Japanese erotic cinema
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Kazuko Shirakawa | |
|---|---|
| Born | September 30, 1947 Nagasaki, Japan |
| Height | 158 cm (5 ft 2 in) |
Kazuko Shirakawa (白川 和子, Shirakawa Kazuko) (born September 30, 1947) is a Japanese actress who is best known for her appearances in Nikkatsu's Roman Porno films during the 1970s. She appeared in Nikkatsu's first film in the Roman Porno series, Apartment Wife (1971), and is considered the first of the three "Nikkatsu Queens" of the 1970s.[1] After 1976 she embarked on a successful career in mainstream film.
Shirakawa was born in Nagasaki, on Japan's southernmost main island of Kyūshū. She debuted in pink films in 1967, at first working in supporting roles. Though her early performances in films such as Nihon Cinema's Technique of Fainting have been called "green," she still overshadowed the nominal star of the movie.[2] It was in her films for independent studios in the late 1960s that Shirakawa established her on-screen character as that of a "naive whore."[3] The naivete was not entirely an act, since, in an interview for Book Cinematheque, Shirakawa admitted that she was a virgin until after her debut for Nikkatsu in 1971.[4]
By 1968, Shirakawa was starring in these low-budget softcore films. Top Secret Account of Japanese Customs and Manners: Breasts had Shirakawa playing the role of an innocent geisha, though the story took second place in this film which was "primarily concerned with exposing Kazuko Shirakawa's impressive chest as often as possible."[3] About these early performances, Shirakawa later said, "I was scared to death. I didn't know how to express the ecstasy expected from these parts."[4]
Also in 1968, she starred in Sex Before Marriage for Tokyo Koei studio. Like Shirakawa, Yamamoto would gain lasting fame later making Roman Porno films for Nikkatsu.[5] In 1969, Shirakawa co-starred in Hunting Breasts, another breast-fixated opus. Starring the buxom Minoru Sawada, and directed by Sawada's husband, the film was a financial failure at the time, but has gained a cult audience in recent years.[6]
Until the late 1960s, the "pink film" market was almost entirely the domain of low-budget independent companies. At the beginning of the 1970s, now losing their audiences to television and imported American films, Japan's major film studios were struggling for survival. In order to attract a new audience, Toei entered the sexploitation market in 1971 with its "Pinky Violence" series.[7] Takashi Itamochi, president of Nikkatsu, Japan's oldest major film studio, then made the decision to put his own company's high production values and professional talent into the lucrative pink film genre.
As one of the leading actresses of the pink film, Nikkatsu hired Shirakawa to star in its first effort in this genre. Most actresses who moved to Nikkatsu after starring in independent pink films had to change their stage names. However Nikkatsu did not demand that Shirakawa do this.[8] Nikkatsu launched its Roman Porno series in November 1971 with Apartment Wife: Affair in the Afternoon, which featured Shirakawa in the starring role.[9] The film became a huge hit and made Shirakawa "the first mega-star of Nikkatsu's lucrative pinku eiga period in the '70s."[6] The film was such a success it inspired 20 sequels within seven years, and launched the high-profile Roman porno version of pink film which Nikkatsu would make almost exclusively, at an average rate of three per month, for the next 17 years.[10]
Kazuko Shirakawa has gone on to a successful mainstream film career. She had roles in three films by Shohei Imamura, and appeared in director Hirokazu Koreeda's After Life (1998).[11]
