Organizational history
Formation
The League of American Writers was established by the First American Writers Congress, a gathering held from April 26–28, 1935.[1] (According to member Myra Page, it started on May 1, 1935–May Day.[2])
The organization was affiliated with the International Union of Revolutionary Writers (IURW)[1] as well as the International Association of Writers for the Defense of Culture and was the American equivalent of the British League of Writers.[3] Initial members included: Alexander Trachtenberg of International Publishers, Franklin Folsom, Louis Untermeyer, Bromfelds[who?], I.F. Stone, Millen Brand, Arthur Miller, Lillian Hellman, and Dashiell Hammett, and Myra Page.[2]
In an article in the magazine of the IURW, International Literature, League of American Writers member Alan Calmer noted that the new organization sprung from a decision made at the 1934 convention of the Communist Party's John Reed Clubs:
The chief malady of the revolutionary culture movement was characterized at the second national conference of the John Reed Clubs in 1934 as the old malady of sectarianism. ... Pointing to these handicaps, the delegates to the conference instructed their executive committee to take the initiative in sponsoring a broad conference of left-wing authors ... A new organization committee was formed, which gradually involved more and more sympathetic writers into the leadership of the committee which issued the "Call for an American Writers Congress" at the beginning of 1935.[4]
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The convention call for establishing the first Congress of American Writers declared that capitalism was rapidly crumbling and sought to gather the "hundreds of poets, novelists, dramatists, critics, short story writers and journalists" who recognized "the necessity of personally helping to accelerate the destruction of capitalism and the establishment of a workers' government."[5]
The founding convention of the League was called to order at the Mecca Temple in New York City, attended by 400 invited "writer-delegates" in front of a total audience of nearly 5,000.[6] Although later called a "front group," the Communist Party's role in the League of American Writers was never secret. Earl Browder, General Secretary of the CPUSA, delivered the keynote address to the delegates of the First Congress of the League of American Writers at its opening session.[7] Browder acknowledged that writers were typically "skeptical of all political parties, if not contemptuous." He continued:
They find, however, in the new life in which they participate, there is a political party which plays an increasingly influential role, the Communist Party. They find it necessary to define their attitudes towards this Party which actively participates in their chosen world. They see that this Party is a force in fine literature, as well as in strikes, in unemployment struggles, in battling for Negro rights, even in reactionary Congress ... Yes, the Communist Party is a force, in every phase of the life of the masses, even that of poets, dramatists, novelists, and critics.[7]
Joining Browder in addressing the delegates to the organization's founding convention was CPUSA political committee member Clarence Hathaway, who greeted the Congress in the name of "the entire staff of The Daily Worker," the official newspaper of the Communist Party.[8] Other leading CPUSA activists addressing the gathering included Moissaye Olgin of the Yiddish-language Morning Freiheit, Joseph Freeman of The New Masses, and Alexander Trachtenberg of International Publishers, part of the CPUSA's publishing arm.[9]
The group declared itself to be "a voluntary association of writers dedicated to the preservation and extension of a truly democratic culture."
Waldo Frank was elected the first president of the new organization.[10] The governing Executive Council elected by the first Congress included Frank, Freeman, Trachtenberg, Michael Gold, Granville Hicks, Malcolm Cowley, Josephine Herbst, Albert Maltz, Kenneth Burke, Harold Clurman, Hart, Josephson, Lawson, Scheider, Seaver, Genevieve Taggard and Alfred Kreymborg.[9]
Development
The League of American Writers was a dues based organization, with annual dues set at $5 per year, payable in advance on January 1 of each year.[11] Participants who were members of local or regional chapters paid dues to that organization, with $2 of the $5 remitted to the National Office; others stood as members at large and paid dues directly to New York.[11]
Although the League of American Writers was technically a "mass organization" of the CPUSA in the sense that it sought to unite party members with non-party individuals sharing the general Communist Party orientation, membership in the organization was limited by design to the literary elite. Several months after the April 1935 founding congress, membership in the group was reported as only 125 — far fewer than the 400 who had attended the founding convention as delegates.[12] "Applications for membership flow in, but the standard is kept high, membership is granted only to creative writers whose published work entitles them to a professional status," noted Isidor Schneider.[12]
According to the group's formal membership application, membership in the League was "open to all writers whose work has been published or used with reasonable frequency in channels of communication of more than local scope, including magazines, newspapers, the radio, the stage, and the screen."[13] In addition, members had to accept and observe a set of 7 membership aims:
1. To enlist writers in all parts of the United States in a national cultural organization for peace and democracy and against fascism and reaction.
2. To defend the political and social institutions that guarantee a healthy atmosphere for the perpetuation of culture ...
3. To stimulate the interest of other writers in our program ...
4. To support progressive trade union organization, especially among professionals and in the liberal arts.
5. To effect an alliance, in the interest of culture, between American writers and all progressive forces in the nation.
6. To support the People's Front in all countries.
7. To cooperate with similar organizations of writers in other countries.[13]
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The League of American Writers was governed by Congresses held every two years. The organization also had a number of local chapters which conducted various fundraising activities and events designed to raise public awareness about matters of concern to the League. Chapters were maintained in New York City, Washington, DC, Boston, Chicago, San Francisco, and Minneapolis.[14] The organization published an official newsletter, The Bulletin of the League of American Writers.[14]
A number of prominent writers were enlisted in the cause over the next several years, including Thomas Mann, John Steinbeck, Ernest Hemingway, Theodore Dreiser, James Farrell, Archibald MacLeish, Lillian Hellman, Nathanael West, Elsa Gidlow and William Carlos Williams.[12] The participation of many of these literary luminaries in League affairs was often nominal, limited to signature of an occasional petition.[12] This effort at gathering prominent figures was assisted by a muting the explicitly revolutionary language and communist tone of the organization by the time of its June 1937 second convention.[15]
The 1937 convention was a more subdued affair than the high-profile 1935 launch, with its opening at Carnegie Hall attended by 50 "writer-delegates."[16] The keynote speech was delivered by Ernest Hemingway, newly returned from the Spanish Civil War. Hemingway denounced fascism as "a lie told by bullies" and declared that "a writer who will not lie cannot live or work under fascism."[17] Excerpts from the film The Spanish Earth were shown to the audience.[16]
Communist Party General Secretary Earl Browder again spoke to the 1937 convention, emphasizing the CPUSA's "Popular Front" analysis that the world was divided into "two great warring camps, democracy against fascism" and leaving it to writers to "adjust their own work to the higher discipline of the whole struggle for democracy."[18] Gone was talk of the collapse of capitalism and the duty of writers to speed its demise as participants in the class struggle; now the task at hand, in Browder's view, was the building of "broad unity of all democratic and progressive forces ... against the menace of fascist barbarism."[18]
Frank was replaced as President of the League in 1937, owing to his questioning of the evidence and verdicts being rendered at the great "Show Trials" in Moscow.[19] He was replaced as President by Donald Ogden Stewart.[19] The professional head of the organization as Executive Secretary from 1937 to 1942 was Communist Party stalwart Franklin Folsom.[17] The League touted seven prominent Vice-Presidents during the last years of the 1930s, including Van Wyck Brooks, Erskine Caldwell, Malcolm Cowley, Paul DeKruif, Langston Hughes, Meridel LeSueur, and Upton Sinclair.[20]
The 3rd Congress of the League of American Writers, held in New York City in June 1939, once again opened with a Friday night public session at Carnegie Hall. Poet Langston Hughes delivered the keynote address, in which he likened the situation of American blacks to that of the Jewish minority in Germany, with but one difference: "Here we may speak openly about our problems, write about them, protest, and seek to better our conditions. In Germany the Jews may do none of those things."[21] Hughes' speech was broadly democratic and did not include revolutionary sloganeering.
Publications
The League of American Writers somewhat irregularly published a mimeographed newsletter for its members, The Bulletin of the League of American Writers.[22] Circulation was small, with a press run of 700 copies cited in an issue from November 1937, and few specimens seem to have survived.[23]
In 1937 the League of American Writers sent out surveys to over 1,000 American writers asking their position on the Spanish Civil War. Some 418 returned the survey forms, with 410 supporting the Loyalists to the Spanish Republic, 7 professing neutrality, and only one — Gertrude Atherton — supporting General Francisco Franco and his nationalist forces.[24] In accord with the CPUSA's political line, no effort was made to contact writers known to be sympathetic to Leon Trotsky. When Max Eastman, a translator of Trotsky and opponent of Joseph Stalin, was inadvertently mailed a survey form, Eastman's reply was excluded at the insistence of Communist Party newspaper editor Moissaye Olgin.[24] The other replies were distilled into a pamphlet published by the League of American Writers, entitled Writers Take Sides.[24]
Decline and dissolution
With the signing of the Nazi-Soviet Pact in the fall of 1939, the League of American Writers turned its official policy from one of advocacy of collective security against fascism in Europe to one of opposition to the so-called "imperialist war," in accord with a change in the political line of the Communist International and the CPUSA.[19] This abrupt reversal was not cost-free to the organization, however, as a series of prominent members of the League of American Writers left the group's ranks. Those exiting during this "Yanks Are Not Coming" period included Archibald MacLeish, Malcolm Cowley, Van Wyck Brooks, Thomas Mann, and Granville Hicks, among others.[25]
In January 1940, the League formed a Keep America Out of War Committee. This group's members included: Lillian Hellman, Dashiell Hammett, Lawrence A. Goldstone, Eleanor Flexner, Len Zinberg, Shaemas O'Sheel, and Sonia Raiziss, among others.[10] A number of the League's members were placed under surveillance by the United States government.[26]
Theodore Dreiser was honorary president of the League of American Writers in 1941.[27]
In the summer of 1941, the League again abruptly shifted its political position, ending its anti-war stance, with the German invasion of the USSR in the summer of 1941.[10] Echoing another abrupt change of the political line of the CPUSA, the League of American Writers became advocates of American entry into World War II in defense of the Soviet Union.
In another development in 1941, Attorney General Francis Biddle began tracking what were deemed to be subversive Soviet-controlled organizations, and in February 1943 the League of American Writers was placed on the Biddle List, which later became the Attorney General's List of Subversive Organizations. This effectively terminated it.[26][28] The condemnation of it was confirmed in May 1948 and again in 1953 by Executive Order 10450.[29]
Once the communist domination of the League of American Writers had been publicly declared, its Hollywood branch renamed itself as the Hollywood Writers’ Mobilization, led by John Howard Lawson.[30]
The archive of the League is housed at the Bancroft Library of the University of California, Berkeley. The collection has been microfilmed, with the master negative held by the Rare Books and Special Collections Department at the university.[31]