.mw-parser-output .hidden-begin{box-sizing:border-box;width:100%;padding:5px;border:none;font-size:95%}.mw-parser-output .hidden-title{font-weight:bold;line-height:1.6;text-align:left}.mw-parser-output .hidden-content{text-align:left}@media all and (max-width:500px){.mw-parser-output .hidden-begin{width:auto!important;clear:none!important;float:none!important))You can help expand this article with text translated from the corresponding article in Russian. (March 2023) Click [show] for important translation instructions. Machine translation, like DeepL or Google Translate, is a useful starting point for translations, but translators must revise errors as necessary and confirm that the translation is accurate, rather than simply copy-pasting machine-translated text into the English Wikipedia. Do not translate text that appears unreliable or low-quality. If possible, verify the text with references provided in the foreign-language article. You must provide copyright attribution in the edit summary accompanying your translation by providing an interlanguage link to the source of your translation. A model attribution edit summary is Content in this edit is translated from the existing Russian Wikipedia article at [[:ru:Пейзаж с Аполлоном и Марсием]]; see its history for attribution. You may also add the template ((Translated|ru|Пейзаж с Аполлоном и Марсием)) to the talk page. For more guidance, see Wikipedia:Translation.
Landscape with Apollo and Marsyas (c. 1639) by Claude Lorrain

Landscape with Apollo and Marsyas is an oil on canvas painting by Claude Lorrain, created c. 1639. It is held now in the Pushkin Museum, in Moscow.

The artist recorded it in his Liber Veritatis as number 45, captioned "made for monsier Perochet", meaning the art collector Guillaume Perochet, for whom Lorrain produced four works in total between 1637 and 1639.[1] It was in the Crozat collection from 1755, which was bought in its entirety by Catherine the Great for the Hermitage Museum, from which it was transferred to its present home in 1924.

A 1645 variant of the work is shown in the Liber Veritas, compositionally close to the Moscow work but in reverse - the finished work is now in Holkham Hall.[2]

References

  1. ^ Liber Veritatis, vol. 1, 1777 , No. 45.
  2. ^ Liber Veritatis, vol. 1, 1777, no. 95