J. R. R. Tolkien's fantasy novel The Lord of the Rings was published in three volumes in 1954 and 1955. He was doubtful whether the work could be dramatized or filmed,[4] but he and his publishers, Allen and Unwin, were happy to discuss film proposals, on condition of having a veto on creative decisions or of relinquishing those for a suitably large sum of money.[5] Early attempts were mainly animations; the first was Ralph Bakshi's 1978 version of The Fellowship of the Ring with parts of The Two Towers.[6] The film rights then went through various hands, and filming, whether with animation or live-action, was considered by many directors.[5][7][8]
Khraniteli is in two parts, of 50 minutes and 64 minutes respectively.[12]
Part 1 begins with the Hobbit Bilbo Baggins's birthday party, with a firework show. Bilbo puts on the Ring and vanishes, causing consternation. Frodo Baggins inherits the ring after Bilbo has left. The black-clad Ringwraiths appear, on black horses, in a flashback, followed by the story of Smeagol and how he murders his friend Deagol and turns into the monster, Gollum. The wizard Gandalf meets Gollum and interrogates him. Frodo and his three hobbit companions set out, crossing the Shire to Crickhollow in Buckland. They enter the Old Forest, where the evil tree Old Man Willow traps a hobbit. He is rescued by Tom Bombadil, who takes the hobbits to his home, where his wife Goldberry entertains them at her table. They set out again, only to be trapped once more, this time by the undead Barrow-wight.[12]
In Part 2, the Barrow-wight lays out the unconscious Hobbits in his barrow as for a funeral. Frodo wakes up and summons Tom Bombadil, who frees the Hobbits. They ride through a forested landscape in the snow to Bree and enter the Prancing Pony Inn. They eat and drink; Frodo and a woman dance and sing. Frodo puts on the Ring and vanishes, causing shock. Frodo meets Aragorn; the Hobbits go with him to a bedroom, where he explains who he is. They agree to travel with him. They travel to Weathertop, where they fight the Ringwraiths. Frodo is wounded and falls unconscious. They ride to Rivendell, where Frodo wakes up. The Elf-lord Elrond convenes his council; Boromir demands that they use the Ring against the enemy, but they agree instead to form a Fellowship to take it to Mordor and destroy it where it was made, in the fires of Mount Doom. In a flashback, Gandalf meets the white wizard Saruman and sees that he has gone over to evil, with his own army of orcs; Saruman imprisons Gandalf in his tower, Orthanc, but Gandalf is rescued by an eagle. Back in Rivendell, the dwarf Gimli and the elf Legolas join the party. The Fellowship travel to the underground realm of Moria where they fight monsters and orcs. They cross the narrow bridge across a chasm and realize that Gandalf has been killed by the Balrog. They arrive in Lothlórien where the Elves dance in a golden forest; the Hobbits sleep. They meet the Elf-lady Galadriel; Frodo offers her the Ring, which she refuses; the eye of the Dark Lord Sauron is seen searching for the Ring. Boromir attempts to get the Ring from Frodo; Frodo and Sam set out for Mordor on their own.[12]
Reception
The film's production values have been described as from another era, with basic sets and "ludicrous" green-screen effects.[2] Western commentators greeted its re-emergence with comments about its "gloriously rudimentary" production.[14]NME quoted a Russian user as writing "It is as absurd and monstrous as it is divine and magnificent. The opening song is especially lovely. Thanks to the one who found this rarity."[14]Newsweek quoted another user as writing that "While listening to the opening mournful song, I almost died from laughter and pleasure".[15]The Metro commented that the teleplay's simple effects give it a feeling more like "a theatre production than a movie, which adds to the charm".[17]The New York Post cited a "wistful" American viewer who was wishing for a Russian "hero" to create English subtitles.[18] The Russian REN TV noted that the Elf Legolas was played by a woman, Olga Serebryakova, daughter of the film's director.[19]The Chicago Tribune commented that the narrator (Andrei "Dyusha" Romanov) is "a bearded man wearing oversized eyeglasses that scream 1991",[20] while the magical soft-focus effect seemed to be a smear of hair gel on the camera lens.[20]Entertainment Weekly described the Bombadil scene as evoking "a sense of fairy-tale surrealism".[21]
The BBC noted that within a few days of its reappearance, the first episode had been watched over half a million times, and described the film as a "weirdly psychedelic Soviet reimagining", very unlike Jackson's later epic.[3] It commented that the costumes looked as if they had been borrowed from theatre productions of Shakespeare or Lope de Vega, so that the wizard Gandalf resembled a knight errant, and the Elf-lord Elrond was dressed like Othello.[3]
^Robb, Brian J.; Simpson, Paul (2013). Middle-earth Envisioned: The Hobbit and The Lord of the Rings: On Screen, On Stage, and Beyond. Race Point Publishing. pp. 99–108. ISBN978-1937994273.
