Jynx, known in Japan as Rougela (ルージュラ, Rūjura), is a Pokémon species in Nintendo and Game Freak's Pokémon franchise. Jynx first appeared in the video games Pokémon Red and Blue and subsequent sequels, later appearing in various merchandise, spinoff titles, or animated and printed adaptations of the franchise. While no English voice actors have been attributed for the character, in Japan they have been voiced by Mayumi Tanaka, Chie Satō, Kujira and Chiyako Shibahara
Jynx's design and humanoid appearance has been criticized by media outlets, including cultural critic Carole Boston Weatherford, who described Jynx as representing blackface after seeing the character's depiction in the anime. Due to complaints, Game Freak modified its appearance by changing the original color of its face from black to the current color, purple.
Design and characteristics
Jynx is a fictional species of Pokémon created for the Pokémon franchise. Developed by Game Freak and published by Nintendo, the series began in Japan in 1996 with the release of the video games Pokémon Red and Blue for the Game Boy.[3] In these games, the player assumes the role of a Pokémon Trainer whose goal is to capture and train creatures called Pokémon. Players use the creatures' special abilities to combat other Pokémon, and some can transform into stronger species through a process called evolution.[4] A major goal in each game is to complete the Pokémon index (Pokédex), a comprehensive Pokémon encyclopedia,[5] by capturing, evolving, and trading to obtain individuals from all Pokémon species.[4]
Introduced in Red and Blue, the design started as pixel art sprites by the development team first, with a single color identity chosen to work within the Super Game Boy hardware limitations. While conceived as a group effort by multiple developers at Game Freak,[6] the finalized design and artwork was done by Ken Sugimori. Originally tasked with drawing the characters to illustrate a planned strategy guide by Game Freak when the games released, Sugimori drew all the sprites for the game in his style to not only unify their designs visually but also modify any design elements he felt were amiss, while trying to retain the original sprite artist's unique style.[7]
Originally called "Rujura" in Japanese, Nintendo decided to give the various Pokémon species "clever and descriptive names" related to their appearance or features, when translating the game for western audiences, as a means to make the characters more relatable to American children.[8] As a result, they were renamed "Jynx", a play on the word "jinx".[9]
Also known as the "Human Shape" Pokémon, Jynx is a female-only species that resembles the Japanese mythical creature Yuki-onna.[10] Originally portrayed with a black face and dark blue hands, Jynx's design was changed to purple coloration after critiques that it perpetuated racism.[11] In addition Jynx have large pink lips, saucer-like eyes, white arms, and long, blonde hair. The "clothes" they appear to wear are actually part of their body, resembling a circular red bra and skirt. Jynx have no visible feet, and in the games leave no footprints. Jynx has a pre-evolution, Smoochum, which evolves into Jynx when it receives enough experience from battles and reaches level thirty.
Jynx Pokémon walk in a dance-like fashion, wiggling their hips in a manner described in Red & Blue, as well as in Leaf Green as "seductive".[12] It uses dancing to communicate, with the exact rhythm relying on its emotion at the time. The dance affects people, causing them to themselves dance with no regard to their actions.[13] Jynx speak in a language that only other Jynx can understand, though the sound is described as similar to human speech.[14] This trait is carried on to games where Pokémon speak English such as the Pokémon Mystery Dungeon series, with the text appearing as combinations of "X"s, "O"s, punctuation marks, and/or musical notes, instead of legible words.[15] Jynx are psychic, and can attack either by kissing an opponent or launching "strange orbs" at them, and can protect themselves with a psychically-generated barrier.[16][17]
Jynx first appeared in the Pokémon anime in Holiday Hi-Jynx when one of Santa Claus's Jynx was separated from him, Ash and friends helped to return the Jynx to her owner. The episode was not re-aired in the USA because of the controversy over her appearance.[21] Jynx appeared again in the episode The Ice Cave,[22] which was not aired in English-speaking countries for the same reason.[23] Jynx later appears in Pokémon Orange Islands series, in episodes still present in American rotations.
Jynx made an appearance in a contest in All Things Bright and Beautifly. However, because Jynx had been animated with black skin instead of purple, her thirteen-second appearance was cut from the English dub.[23] Jynx later appears in episodes of Pokémon: Advanced Generation, with the inoffensive purple skin color, but subsequently stopped appearing in the anime following this.[23]
In printed material
Jynx's most notable role in the Pokémon manga is being under the ownership of Lorelei in Pokémon Adventures. Lorelei's Jynx is noted for having the ability to generate voodoo dolls out of ice using its Ice Beam. When Lorelei draws crosses on any part of the dolls using her lipstick, ice shackles form on the specified body parts of her targets, eventually freezing the victim over completely. Even after the victims are broken free, the freeze induces lasting numbness in the areas where it was applied. Both Red and Sabrina suffered this condition and had to seek a cure atop Mt. Silver by bathing in the hotsprings there. Another ability of Lorelei's Jynx is revealed in the Sevii Islands saga: she can create a wispy band of ice around targets, with which Lorelei can use to track down using her powder case.
Jynx has made a number of appearances in the Pokémon Trading Card Game, with the black-skinned design before the Weatherford controversy, and with the purple-skinned design after Nintendo regained control of the Pokémon TCG. Jynx first appeared in the Base Set with her black-skinned design, but later reprints of this card have the purple-skinned design.
Jynx appeared in an illustration alongside the Vocaloid Meiko for Project Voltage—an official collaboration between Pokémon and Hatsune Miku.[24]
Controversy and reception
Jynx's original design has been heavily criticized as resembling blackface actors.
Jynx's original appearance and design have received criticism in various publications. Children's book author and cultural critic Carole Boston Weatherford published an article in the Greensboro News & Record alleging that Jynx's design bore a striking resemblance to blackface actors, an image which is considered racist against African Americans,[25] and further described the Pokémon as "a dead ringer for an obese drag queen." She further criticized the Pokémon in the magazine Advertising Age, comparing it to Little Black Sambo and suggesting its English name as also a possible derogatory remark towards Black people relating to voodoo (with its original Japanese name, Rougela, being unrelated).[26][27] The Advertising Age report was later reprinted in an issue of Black People Today. Since then, the Jim Crow Museum of Racist Memorabilia at Ferris State University has listed Jynx as an example of racism in modern material.[28] Later, the Jim Crow Museum published a letter by a reader of the aforementioned article, who disagreed with the museum's assertion that Jynx was deliberately racist by design.[29] In response, Game Freak modified Jynx's design in localized versions of the games, a change which would several years later be reflected in the Japanese versions of the games and the anime series.[11] In addition, episodes featuring the older Jynx design were censored or completely removed from televised syndication by Warner Bros.[30] After the anime episode "Three Jynx and a Baby!", Jynx also ceased to physically appear in the anime, although its pre-evolved form, Smoochum, has continued to appear in the anime, even after the aforementioned episode. Likely as a result of this controversy, Jynx has also been altered in various releases of Pokémon games featuring the black design, with the American Virtual Console rerelease of Pokémon Yellow changing its face and hands to purple, and the Virtual Console rerelease of Pokémon Snap on the Wii and Wii U doing the same.[31]
Criticisms still persisted, however. Washington Post writer Mary C. Morton described Jynx as having "explicitly, albeit grossly caricatured, womanly features", and challenged the assertion that the games crossed gender barriers with such.[32] In the podcast, Retronauts, they emphasized it further, noting the design as "creepy" and that it still maintained the issue of racism.[33]IGN also criticized the design, characterizing Jynx as a "transvestite midget in racially offensive makeup".[34]GameDaily criticized it, citing its offensive stereotypes and the presence of breasts on the design.[35] David Lozada of GameRevolution cited Jynx as being a particularly strange design due to its human-like appearance, criticizing its blackface-esque appearance.[36] The book Pikachu's Global Adventure: The Rise and Fall of Pokémon considered Jynx's appearance in the anime to be a caricature of slavery due to the racial stereotypes present in Jynx's design, stating that "The Rujura (Jynx) are a crude cariacture of dark-skinned, primitive natives... the loyal native helpers use their physical labor and their black magic for the benefit of the white-skinned Santa Claus." It further criticized how the design denigrated African Americans.[37] It has also been considered an example of the mammy stereotype.[38]
In the book Gaming Cultures and Place in Asia-Pacific, David Surman defended Jynx's design, suggesting that Sugimori developed it—along with Mr. Mime—to draw upon the humor of heta-uma (a term meaning bad/nice). The book notes that the designs "oscillate between the poles of good and bad," and as a result offer diversity within the game and invite scrutiny from players.[39] The mystery the design presented also received positive commentary.[36] It has also been argued that the perception of Jynx as racist was ignorant of its origins in Japanese mythology, and that it was harmless overall.[10] In a survey where many were asked about how they felt about the censorship of Jynx, results varied, with some citing the change as unnecessary due to never having associated Jynx with racist imagery, while others wholeheartedly agreed with the censorship, citing the design's similarities to racist propaganda. Overall, it was decided that the censorship of Jynx was appropriate and did not negatively impact players of the series.[40]
Pokémon episodes removed from rotation, a list of episodes of the anime removed due to various controversies, including an episode removed due to featuring Jynx.
Mr. Popo, another character also labelled as a racist caricature
Mr. Mime, another Pokémon criticised for its humanoid appearance
^ abAllison, Anne (May 2006). Millennial Monsters: Japanese Toys and the Global Imagination. University of California Press. pp. 192–197. ISBN9780520938991.
^"Pokémon Ruby and Pokémon Sapphire Preview". Nintendo Power. Vol. 165. February 2003. p. 102.
^Game Freak (1998-09-30). Pokémon Red (Game Boy). Nintendo. Pokédex: It seductively wiggles its hips as it walks. It can cause people to dance in unison with it.
^Game Freak (2003-03-17). Pokémon Ruby (Game Boy Advance). Nintendo. Pokédex: Jynx walks rhythmically, swaying and shaking its hips as if it were dancing. Its motions are so bouncingly alluring, people seeing it are compelled to shake their hips without giving any thought to what they are doing
^HAL Laboratory (2006-10-30). Pokémon Ranger (Nintendo DS). Nintendo. Jynx swings its hips as if it's dancing while walking. Beware of its kiss attack!
^Carole Boston Weatherford (2000-01-16). "Politically Incorrect Pokémon, One Of The Pokémon Characters Reinforces An Offensive Racial Stereotype". Greensboro News & Record. Greensboro, N.C.: H.3.
^Carole Boston Weatherford (2000-02-28). "Pokemon phenom harbors racist image;Jynx character is a stereotype comparable to Little Black Sambo". Advertising Age. Crain Communications, Inc.
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