Life
Worsley spent his childhood on a coffee farm in Kenya, his family having emigrated from Liverpool just six months after his birth. In 1928 he was sent back to England and was enrolled in St. Winifred's boarding school, from where Worsley won a scholarship to Brighton College, after which he spent three years studying fine art at Goldsmiths' School of Art. After graduating, in 1938, Worsley secured work as a commercial illustrator, mainly working on romance magazines.[3]
At the start of World War Two, Worsley joined the Royal Navy and spent three years on convoy escort duty in the Atlantic and the North Sea.[3] During that period Worsley served on HMS Laurentic, HMS Lancaster and HMS Devonshire. Worsley was aboard the Laurentic when it was torpedoed and sunk in November 1940.[4] Worsley's painting of that incident, based on sketches he made at the time in an open lifeboat, plus his drawings of wartime life at sea gained the attention of Kenneth Clark – the director of War Artists' Advisory Committee –who appointed him as one of the two full-time artists attached to the Commander-in-Chief's staff, Malta.[1][5]
In 1943, the Navy dispatched Worsley to an island in the north Adriatic, where he hoped to record an attempt by Allied saboteurs to establish a base camp, but the Germans intercepted his party, forcing them to surrender.[6]
As a prisoner, Worsley documented camp life with warmth, accuracy, and humour. He also directed his talent to covert pursuits, including the creation of counterfeit documentation, and Albert, an ingenious life-size figurine, crafted from newspaper, a wire frame, and human hair. The figurine had blinking ping-pong ball eyes that were powered by a pendulum made from a sardine tin.[6] For four days, Albert successfully deceived the prison guards, masquerading as an officer during roll-call, while the lieutenant he had replaced made good his escape.[6] However, the escapee was eventually recaptured, and Albert was hidden for the next escape.[2]
After the war, Worsley remained under Naval engagement, painting portraits of high-ranking officers for the Admiralty, before securing a commission for the popular children's weekly, Eagle, and its companion paper, Girl, achieving his greatest success with The Adventures of P.C. 49,[7] a comic strip featuring the exploits of a British constable.[2] Aside from illustrating comics, periodicals, and advertisements - including a series of Army Recruitment posters out of the Boy's Own mould, Worsley also assisted Scotland Yard; his ability to draft from description secured the capture of the nurse implicated in the notorious London baby-snatch of 1990.[3]
By 1970, Worsley entered the arena of family entertainment, rendering hundreds of large plates for televised adaptations of The Wind in the Willows, Treasure Island, A Christmas Carol, and The Little Grey Men, later released as large-format prints for children.[8] During his lifetime, he illustrated over forty books, concluding with a record of his exploits during the Second World War.
Worsley died on 3 October 2000 at the age of 81.[6]
A collection of his wartime sketches, found in his studio after his death, were displayed by his step-daughter on a special edition of the BBC television programme Antiques Roadshow on 8 September 2019, marking 80 years since the start of World War II.[9] At that time, they remained in the ownership of his family.[9]
