Biography
Early life and early career: 1929–1961
Leonard Cyril Deighton was born in Marylebone, London, on 18 February 1929.[1][2] His birth was in the infirmary of a workhouse as the local hospital was full.[3] His father was the chauffeur and mechanic for Campbell Dodgson, the Keeper of Prints and Drawings at the British Museum; Deighton's mother was a part-time cook. At the time the family lived in Gloucester Place Mews near Baker Street.[4][5] In 1940, during the Second World War, the eleven-year-old Deighton witnessed the arrest of Anna Wolkoff, a British subject of Russian descent for whom his mother cooked; Wolkoff was detained as a Nazi spy and charged with stealing correspondence between Winston Churchill and Franklin D. Roosevelt.[6][a] Deighton said that observing her arrest was "a major factor in my decision to write a spy story at my first attempt at fiction".[8]
Deighton was educated at St Marylebone Grammar and William Ellis schools, but was moved to an emergency school for part of the Second World War.[9][10][b] After leaving school Deighton worked as a railway clerk[12] before being conscripted for national service at the age of 17, which he completed with the Royal Air Force (RAF). While in the RAF he was trained as a photographer, often recording crime scenes with the Special Investigation Branch (SIB) as part of his duties.[9][12] During his work with the SIB he learned to fly and became an experienced scuba diver.[13]
After two and a half years with the RAF, Deighton received a demobilisation grant, enabling him to study at Saint Martin's School of Art where he won a scholarship to the Royal College of Art; he graduated from the college in 1955.[2][14] While studying he held a temporary job in 1951 as a pastry chef at the Royal Festival Hall.[13] He worked as a flight attendant for British Overseas Airways Corporation (BOAC) between 1956 and 1957 before becoming a professional illustrator. Much of his work as an illustrator was in advertising—he worked for agencies in New York and London—but he also illustrated magazines and over 200 book covers, including for the first UK edition of Jack Kerouac's 1957 work On the Road.[5][9][15]
Writing career: 1961–
While he was working at the Royal Festival Hall, Deighton would make sketches to remember some of the steps he took preparing dishes. He developed the idea into the concept of the "cookstrip", a full recipe within a cartoon-style illustration.[16][c] Following the publication of one of Deighton's cookstrips in the Daily Express in 1961, The Observer commissioned him to provide a weekly series for its own magazine, which he did between March 1962 and August 1966.[18] He later explained:
I was buying expensive cookbooks. I'm very messy, and didn't want to take them into the kitchen. So I wrote out the recipes on paper, and it was easier for me to draw three eggs than write 'three eggs'. So I drew three eggs, then put in an arrow. For me it was a natural way to work.[17]
In 1962 Deighton's first novel, The IPCRESS File, was published; it had been written in 1960 while he was staying in the Dordogne, south west France.[12] The book was soon a commercial success and was a best-seller in the UK, France and the US; the novel sold more than 2.5 million copies in three years.[19][20][21] The story—written as a first-person narrative—introduced a working-class protagonist, cynical and tough.[1] Deighton did not want to invent a name for the character and later explained "Some people felt that a contrivance, but I kept putting off inventing a name for him until I got to the end of the book and realised I could finish the book without giving him a name".[22][d]
In 2017 Deighton described how he did not consider the character an anti-hero, but "a romantic, incorruptible figure in the mould of Philip Marlowe".[19] Deighton described the inspiration of using a working-class spy among the Oxbridge-educated members of the Establishment as coming from his time at the advertising agency, when he was the only member of the company's board not to have been educated at Eton. He said "The IPCRESS File is about spies on the surface, but it's also really about a grammar school boy among public school boys and the difficulties he faces."[23][e]
Deighton published two further novels with his unnamed protagonist—Horse Under Water (1963) and Funeral in Berlin (1964). Funeral in Berlin stayed on The New York Times best-seller list for twenty weeks and sold over forty thousand copies in hardback in 1965.[15][26] He published two cookbooks in 1965, Len Deighton's Action Cook Book (a collection of his cookstrips from The Observer) and Où est le garlic (Where is the garlic), a collection of French recipes.[15][27][f] Two further novels in the spy series followed—Billion-Dollar Brain (1966) and An Expensive Place to Die (1967)—after which he published his first historical non-fiction work, The Assassination of President Kennedy (1967), co-written with Michael Rand and Howard Loxton.[27] During 1967 he also edited and contributed to Len Deighton's London Dossier, a work that described itself as "a real London guidebook".[28] The book suggested the Rowton Houses owned by Rowton Hotels Ltd were doss-houses for the homeless.[g] He and the publishers Jonathan Cape were sued for libel; they apologised, withdrew the suggestions made in the book by amending the claim in unsold editions and paid substantial damages.[28]
In September 1967 he wrote an article in The Sunday Times Magazine about Operation Snowdrop, an SAS attack on Benghazi during the Second World War. Deighton wrote that the raid "suffered a lack of security" because David Stirling, the leader of the raid, "had insisted upon talking about the raid during two social gatherings at the British Embassy in Cairo although warned not to do so". Stirling sued Deighton and Times Newspapers for libel the following year as the implication was that his indiscretion had endangered the lives of his men. Stirling explained in court that one of the social gatherings was a dinner with Winston Churchill, Field Marshal Jan Smuts, General Sir Alan Brooke, General Sir Claude Auchinleck and General Harold Alexander; the second occasion was a private conversation with Churchill. Deighton and Times Newspapers apologised, published a correction and paid damages.[31]
During the mid-1960s Deighton wrote for Playboy as a travel correspondent, and he provided a piece on the boom in spy fiction; An Expensive Place to Die was serialised in the magazine in 1967.[32] In 1968 Deighton was the producer of the film Only When I Larf, which was based on his novel of the same name.[33] He was the writer and co-producer of Oh! What a Lovely War in 1969, but did not enjoy the process of making films, and had his name removed from the film's credits.[5][34] In 1970 Deighton wrote Bomber, a fictional account of an RAF Bomber Command raid that goes wrong.[15] To produce the novel he used an IBM MT/ST, and it is possible that this was the first novel to be written using a word processor.[35][36] Deighton was interviewed on Desert Island Discs in June 1976 by Roy Plomley.[37][h]
Deighton wrote Fighter: The True Story of the Battle of Britain, published in 1977, after being advised to do so by the historian A. J. P. Taylor.[19][38] The book was well received by readers and reviewers, although the inclusion of interviews with German participants led to criticism from some.[19] Taylor wrote the introduction for the book, describing it as a "brilliant analysis";[39] Albert Speer, once the Minister of Armaments for Adolf Hitler, thought it "an excellent, most thorough examination".[40]
Fighter was followed in 1978 by another novel, SS-GB, the idea for which came from Ray Hawkey, Deighton's friend from art school and the designer of the covers of several of his books. While the two were discussing what would have happened if the Germans had won the Second World War, Hawkey asked Deighton if he thought there could be an alternative history novel.[18][41] Blitzkrieg, Deighton's 1979 history of the rise of the Nazis and the fall of France, has a foreword written by General Walther Nehring, Chief of Staff to General Heinz Guderian.[42] As at 2023 his last history book is Blood, Tears and Folly: An Objective Look at World War II (1993), which examined the events of the war up until 1942.[43] Reviewing for The Times, Henry Stanhope considers the work "extremely readable", although he questions the structure of the book which focuses on different theatres of war, rather than using a purely chronological history. This approach, Stanhope considers, "presents a less complete picture to the reader".[44] The historian Allan R. Millett considers that the book would have been improved by wider research into the Russian, Japanese and American aspects of the war.[45]
Beginning in 1983 Deighton wrote three connected trilogies: Berlin Game (1983), Mexico Set (1984) and London Match (1985); Spy Hook (1988), Spy Line (1989) and Spy Sinker (1990); and Faith (1994), Hope (1995) and Charity (1996). Winter, a companion novel dealing with the lives of a German family from 1899 to 1945, which also provides an historical background to several of the characters from the trilogies, was published in 1987. The trilogies are centred on Bernard Samson, a tough, cynical and disrespectful MI6 intelligence officer.[1][46]
Personal life
Deighton married the illustrator Shirley Thompson in 1960;[1] the couple were divorced in 1976, having not lived together for over five years.[47] He left Britain in 1969, and has lived abroad since, including in Ireland, Austria, France, the US and Portugal.[2][48] He lived for a while in Blackrock, County Louth,[49] where he married Ysabele née de Ranitz in February 1980, the daughter of a Dutch diplomat.[48][50] The couple have two sons.[17]
Deighton does not like giving interviews, and these have been rare throughout his life; he also avoids appearing at literary festivals.[51][52] He says that he does not enjoy being a writer and that "The best thing about writing books is being at a party and telling some pretty girl you write books, the worst thing is sitting at a typewriter and actually writing the book."[23] After completing Faith, Hope and Charity in 1996, he decided to take a year off writing; at the end of the period, he decided that writing was "a mug's game" that he did not miss and did not have to do.[53] By 2016 Deighton had retired from writing.[54][55]
