Biography
Early life and career
Kin Platt was born to Etta (née Hochberg) and Daniel Platt. In the mid-1930s he wrote radio comedy for George Burns, Jack Benny, the comedy team of Stoopnagle and Budd, and The National Biscuit Comedy Hour of 1936. Later in the 1930s, he wrote for Disney and Walter Lantz theatrical cartoons, and he scripted the Robert Benchley film How to Read (1938).
Comic books
He broke into comic books with humor stories featuring the character "Happy" in the Better Comics omnibus Best Comics #1 (Nov. 1939). Platt went on to write and draw many features in the next few issues and to draw such features as "Captain Future" in Better's Startling Comics; "The Mask" (no relation to the 1990s Dark Horse Comics character), featuring a district attorney turned costumed crimefighter, in Exciting Comics; and writer Richard Hughes' Doc Savage-like "Doc Strange" (no relation to Marvel Comics' Dr. Strange), in Thrilling Comics.
After doing WWII military service with the U.S. Army Air Force's Air Transport Command from 1943–46, Platt began working for such comic-book companies as Timely Comics (the 1940s predecessor of Marvel Comics), for which his features included "Widjet Witch" in Comedy Comics); and Better/Nedor/Standard, where he created Supermouse in 1948. Additionally, Platt wrote for the Bob Hope and Jerry Lewis comics at DC. For two years he drew the adventures of Pepsi and Pete for the advertising strip, Pepsi Cola Cops.
Al Jaffee, then an editor of Timely's humor comics, recalled in 2004,
I knew Kin. Dave Gantz said that Kin created [the print-advertising comic strip] the Pepsi Cola Cops. I didn't know Kin had done that, but it was his style. That may have been what brought him to Stan Lee. Kin sort of looked like Groucho Marx and had both Groucho's sense of humor and delivery; a very funny guy. He wrote very well and did so in a lot of mediums. He was one of the truly gifted guys in our business, very smart and very talented. Whenever he came into the office, things got lively. I also remember getting together with Kin and his wife in Long Island after the war. I don't doubt that Kin created Squat Car Squad, since it'd been something he was familiar with.[3]
For the New York Herald Tribune Syndicate, Platt wrote and drew the comic strip Mr. and Mrs.(originally by Clare Briggs) from 1947–1963,[4] and The Duke and the Duchess from 1950–1954. Additionally, he drew theatrical caricatures for such newspapers and magazines as The Village Voice and the Los Angeles Times.
In the 1960s, Platt scripted TV animation, including for the Hanna-Barbera series The Jetsons, The Flintstones, Yogi Bear, Top Cat and Jonny Quest (for which at one point he held the title of "story director"), as well as for Hal Seeger Productions' Milton the Monster.
Young-readers' literature
Plat began writing children's books and young-adult mysteries in 1961. He eventually published more than 30 books, including general-reader mysteries. His pseudonyms included Guy West, Alan West, Wesley Simon York, Nick Tall, Nick West, Noah Zark and Kirby Carr.[5] Platt wrote several novels in the "Hitman" series under the name Kirby Carr.
Platt also returned to comics around this time, writing occasional stories for the DC Comics titles G.I. Combat, Our Army at War and Star Spangled War Stories in 1964. His final known comics credit is a 48-page adaptation of Robert Louis Stevenson's Dr. Jekyll and Mr. Hyde in Marvel Classics Comics #1 (1976).
Later career
The 1973 film Baxter!, a psychological drama starring Patricia Neal, was based on a book by Platt, The Boy Who Could Make Himself Disappear.
He continued writing books throughout the 1980s, though some novels remained unpublished. This material, as well as unpublished caricatures submitted to magazines and newspapers, was donated to the Howard Gotlieb Archival Research Center at Boston University. Big Max and the Missing Giraffe was published posthumously by HarperTrophy in 2005.
