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((Short description|American film director, writer and producer))

((Other people))
((more citations needed|date = March 2019))
((Use mdy dates|date=October 2013))
((Infobox person
| name        = Larry Cohen
| image       = Larry Cohen 2010.jpg
| caption     = Cohen in October 2010
| birth_name  = Lawrence George Cohen
| birth_date  = ((birth date|1936|7|15))((efn|name = fn1))
| birth_place = New York City, U.S.
| death_date  = ((death date and age|2019|3|23|1936|7|15))
| death_place = [[Beverly Hills, California]], U.S.
| occupation  = ((hlist|Producer|film director|writer))
| alma_mater  = [[City College of New York]]
| relatives   = [[Ronni Chasen]] (sister)
| spouse      = ((plainlist|
* ((marriage|Janelle Webb||1980|end=divorced))
* ((marriage|Cynthia Costas|1994))
))
| children    = 2
))

'''Lawrence George Cohen''' (July 15, 1936((efn|name = fn1|Some sources during Cohen's life reported that he was born in 1941,((sfn|Singer|1989|p=75))((sfn|Fischer|1991|p=189)) though his obituary in ''[[The New York Times]]'', citing his family and relevant census data, gives a birth year of 1936.<ref name = Genzlinger>((cite news |last=Genzlinger |first=Neil |title=Larry Cohen, Director of Garish Horror Classics, Dies at 82 |url=https://www.nytimes.com/2019/03/26/obituaries/larry-cohen-dead.html|newspaper=[[The New York Times]]|page = B14|url-access = limited |date=March 27, 2019 |access-date=March 27, 2019))</ref>)) – March 23, 2019) was an American screenwriter, producer, and director of film and television, best known as an author of horror and [[science fiction film]]s&nbsp;— often containing [[police procedural]] and [[satirical]] elements — during the 1970s and 1980s, such as ''[[It's Alive (1974 film)|It's Alive]]'' (1974), ''[[God Told Me To]]'' (1976), ''[[It Lives Again]]'' (1978), ''[[The Stuff]]'' (1985) and ''[[A Return to Salem's Lot]]'' (1987). He originally emerged as the writer of [[blaxploitation]] films such as ''[[Bone (1972 film)|Bone]]'' (1972), ''[[Black Caesar (film)|Black Caesar]]'', and ''[[Hell Up in Harlem]]'' (both 1973). Later on he concentrated mainly on screenwriting, including ''[[Phone Booth (film)|Phone Booth]]'' (2002), ''[[Cellular (film)|Cellular]]'' (2004) and ''[[Captivity (film)|Captivity]]'' (2007).

Early in his career, Cohen was a prolific television writer, creating series such as ''[[Branded (TV series)|Branded]]'', ''[[Blue Light (TV series)|Blue Light]]'', ''[[Coronet Blue]]'', and ''[[The Invaders]]''. In 2006, he returned to the directing chair for [[Mick Garris]]'s anthology series ''[[Masters of Horror]]'', directing the episode "[[Pick Me Up (Masters of Horror)|Pick Me Up]]". In 2017, Cohen was the recipient of a Lifetime Achievement Award from the [[Fantasia International Film Festival]].

==Early life==
Lawrence George Cohen was born in [[Manhattan]], New York City, on July 15, 1936.((efn|name = fn1)) His family was of [[Jewish]] ancestry.<ref>((cite news |url=http://forward.com/news/133420/chasen-was-a-hollywood-story-in-life-and-death/ |title=Jewish Daily Forward: 'Chasen Was a Hollywood Story, in Life and Death' |first=Rex |last=Weiner |date=November 24, 2010 |access-date=May 30, 2023))</ref> His sister, [[Ronni Chasen]], was a publicist who worked with him beginning early in his film career. He moved to the [[Riverdale, Bronx|Riverdale]] section of [[the Bronx]] in New York City at an early age.

Cohen exhibited a voracious appetite for films as a child, visiting the movie theaters at least twice a week, and most of them being [[double feature]]s, the young Cohen managed to consume at least four movies a week. He was a fan of the [[hardboiled|hard-boiled]] and [[film noir]] movies that featured actors such as [[Humphrey Bogart]] and [[James Cagney]]; films that were penned by the likes of [[Raymond Chandler]] and [[Dashiell Hammett]]. Cohen was especially a fan of director [[Michael Curtiz]], whose films include ''[[The Adventures of Robin Hood (film)|The Adventures of Robin Hood]]'', ''[[Casablanca (film)|Casablanca]]'', and ''[[Dodge City (1939 film)|Dodge City]]''.

He majored in [[film studies]] at the [[City College of New York]].

==Career==
===Early work===
During the 1950s Cohen worked for the [[NBC]] television network, where he learned how to produce [[teleplay]]s, and shortly afterward began writing his own television scripts. He created the TV series ''[[The Invaders]]'' and also scripted episodes of ''[[The Defenders (1961 TV series)|The Defenders]]'' and ''[[The Fugitive (1963 TV series)|The Fugitive]]''.<ref>((cite interview |interviewer=Brian Layne |last=Cohen |first=Larry |title=Larry Cohen Interview |work=Films in Review |page=1 |date=December 21, 2009))</ref>

Cohen began his career as a writer for well-known television series, concentrating his efforts on the crime and detective genres. He penned several episodes of ''[[The Defenders (1961 TV series)|The Defenders]]'' (1964)&nbsp;— which starred [[E.G. Marshall]]&nbsp;— one episode of ''[[Espionage (TV series)|Espionage]]'' (1964), and episodes of ''The Fugitive'' (1964–65). Other writing credits during the 1950s and 1960s included the fantasy-suspense [[anthologies]] ''[[Kraft Television Theatre]]'' (1958) and ''[[Kraft Suspense Theatre]]'' (1965), the espionage TV series ''[[Blue Light (TV series)|Blue Light]]'' (1966) starring [[Robert Goulet]] and ''[[Coronet Blue]]'' (1967) starring [[Frank Converse]], and the science-fiction TV series, ''The Invaders'' (1967–1968). In 1966, he wrote the screenplay to the [[Western (genre)|Western]] film ''[[Return of the Seven]]'' (also known as ''Return of the Magnificent Seven''), a sequel to the 1960 film ''[[The Magnificent Seven]]'', which had the return of [[Yul Brynner]] as [[gunslinger]] Chris Adams. Four episodes he wrote for ''Blue Light'' were edited together to create the theatrical film ''[[I Deal in Danger]]'', released in December 1966. He also created the [[western (genre)|Western]] TV series ''[[Branded (TV series)|Branded]]'' (1965–1966) and was the co-creator with [[Walter Grauman]] of ''Blue Light''.

===1970s===
Although Cohen continued to write TV and film scripts during the 1970s&nbsp;– such as ''[[Columbo (TV series)|Columbo]]''&nbsp;– he further turned his hand to directing. His directorial debut was the 1972 comedy film ''[[Bone (1972 film)|Bone]]'' (aka ''Beverly Hills Nightmare)'' starring [[Yaphet Kotto]]. Cohen directed ''Dial Rat for Terror'' (1973) and ''Housewife (1973)'' before creating the ''It's Alive'' series in 1974. He wrote, produced and directed the horror film ''[[It's Alive (1974 film)|It's Alive]]'', about a mutant monster baby that embarks on a killing spree. The film&nbsp;– an initial commercial failure&nbsp;– was re-released with a new and sharper advertisement campaign; it went on to become a moderate success, earning over $7 million for [[Warner Bros.]] and spawning two sequels, ''[[It Lives Again]]'' (1978) and ''[[It's Alive III: Island of the Alive]]'' (1987).<ref name="Litwak, Mark 1986 p. 251">Litwak, Mark (1986). Reel Power: The Struggle for Influence and Success in the New Hollywood. New York: William Morrow & Co.. p. 251. ((ISBN|0-688-04889-7)).</ref>

Cohen followed-up ''It's Alive'' with the science-fiction [[serial killer]] film ''[[God Told Me To]]'' (1976), in which a New York detective investigates a spate of killings by apparently random people who say that God told them to commit the crimes. He concentrated his work predominantly within the horror genre throughout the 1970s and 1980s, often incorporating elements of crime, [[police procedural]], and science fiction with scathing social commentary.

Cohen's ''It's Alive'' tells of a couple, Frank and Lenore Davis, who give birth to a mutated baby. The doctors and nurses at the hospital attempt to end the life of the deformed child, but it instead kills them and escapes. A police manhunt ensues as the fleeing mutation leaves dead bodies in its wake. Frank sees the child just as [[Dr. Frankenstein]] saw his monster and assists the police.

The emphasis in ''It's Alive'' is on the potential effects of chemicals to the ecosystem, and experimental prescription drugs that can be harmful to unborn babies. The score for ''It's Alive'' was composed by [[Bernard Herrmann]], known for his contributions to many [[Alfred Hitchcock]] films, including ''[[Psycho (1960 film)|Psycho]]'', ''[[North by Northwest]]'', and ''[[Vertigo (film)|Vertigo]]''. The welling strings, horn arrangements and harp glissandos throughout the film prefigure the soundtrack to Herrmann's final film score two years later for ''Taxi Driver.'' The cast includes [[John P. Ryan]], [[Sharon Farrell]], James Dixon, and [[Andrew Duggan]].

''It Lives Again'' (1978) picks up where the first one ended. More mutated babies are appearing around the country. Frank has now joined a renegade mob who are attempting to stop the government from killing these strange mutations. The emphasis in ''It Lives Again'' is on accepting one's child, even if it is born with deformities or disabilities. The score is again provided by [[Bernard Herrmann]]. The cast includes [[John P. Ryan]], [[James Dixon]], [[Andrew Duggan]], and [[Frederic Forrest]].

===1980s===
During the 1980s, Cohen directed, produced, and scripted a number of low-budget horror films, many of which featured actor [[Michael Moriarty]]. The first was ''[[Q (1982 film)|Q]]''&nbsp;– a.k.a. ''Q: The Winged Serpent'' (1982)&nbsp;— about an [[Aztec]] god known as [[Quetzalcoatl]] (the Winged Serpent) resurrected and nesting atop the [[Chrysler Building]]. The film is set in New York City, as was typical for Cohen, and sees two police detectives investigating a spate of killings in the city. The cast is headed by Moriarty and co-stars [[David Carradine]], [[Candy Clark]], [[Richard Roundtree]], and James Dixon (another Cohen regular). The Chrysler Building scenes were actually shot on location in and around the building, including the inside and outside of the cone atop the edifice.

Cohen's next project with Moriarty was ''[[The Stuff]]'' (1985), in which an [[Extraterrestrial life|alien]] substance of sorts is found bubbling out of the ground. The Stuff is marketed at the general public, which rapidly becomes addicted to it. David "Mo" Rutheford, an industrial saboteur, played by Moriarty, is hired to investigate the origins of the Stuff and decides to destroy the product. The film co-stars [[Danny Aiello]], [[Brian Bloom]], [[Scott Bloom]], [[Andrea Marcovicci]], [[Patrick O'Neal (actor)|Patrick O'Neal]], and [[Paul Sorvino]]. ''[[Saturday Night Live]]'' regular [[Garrett Morris]] plays Charlie W. Hobbs a.k.a. Chocolate Chip Charlie, a [[junk food]] [[Magnate|mogul]] who assists Mo with his investigation. Cohen cast Moriarty in ''It's Alive 3: Island of the Alive'' (1987)—the third part of the ''Alive Trilogy''—and again in ''[[A Return to Salem's Lot]]'' (1987), the unofficial sequel of [[Stephen King]]'s novel and TV [[miniseries]] ''[[Salem's Lot (1979 TV miniseries)|Salem's Lot]]''. Cohen finished the 1980s with ''[[Wicked Stepmother]]'' (1989), in which the late [[Bette Davis]] made her last appearance.

===1990s===
Cohen began the 1990s with his film ''[[The Ambulance]]'' (1990) starring [[Eric Roberts]]. The film is set in New York City and is focused on Josh Baker (Roberts), an aspiring comic book artist, who investigates a string of disappearances: people who are picked up by a mysterious ambulance that never reaches the city hospital. ''[[The Ambulance]]'' features [[cameo appearance|cameos]] by [[Stan Lee]], [[Larry Hama]] and [[Jim Salicrup]] of [[Marvel Comics]]. He would direct only two other films during the 1990s, one being the [[Blaxploitation]] film ''[[Original Gangstas]]'' (1996), featuring [[Jim Brown]], [[Pam Grier]], and [[Fred Williamson]]. For most of the decade, Cohen concentrated on writing. He penned the remainder of the [[William Lustig]] ''Maniac Cop'' Trilogy&nbsp;– he had previously scripted ''[[Maniac Cop]]'' in 1988&nbsp;– that features [[Robert Z'Dar]] as undead Maniac Cop, Matt Cordell, and [[B-Movie]] horror actor [[Bruce Campbell]]. He then provided the story of the third adaptation of [[Jack Finney]]'s 1955 science-fiction novel ''[[The Body Snatchers]]'', a tale of [[Extraterrestrial life|alien]] invasion and [[paranoia]]: ''[[Body Snatchers (1993 film)|Body Snatchers]]'' was directed by [[Abel Ferrara]] and starred [[Forest Whitaker]]. Throughout the decade Cohen was further involved in various TV projects including ''[[NYPD Blue]]'' and the [[Ed McBain]]-inspired ''87th Precinct: Heatwave''.

===2000s===
Cohen's output after the 1990s was less prolific and concentrated solely on scriptwriting, except for a brief return to directing with the ''[[Masters of Horror]]'' episode "[[Pick Me Up (Masters of Horror)|Pick Me Up]]" (2006). His first project, ''[[Phone Booth (film)|Phone Booth]]'' (2002), became involved in a Hollywood bidding war, the script eventually ending up in the hands of [[Joel Schumacher]].<ref>Aames, Ethan, Interview with Joel Schumacher: Phone Booth in Cinema Confidential online magazine, p.1, March 4, 2003.</ref> ''Phone Booth'' was a commercial success with an estimated budget of $13 million and a worldwide gross of $98 million. The film starred [[Colin Farrell]], [[Katie Holmes]], [[Kiefer Sutherland]], and [[Forest Whitaker]]; it was produced by [[David Zucker (filmmaker)|David Zucker]].

His next film, another action-crime [[Thriller (genre)|thriller]] titled ''[[Cellular (film)|Cellular]]'' (2004), also featured phones and, like ''Phone Booth'', it was a modest commercial success with an estimated budget of $25 million and a gross worldwide return of $50 million. ''Cellular'' starred [[Kim Basinger]], [[Chris Evans (actor)|Chris Evans]], [[William H. Macy]], and [[Jason Statham]]. ''Cellular'' was later re-made as ''[[Connected (2008 film)|Connected]]'' (2008), Cohen being credited with the story. He then scripted the horror-thriller films ''[[Captivity (film)|Captivity]]'' (2007) and ''[[Messages Deleted]]'' (2009); however, both films fared poorly on a critical and commercial level. Cohen nevertheless received acclaim for the above-mentioned ''[[Pick Me Up (Masters of Horror)|Pick Me Up]]'', which he directed for the [[Mick Garris]] TV series ''[[Masters of Horror]]'' (2006). The episode was written by [[splatterpunk]]-[[Horror fiction|horror]] author [[David Schow]], and starred Cohen regular [[Michael Moriarty]].

((See also|Cast of Characters vs. The League of Extraordinary Gentlemen lawsuit))
In 2003, Cohen, together with production partner [[Martin Poll]], was at the center of a lawsuit against [[20th Century Fox]], claiming the company had intentionally [[plagiarism|plagiarized]] a [[screenplay|script]] of theirs titled ''Cast of Characters'' in order to create the [[Sean Connery]]-starring ''[[The League of Extraordinary Gentlemen (film)|League of Extraordinary Gentlemen]]'' in 2003. According to the [[BBC]], the lawsuit alleged 'that Mr. Cohen and Mr. Poll pitched the idea to Fox several times between 1993 and 1996, under the name ''Cast of Characters''.'<ref name="CT">"Gentlemen lands Fox in $100 million lawsuit," September 27, 2003. ''Calcutta Telegraph''.</ref><ref name="BW">"Producer and Writer File $100 Million Lawsuit Against 20th Century-Fox," September 25, 2003. ''Business Wire''.</ref><ref name="BBC1">((cite web|url=http://news.bbc.co.uk/1/hi/entertainment/film/3141720.stm |title=Studio sued over superhero movie |date=September 26, 2003 |publisher=BBC |access-date=May 16, 2008 |url-status=live |archive-url=https://web.archive.org/web/20080331041322/http://news.bbc.co.uk/1/hi/entertainment/film/3141720.stm |archive-date=March 31, 2008 ))  on 2008-05-16.</ref> ''The League of Extraordinary Gentlemen'' was an adaptation of the 1999 published comic book series by [[Alan Moore]] and artist [[Kevin O'Neill (comics)|Kevin O'Neill]].<ref>Moore, Alan, & O'Neill, Kevin, ''The League of Extraordinary Gentlemen'', Issue 1., [[Wildstorm]] / [[DC Comics]], copyright 1999.</ref>

In 2006, Cohen was included in the ''[[Masters of Horror]]'' TV anthology, which also included&nbsp;– but was not limited to&nbsp;– writers and directors as diverse as [[Dario Argento]], [[Clive Barker]], [[John Carpenter]], [[Richard Chizmar]], [[Don Coscarelli]], [[Wes Craven]], [[David Cronenberg]], [[Joe Dante]], [[Guillermo del Toro]], [[Ernest Dickerson]], [[Stuart Gordon]], [[James Gunn (filmmaker)|James Gunn]], [[Sam Hamm]], [[Tom Holland (filmmaker)|Tom Holland]], [[Tobe Hooper]], [[Lloyd Kaufman]], [[Mary Lambert (director)|Mary Lambert]], [[John Landis]], [[Joe R. Lansdale]], [[Bentley Little]], [[H.P. Lovecraft]], [[Joe Lynch (director)|Joe Lynch]], [[William Lustig]], [[Peter Medak]], [[Lucky McKee]], Kat O' Shea, [[Robert Rodriguez]], [[Eli Roth]], [[David Schow]], and [[Tim Sullivan (director)|Tim Sullivan]]. It was created by [[Mick Garris]] for the [[Showtime (TV network)|Showtime]] cable network. Cohen's contribution was the segment ''[[Pick Me Up (Masters of Horror)|Pick Me Up]]'', based on a short story by [[David Schow]], who also wrote the [[teleplay]]. It stars [[Fairuza Balk]] and Cohen regulars [[Laurene Landon]] and [[Michael Moriarty]]. ''Pick Me Up'' is the story of woman traveling on a bus that has broken down along a stretch of lonely two-lane [[blacktop]]. Enter two [[serial killers]]: Wheeler (Moriarty), a driver who picks up [[Hitchhiking|hitchhiker]]s with the sole intent of killing them&nbsp;– and&nbsp;– Walker (Warren Kole), a [[hitchhiker]] who accepts lifts in order to find ''his'' victims. The two killers pair up and inventively murder all the passengers on the bus, save for Stacia (Balk), who has since gone her own way. Stacia eventually winds up in the middle of a serial killer [[wikt:turf war|turf war]], a war over which killer will get her first.<ref>Cohen, Larry & Garris, Mick, ''Pick Me Up'', from ''Masters of Horror'', Anchor Bay Entertainment, 2006.</ref> ''Pick Me Up'' signaled a brief return to the director's chair for Cohen.
 
Josef Rusnak remade Cohen's ''[[It's Alive (2009 film)|It's Alive]]'' in 2009. Still awaiting a score on [[Rotten Tomatoes]], the existing reviews are also very poor.<ref>''It's Alive'' (2009), [[Rotten Tomatoes]], [accessed] April 6, 2011.</ref> Even Cohen admitted that the remake was dreadful<ref>Berrett, Simon, ''An Interview with Larry Cohen, Creator of ''The Invaders'' and So Much More'' in ''Celebrity News'', May 20, 2008.</ref> and states: 'It's a terrible picture. It's just beyond awful'.<ref name="filmsinreview.com">((cite web|url=http://www.filmsinreview.com/2009/12/21/larry-cohen-interview/|title=LARRY COHEN INTERVIEW - Films In Review|website=Films In Review))</ref> Cohen offered his 1974 script but remarks that it was completely ignored: "I would advise anybody who likes my film to cross the street and avoid seeing the new enchilada."<ref name="filmsinreview.com"/>

==Personal life==
Cohen was married twice: to Janelle Webb, until their divorce in 1980; and then to Cynthia Costas, from 1994 until his death. He had two daughters.<ref name=Genzlinger/> His sister [[Ronni Chasen]] was murdered on November 16, 2010 in a drive-by shooting in Beverly Hills.<ref>((Cite web |date=2012-02-01 |title=Publicist's murder no conspiracy: police ((!)) Reuters |website=[[Reuters]] |url=https://www.reuters.com/article/2011/01/20/us-ronnichasen-idUSTRE70J08220110120 |archive-url=https://web.archive.org/web/20120201224626/https://www.reuters.com/article/2011/01/20/us-ronnichasen-idUSTRE70J08220110120 |url-status=dead |archive-date=2012-02-01 |access-date=2022-03-02 ))</ref>

===Death===
On March 23, 2019, Cohen died from cancer at his home in [[Beverly Hills, California]], at age 82.<ref name = Genzlinger/><ref name = THR>((Cite news|url=https://www.hollywoodreporter.com/news/larry-cohen-dead-alive-hell-up-harlem-writer-director-was-82-1185759|title=Larry Cohen, Writer-Director of 'It's Alive' and 'Hell Up in Harlem,' Dies at 82|work=[[The Hollywood Reporter]]|date=March 24, 2019|access-date=March 25, 2019|author=Koseluk, Chris))</ref>

==Critical response==
Critical response to Cohen's work has been extremely varied, with reviews ranging from good to poor.

===''The Stuff''===
Cohen's [[science fiction film|science fiction]] horror film and [[satirical]] social commentary ''[[The Stuff]]'' (1985) garnered mixed reviews, often being compared to [[Jack Finney]]'s ''[[The Body Snatchers]]'' novel and the 1958 film ''[[The Blob]]''. It has a moderate ''fresh'' rating of 73% on [[Rotten Tomatoes]].<ref>Cohen Larry, ''The Stuff'' rating at ''Rotten Tomatoes'' Web site, [accessed] January 23, 2024.</ref> The ''Apollo Movie Guide'' remarks that ''The Stuff'' works on a purely visceral level, and that it further achieves a tongue-in-cheek social parody of a society that cannot help buying into the latest craze. Although ''Apollo'' praised the juxtaposition of Cohen's clever screenplay and [[Michael Moriarty]]'s performance, it states that the film is not a classic. It does, however, award the film a modest Apollo Rating of 77/100.<ref>Weinberg, Scott, Stuff, The, ''Intelligent Reviews Online'' in ''Apollo Movie Guide'', accessed April 5, 2011.</ref> The ''[[Chicago Sun-Times]]'', on the other hand, sees ''The Stuff'' as a widely ambitious movie that fails mainly due to distracting glitches and a lack of plausibility, specifically, "What we have here are a lot of nice touches in search of a movie." ''Chicago Sun-Times'' rating: 1 1/2 stars out of 5.<ref>Ebert, Roger, ''The Stuff'' in ''Chicago Sun-Times'', August 26, 1985.</ref> ''Bloody Disgusting'' nevertheless awarded ''The Stuff'' 3 stars out of 5, pointing out both the good and the bad, "[I]t's smart, it's relevant and it has some bad acting. [It should be] enjoyed for all the wrong and some of the right reasons that it is not just a horror movie, but a very honest and important movie as well."<ref>Stuff, The, ''Blood-Disgusting'' online zine, [accessed] April 5, 2011.</ref>

===''Q: The Winged Serpent''===
His [[fantasy film|fantasy]] horror ''[[Q (1982 film)|Q]]'' a.k.a. ''Q: The Winged Serpent'' (1982) has a [[Rotten Tomatoes]] rating of 61%.<ref>''Q'' rating at ''Rotten Tomatoes'' website, [accessed] April 5, 2011.</ref> ''[[TV Guide]]'' praise Cohen for his intelligence, creativity and originality and further comment that '[Cohen] successfully combines a ''film noir'' crime story with a good old-fashioned ''giant monster'' movie' and that '[[Michael Moriarty]] turns in a brilliant performance as Jimmy Quinn [...]'.<ref>''Q'', ''TV Guide'', March 28, 2007.</ref> Horror author and movie critic, [[Kim Newman]], praises Cohen's plot originality and canny use of characters in ''[[Empire (magazine)|Empire]]'', pointing out the director's use of an oddball as lead&nbsp;– Jimmy Quinn&nbsp;– who would ordinarily be a secondary character or warrant solely a cameo appearance; Newman also explains how Cohen has relegated all the usual plot devices&nbsp;– in movies such as ''King Kong''&nbsp;– to the background.<ref>Newman, Kim, ''Q'', in ''Empire Magazine'', June 22, 2005.</ref> Alternatively, the ''[[Chicago Reader]]'', although viewing Cohen's monster movie as 'cheesy' and 'fun', ultimately condemns the movie as being 'curiously disengaged and sloppy'.<ref>Graham, Pat, ''Q'' review in ''Chicago Reader'', [accessed] April 5, 2011.</ref> ''[[The New York Times]]'', following the film's opening day at the [[Rivoli Theater (Indianapolis, Indiana)|Rivoli Theater]], had just 'a few words&nbsp;– only a very few&nbsp;– about ''Q'', offering a brief neutral synopsis and a couple of quotes.<ref>Maslin, Janet, ''Q Mayhem and Horror'' in ''The New York Times'', October 8, 1982.</ref> ''[[Variety (magazine)|Variety]]'' are more favourable, focusing on Cohen's 'wild' and 'bizarre'&nbsp;– albeit realistic&nbsp;– efforts: ''Q'' has great fun mixing realistic settings with political satire and a wild yarn'. They go on to say that the film belongs to both Moriarty and the Monster.<ref>''Q: The Winged Serpert'', ''Variety'' magazine, posted: Thu., Dec 31, 1981, 11:00pm PT, [accessed] April 5, 2011.</ref>

===''It's Alive''===
''[[It's Alive (1974 film)|It's Alive]]'', the first part of Cohen's horror trilogy featuring a mutated baby that kills its prey when trapped or frightened, holds a rating of 67% on [[Rotten Tomatoes]], one of the highest ratings for his films. Focusing on the social context of the film at the time, ''The Film Journal'' points out that ''It's Alive'' "carries a potent mix of both suspense and social critique [...] [i]nvoking such taboo subjects as abortion as early as 1974." As well as being apt at providing 'suspense,' ''The Film Journal'' acknowledges Cohen's ability "to impart an intelligent nature to his otherwise pulpy horror films."<ref>Graham, Aaron W., ''It's Alive!/It Lives Again/Island of the Alive'' in ''The Film Journal'', [accessed] April 5, 2009.</ref> ''Black Hole'' magazine opines that despite a lack of [[A-List]] actors and special effects, ''It's Alive'' still manages to maintain the viewer's interest due to Cohen's "unique horror concept and a script rich in ideas." ''Black Hole'' nevertheless points out that "[w]hile the drama is consistent, it's less successful as a seventies monster movie, and especially lacking now." Whereas ''[[Jaws (film)|Jaws]]'' (1975) revealed the shark slowly, Cohen's film "barely ever shows us the goods." The magazine does agree, however, that ''It's Alive'' was "a sufficiently powerful monster movie and [that] audiences wanted more."<ref>''Kill, baby, kill, kill!' in ''Black Hole'' magazine (online), March 6, 2011.</ref> ''Filmcritic'' draws attention to the humour element, especially the scenes where the Baby-Monster is rustling in the bushes, unseen, comparing it to the scene in ''[[Basket Case (film)|Basket Case]]'' (1982) when that film's Baby-Monster is stuffed into a garbage sack after being cut away from its human twin. ''Basket Case'' is indeed a part of another&nbsp;– later&nbsp;– Baby-Monster horror trilogy. In short, ''Filmcritic'' says that Cohen's film should not be confused with art; and yet, it is "pretty scary stuff" that "manages a few neat tricks."<ref>Euker, Jake, ''It's Alive'' on ''Filmcritic'' online zine, October 27, 2004.</ref>

===''God Told Me To''===
''[[God Told Me To]]'' a.k.a. ''Demon'' (1976), Cohen's [[science fiction film|science fiction]] [[Thriller (genre)|thriller]], has a rating of 75% on [[Rotten Tomatoes]], making it Cohen's most successful directorial effort, critically. The film, in which a number of New York citizens embark on a killing spree because ''God Told Them To'', is called "one of his most ambitious movies" that is "cemented in an interesting idea" by ''QNetwork Entertainment'', who find Cohen's ideology of the existence of God interesting: "cynical at best" and "sacrilegious at worst." The magazine continues, however, to comment on Cohen's lack of patience and drive when completing his movies, regarding the end products as being "hastily thrown-together" and "a mosaic of scenes, rather than a satisfying whole." In conclusion ''QNetwork'' give the film an even 2 1/2 stars for being the "clumsiest and most entertaining schlock of the last 20 years."<ref>Kendrick, James, ''God Told Me To a.k.a. Demon'' in ''QNetwork Entertainment'' online magazine, [accessed] April 5, 2011.</ref> ''CinePassion'' online magazine simply states: "[a] work of genius, in other words, possibly the Cohen joint that brims with the most all-pervasive invention and danger, as radical a Seventies 'incoherent text' as ''[[Taxi Driver]]'' and a clear linchpin of ''[[The X-Files]]''."<ref>Croce, Fernando F., ''God Told Me To'', [accessed] April 5, 2011.</ref> The ''[[Chicago Sun-Times]]'' sees Cohen's incoherent text in a different light, likening the film to a cinematic version of the card game [[52 Pickup]]: "the movie does achieve greatness in another way: this is the most confused feature-length film [...] ever seen."<ref>Ebert, Roger, ''God Told Me To'' in ''Chicago Sun-Times'', December 1, 1976.</ref> But ''[[Time Out (magazine)|Time Out]]'' applauded Cohen for offering "the perfect existential anti-hero" in New York cop, Lo Bianco, in a film that "overflows with such perverse and subversive notions that no amount of shoddy editing and substandard camerawork can conceal [its] unusual qualities" and that by "[d]igging deep into the psyche of American manhood, it lays bare the guilt-ridden oppressions of a soulless society."<ref>SW, ''God Told Me To'' in ''Time Out'' magazine, London, [accessed] April 5, 2011.</ref>

==Filmography==
===Film===
{| class="wikitable plainrowheaders" style="margin-right: 0;"
|-
! Year
! Title
! width=65 |Director
! width=65 |Writer
! Producer
! Notes
|-
! rowspan="2" scope="row" | 1966
| ''[[Return of the Seven]]''
| ((no))
| ((yes))
| ((no))
| 
|-
| ''[[I Deal in Danger]]''
| ((no))
| ((yes))
| ((no))
| 
|-
! rowspan="3" scope="row" | 1969
| ''[[Scream, Baby, Scream]]''
| ((no))
| ((yes))
| ((no))
| 
|-
| ''[[Daddy's Gone A-Hunting (1969 film)|Daddy's Gone A-Hunting]]''
| ((no))
| ((yes))
| ((no))
| Co-writer with [[Lorenzo Semple Jr.]]
|-
| ''[[El Condor (film)|El Condor]]''
| ((no))
| ((yes))
| ((no))
| Co-writer with [[Steven W. Carabatsos]]
|-
! scope="row"| 1972
| ''[[Bone (1972 film)|Bone]]''
| ((yes))
| ((yes))
| ((yes))
| 
|-
! rowspan="2" scope="row" | 1973
| ''[[Black Caesar (film)|Black Caesar]]''
| ((yes))
| ((yes))
| ((yes))
| 
|-
| ''[[Hell Up in Harlem]]''
| ((yes))
| ((yes))
| ((yes))
| 
|-
! scope="row"| 1974
| ''[[It's Alive (1974 film)|It's Alive]]''
| ((yes))
| ((yes))
| ((yes))
|[[Avoriaz|Avoriaz Special Jury Award]]
|-
! scope="row"| 1976
| ''[[God Told Me To]]''
| ((yes))
| ((yes))
| ((yes))
|[[Avoriaz|Avoriaz Special Jury Award]]
|-
! scope="row"| 1977
| ''[[The Private Files of J. Edgar Hoover]]''
| ((yes))
| ((yes))
| ((yes))
|
|-
! scope="row"| 1978
| ''[[It Lives Again]]''
| ((yes))
| ((yes))
| ((yes))
|
|-
! scope="row"| 1980
| ''[[The American Success Company]]''
| ((no))
| ((yes))
| ((no))
|
|-
! rowspan="2" scope="row" |1981
| ''[[Full Moon High]]''
| ((yes))
| ((yes))
| ((yes))
|
|-
| ''[[I, the Jury (1982 film)|I, the Jury]]''
| ((no))
| ((yes))
| ((no))
|
|-
! scope="row"| 1982
| ''[[Q (1982 film)|Q]]''
| ((yes))
| ((yes))
| ((yes))
| 
|-
! rowspan="3" scope="row" | 1984
| ''[[Scandalous (film)|Scandalous]]''
| ((no))
| ((partial|Story))
| ((no))
| 
|-
| ''[[Perfect Strangers (1984 film)|Perfect Strangers]]''
| ((yes))
| ((yes))
| ((no))
| 
|-
| ''[[Special Effects (film)|Special Effects]]''
| ((yes))
| ((yes))
| ((no))
| 
|-
! scope="row"| 1985
| ''[[The Stuff]]''
| ((yes))
| ((yes))
| ((yes))
| 
|-
! rowspan="4" scope="row" | 1987
| ''[[It's Alive III: Island of the Alive]]''
| ((yes))
| ((yes))
| ((yes|Executive))
| 
|-
| ''[[A Return to Salem's Lot]]''
| ((yes))
| ((yes))
| ((yes|Executive))
| 
|-
| ''Best Seller''
| ((no))
| ((yes))
| ((no))
|Nominated- [[Edgar Allan Poe Award for Best Motion Picture Screenplay|Edgar Allan Poe Award for Best Motion Picture]]
|-
| ''[[Deadly Illusion]]''
| ((yes))
| ((yes))
| ((no))
| 
|-
! scope="row"| 1988
| ''[[Maniac Cop]]''
| ((no))
| ((yes))
| ((yes))
| 
|-
! scope="row"| 1989
| ''[[Wicked Stepmother]]''
| ((yes))
| ((yes))
| ((yes|Executive))
| 
|-
! rowspan="2" scope="row" | 1990
| ''[[The Ambulance]]''
| ((yes))
| ((yes))
| ((yes))
| 
|-
| ''[[Maniac Cop 2]]''
| ((no))
| ((yes))
| ((yes))
|Nominated- [[Fangoria Chainsaw Awards|Fangoria Chainsaw Award for Best Screenplay]]
|-
! rowspan="3" scope="row" | 1993
| ''[[Maniac Cop III: Badge of Silence]]''
| ((no))
| ((yes))
| ((yes|Co-producer))
| 
|-
| ''[[Body Snatchers (1993 film)|Body Snatchers]]''
| ((no))
| ((partial|Story))
| ((no))
| 
|-
| ''[[Guilty as Sin]]''
| ((no))
| ((yes))
| ((no))
| 
|-
! rowspan="2" scope="row" | 1996
| ''[[Original Gangstas]]''
| ((yes))
| ((no))
| ((no))
| 
|-
| ''[[Uncle Sam (film)|Uncle Sam]]''
| ((no))
| ((yes))
| ((no))
| 
|-
! rowspan="2" scope="row" | 1997
| ''[[The Ex (1997 film)|The Ex]]''
| ((no))
| ((yes))
| ((no))
| 
|-
| ''[[Misbegotten]]''
| ((no))
| ((yes))
| ((no))
| 
|-
! scope="row"| 2002
| ''[[Phone Booth (film)|Phone Booth]]''
| ((no))
| ((yes))
| ((no))
| 
|-
! scope="row"| 2004
| ''[[Cellular (film)|Cellular]]''
| ((no))
| ((partial|Story))
| ((no))
| 
|-
! scope="row"| 2007
| ''[[Captivity (film)|Captivity]]''
| ((no))
| ((yes))
| ((no))
| Co-writer with Joseph Tura
|-
! scope="row"| 2008
| ''[[Connected (2008 film)|Connected]]''
| ((no))
| ((partial|Story))
| ((no))
| Remake of 2004's ''Cellular''
|-
! scope="row"| 2009
| ''[[It's Alive (2009 film)|It's Alive]]''
| ((no))
| ((yes))
| ((no))
| Remake of 1974 film
|-
! scope="row"| 2010
| ''[[Messages Deleted]]''
| ((no))
| ((yes))
| ((no))
| 
|-
<!--do not post films in “pre-production” or “in development” per WP:CRYSTAL-->
|}

====Acting roles====
{| class="wikitable plainrowheaders" style="margin-right: 0;"
|-
! Year
! Title
! Role
! Notes
|-
! scope="row"| 1984
| ''[[Perfect Strangers (1984 film)|Perfect Strangers]]''
| Man on Street
|-
! scope="row"| 1984
| ''[[Special Effects (film)|Special Effects]]''
| Journalist
|-
! scope="row"| 1985
| ''[[Spies Like Us]]''
| Ace Tomato Agent
|-
! scope="row"| 1987
| ''[[A Return to Salem's Lot]]''
| Female Zombie
|-
! scope="row"| 2002
| ''[[BaadAsssss Cinema]]''
|rowspan=5| Himself
| Television documentary film
|-
! scope="row"| 2005
| ''[[Make Your Own Damn Movie!]]''
| rowspan="4" | Documentary film
|-
! scope="row"| 2009
| ''[[Nightmares in Red, White and Blue]]''
|-
! scope="row"| 2019
| ''[[In Search of Darkness]]''
|-
! scope="row"| 2020
| ''[[In Search of Darkness: Part II]]''
|-
|}

===Television===
'''TV movies'''
{| class="wikitable plainrowheaders" style="margin-right: 0;"
|-
! Year
! Title
! width=65 |Director
! width=65 |Writer
! width=65 |Producer
|-
! scope="row"| 1969
| ''[[In Broad Daylight (1971 film)|In Broad Daylight]]''
| ((no))
| ((yes))
| ((no))
|-
! scope="row"| 1974
| ''[[Shootout in a One-Dog Town]]''
| ((no))
| ((partial|Story))
| ((no))
|-
! scope="row"| 1981
| ''[[See China and Die]]''
| ((yes))
| ((yes))
| ((yes))
|-
! scope="row"| 1983
| ''[[Women of San Quentin]]''
| ((no))
| ((partial|Story))
| ((no))
|-
! scope="row"| 1988
| ''[[Desperado: Avalanche at Devil's Ridge]]''
| ((no))
| ((yes))
| ((no))
|-
! scope="row"| 1995
| ''[[As Good as Dead (1995 film)|As Good as Dead]]''
| ((yes))
| ((yes))
| ((yes))
|-
! scope="row"| 2009
| ''[[The Gambler, the Girl and the Gunslinger]]''
| ((no))
| ((yes))
| ((no))
|}

'''TV series'''
{| class="wikitable plainrowheaders" style="margin-right: 0;"
|-
! Year
! Title
! width=65 |Director
! width=65 |Writer
! width=65 |Creator
! width=65 |Producer
! Notes
|-
! scope="row"| 1958–1965
| ''[[Kraft Television Theatre]]''
| ((no))
| ((yes))
| ((no))
| ((no))
| Episodes: "The Eighty Seventh Precinct",<br>"Night Cry" & "Kill No More"
|-
! scope="row"| 1960
| ''Dick Powell's Zane Grey Theater''
| ((no))
| ((yes))
| ((no))
| ((no))
| Episode: "Killer Instinct"
|-
! rowspan="3" scope="row" | 1961
| ''[[Way Out (TV series)|Way Out]]''
| ((no))
| ((yes))
| ((no))
| ((no))
| Episode: "False Face"
|-
| ''[[The United States Steel Hour]]''
| ((no))
| ((yes))
| ((no))
| ((no))
| Episode: "The Golden Thirty"
|-
| ''[[Checkmate (American TV series)|Checkmate]]''
| ((no))
| ((yes))
| ((no))
| ((no))
| Episode: "Nice Guys Finish Last"
|-
! rowspan="2" scope="row" | 1963
| ''[[Sam Benedict]]''
| ((no))
| ((yes))
| ((no))
| ((no))
| Episode: "Accomplice"
|-
| ''[[Arrest and Trial]]''
| ((no))
| ((yes))
| ((no))
| ((no))
| Episode: "My Name is Martin Burham"
|-
! scope="row"| 1963–1965
| ''[[The Defenders (1961 TV series)|The Defenders]]''
| ((no))
| ((yes))
| ((no))
| ((no))
| 9 episodes
|-
! scope="row"| 1964
| ''[[Espionage (TV series)|Espionage]]''
| ((no))
| ((yes))
| ((no))
| ((no))
| Episode: "Medal for a Turned Coat"
|-
! scope="row"| 1964–1965
| ''[[The Fugitive (1963 TV series)|The Fugitive]]''
| ((no))
| ((yes))
| ((no))
| ((no))
| 2 episodes: "Escape into Black" and "Scapegoat"
|-
! rowspan="2" scope="row" | 1965–1966
| ''[[Branded (TV series)|Branded]]''
| ((no))
| ((yes))
| ((yes))
| ((yes))
| 48 episodes
|-
| ''[[Never Too Young]]''
| ((no))
| ((no))
| ((no))
| ((yes|Executive))
| 5 episodes
|-
! rowspan="3" scope="row" | 1966
| ''[[Blue Light (TV series)|Blue Light]]''
| ((no))
| ((yes))
| ((yes))
| ((no))
| 17 episodes
|-
| ''[[The Rat Patrol]]''
| ((no))
| ((yes))
| ((no))
| ((no))
| Episode: "The Blind Man's Bluff Raid"
|-
| ''[[Coronet Blue]]''
| ((no))
| ((yes))
| ((yes))
| ((no))
| 11 episodes
|-
! scope="row"| 1967–1968
| ''[[The Invaders]]''
| ((no))
| ((yes))
| ((yes))
| ((no))
| 43 episodes
|-
! scope="row"| 1972
| ''[[Cool Million]]''
| ((no))
| ((yes))
| ((yes))
| ((no))
| Episode: "Mask of Marcella"
|-
! scope="row"| 1973–1974
| ''[[Griff (TV series)|Griff]]''
| ((no))
| ((yes))
| ((yes))
| ((no))
| 13 episodes
|-
! scope="row"| 1973–1974
| ''[[Columbo (TV series)|Columbo]]''
| ((no))
| ((yes))
| ((no))
| ((no))
| Episodes: "Any Old Port in a Storm",<br>"Candidate for Crime"<br>and "An Exercise in Fatality"
|-
! scope="row"| 1995
| ''[[NYPD Blue]]''
| ((no))
| ((yes))
| ((no))
| ((no))
| Episode: "Dirty Socks"
|-
! scope="row"| 2006
| ''[[Masters of Horror]]''
| ((yes))
| ((no))
| ((no))
| ((no))
| Episode: "[[Pick Me Up (Masters of Horror)|Pick Me Up]]"
|-
|}

==Notes==
((notelist))

==References==
((reflist))

==Further reading==
*((cite book |last=Fischer |first=Michael |title=Horror Film Directors, 1931-1990 |publisher=McFarland |volume=1 |year=1991 |isbn=978-0-899-50609-8 ))
*((cite book |last=Singer |first=Michael |title=Film Directors |publisher=Lone Eagle Pub. |volume=7 |year=1989 |isbn=978-0-943-72827-8 ))

==External links==
((Commons category))
*[https://www.larrycohenfilmmaker.com Official website]
*((IMDb name|169540))
*[http://www.searchmytrash.com/articles/larrycohen(8-08).shtml Larry Cohen biography on (re)Search my Trash]
*[http://www.sensesofcinema.com/2003/great-directors/cohen/ Senses of Cinema Great Directors profile (profile by Tony Williams)]

((Larry Cohen))
((The George Pal Memorial Award))

((Authority control))

((DEFAULTSORT:Cohen, Larry))
[[Category:1936 births]]
[[Category:2019 deaths]]
[[Category:20th-century American male writers]]
[[Category:20th-century American screenwriters]]
[[Category:21st-century American male writers]]
[[Category:21st-century American screenwriters]]
[[Category:American male screenwriters]]
[[Category:City College of New York alumni]]
[[Category:Deaths from cancer in California]]
[[Category:Film directors from New York City]]
[[Category:Film producers from New York (state)]]
[[Category:Horror film directors]]

[[Category:People from Riverdale, Bronx]]
[[Category:Screenwriters from New York (state)]]
[[Category:Writers from the Bronx]]

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Module:Hatnote/styles.css (view source) (template editor protected)
Module:Hatnote list (view source) (template editor protected)
Module:I18n/complex date (view source) (template editor protected)
Module:ISOdate (view source) (template editor protected)
Module:If empty (view source) (protected)
Module:If preview (view source) (template editor protected)
Module:If preview/configuration (view source) (template editor protected)
Module:If preview/styles.css (view source) (template editor protected)
Module:Infobox (view source) (template editor protected)
Module:Infobox/styles.css (view source) (template editor protected)
Module:InfoboxImage (view source) (template editor protected)
Module:Labelled list hatnote (view source) (template editor protected)
Module:List (view source) (protected)
Module:Message box (view source) (protected)
Module:Message box/ambox.css (view source) (protected)
Module:Message box/configuration (view source) (protected)
Module:Namespace detect/config (view source) (protected)
Module:Namespace detect/data (view source) (protected)
Module:Navbar (view source) (protected)
Module:Navbar/configuration (view source) (protected)
Module:Navbar/styles.css (view source) (protected)
Module:Navbox (view source) (template editor protected)
Module:Navbox/configuration (view source) (template editor protected)
Module:Navbox/styles.css (view source) (template editor protected)
Module:Ns has subpages (view source) (template editor protected)
Module:Other people (view source) (template editor protected)
Module:Other uses (view source) (template editor protected)
Module:Pagetype (view source) (protected)
Module:Pagetype/config (view source) (protected)
Module:ParameterCount (view source) (template editor protected)
Module:Parameter validation (view source) (template editor protected)
Module:Parameter validation/default config (view source) (template editor protected)
Module:Redirect (view source) (protected)
Module:SDcat (view source) (template editor protected)
Module:Separated entries (view source) (protected)
Module:Side box (view source) (template editor protected)
Module:Side box/styles.css (view source) (template editor protected)
Module:String (view source) (protected)
Module:String2 (view source) (template editor protected)
Module:TableTools (view source) (protected)
Module:Text (view source) (template editor protected)
Module:Unsubst (view source) (protected)
Module:Ustring (view source) (template editor protected)
Module:Wd (view source) (template editor protected)
Module:Wd/i18n (view source) (template editor protected)
Module:WikidataIB (view source) (template editor protected)
Module:WikidataIB/nolinks (view source) (template editor protected)
Module:WikidataIB/titleformats (view source) (template editor protected)
Module:Yesno (view source) (protected)

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