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John Granger is a speaker and writer whose principal focus is the intersection of literature, faith, and culture. He is most well known as the author of several books analysing J.K. Rowling's Harry Potter novels. He writes a weblog called Hogwarts Professor.'
Granger was born in Corning, New York and grew up in Mountain Lakes, New Jersey. He graduated from Phillips Exeter Academy and the University of Chicago, where he studied classical languages and literature. Granger has a Master of Fine Arts (Creative Writing) from Oklahoma City University and a PhD in English Literature from Swansea University (Wales). Previously he taught Latin and English at The Asheville School, Peninsula College, and Valley Forge Military Academy.
Granger served for 6 years in the US Marine Corps including postings at the Air Ground Combat Center in 29 Palms, California, and at Camp Butler, Okinawa, Japan. He is married to Mary, is a reader in the Eastern Orthodox Church, and has seven children.
Described as "The Dean of Harry Potter Scholars"[1] his specialisation is iconological literary criticism, reading at four layers: the surface, moral, allegorical, and sublime (anagogical). Writing about Harry Potter from this perspective, he introduced the 'Eliade thesis' to suggest a textual cause for Potter mania[2] explaining Rowling's use of Christian Symbolism and Rowling's use of literary alchemy.[3] Granger has demonstrated Rowling's use of 'ring composition' or chiasmus story scaffolding[4] and eye symbolism[5] in the Harry Potter novels, and argued that her eye symbolism in Deathly Hallows and the King's Cross scene Rowling describes as "the key" to the seven novels suggests her baseline theme is "transformed vision".[6]
Granger brings the same literary criticism model to the allegorical and anagogical aspects of Stephenie Meyer's Twilight Saga,[7] Suzanne Collins' Hunger Games trilogy[8] and C. S. Lewis’ Chronicles of Narnia.[9]
He has been a featured speaker at Harry Potter conferences in Orlando, Las Vegas, Toronto, Los Angeles, Philadelphia, Illinois, San Francisco, Chicago, Chestnut Hill, Washington, D.C., St Andrews and Ottawa in addition to giving talks and classes on symbolist literature and iconological criticism at schools and other venues around the US. Granger has been a guest speaker at the Torrey Honors Institute at Biola University, California,[10][11] Pepperdine, Washington & Lee, La Salle, Cornell, Penn, Yale, University of Chicago, Baylor, St Andrews, the Wade Center at Wheaton College, Loyola, Augustana, UNC, USC, the New York C. S. Lewis Society, New York Public Library, and the Past Watchful Dragons C. S. Lewis Conference. He has given more than 100 radio, newspaper, and television interviews and is featured in the A&E Special 'Secrets of Harry Potter' that is an Order of the Phoenix DVD Extra.[12][13][14][15][16][17]
In respect to the Harry Potter series, Granger holds, contrary to several Christian critics of the series – including Berit Kjos[18] and Richard Abanes – that the books' magic is incantational rather than invocational, and, as such, require and support a Christian worldview rather than undermine it. Granger has debated Abanes and Catholic Potter critic Michael O’Brien on the Christian content and value of Rowling's work.[19] This argument was later validated by Rowling in her 2007 Open Book Tour, when she commented that she thought the Christian symbolism and content of the Harry Potter novels was "obvious".[20]
Latter-day Saint critics of Granger's exploration of Stephenie Meyer's Mormonism and its place in her Twilight novels have dismissed his work as a cursory engagement with Mormonism, uncovering subtlety where none was intended, giving Meyer the benefit of doubts never demanded, and getting Mormon popular culture plain wrong.[21][22] Granger has been defended by BYU Professor Steven Walker, who Stephenie Meyer has cited as the professor who had the greatest influence on her.[23] Walker, who is also a believing Mormon, has commented that Granger has persuaded him that "Meyer’s religious thought is so crucial to her fiction that to read it without consideration of the theology is to miss much of the point", and that Granger's work succeeds in deepening Christian's reading of theology, showing that readers enter fully into the stories because of religious depths and heights which the Twilight novels share with the best English literature.[24]
Granger first became interested in Harry Potter when his daughter was given a copy of Harry Potter and the Philosopher's Stone. He read the book with the intention of pointing out to his daughter what was wrong with it but instead was impressed by the Christian imagery, classical references, and 'acerbic criticism of muggledom'. Granger's interest grew through discussion with friends in the Port Townsend C. S. Lewis Society. He gave lectures on the subject at the Society and the town's Carnegie Library which lectures were eventually collected into a book, 'Hidden Key to Harry Potter' (Zossima Press, 2002). That book was re-written and re-titled first 'Looking for God in Harry Potter' (Tyndale, 2004, 2006) and now 'How Harry Cast His Spell' (Tyndale, 2008).
This book in its updated and revised forms argues that the Harry Potter novels are as popular as they are because of their traditional symbolism and spiritual content. Granger believes, following Mircea Eliade, that because forms of entertainment in a secular or profane culture serve a mythic and religious function; the most popular works will be those with transcendent imagery, structure, and meaning.
Granger taught Harry Potter courses on the online Barnes and Noble University and as a guest in their Book Clubs from 2004 to 2007. He has also appeared as a guest in favor of the Harry Potter books on several radio and TV shows, including CNN's Paula Zahn Now,[25] MSNBC, and A&E's The Hidden Secrets of Harry Potter (which special is on the Harry Potter and the Order of the Phoenix DVD). Having been the first to note and explain the traditional alchemical and Christian imagery in the novels, he has become involved in the debate with those who criticize Ms. Rowling's novels, critics who believe the adventure stories encourage children to consider paganism and witchcraft as alternative faiths.[26] In The Deathly Hallows Lectures, he explains the predominant eye symbolism of the series finale in light of Samuel Taylor Coleridge's natural theology and the consequent tradition of eye and mirror symbolism in Romantic literature.[5]
Other works (through written contribution or editing) include:
