 A wooden krar. | |
| String instrument | |
|---|---|
| Classification | lyre |
| Developed | Ethiopia and Eritrea |
| Related instruments | |
| masenqo | |
Krar (Geʽez: ክራር) is a five-or-six stringed bowl-shaped lyre from Ethiopia and Eritrea. It is tuned to a pentatonic scale. A modern Krar may be amplified, much in the same way as an electric guitar or violin. The Krar, along with Masenqo and the Washint, is one of the most widespread musical instruments in Northern Ethiopia and Eritrea.[1]
In Amhara society the krar was viewed as an instrument inspired by the Devil and was therefore inferior, whereas the Begena was for praising God and seen as sacred. The krar was used to adulate feminine beauty, create sexual arousal, and eulogize carnal love.[2]
The instrument has been associated with brigands, outlaws, and Wata or Azmari wanderers. Wanderers played the krar to solicit food, and outlaws played it to sing an Amhara war song called Fano.[2]
Today, the krar which used to be the plaything of the Ethiopian and Eritrean, has become one of the most popular Ethiopian stringed instruments.[2]
The krar is and was always used to accompany and perform secular song, love songs, and (vulgar) poetry. The instrument is often played by Poet-musicians called the Azmari or Wata [3]
A chordophone, the krar is usually decorated with wood, cloth and beads. Its five or six strings determine the available pitches. The instrument's tone depends on the musician's playing technique: bowing, strumming, or plucking. If plucked, the instrument will produce a soft tone. Strumming, on the other hand, will yield a harmonious pulsation.
