Li Cheng | |
|---|---|
 A Solitary Temple Amid Clearing Peaks 晴峦萧寺. Ink and light color on silk. 111.76 × 55.88 cm. Nelson-Atkins Museum of Art | |
| Born | 919 |
| Died | 967 |
| Nationality | Chinese |
| Known for | Painting |
| Movement | Northern Landscape style |
Li Cheng (Chinese: 李成; pinyin: Lǐ Chéng; Wade–Giles: Li Ch'eng; 919–967), courtesy name Xiánxī (咸熙), was a Chinese painter of the Song dynasty. He was influenced by Jing Hao and Juran. Li Cheng, Fan Kuan, and Guan Tong became known as the "three great rival artists".
Li Cheng lived in Qingzhou (now part of Weifang, Shandong) during the Five Dynasties and Ten Kingdoms period and the early Song dynasty. His ancestry was from the Tang dynasty imperial family, the Li (李) clan, which had fallen from power in 907 with the dynasty's collapse.
He learned painting from Jing Hao and Guan Tong before turning to focus on nature and developing his own style.[1] He was also a poet and literary stylist, but regarded these as secondary endeavors, and he did not seek government office. Many nobles sought out Li Cheng's services, but he never accepted. An official named Sun Anzhi desired a painting from Li Cheng so ardently, he offered Li a prestigious government post, but Li Cheng refused. Sun then paid an acquaintance of Li Cheng to steal a painting, earning the artist's lifelong enmity.[2] During his later years, he took to travel and died in Huaiyang County.
Li Cheng did many landscape paintings with diluted ink, a technique called "treating ink like gold", which gives the appearance of a foggy dream world. In his day, he was considered the greatest landscape painter of all time. His paintings carried on an artistic dialogue with those of Wu Daoxuan. Li Cheng primarily portrayed the landscapes of Shandong. Artists of later generations, such as Guo Xi, modeled their teaching on his painting style and methods.
His works include “Jigger", "Joy in Fishing", "Cold crow", and "Landscape". One extant painting, "Reading Stele Nest Stone", was a collaboration with Wang Xiao.
