Josiah Conder
Josiah Conder
Born(1852-09-28)28 September 1852
London, England
Died21 June 1920(1920-06-21) (aged 67)
Tokyo, Japan
NationalityBritish
Alma materUniversity of London
OccupationArchitect
AwardsOrder of the Sacred Treasures
BuildingsRokumeikan

Josiah Conder (28 September 1852 – 21 June 1920) was a British architect who was hired by the Meiji Japanese government as a professor of architecture for the Imperial College of Engineering and became architect of Japan's Public Works.[1] He started his own practice after 1888.

Conder designed numerous public buildings in Tokyo, including the Rokumeikan, which became a controversial symbol of Westernisation in the Meiji period.[2] He educated young Japanese architects, notably Tatsuno Kingo and Katayama Tōkuma, earning him the nickname "father of Japanese modern architecture."[3]

Early career

Conder was born in Brixton, Surrey, London, to Josiah Conder, a banker, and his wife, Elizabeth (Willsher). Conder was educated at Bedford Modern School,[4] and then became an architect pupil with Thomas Roger Smith.[5] He later studied architecture at the South Kensington School of Art and the University of London.[6]

His grandfather, Josiah Conder (1789-1855) was a well known religious bookseller and author, mostly known for his book The Modern Traveller.[7] His uncle, Francis Roubiliac Conder (1815-1889), was a successful civil engineer in railway construction.[8] Francis Roubiliac's son, Claude Reignier Conder, became a Royal Engineer after graduating from the University of London and the Royal Military Academy, Woolwich. He made extensive geographical and archaeological surveys over the Middle East at the end of 19th century.[9]

Conder worked for the Gothic Revival architect William Burges for two years.[10] In 1876 he was awarded the Soane Medal.[11]

Career in Japan

Statue of Josiah Conder on the campus of University of Tokyo

Conder was surely interested in the Orient through his relatives' works, in particular of Claude Reignier Conder, but it is unknown how he was appointed as professor for the Imperial College of Engineering, Tokyo.[12]

The Imperial College of Engineering started teaching in October 1873 by British instructors led by a principal Henry Dyer, who was looking for an architect-professor in the Department of Architecture.[13] Charles Alfred Chastel de Boinville had been an architect of Japan's Public Works since 1873 and built the main building of the College.[14]

Conder arrived in Tokyo in January 1877 and quickly established a reputation as a dedicated and highly skilled teacher. The Calendar of the College was prepared by its principal, Henry Dyer, a 6 year programme, consisting of a basic course, technical course and practice course, 2 years for each. Conder taught both technical subjects and practice including design theory, architectural history, drawing, technical draftsmanship.[15] Most graduates played essential roles in the development of modern Japan's architecture, including Tatsuno Kingo, Katayama Tōkuma, Sone Tatsuzō and Satachi Shichijirō. Yorinaka Tsumaki and Shimoda Kikutaro, who left the Imperial College of Engineering before graduation, also became successful architects.[16]

Conder taught history of oriental architecture using James Fergusson's works which insisted that there was no substantial architecture in the Orient except Mughal architecture,[17] a kind of Saracenic architecture.[18] Conder believed Saracenic based style might be suitable for modern Japan, and utilized it as Pseudo-Saracenic style for his early works including the Tokyo Imperial Museum, the retail shop of the Hokkaido Development Authority and the Rokumeikan.[19] This style was limitedly accepted by Tatsuno Kingo for his design of the Kokugi-Kan (National Sumo Wrestling Hall),[20] and Conder was very disappointed that most of his students did not understand his intention.

Conder was charged with transforming the Marunouchi area into a London-style business district by the Ministry of Industry on a five-year contract.[21] Despite residing in Japan, he kept up a professional affiliation with the Royal Institute of British Architects, becoming an Associate in 1874 and a Fellow in 1884.[22] He became a part-time lecturer until he set up his own practice in 1888. Some of his former students set up the Architectural Institute of Japan and made Conder its first honorary president.[23] He was awarded the Order of the Sacred Treasures (3rd class) in 1894.[24]

Conder developed a keen interest in Japanese arts and after a long period of petitioning, was finally accepted to study painting with the artist Kawanabe Kyōsai.[25] Kyōsai dubbed Conder Kyōei (暁英), incorporating the character ei (英) from the Japanese name for Britain. Conder also studied Enshu school ikebana.[26] His studies led to a number of publications, among them "The Flowers of Japan and The Art of Floral Arrangement" (1891), "Landscape Gardening in Japan" (1893) and "Paintings and Studies by Kawanabe Kyosai" (1911). He wrote the first after a lecture at the Asiatic Society of Japan.[27]

In 1915, the Tokyo Imperial University awarded Conder an honorary doctorate.[28] He remained in Japan for the rest of his life. His grave is at the temple of Gokoku-ji in Bunkyo, Tokyo.

Notable buildings

Conder's architectural designs incorporated a wide variety of styles, including European and colonial elements. Although he designed over fifty buildings during his career in Japan, many no longer exist.

Notable buildings surviving today are the residence of Iwasaki Yanosuke, founder of the Mitsubishi group in Yushima (1896, now the Kyu-Iwasaki-tei Garden) and the Mitsui Club in Mita, Tokyo (1913).

Gallery

See also

Notes

  1. ^ Checkland, Olive (29 August 2003). Japan and Britain After 1859: Creating Cultural Bridges. Routledge. ISBN 9781135786199 – via Google Books.
  2. ^ Clancey, Greg (1 May 2006). Earthquake Nation: The Cultural Politics of Japanese Seismicity, 1868-1930. University of California Press. ISBN 9780520932296 – via Google Books.
  3. ^ Watanabe, Toshio (2006). "Japanese Imperial Architecture". In Ellen P, Conant (ed.). Challenging Past And Present: The Metamorphosis of Nineteenth-Century Japanese Art. University of Hawaii Press.
  4. ^ Bedford Modern School of the Black And Red, by Andrew Underwood, 1981. ISBN 9780950760803
  5. ^ Thomas Roger Smith in 1871 England Census, Joshiah Conder, servant, age 18, architect pupil, born about 1853 at Brixton, Surrey, Civil Parish at Lewisham, Christchurch, Town Forest Hill.
  6. ^ Checkland, Olive (29 August 2003). Japan and Britain After 1859: Creating Cultural Bridges. Routledge. ISBN 9781135786199 – via Google Books.
  7. ^ Conder, Josiah (1 July 1830). The modern traveller: a description geographical, historical and topographical of the various countries of the globe. Duncan. OCLC 896599226.
  8. ^ "Obituary. francis roubiliac conder, 1815-1889". Minutes of the Proceedings of the Institution of Civil Engineers. 100 (1890): 379–383. 1 January 1890. doi:10.1680/imotp.1890.20698.
  9. ^ "Empire Survey Review". Secretary of State for the Colonies. 1 April 1943 – via Google Books.
  10. ^ Entry in the ODNB, Olive Checkland, Josiah Conder (1852–1920), Oxford Dictionary of National Biography, Published by Oxford University Press, 2004
  11. ^ "The AA reaches Japan, 1877… Josiah Conder". Retrieved 30 March 2019.
  12. ^ Young, Michiko Kimura; Young, David (30 October 2012). Introduction to Japanese Architecture. Tuttle Publishing. ISBN 9781462908097 – via Google Books.
  13. ^ Buntrock, Dana (4 September 2014). Japanese Architecture as a Collaborative Process: Opportunities in a Flexible Construction Culture. Taylor & Francis. ISBN 9781136748578 – via Google Books.
  14. ^ Cody, Jeffrey W.; Steinhardt, Nancy Shatzman; Atkin, Tony (1 July 2011). Chinese Architecture and the Beaux-Arts. University of Hawaiʻi Press. ISBN 9780824834562 – via Google Books.
  15. ^ Henry Dyer, Reports of the Imperial College of Engineering, 1877, p.98.
  16. ^ Checkland, Olive (29 August 2003). Japan and Britain After 1859: Creating Cultural Bridges. Routledge. ISBN 9781135786199 – via Google Books.
  17. ^ James Fergusson, History of Indian and Eastern Architecture, London, 1876, p.710. "It may be, however, that the Japanese do not belong to one of the building races of mankind, and have no taste for this mode of magnificence. It is the same story as in China",
  18. ^ James Fergusson, The Illustrated Handbook of Architecture, 1855, p.433.
  19. ^ Izumida Hideo, Design as National Identity - Islamic Style in Modern Japan, Proceedings of the SAHANZ Conference Asia-Australinesia, July 1992, pp.131-146.
  20. ^ Twin entrance towers were crown by Chhatri, an important motif of Mugal architecture
  21. ^ Guides, Insight (1 January 2018). Insight Guides City Guide Tokyo (Travel Guide eBook). Apa Publications (UK) Limited. ISBN 9781786718556 – via Google Books.
  22. ^ Conant, Ellen P. (1 July 2006). Challenging Past And Present: The Metamorphosis of Nineteenth-Century Japanese Art. University of Hawaii Press. ISBN 9780824829377 – via Google Books.
  23. ^ Stewart (2002), p36
  24. ^ "Journal of the Royal Institute of British Architects". The Institute. 1 July 1920 – via Google Books.
  25. ^ "Kyōsai and Josiah Conder". Metropolis Magazine. 31 July 2015.
  26. ^ Kudô, Masanobu (1 July 1986). The history of ikebana. Shufunotomo. ISBN 9784079745581 – via Google Books.
  27. ^ Ravi, Srilata; Rutten, Mario; Goh, Beng-Lan (30 June 2004). Asia in Europe, Europe in Asia. Institute of Southeast Asian Studies. ISBN 9789812302083 – via Google Books.
  28. ^ Stewart (2002), p37
  29. ^ Nish, Ian (1997). Britain & Japan: Biographical Portraits (Volume 2 ed.). London: Japan Society Publications. p. 361. ISBN 1-873410-62-X.

References

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