Alquimia del Midi Francés en el Siglo XIV (Parte I)”, in: Azogue, 7, 2010-2013, pp. 75-141, cf. pp. 92-101.
  5. ^ Obrist, Barbara (1986). "Art et nature dans l'alchimie médiévale" [Art and nature in medieval alchemy]. Revue d'Histoire des Sciences (in French). 49 (2–3): 215–86. doi:10.3406/rhs.1996.1256. INIST 2872047. Nam ars imitatur naturam et in quidam corrigit et superat eam, sicut mutatur natura infirma medicorum industria
  6. ^ For example from 1525,"Mellon MS 28". Archived from the original on 2011-07-20. Retrieved 2011-02-03.; other 16th-century sources, [2].
  7. ^ Harmoniae Chymico-Philosophicae decade II, collecta studio Johannis Rhenani, Francfort. 1625 pp.301-308

Manuscripts

References

External links

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