The film is a collaboration between Wenders and Ray to document Ray's last days due to terminal cancer in 1979. The film is partially an homage to Ray who had a strong influence on Wenders' work, and partially an investigation on life and death. Ray's influence on Wenders includes Ray's "love on the run" subgenre as well as his film noir photography.
The film features excerpts from Ray's film The Lusty Men and his unfinished final work We Can't Go Home Again. The sequence featuring the former excerpt was shot at Vassar College, at which Ray presented the film and then gave a lecture, which itself is excerpted.
The film crew is extensively featured onscreen. Jim Jarmusch, Ray's personal assistant at the time — and later a notable film director in his own right — can be briefly glimpsed at the 50:28 mark sitting at an editing console.
When Wenders goes to the Vassar campus to attend a lecture, a brief one-man performance is seen on-stage. It is Franz Kafka's story "A Report for an Academy", about an ape who becomes a man.
Production
The American independent film director Jon Jost has come out against Wenders' status as the sole co-director, saying that Wenders "used his celebrity" to push Jost and Raúl Ruiz out of the project that they had been the creators of.[citation needed]
