Schubert's Opus 1: "Erlkönig", D 328, fourth version, was published by Diabelli as Schubert's "1tes Werk" (first work) in 1821. The Lied, composed by Schubert in 1815, was later adopted along with its prior versions as No. 178 in Series XX, Vol. 3 of the AGA (1895), and in Series IV, Vol. 1 of the NSE (1970).
Lists of
Compositions by
Franz Schubert
By genre
Publications

Franz Schubert (31 January 1797 – 19 November 1828), a Viennese composer of the late Classical to early Romantic eras, left a very extended body of work notwithstanding his short life. He wrote over 1500 items, or, when collections, cycles and variants are grouped, some thousand compositions. The largest group are his over six hundred Lieder for solo voice and piano. He composed nearly as many piano pieces, and further some 150 part songs, some 40 liturgical compositions (including several masses) and around 20 stage works like operas and incidental music. His orchestral output includes a dozen symphonies (seven completed) and several overtures. Schubert's chamber music includes over 20 string quartets, and several quintets, trios and duos.[1][2][3][4][5][6]

Otto Erich Deutsch compiled the first comprehensive catalogue of Schubert's works and published it in 1951 as Schubert: Thematic Catalogue of all his Works in Chronological Order.[7] A revised edition appeared in German in 1978.[8] Later editions of the catalogue contained minor updates.[9]

Publication of Schubert's compositions started during his lifetime, by opus number. After the composer's death, posthumous opus numbers continued to be assigned to new publications of his work until 1867 (Op. post. 173). In the meanwhile also publications without opus number had started, for instance, from shortly after the composer's death, many songs in Diabelli's fifty Nachlaß-Lieferung (instalment from the heritage) editions.[7]

There are two attempts to publish everything Schubert has composed in a single edition:

Websites such as Schubert Online (schubert-online.at) provide facsimiles (scans) of Schubert's autographs and of other manuscripts and early editions of his work.[14] Texts of Schubert's vocal music can be published without the music, for instance his Lieder (songs) at the LiederNet Archive website.[15]

Works listed in the Deutsch catalogue

The 1951 first edition of the Deutsch catalogue attempted to list all dated works by Schubert in chronological order, assigning them a number from 1 to 965. Undated works were ordered in the range 966–992. Nos. 993–998 referred to manuscripts that had resurfaced shortly before the catalogue was printed.[7]

Later versions of the catalogue adhered to the general principles that Deutsch numbers below 966 referred, in a chronological order, to compositions by Schubert with an established time of composition, and that the range 966–992 was reserved for his compositions with an uncertain date of composition. Thus "Die Taubenpost", the last Lied Schubert composed, was reassigned from D 957 No. 14 to D 965A, and D 993, an early piano composition, to D 2E.[8]

Spurious and doubtful works (Anh. I)
Annex I of the first edition of the catalogue contains only a single composition under the header Spurious and doubtful works, but however also points to some compositions with authentication issues elsewhere in the catalogue.[7] The 1978 edition of the catalogue lists 32 spurious and doubtful works in its first Anhang (annex), including some that were for that reason removed from the main catalogue.[8]
Arrangements by Schubert (Anh. II)
The 1978 version of the catalogue lists 4 arrangements by Schubert in its second Anhang[8]
Works of others composers copied by Schubert (Anh. III)
Annex II in the first edition of the catalogue contains compositions by other composers copied by Schubert.[7] In the 1978 edition the list was expanded and became Anhang III.[8]
"Setting" vs. "version" distinction
the New Schubert Edition distinguishes between Bearbeitung (setting) and Fassung (version), the first meaning an independent composition, the second stages of the same composition (modifications of essentially the same composition). Usually different settings have different D numbers, while versions are grouped under the same D number, unless when set for a different (group of) performer(s). The first edition of the Deutsch catalogue was less strict on that point, leading to Deutsch number reassignments in later publications. Example: D 174 is described as two settings of the same text in the original catalogue, the second having become "D deest" by the time it was published in Series IV, Volume 8 of the New Schubert Edition (while the music has no resemblance to the earlier setting). On the other hand, despite a difference in key and number of movements, the original D 567 and D 568 were ultimately published under the same D number as two versions of the same sonata.[7][8][11][9]

Legend

Legend to the table
column content
1 D '51 Deutsch number in the first version of the Deutsch catalogue (1951)[7]
2 D utd most recent (utd = up to date) Deutsch catalogue number;[9] the basic collation of the list is according to these numbers – whether or not the possibility to adjust the sorting according to the content of other columns is available depends on the device with which the table is displayed.
3 Op.
pbl 		Opus number (Op.; p indicates Post. = posthumous) and date of first publication (pbl; between brackets; when there is more than one date the earlier dates indicate partial publications). The column sorts to Opus number, then (earliest of) the publication date(s)
4 AGA Alte Gesamt-Ausgabe = Franz Schubert's Werke: Kritisch durchgesehene Gesammtausgabe. Indicates genre/instrumentation:[10]
5 NSA NGA/NSA/NSE = New Schubert Edition, also indicates genre/instrumentation:[11]
6 Name unique name, with, if available, a link to the relevant encyclopedia article; sorts by name with initial definite ("Der", "Die", "Das", ...) or indefinite ("Ein", "A", ...) articles, and numbers, moved after the expression they qualify: e.g. "Die Hoffnung, ..." sorts as "Hoffnung, Die, ..." – "Thirty Minuets ..." sorts as "Minuets, 30, ...".
7 Key / incipit incipit mostly for songs[16] (linking to lyrics and their translation, for instance at The LiederNet Archive, when available),[15] other compositions by key, except for Schubert's stage works: type of composition in brackets.
8 Date (presumed) date of composition, or, for copies and arrangements, date of Schubert's autograph. Sorts to earliest possible date of completion, unlike the chronology of the Deutsch catalogue that generally collates according to earliest date associated with the composition: e.g. Schubert started the composition of his 3rd String Quartet on 19 November 1812 and completed it on 21 February 1813 – in the Deutsch catalogue the composition is grouped with other compositions from 1812: when using the sort function of the 8th column the composition is grouped with compositions completed in 1813
9 Additional info may include:
  • Information about the text (lyrics,[16][15] libretto) of vocal compositions: e.g., "Text by [text author]", "Text: [standard lyrics]", "... from [literary work]"; "other settings: D ..." indicates Schubert's other settings of the same text; for fields starting with "Text ..." this column sorts by text author (last name, first name—or pen name when such name is more established), then incipit of the lyrics (alternatively, when the incipit is rarely used, title of the work)
  • Information about the authenticity of the composition: the work is without doubt Schubert's unless when marked as "Doubtful", "Spurious?" or "Spurious" (in the last case columns 3–8 give no further information about the composition)
  • Forces needed for performance ("For ..."):
    • may be omitted when the type of composition makes the instrumentation clear (e.g. String Quartet → two violins, viola and cello), and, for vocal music, when the setting is for voice and piano
    • "s", "a", "t" and "b" refer to a single soprano, alto, tenor and bass singer respectively, while "S", "A", "T" and "B" to choral parts for the same types of singers (see SATB).
  • Specifications regarding movements (e.g. "Allegro – Minuet – Rondo") or sections (e.g. "No. 1 ...")
  • Information about the completeness of the extant work: the work is considered complete as extant unless when marked "Sketch", "Incomplete", "Unfinished", "Fragment" or "Lost"
  • Information about versions (e.g. "Two versions: ...")

Table

Compositions by Franz Schubert listed in the Deutsch catalogue
D
'51 		D
utd 		Op.
pbl 		AGA NSA Name Key / incipit Date Additional info
1–1C
1810 Up ↑
1 1 (1888) IX, 3
No. 30 		VII/1, 1 No. 1 & Anh. No. 1 Fantasy, D 1 G major 8/4/1810–
1/5/1810 		For piano duet; Two versions of Finale
1A (1969) IV, 6
Anh. No. 1 		Song, D 1A C minor before
1810? 		For b and piano; Sketch; Music partly reused in D 39
1B VII/1, 1 Anh. No. 2 Fantasy, D 1B G major 1810–1811 For piano duet; Fragment; Music related to D 1 and 7
1C VII/1, 1 Anh. No. 3 Sonata, D 1C F major 1810–1811 For piano duet; Largo (fragment)
2–12
1811 Up ↑
996 2A V, 6 No. 1 Overture, D 2A D major 1811? For orchestra
997 2B V, 6 No. 2 Symphony, D 2B D major 1811? Adagio, Allegro con moto (fragment)
998 2C (1978) VI, 3
Anh. No. 1 		String Quartet, D 2C D minor or F major 1811? Fragment
995 2D (1956)
(1970) 		VI, 9 Six Minuets, D 2D Various keys 1811 For winds; Nos. 1–2: piano version publ. in 1956; Nos. 4-6: sketches
993 2E VII/2, 4 Fantasy, D 2E C minor 1811 For piano
2F VI, 9 Trio, D 2F 1811 For winds?; Sketch; Belongs to a lost Minuet
2G V, 6 No. 3 Overture, D 2G D major 1810–1811? For orchestra; Fragment
3 3 (1978) VI, 3
Anh. No. 2 		String Quartet, D 3 C major 1812? Andante (fragment); Partly reused in D 29 and in an early sketch of D 36
4 4 (1886) II
No. 1 		V, 5 Overture to the play Der Teufel als Hydraulicus (Overture to a comedy with singing)
D major 		1812? For orchestra; Play by Albrecht [de] (plot similar to Weidmann [de]'s Der Bettelstudent)
5 5 (1894) XX, 1
No. 1 		IV, 6
No. 1 		Hagars Klage Hier am Hügel heißen Sandes 30/03/1811 Text by Schücking [scores]; Music partly reused in D 8 and 9
6 6 (1894) XX, 1
No. 2 		IV, 3 Des Mädchens Klage, D 6 Der Eichwald brauset 1811–1812 Text by Schiller, from Wallenstein: Die Piccolomini III, 7 (other settings: D 191 and 389)
7 7 (1894) XX, 1
No. 3 		IV, 6
No. 2 		Leichenfantasie Mit erstorbnem Scheinen 1811? Text by Schiller; reuses music of D 1B
8 8 (1970) VI, 2 No. 1 Overture, D 8 C minor 29/6/1811 For string quintet (two violins, two violas and cello); Music reappears in D 8A
8A (1970) VI, 3 No. 3 Overture, D 8A C minor After
12/7/1811 		For string quartet; Based on D 8
9 9 (1888) IX, 3
No. 31 		VII/1, 1
No. 2 		Fantasy, D 9 G minor 20/9/1811 For piano duet
10 10 (1894) XX, 1
No. 4 		IV, 6
No. 3 		Der Vatermörder Ein Vater starb von des Sohnes Hand 26/12/1811 Text by Pfeffel
11
966 		11 (1893)
(1897) 		XV, 7
No. 12
XXI, 1
No.1 		II, 11 Der Spiegelritter (Singspiel in three acts) December
1811? 		Text by Kotzebue; For ssssstttbbbbSATB and orchestra; Overture (publ. in 1897) – Nos. 1–8 (Act I, Nos. 2–3 and 8 are fragments, No. 3 not in AGA, part of No. 3 was D 966)
12 12 (1897) XXI, 1
No. 2 		V, 5 Overture, D 12 D major 1811–1812 For orchestra; Music partly reused in D 94
13–37
1812 Up ↑
13 13 VII/2, 4 Fugue, D 13 D minor c. 1812 For piano?; By Schubert?
14 14 Overture, D 14 c. 1812 Piano sketch; Lost
15 15 (1895) XX, 10
No. 590/1 		IV, 7
Anh. No. 5 		Der Geistertanz, D 15 Die bretterne Kammer der Toten erbebt c. 1812 Text by Matthisson (other settings: D 15A, 116 and 494); Fragment
15 15A (1895) XX, 10
No. 590/2 		IV, 7
Anh. No. 6 		Der Geistertanz, D 15A Die bretterne Kammer der Toten erbebt c. 1812 Text by Matthisson (other settings: D 15, 116 and 494); Fragment
16 16 (1940) VIII, 2
No. 11 		Counterpoint exercises, D 16 G minor (Nos. 1–4); A minor (Nos. 5–7) 1823? Seven exercises in double counterpoint
17 17 (1940) VIII, 2
No. 37 		Composition exercises, D 17 Quell' innocente figlio 1812? Text by Metastasio, from Isacco I, "Aria dell' Angelo"; Nine settings with corrections by Salieri; No. 1, for s, related to D 30; No. 2 for ss; Nos. 3 and 5–6 for sat; Nos. 4 and 7–8 for satb (No. 7 not in 1940 publ.)
18 18 (1890) V No. 1 VI, 3 No. 1 String Quartet No. 1 G minor / B major 1810–1811 Andante, Presto vivace – Minuet – Andante – Presto
19 19 String Quartet, D 19 1810–1811 Lost
19A 19A String Quartet, D 19A 1810–1811 Lost
19B Waltzes and a March, D 19B 1812–1813? For piano; Lost
20 20 Overture, D 20 B♭ major 1812 For string quartet; Lost
21 21 Six Variations, D 21 E♭ major 1812 For piano; Lost
22 22 Twelve Minuets with Trios, D 22 1812 For piano; Lost
23 23 131p,3
(1830) 		XX, 1
No. 6 		IV, 6
No. 4 		Klaglied Meine Ruh ist dahin, meine Freud ist entflohn 1812 Text by Rochlitz
24 24 Seven Variations, D 24 F major 1812? For piano; Fragment; Lost
24A VII/2, 4 Fugue, D 24A C major summer
1812? 		For keyboard (organ or piano); Partly reused in D 24E
24B VII/2, 4 Fugue, D 24B G major summer
1812? 		For keyboard (organ or piano); Two versions
24C VII/2, 4 Fugue, D 24C D minor summer
1812? 		For keyboard (organ or piano)
24D VII/2, 4 Anh. Fugue, D 24D C major summer
1812? 		For piano; Fragment; Partly reused in D 46
24E I, 5 Anh. Mass, D 24E F major?
Gloria – Credo 		summer
1812? 		Text: Mass ordinary (other settings: D 31, 45, 49, 56, 66, 105, 167, 324, 452, 678, 755 and 950); For SATB and orchestra; Fragment of a Gloria and a Credo; Partly based on D 24A
25 25 VIII, 2 Counterpoint exercises, D 25 started
18/6/1812 		Four 2-part and three 3-part counterpoint exercises; Four 2-part imitation exercises
25A VIII, 2 Counterpoint exercises, D 25A summer
1812? 		Two 4-part counterpoint exercises
25B VIII, 2 Counterpoint exercises, D 25B summer
1812? 		Fifteen 3-part counterpoint exercises
25C VIII, 2 Fugue, D 25C F major summer
1812? 		Counterpoint exercise for two voices; Fragment
26 26 (1886) II No. 2 V, 5 Overture, D 26 D major 26/6/1812 For orchestra
27 27 (1928) I, 8 Salve Regina, D 27 F major
Salve Regina 		28/06/1812 Text: Salve Regina (other settings: D 106, 223, 386, 676 and 811); For s and orchestra
28 28 (1923) VI, 7 No. 1 Piano Trio, D 28, a.k.a. Sonata B♭ major 27/7/1812–
28/8/1812 		Allegro
29 29 (1888) XI No. 9 VII/2, 4 Andante, D 29 C major 9/9/1812 For piano; Related to D 3 and 36
30 30 (1894) XX, 1
No. 5 		IV, 4 Der Jüngling am Bache, D 30 An der Quelle saß der Knabe 24/9/1812 Text by Schiller (other settings: D 192 and 638)
31 31 (1888) XIV No. 14 I, 5 Kyrie, D 31 D minor
Kyrie 		25/9/1812 Text: Mass ordinary (other settings: D 24E, 45, 49, 56, 66, 105, 167, 324, 452, 678, 755 and 950); For stSATB and orchestra; First part of a Mass
32 32 (1890)
(1897)
(1954) 		V No. 2
XXII v5 		VI, 3 No. 4 String Quartet No. 2 C major Sep.–Oct.
1812 		Presto (publ. in 1890) – Andante – Minuet (publ. in 1890, music partly reappears in D 128 No. 12) – Allegro con spirito (publ. partly in 1897)
33 33 (1940) VIII, 2
No. 38 		Composition exercises, D 33 Entra l'uomo allor che nasce Sep.–Oct.
1812 		Text by Metastasio, from Isacco II, "Aria di Abramo"; Six settings (No. 1 for s, Nos. 2 for sa, No. 3 for sat, Nos. 4–6 for satb) and an Allegretto (b?), with corrections by Salieri
34 34 (1940) VIII, 2
No. 39 		Composition exercises, D 34 Te solo adoro 5/11/1812 Text by Metastasio, from Betulia liberata II, "Aria di Achior"; For satb; Two versions of start; With corrections by Salieri
35 35 (1940) VIII, 2
No. 40 		Composition exercises, D 35 Serbate, o Dei custodi Oct.–Dec.
1812 		Text by Metastasio, from La clemenza di Tito I, 5; Three settings (No. 1 for satb, No. 2 for SATB, No. 3 for t and accompaniment); With corrections by Salieri
36 36 (1890) V No. 3 VI, 3 No. 5 String Quartet No. 3 B♭ major 19/11/1812–
21/2/1813 		Allegro – Andante – Minuet – Allegretto
37 37 74
(1827) 		XIX
No. 1 		III, 3 No. 1 Die Advokaten Mein Herr, ich komm' mich anzufragen 25/12/1812–
27/12/1812 		Text by Rustenfeld [scores]; For ttb and piano
37A–91
1813 Up ↑
967 37A VII/2, 4 Anh.
VIII, 2 No. 13 		Fugue sketches, D 37A 1813? For piano
38 38 (1892) XIX
No. 20 		III, 4 No. 1 Totengräberlied, D 38 Grabe, Spaden, grabe! 1813? Text by Hölty (other setting: D 44); For ttb
39 39 (1969) IV, 6
Anh No. 2 		Lebenstraum Ich saß an einer Tempelhalle early 1810? Text by Baumberg; Sketch; Music related to D 1A
39A VI, 9 Three Minuets with Trios, D 39A 1813 For orchestra; Lost
41 41 (1889) XII
No. 30 		VII/2, 6 Thirty Minuets with Trios, D 41 Various keys 1813 For piano; Nos. 1–8, 11–18 and 20–23 are extant
41A VII/2, 4 Anh. Fugue, D 41A E minor 1813 For piano; Fragment
42 42 (1895)
(1969) 		XX, 10
No. 570 		IV, 6 No. 5 Anh. No. 3 Aria di Timante Misero pargoletto 1813? Text by Metastasio, from Demofoonte III, 5; For s and piano; Two settings: 1st, not in AGA, consisting of two variant fragments
43 43 (1897) XXI, 4
No. 43 		III, 4 No. 2
VIII, 2 No. 34 		Sprüche des Confucius, D 43 Dreifach ist der Schritt der Zeit 8/7/1813 Text by Schiller (other settings: D 69 and 70); For ttb
44 44 (1894) XX, 1
No. 7 		IV, 6
No. 6 		Totengräberlied, D 44 Grabe, Spaden, grabe! 19/1/1813 Text by Hölty (other setting: D 38)
45 45 (1888) XIV No. 21 I, 5 Kyrie, D 45 B♭ major
Kyrie 		1/3/1813 Text: Mass ordinary (other settings: D 24E, 31, 49, 56, 66, 105, 167, 324, 452, 678, 755 and 950); For SATB
46 46 (1890) V No. 4 VI, 3 No. 6 String Quartet No. 4 C major 3/3/1813–
7/3/1813 		Adagio – Andante con moto – Minuet – Finale
47 47 (1974) III, 2b
Anh. No. 1 		Dithyrambe, D 47 Nimmer, das glaubt mir, erscheinen die Götter 29/3/1813 Text by Schiller (other setting: D 801); For tbSATB and piano; Fragment
48 48 (1871)
(1888) 		IX, 3
No. 32 		VII/1, 1
No. 3 		Fantasy, D 48, a.k.a. Grand Sonata C minor April 1813–
10/6/1813 		For piano duet; AGA includes concluding fugue
49 49 (1888) XIV No. 15 I, 5 Kyrie, D 49 D minor
Kyrie 		early April
1813–
15/4/1813 		Text: Mass ordinary (other settings: D 24E, 31, 45, 56, 66, 105, 167, 324, 452, 678, 755 and 950); For satbSATB and orchestra; First part of a Mass
50 50 (1894) XX, 1
No. 8 		IV, 6
No. 7 		Die Schatten Freunde, deren Grüfte sich schon bemoosten! 12/4/1813 Text by Matthisson
51 51 (1897) XXI, 4
No. 37 		III, 4 No. 3 Unendliche Freude, D 51 Unendliche Freude durchwallet das Herz 15/4/1813 Text by Schiller, stanza 3 from "Elysium" (other stanzas and settings: D 53, 54, 57, 58, 60 and 584); For ttb
52 52 (1868) XX, 1
No. 9 		IV, 2b No. 8 Sehnsucht, D 52 Ach, aus dieses Tales Gründen 15/4/1813–
17/4/1813 		Text by Schiller (other setting: D 636); For b and piano
53 53 (1892) XIX
No. 9 		III, 4 No. 4 Vorüber die stöhnende Klage Vorüber die stöhnende Klage! 18/4/1813 Text by Schiller, stanza 1 from "Elysium" (other stanzas and settings: D 51, 54, 57, 58, 60 and 584); For ttb
54 54 (1873) XIX
No. 22 		III, 4 No. 5
VIII, 2 No. 17 		Unendliche Freude, D 54 Unendliche Freude durchwallet das Herz 19/4/1813 Text by Schiller, stanza 3 from "Elysium" (other stanzas and settings: D 51, 53, 57, 58, 60 and 584); Canon for three male voices
55 55 (1892) XIX
No. 12 		III, 4 No. 6 Selig durch die Liebe Selig durch die Liebe Götter 21/4/1813 Text by Schiller, from "Der Triumph der Liebe": stanza 1; Other: D 61, 62, 63, 64, 983A; For ttb
56 56 (1892) XIX
No. 29 		I, 5
VIII, 2 No. 18 		Sanctus, D 56 B♭ major
Sanctus 		21/4/1813 Text: Mass ordinary (other settings: D 24E, 31, 45, 49, 66, 105, 167, 324, 452, 678, 755 and 950); Canon for three voices; Two versions
57 57 (1897) XXI, 4
No. 38 		III, 4 No. 7 Hier strecket der wallende Pilger Hier strecket der wallende Pilger 29/4/1813 Text by Schiller, stanza 4 from "Elysium" (other stanzas and settings: D 51, 53, 54, 58, 60 and 584); For ttb
58 58 (1892) XIX
No. 10 		III, 4 No. 8 Dessen Fahne Donnerstürme wallte Dessen Fahne Donnerstürme wallte May 1813 Text by Schiller, stanza 5 from "Elysium" (other stanzas and settings: D 51, 53, 54, 57, 60 and 584); For ttb
59 59 (1832) XX, 1
No. 10 		IV, 6
No. 8 		Verklärung Lebensfunke, vom Himmel entglüht 4/5/1813 Text by Herder after Pope's "The dying Christian to his soul"
60 60 (1892) XIX
No. 11 		III, 4 No. 16 Hier umarmen sich getreue Gatten Hier umarmen sich getreue Gatten 3/10/1813 Text by Schiller, stanza 6 from "Elysium" (other stanzas and settings: D 51, 53, 54, 57, 58 and 584); For ttb
61 61 (1897) XXI, 4
No. 39 		III, 4 No. 9
VIII, 2 No. 19 		Ein jugendlicher Maienschwung Ein jugendlicher Maienschwung 8/5/1813 Text by Schiller, from "Der Triumph der Liebe": stanza 9; Other: D 55, 62, 63, 64, 983A; Canon for three voices
62 62 (1897) XXI, 4
No. 40 		III, 4 No. 10
VIII, 2 No. 35 		Thronend auf erhabnem Sitz Thronend auf erhabnem Sitz 9/5/1813 Text by Schiller, from "Der Triumph der Liebe": stanza 15; Other: D 55, 61, 63, 64, 983A
63 63 (1892) XIX
No. 13 		III, 4 No. 11 Wer die steile Sternenbahn Wer die steile Sternenbahn 10/5/1813 Text by Schiller, from "Der Triumph der Liebe": stanza 26; Other: D 55, 61, 62, 64, 983A; For ttb
64 64 (1897) XXI, 4
No. 41 		III, 4 No. 12
VIII, 2 No. 36 		Majestät'sche Sonnenroße Majestät'sche Sonnenroße 10/5/1813 Text by Schiller, from "Der Triumph der Liebe": stanza 16; Other: D 55, 61, 62, 63, 983A; For ttb
65 65 (1892) XIX
Anh. I, No. 35 		III, 4
Anh. II No. 1
VIII, 2 No. 20 		Schmerz verzerret ihr Gesicht Schmerz verzerret ihr Gesicht 11/5/1813 Text by Schiller, from "Gruppe aus dem Tartarus": stanza 2 (other settings: D 396 and 583); For ttb; Sketch
66 66 (1888) XIV No. 16 I, 5 Kyrie, D 66 F major
Kyrie 		12/5/1813 Text: Mass ordinary (other settings: D 24E, 31, 45, 49, 56, 105, 167, 324, 452, 678, 755 and 950); For SATB and orchestra
67 67 (1897) XXI, 4
No. 42 		III, 4 No. 13 Frisch atmet des Morgens lebendiger Hauch Frisch atmet des Morgens lebendiger Hauch 15/5/1813 Text by Schiller (other setting: D 402); For ttb
68 68 (1890) V No. 5 VI, 3 No. 7 String Quartet No. 5 B♭ major 8/6/1813–
18/8/1813 		Allegro maestoso – Allegro; Middle movements missing
69 69 (1892) XIX
No. 23 		III, 4 No. 14
VIII, 2 No. 21 		Sprüche des Confucius, D 69 Dreifach ist der Schritt der Zeit 8/7/1813 Text by Schiller (other settings: D 43 and 70); Canon for three voices
70 70 (1974) III, 4
Anh. I No. 1
VIII, 2 No. 33 		Sprüche des Confucius, D 70 Dreifach ist der Schritt der Zeit 8/7/1813 Text by Schiller (other settings: D 43 and 69); For ttb; Fragment
71 71 (1892) XIX
No. 14 		III, 4
No. 15 		Die zwei Tugendwege Zwei sind der Wege 15/7/1813 Text by Schiller; For ttb
71A (1956) I, 8
VIII, 2 No. 22 		Alleluja, D 71A F major July 1813? Canon for three voices
71B VII/2, 4 Anh.
VIII, 2 No. 14 		Fugue, D 71B E minor July 1813 For piano; Fragment
966A 71C V, 6 No. 5 Orchestral piece, D 71C D major Aug. or
Sep. 1813 		Fragment; First pages, a.k.a. D 74A, based on D 74
72 72 (1889)
(1890) 		III No. 2
XXII v1 		VI, 1 No. 1
& Anh. 		Wind Octet F major completed
18/8/1813 		Allegro (fragment, publ. in 1890) – Minuet – Allegro; Slow middle movement lost?
73 73 (1868) XX, 1
No. 11 		IV, 4 Thekla: Eine Geisterstimme, D 73 Wo ich sei, und wo mich hingewendet 22/8/1813–
23/8/1813 		Text by Schiller (other setting: D 595)
74 74 (1890) V No. 6 VI, 4 No. 8 String Quartet No. 6 D major 22/8/1813–
Sep. 1813 		Allegro ma non troppo – Andante – Minuet – Allegro
966A 74A V, 6 No. 4 Orchestral piece, D 74A D major Aug. or
Sep. 1813 		Fragment; Variant D number for first pages of D 71C
75 75 (1850) XVI
No. 16 		III, 3 No. 18 Trinklied, D 75 Freunde, sammelt euch im Kreise 29/08/1813 Text by Schäffer [scores]; For bTTB and piano
76 76 (1871)
(1969) 		XX, 10
No. 571 		IV, 6 No. 9 Anh. No. 4 Aria di Fronimo Pensa, che questo istante 7 and 13
Sep. 1813 		Text by Metastasio, from Alcide al bivio, 1; For b and piano; Two versions (2nd in AGA)
77
111 		77 (1831)
(1894) 		XX, 1
No. 12 		IV, 6
No. 10 		Der Taucher Wer wagt es, Rittersmann oder Knapp 17/9/1813–
early 1815 		Text by Schiller; Two versions: 2nd, publ. in 1894, was D 111
78 78 (1895) XX, 10
No. 572 		IV, 6 No. 11 Aria di Venere Son fra l'onde 18/9/1813 Text by Metastasio, from Gli orti esperdi, I; For s and piano
79 79 (1889) III No. 3 VI, 1 No. 2 Wind Nonet, a.k.a. Eine kleine Trauermusik or Franz Schuberts Begräbniß-Feyer E♭ minor 19/9/1813 Grave con espressione
80 80 (1892) XIX
No. 4 		III, 3 No. 2
Anh. III No. 1
Anh. IV No. 1 		Zur Namensfeier meines Vaters Ertöne Leier zur Festesfeier! 27/9/1813 Text by Schubert; For ttb and guitar
81 81 (1895) XX, 10
No. 583 		IV, 14 Auf den Sieg der Deutschen Verschwunden sind die Schmerzen fall 1813 Text by Schubert? (other setting: D 88); For voice, two violins and cello
82 82 (1884) I, 1
No. 1 		V, 1 No. 1 Symphony No. 1 D major completed
28/10/1813 		Adagio, Allegro vivace – Andante – Minuet – Allegro vivace
83 83 (1895) XX, 10
No. 582 		IV, 14 Zur Namensfeier des Herrn Andreas Siller Des Phöbus Strahlen 28/10/1813–
4/11/1813 		For voice, violin and harp
84 84 (1888) XV, 1
No. 1 		II, 1 Des Teufels Lustschloß (Singspiel in three acts) 30/10/1813–
22/10/1814 		Text by Kotzebue; Music for sssttbbbSSSATTBB and orchestra; Two versions: Overture (2nd version in AGA) – Act I (Nos. 1–11, 2nd version in AGA) – Act II (Nos. 12–17, 1st version only, in AGA) – Act III (Nos. 18–23, 1st version Nos. 21 and 23 only, 2nd version in AGA); Sketch of an orchestral piece (from 1st version of Act III?): compare D 94A
86 86 (1886) II
No. 10 		VI, 4
Anh. No. 1
VI, 9 		Minuet, D 86 D major November
1813? 		For string quartet
87 87 125p,1
(1840) 		V
No. 10 		VI, 4 No. 9 String Quartet No. 10 E♭ major November
1813 		Allegro più moderato – Scherzo – Adagio – Allegro
87A VI, 4
Anh. No. 2 		Andante, D 87A C major November
1813 		For four voices (string quartet or vocal ensemble?); Fragment
88 88 (1892) XIX
No. 21 		III, 4 No. 17
VIII, 2 No. 23 		Verschwunden sind die Schmerzen Verschwunden sind die Schmerzen 15/11/1813 Text by Schubert? (other setting: D 88); Canon for ttb
89
90 		89 (1886) II No. 8
and No. 9 		VI, 9 Five Minuets and Five German Dances Various keys 19/11/1813 For string quartet; Minuets have six Trios, German Dances have seven Trios and a Coda
91 91 (1956) VII/2, 6 Two Minuets, D 91 Various keys 22/11/1813 For piano; Each minuet with two Trios
92–126
1814 Up ↑
93 93 (1894) XX, 1
Nos.
13–15 		IV, 7
Anh. No. 1 		Don Gayseros 1. Don Gayseros,... wunderlicher, schöner Ritter – 2. Nächtens klang die süße Laute – 3. An dem jungen Morgenhimmel 1815? Text by Motte Fouqué, from Der Zauberring; Nos. 2 and 3 incomplete
94 94 (1871) V No. 7 VI, 3 No. 2 String Quartet No. 7 D major 1811 or
1812? 		Allegro (partly reused in D 12) – Andante con moto – Minuet – Presto
94A II, 1
V, 6 No. 6 		Orchestral piece, D 94A B♭ major c. 1814 Fragment; For 1st version of D 84, Act III?
94B VI, 9 Five Minuets and Six German Dances, D 94B 1814 For string quartet and two horns; Lost
95 95 (1848) XX, 1
No. 25 		IV, 7
No. 1 		Adelaide Einsam wandelt dein Freund 1814 Text by Matthisson
97 97 (1894) XX, 1
No. 19 		IV, 7
No. 2 		Trost: An Elisa Lehnst du deine bleichgehärmte Wange 1814 Text by Matthisson
98 98 (1894)
(1968) 		XX, 1
No. 24 		IV, 7 No. 3
Anh. No. 2 		Erinnerungen, D 98 Am Seegestad, in lauen Vollmondsnächten fall 1814 Text by Matthisson (other setting: D 424); Two versions: 1st is fragment, 2nd in AGA
99 99 (1894) XX, 1
No. 16 		IV, 7 No. 4 Andenken, D 99 Ich denke dein wenn durch den Hain April 1814 Text by Matthisson (other setting: D 423)
100 100 (1894) XX, 1
No. 17 		IV, 7 No. 5 Geisternähe Der Dämm’rung Schein durchblinkt den Hain April 1814 Text by Matthisson
101 101 (1894) XX, 1
No. 18 		IV, 7 No. 6 Erinnerung, D 101, a.k.a. Todtenopfer Kein Rosenschimmer leuchtet April 1814 Text by Matthisson
102 102 (1840) XX, 1
No. 20 		IV, 7 No. 7 Die Betende Laura betet! fall 1814 Text by Matthisson; Partly reused in D 918
103 103 (1939) VI, 4
Anh. No. 3 		Quartettsatz, D 103 C minor 23/4/1814 Grave, Allegro (fragment); Completed by Alfred Orel in 1st ed.
104 104 (1895) XX, 10
No. 584 		IV, 7 No. 8 &
Anh. No. 3 		Die Befreier Europas in Paris Sie sind in Paris! 16/5/1814 Text by Mikan; Two drafts and a final version
105
185 		105 (1856) XIII, 1
No. 1 		I, 1a Mass No. 1 F major
Kyrie – Gloria – Credo – Sanctus & Benedictus – Agnus Dei 		17/5/1814–
22/7/1814 		Text: Mass ordinary (other settings: D 24E, 31, 45, 49, 56, 66, 167, 324, 452, 678, 755 and 950); For ssattbSATB and orchestra; 2nd setting of Dona nobis pacem was D 185; Partly reused in D 484
106 106 (1888) XIV No. 9 I, 8 Salve Regina, D 106 B♭ major
Salve Regina 		28/6/1814–
1/7/1814 		Text: Salve Regina (other settings: D 27, 223, 386, 676 and 811); For t and orchestra
107 107 (1894)
(1968) 		XX, 1
No. 21 		IV, 7 No. 9 Lied aus der Ferne Wenn in des Abends letztem Scheine July 1814 Text by Matthisson; Two versions: 1st in AGA
108 108 (1894) XX, 1
No. 22 		IV, 7 No. 10 Der Abend, D 108 Purpur malt die Tannenhügel July 1814 Text by Matthisson
109 109 (1894) XX, 1
No. 23 		IV, 7 No. 11 Lied der Liebe Durch Fichten am Hügel July 1814 Text by Matthisson
110 110 (1891) XVI
No. 43 		III, 1 Wer ist groß? Wer ist wohl groß? 24/7/1814–
25/7/1814 		For bTTBB and orchestra
111 77
See D 77
111A VI, 6
Anh. No. 1 		String Trio, D 111A B♭ major 5/9/1814–
13/9/1814 		Allegro (fragment); early version of D 112
112 112 168p
(1863) 		V No. 8 VI, 4
No. 10 		String Quartet No. 8 B♭ major 5/9/1814–
13/9/1814 		Allegro ma non troppo – Andante sostenuto – Minuet – Presto; Based on D 111A
113 113 58,2
(1821)
(1826)
(1894) 		XX, 1
No. 26 		IV, 3 An Emma Weit in nebelgrauer Ferne 17/9/1814 Text by Schiller; Three versions: 2nd publ. in 1821 – 3rd is Op. 58 No. 2
114 114 (1868)
(1901) 		XX, 1
No. 27 		IV, 7 No. 12 &
Anh. No. 4 		Romanze, D 114 Ein Fräulein klagt' im finstern Turm September
1814 		Text by Matthisson; Two versions: 2nd in AGA
115 115 (1840) XX, 1
No. 28 		IV, 7 No. 13 An Laura, als sie Klopstocks Auferstehungslied sang Herzen, die gen Himmel sich erheben 2/10/1814–
7/10/1814 		Text by Matthisson
116 116 (1840) XX, 1
No. 29 		IV, 7 No. 14 Der Geistertanz, D 116 Die bretterne Kammer der Toten erbebt 14/10/1814 Text by Matthisson (other settings: D 15, 15A and 494)
117 117 (1894) XX, 1
No. 30 		IV, 8
No. 45 		Das Mädchen aus der Fremde, D 117 In einem Tal bei armen Hirten 16/10/1814 Text by Schiller (other setting: D 252)
118 118 2
(1821) 		XX, 1
No. 31 		IV, 1a Gretchen am Spinnrade Meine Ruh' ist hin 19/10/1814 Text by Goethe, from Faust I, 15
119 119 (1850) XX, 1
No. 32 		IV, 7 No. 15 Nachtgesang, D 119 O! gib vom weichen Pfühle 30/11/1814 Text by Goethe
120 120 (1835) XX, 1
No. 33 		IV, 7 No. 16 Trost in Tränen Wie kommt's, daß du so traurig bist 30/11/1814 Text by Goethe
121 121 3,1
(1821)
(1894) 		XX, 1
No. 34 		IV, 1a &
b No. 2 		Schäfers Klagelied Da droben auf jenem Berge 30/11/1814–
28/2/1819? 		Text by Goethe; Two versions: 1st is Op. 3 No. 1 – 2nd composed for 28/2/1819?
122 122 (1872) XX, 1
No. 38 		IV, 7 No. 17 Ammenlied Am hohen, hohen Turm early Dec.
1814 		Text by Lubi [scores]
123 123 (1842) XX, 1
No. 35 		IV, 7 No. 18 Sehnsucht, D 123 Was zieht mir das Herz so? 3/12/1814 Text by Goethe
124 124 (1885)
(1894)
(1968) 		XX, 1
No. 36 		IV, 7 No. 19 &
Anh. No. 7 		Am See, D 124 Sitz' ich im Gras am glatten See 3/12/1814–
7/12/1814 		Text by Mayrhofer; Two versions: 1st is fragment – 2nd, modified in 1885 publ., in AGA
125 125 (1884) I, 1
No. 2 		V, 1 No. 2 Symphony No. 2 B♭ major 10/12/1814–
24/3/1815 		Largo, Allegro vivace – Andante – Minuet – Presto vivace
126 126 (1832)
(1873) 		XX, 1
No. 37 		IV, 7 No. 20 &
Anh. No. 8 		Scene from Faust Wie anders, Gretchen, war dir's early Dec.–
12/12/1814 		Text by Goethe, from Faust I, 20; Two versions: 2nd, publ. in 1832, in AGA
127–330
1815 Up ↑
128 128 (1897) XXI, 3
No. 23 		VII/2, 6 Twelve Viennese German Dances Various keys 1812? For piano; Includes introduction; No. 12 related to D 32
129 129 (1892) XIX
No. 16 		III, 4 No. 18 Mailied, D 129 Grüner wird die Au 1815? Text by Hölty (other settings: D 199 and 503); For ttb
130 130 (1892) XIX
No. 25 		III, 4 No. 19
VIII, 2 No. 24 		Der Schnee Zerrinnt Der Schnee Zerrinnt 1815? Text by Hölty (other setting: D 202); Canon for three voices
131 131 (1892) XIX
No. 28 		III, 4 No. 20
VIII, 2 No. 26 		Lacrimoso son io Lacrimoso son io 1815? Canon for three voices; Two versions: 2nd is "Lacrimosa son io"
134 134 126p
(1830) 		XX, 2
No. 99 		IV, 7 No. 21 Ballade Ein Fräulein schaut vom hohen Turm 1815? Text by Kenner
135 135 (1930) VII/2, 6 German Dance with Trio, D 135 E major 1815 For piano; Variant of D 146 No. 3 (other Trio)
136 136 46
(1825) 		XIV No. 1 I, 8 Offertory, D 136, a.k.a. Offertory No. 1 Totus in corde langueo
C major 		1815? For s or t, clarinet or violin, and orchestra
137 137 (1893) XV, 7
No. 14 		II, 12 Adrast (Singspiel) fall 1819–
early
1820[17] 		Text by Mayrhofer; For stbTTBB and orchestra; Nos. 1–8 complete (abandoned variants for some numbers, Nos. 1–7 in AGA) and sketches and fragments for six further numbers; Overture: D 648?
138 138 5,1
(1821)
(1970) 		XX, 3
No. 177 		IV, 1a &
b No. 6 		Rastlose Liebe Dem Schnee, dem Regen, dem Wind entgegen 19/5/1815–
May 1821 		Text by Goethe; Two versions: 1st, in AGA, is Op. 5 No. 1
139 139 (1930) VII/2, 6 German Dance with Trio, D 139 C♯ major (Trio in A major) 1815 For piano
140 140 (1850) XVIII
No. 6 		III, 3 No. 3 Klage um Ali Bey, D 140 Laßt mich! laßt mich! ich will klagen 1815 Text by Claudius (other setting: D 496A); For ttb (and piano?)
141 141 131p,1
(1830) 		XX, 2
No. 43 		IV, 7 No. 23 Der Mondabend Rein und freundlich lacht der Himmel 1815 Text by Kumpf [de]
142 142 92,3
(1828)
(1885)
(1895) 		XX, 3
No. 174 		IV, 5 Geistes-Gruß Hoch auf dem alten Turme steht before
Apr. 1816–
after
Nov. 1821 		Text by Goethe; Six versions: 2nd publ. in 1885 – 3rd and 5th not in AGA – 6th is Op. 92 No. 3
143 143 109p,2
(1829) 		XX, 3
No. 181 		IV, 7 No. 24 Genügsamkeit Dort raget ein Berg aus den Wolken her 1815 Text by Schober; Intro in 1st ed. not by Schubert
144 144 (1895) XXII, 11
No. 209 		IV, 7
Anh. No. 9 		Romanze, D 144 In der Väter Hallen ruhte April 1816 Text by Stolberg-Stolberg; Fragment
145 145 18
(1823) 		XII
No. 2 		VII/2, 6
& 7a 		12 Waltzes, 17 Ländler and 9 Écossaises, D 145 Various keys c. 1815–
July 1821 		For piano; Waltz No. 7 ≈ D 970 No. 2; Écossaises Nos. 5 and 6 identical to D 421 No. 1 and 697 No. 5
146 146 127p
(1824)
(1830) 		XII
No. 8 		VII/2, 6
& 7a 		20 Waltzes, D 146, a.k.a. Letzte Walzer Various keys 1815–
Feb. 1823 		For piano; No. 2 publ. in 1824, all 20 as Op. posth. 127 in 1830
147 147 (1892) XIX
No. 15 		III, 4 No. 21 Bardengesang Rolle, du strömigter Carun 20/1/1816? Text by Macpherson (Ossian), from Comala, transl. by E. Baron de Harold
148 148 131p,2
(1830) 		XIX
No. 8 		III, 3 No. 4 Trinklied, D 148 Brüder! unser Erdenwallen February
1815 		Text by Castelli; For tTTB and piano
149 149 117p
(1829)
(1894) 		XX, 2
No. 45 		IV, 7 No. 25 Der Sänger Was hör' ich draußen vor dem Tür February
1815 		Text by Goethe, from Wilhelm Meister's Apprenticeship; Two versions: 2nd is Op. posth. 117, AGA switches 1st and 2nd
150 150 (1830) XX, 2
No. 44 		IV, 7 No. 26 Lodas Gespenst Der bleiche, kalte Mond erhob sich im Osten 17/1/1816 Text by Macpherson (Ossian), from Carric-thura, transl. by E. Baron de Harold; 1st ed. replaces end by music from D 277
151 151 (1850) XX, 2
No. 39 		IV, 7 No. 27 Auf einen Kirchhof Sei gegrüßt, geweihte Stille 2/2/1815 Text by Schlechta [de]
152 152 (1894) XX, 2
No. 40 		IV, 7 No. 28 Minona Wie treiben die Wolken so finster und schwer 8/2/1815 Text by Bertrand [scores]
153 153 (1845) XX, 2
No. 41 		IV, 7 No. 29 Als ich sie erröten sah All mein Wirken, all mein Leben 10/2/1815 Text by Ehrlich [scores]
154 154 (1897) XXI, 2
No. 8 		VII/2, 1
Anh. No. 1 		Piano Sonata, D 154 E major 11/2/1815 Allegro (fragment); Partly reused in D 157
155 155 165p,3
(1862) 		XX, 2
No. 42 		IV, 7 No. 30 Das Bild Ein Mädchen ist's 10/2/1815
156 156 (1887) XI No. 6 VII/2, 4
& Anh. 		Ten Variations, D 156 F major completed
15/2/1815 		For piano; Variant of Theme and Var. II
157 157 (1888) X No. 1 VII/2, 1
No. 1 		Piano Sonata, D 157 E major started
18/2/1815 		Allegro ma non troppo (partly reuses D 154) – Andante – Minuet
158 158 (1889) XII
No. 29 		VII/2, 6 Écossaise, D 158 D minor – F major 21/2/1815 For piano
159 159 116p
(1829)
(1968) 		XX, 2
No. 46 		IV, 7 No. 31 Die Erwartung Hör' ich das Pförtchen nicht gehen? May 1816 Text by Schiller; Two versions: 2nd, in AGA, is Op. posth. 116
160 160 (1894) XX, 2
No. 47 		IV, 13 Am Flusse, D 160 Verfließet, vielgeliebte Lieder 27/2/1815 Text by Goethe (other setting: D 766)
161 161 19,2
(1825)
(1894) 		XX, 2
No. 48 		IV, 1a &
b No. 14 		An Mignon Über Tal und Fluß getragen 27/2/1815 Text by Goethe; Two versions: 2nd is Op. 19 No. 2
162 162 5,2
(1821)
(1894) 		XX, 2
No. 49 		IV, 1a &
Anh. No. 2 		Nähe des Geliebten Ich denke dein, wenn mir der Sonne Schimmer 27/2/1815 Text by Goethe; Two versions: 2nd is Op. 5 No. 2
163 163 (1894) XX, 2
No. 50 		IV, 8
No. 1 		Sängers Morgenlied, D 163 Süßes Licht! Aus goldnen Pforten 27/2/1815 Text by Körner (other setting: D 165)
164 164 IV, 8
Anh. No. 1 		Liebesrausch, D 164 Glanz des Guten und des Schönen strahlt mir dein hohes Bild March 1815 Text by Körner (other setting: D 179); Fragment
165 165 (1872) XX, 2
No. 51 		IV, 8
No. 2 		Sängers Morgenlied, D 165 Süßes Licht! Aus goldnen Pforten 1/3/1815 Text by Körner (other setting: D 163)
166 166 (1894) XX, 2
No. 52 		IV, 8
No. 3 		Amphiaraos Vor Thebens siebenfach gähnenden Toren 1/3/1815 Text by Körner
167 167 (1846) XIII, 1
No. 2 		I, 1b Mass No. 2 G major
Kyrie – Gloria – Credo – Sanctus & Benedictus – Agnus Dei 		2/3/1815–
7/3/1815 		Text: Mass ordinary (other settings: D 24E, 31, 45, 49, 56, 66, 105, 324, 452, 678, 755 and 950); For stbSATB and orchestra; Tr and Ti added by Ferd. Schubert; R. Führer as composer in 1st publ.
168 168 (1872) XVII
No. 16 		III, 2a
No. 2 		Nun laßt uns den Leib begraben, a.k.a. Begräbnislied Begrabt den Leib in seiner Gruft 9/3/1815 Text by Klopstock; For SATB and piano
987 168A (1872) XVII
No. 17 		III, 2a
No. 3 		Jesus Christus unser Heiland, der den Tod überwand, a.k.a. Osterlied Überwunden hat der Herr den Tod! 9/3/1815 Text by Klopstock; For SATB and piano
169 169 (1894) XX, 2
No. 53 		III, 3 No. 10
Anh. I No. 1 		Trinklied vor der Schlacht Schlacht, du brichst an! 12/3/1815 Text by Körner; For double unison choir and piano
170 170 (1873) XX, 2
No. 54 		III, 3 No. 11 Schwertlied Du Schwert an meiner Linken 12/3/1815 Text by Körner; For voice, unison choir and piano
171 171 (1831) XX, 2
No. 55 		IV, 8
No. 4 		Gebet während der Schlacht Vater, ich rufe dich! 12/3/1815 Text by Körner
172 172 IV, 8
Anh. No. 3 		Der Morgenstern, D 172 Stern der Liebe, Glanzgebilde 12/3/1815 Text by Körner (other setting: D 203); Fragment
173 173 (1871) V No. 9 VI, 4
No. 11 		String Quartet No. 9 G minor 25/3/1815–
1/4/1815 		Allegro con brio – Andantino – Minuet – Allegro
174 174 (1845) XX, 2
No. 56 		IV, 8
No. 5 		Das war ich, D 174 Jüngst träumte mir 26/3/1815 Text by Körner; D. 174 used to include Das war ich, D deest
174 deest (1894) XXII, 11
No. 56 		IV, 8
Anh. No. 2 		Das war ich, D deest June 1816 Fragment; Music without text, title identical to D 174
175 175 (1888) XIV
No. 12 		I, 9
No. 1 		Stabat Mater, D 175 G minor
Stabat Mater dolorosa 		4/4/1815–
6/4/1815 		For SATB and orchestra
176 176 (1872) XX, 2
No. 57 		IV, 8
No. 6 		Die Sterne, D 176 Was funkelt ihr so mild mich an 6/4/1815 Text by Fellinger [wikisource:de]
177 177 173p,3
(1867) 		XX, 2
No. 58 		IV, 8
No. 7 		Vergebliche Liebe Ja, ich weiß es, diese treue Liebe 6/4/1815 Text by Bernard
177A VIII, 3 Am ersten Mai Ich ging mit ihr im Freien before
1821 		Text by Bernard; Music lost; Spurious?
178 178 (1897) XXI, 3
No. 22 		VII/2, 4
& Anh. 		Adagio in G major, D 178 G major 8/4/1815 For piano; Two versions: 2nd is a fragment
179 179 (1872) XX, 2
No. 59 		IV, 8
No. 8 		Liebesrausch, D 179 Dir, Mädchen, schlägt mit leisem Beben 8/4/1815 Text by Körner; (other setting: D 164)
180 180 (1894) XX, 2
No. 60 		IV, 8
No. 9 		Sehnsucht der Liebe Wie die Nacht mit heil'gem Beben 8/4/1815 Text by Körner
181 181 (1888) XIV No. 4 I, 9
No. 2 		Offertory, D 181 Tres sunt, qui testimonium dant in coelo
A minor 		10/4/1815–
11/4/1815 		For SATB and orchestra
182 182 (1842) XX, 2
No. 61 		IV, 8
No. 10 		Die erste Liebe Die erste Liebe füllt das Herz 12/4/1815 Text by Fellinger [wikisource:de]
183 183 (1887) XX, 2
No. 62 		III, 3 No. 12 Trinklied, D 183 Ihr Freunde und du, gold'ner Wein 12/4/1815 Text by Zettler [wikisource:de]; For voice, unison choir and piano
184 184 150p
(1843) 		XIV No. 5 I, 9
No. 3 		Gradual, D 184 Benedictus es, Domine
C major 		15/4/1815–
17/4/1815 		For SATB and orchestra
185 105
See D 105
186 186 (1894) XX, 2
No. 65 		IV, 8
No. 11 		Die Sterbende Heil! dies ist die letze Zähre May 1815 Text by Matthisson
187 187 (1894) XX, 2
No. 63 		IV, 10 Stimme der Liebe, D 187 Abendgewölke schweben hell May 1815 Text by Matthisson (other setting: D 418)
188 188 (1887) XX, 2
No. 64 		IV, 8
No. 12 		Naturgenuß, D 188 Im Abendschimmer wallt der Quell May 1815 Text by Matthisson (other setting: D 422)
189 189 111p,1
(1829) 		XX, 2
No. 66 		III, 3 No. 13 An die Freude Freude, schöner Götterfunken May 1815 Text by Schiller; For voice, unison choir and piano
190 190 (1888) XV, 2
No. 2 		II, 2
IV, 14 		Der vierjährige Posten (Singspiel in one act)
Includes: 5. Gott! Gott! höre meine Stimme 		8/5/1815–
19/5/1815 		Text by Körner; Music for stttbSATB and orchestra; Overture – Nos. 1–8 (No. 5 also for voice and piano)
191 191 58,3
(1826)
(1894) 		XX, 2
No. 67 		IV, 3 Des Mädchens Klage, D 191 Der Eichwald brauset 15/5/1815 Text by Schiller, from Wallenstein: Die Piccolomini III, 7 (other settings: D 6 and 389); Two versions: 2nd is Op. 58 No. 3
192 192 (1887) XX, 2
No. 68 		IV, 4 Der Jüngling am Bache, D 192 An der Quelle saß der Knabe 15/5/1815 Text by Schiller (other settings: D 30 and 638)
193 193 57,3
(1826) 		XX, 2
No. 69 		IV, 3 An den Mond, D 193 Geuß, lieber Mond, geuß deine Silberflimmer 17/5/1815 Text by Hölty; Autograph without piano intro
194 194 (1894) XX, 2
No. 70 		IV, 8
No. 13 		Die Mainacht Wann der silberne Mond 17/5/1815 Text by Hölty
195 195 173p,1
(1867) 		XX, 2
No. 71 		IV, 8
No. 14 		Amalia Schön wie Engel voll Walhallas Wonne 19/5/1815 Text by Schiller, from Die Räuber III, 1
196 196 172p,3
(1865) 		XX, 2
No. 72 		IV, 8
No. 15 		An die Nachtigall Geuß nicht so laut der liebentflammten Lieder 22/5/1815 Text by Hölty
197 197 (1850) XX, 2
No. 73 		IV, 8
No. 16 		An die Apfelbäume, wo ich Julien erblickte Ein heilig Säuseln und ein Gesangeston 22/5/1815 Text by Hölty
198 198 (1894) XX, 2
No. 74 		IV, 8
No. 17 		Seufzer Die Nachtigall singt überall 22/5/1815 Text by Hölty
199 199 (1885) XIX
No. 30 		III, 4
No. 22 		Mailied, D 199 Grüner wird die Au 24/5/1815 Text by Hölty (other settings: D 129 and 503); For two voices or two horns
200 200 (1884) I, 1
No. 3 		V, 1
No. 3 		Symphony No. 3 D major 24/5/1815–
19/6/1815 		Adagio maestoso, Allegro con brio – Allegretto – Minuet – Presto vivace
201 201 (1970) IV, 10 Auf den Tod einer Nachtigall, D 201 Sie ist dahin, die Maienlieder tönte 25/5/1815 Text by Hölty (other setting: D 399); Fragment
202 202 (1885) XIX
No. 31 		III, 4
No. 23 		Mailied, D 202 Der Schnee Zerrinnt 26/5/1815 Text by Hölty (other setting: D 130); For two voices or two horns
203 203 (1892) XIX
No. 32 		III, 4
No. 24 		Der Morgenstern, D 203 Stern der Liebe, Glanzgebilde 26/5/1815 Text by Körner (other setting: D 172); For two voices or two horns
204 204 (1892) XIX
No. 33 		III, 4
No. 25 		Jägerlied Frisch auf, ihr Jäger 26/5/1815 Text by Körner; For two voices or two horns
204A IV, 8
Anh. No. 4 		Das Traumbild May 1815 Text by Hölty; Music lost
205 205 (1892) XIX
No. 34 		III, 4
No. 26 		Lützows wilde Jagd Was glänzt dort vom Walde im Sonnenschein? 26/5/1815 Text by Körner; For two voices or two horns
206 206 (1872) XX, 2
No. 75 		IV, 8
No. 18 		Liebeständelei Süßes Liebchen 26/5/1815 Text by Körner
207 207 (1894) XX, 2
No. 76 		IV, 8
No. 19 		Der Liebende Beglückt, beglückt 29/5/1815 Text by Hölty
208
212 		208 (1895)
(1897) 		XX, 2
No. 77;
XXII, 11
No. 77 		IV, 8 No. 20 & Anh. No. 5 Die Nonne Es liebt' in Welschland irgendwo 29/5/1815 Text by Hölty, from Balladen, No. 5; Two versions: 1st is fragment, incomplete in AGA – 2nd was D 212
209 209 38
(1825) 		XX, 2
No. 98 		IV, 2a Der Liedler Gib, Schwester, mir die Harf herab January 1815 Text by Kenner
210 210 (1838) XX, 2
No. 78 		IV, 8 No. 21 Die Liebe, D 210, a.k.a. Klärchens Lied Freudvoll und leidvoll 3/6/1815 Text by Goethe, from Egmont, Act III, Scene 2, Clärchen's song
211 211 (1894) XX, 2
No. 79 		IV, 8 No. 22 Adelwold und Emma Hoch und ehern schier von Dauer 5/6/1815–
14/6/1815 		Text by Bertrand [scores]
212 208
See D 208
213 213 172p,1
(1865) 		XX, 2
No. 80 		IV, 8 No. 23 Der Traum Mir träumt', ich war ein Vögelein 17/6/1815 Text by Hölty, from Balladen, No. 6
214 214 172p,2
(1865) 		XX, 2
No. 81 		IV, 8 No. 24 Die Laube Nimmer werd' ich, nimmer dein vergessen 17/6/1815 Text by Hölty
215 215 (1906) IV, 1b No. 4 Jägers Abendlied, D 215 Im Felde schleich ich, still und wild 20/6/1815 Text by Goethe (other setting: D 368)
216 215A (1952) IV, 1a &
b No. 3 		Meeres Stille, D 215A Tiefe Stille herrscht im Wasser 20/6/1815 Text by Goethe (other setting: D 216)
216 216 3,2
(1821) 		XX, 2
No. 82 		IV, 1a Meeres Stille, D 216 Tiefe Stille herrscht im Wasser 21/6/1815 Text by Goethe (other setting: D 215A)
217 217 (1830) XX, 2
No. 83 		IV, 8 No. 25 Kolmas Klage Rund um mich Nacht 22/6/1815 Text by Macpherson (Ossian), from The Songs of Selma (transl.)
218 218 (1848) XX, 2
No. 84 		IV, 8 No. 26 Grablied Er fiel den Tod für's Vaterland 24/6/1815 Text by Kenner
219 219 (1848) XX, 2
No. 85 		IV, 8 No. 27 Das Finden Ich hab ein Mädchen funden 25/6/1815 Text by Kosegarten
220 220 (1888) XV, 2
No. 3 		II, 2 Fernando (Singspiel in one act) Jun. 1815–
9/7/1815 		Text by Stadler, A. [scores]; Music for sstbb and orchestra; Nos. 1–7
221 221 118p,2
(1829) 		XX, 2
No. 95 		IV, 8 No. 28 Der Abend, D 221 Der Abend blüht, Temora glüht 15/7/1815 Text by Kosegarten
222 222 (1885) XX, 2
No. 86 		IV, 8 No. 29 Lieb Minna: Romanze Schwüler Hauch weht mir herüber 2/7/1815 Text by Stadler, A. [scores]
223 223 47
(1825) 		XIV No. 2 I, 8 Salve Regina, D 223, a.k.a. Offertory No. 2 F major
Salve Regina 		5/7/1815
28/1/1823 		Text: Salve Regina (other settings: D 27, 106, 386, 676 and 811); For s and orchestra; Two versions: 2nd, in AGA, is Op. 47
224 224 4,3
(1821) 		XX, 2
No. 87 		IV, 1a Wandrers Nachtlied, D 224 Der du von dem Himmel bist 5/7/1815 Text by Goethe
225 225 5,3
(1821)
(1970) 		XX, 2
No. 88 		IV, 1a &
b No. 7 		Der Fischer Das Wasser rauscht', das Wasser schwoll 5/7/1815 Text by Goethe; Two versions: 2nd, in AGA, is Op. 5 No. 3
226 226 5,4
(1821) 		XX, 2
No. 89 		IV, 1a Erster Verlust Ach, wer bringt die schönen Tage 5/7/1815 Text by Goethe
227 227 (1885) XX, 2
No. 90 		IV, 8 No. 30 Idens Nachtgesang Vernimm es Nacht, was Ida dir vertrauet 7/7/1815 Text by Kosegarten
228 228 (1894) XX, 2
No. 91 		IV, 8 No. 31 Von Ida Der Morgen blüht, der Osten glüht 7/7/1815 Text by Kosegarten
229 229 108,3
(1824) 		XX, 2
No. 92 		IV, 5 Die Erscheinung, a.k.a. Erinnerung, D 229 Ich lag auf grünen Matten 7/7/1815 Text by Kosegarten; Publ. as Op. 108 No. 3 in 1829
230 230 165p,4
(1855) 		XX, 2
No. 93 		IV, 8 No. 32 Die Täuschung Im Erlenbusch, im Tannenhain 7/7/1815 Text by Kosegarten; Publ. as Op. posth. 165 No. 4 in 1862
231 231 172p,4
(1865) 		XX, 2
No. 94 		IV, 8 No. 33 Das Sehnen Wehmut, die mich hüllt 8/7/1815 Text by Kosegarten
232 232 112p,3
(1829) 		XVII
No. 8 		III, 2a No. 6
2b Anh. No. 2 		Hymne an den Unendlichen Zwischen Himmel und Erd' 11/7/1815 Text by Schiller; For satb and piano
233 233 118p,1
(1829) 		XX, 2
No. 96 		IV, 8 No. 34 Geist der Liebe, D 233 Wer bist du, Geist der Liebe 15/7/1815 Text by Kosegarten
234 234 118p,3
(1829) 		XX, 2
No. 97 		IV, 8 No. 35 Tischlied Mich ergreift, ich weiß nicht wie 15/7/1815 Text by Goethe
235 235 (1894) XX, 2
No. 100 		IV, 8 No. 36 Abends unter der Linde, D 235 Woher, o namenloses Sehnen 24/7/1815 Text by Kosegarten (other setting: D 237)
236 236 (1892) XIX
No. 6 		III, 2a
No. 7 		Das Abendrot, D 236 Der Abend blüht, der Westen glüht! 20/7/1815 Text by Kosegarten; for ssb and piano
237 237 (1872) XX, 2
No. 101 		IV, 8 No. 37 Abends unter der Linde, D 237 Woher, o namenloses Sehnen 25/7/1815 Text by Kosegarten (other setting: D 235)
238 238 (1894) XX, 2
No. 102 		IV, 8 No. 38 Die Mondnacht Siehe, wie die Mondesstrahlen 25/7/1815 Text by Kosegarten
239 239 (1893) XV, 7
No. 11 		II, 14 Claudine von Villa Bella (Singspiel in three acts) started
26/7/1815 		Text by Goethe; For ssttbbSATB and orchestra; Overture (in AGA) – Nos. 1–8 (Act I, in AGA) – No. 9 (fragment from Act II) – No. 10 (fragment from Act III); Other music lost
240 240 (1894) XX, 2
No. 103 		IV, 8 No. 39 Huldigung Ganz verloren, ganz versunken 27/7/1815 Text by Kosegarten
241 241 (1894) XX, 2
No. 104 		IV, 8 No. 40 Alles um Liebe Was ist es, das die Seele füllt? 27/7/1815 Text by Kosegarten
242 242 (1892) XIX
No. 18 		III, 4
No. 27 		Trinklied im Winter, a.k.a. Winterlied, D 242 Das Glas gefüllt! August
1815? 		Text by Hölty (other setting: D 242A); For ttb
242A IV, 8
No. 41 		Winterabend, D 242A,[18] a.k.a. Winterlied Das Glas gefüllt! 1815? Text by Hölty (other setting: D 242)
243 243 (1892) XIX
No. 19 		III, 4
No. 28 		Frühlingslied, D 243 Die Luft ist blau August
1815? 		Text by Hölty (other setting: D 398); For ttb
244 244 (1892) XIX
No. 27 		III, 4 No. 29
VIII, 2 No. 25 		Willkommen, lieber schöner Mai Willkommen, lieber schöner Mai August
1815? 		Text by Hölty; Canon for three voices in two sections
245 587
See D 587
246 246 (1830) XX, 3
No. 109 		IV, 8
No. 42 		Die Bürgschaft, D 246 Zu Dionys, dem Tyrannen August
1815 		Text by Schiller; Partly reused in D 435
247 247 118p,6
(1829) 		XX, 3
No. 119 		IV, 8
No. 43 		Die Spinnerin Als ich still und ruhig spann August
1815 		Text by Goethe
248 248 118p,4
(1829) 		XX, 3
No. 135 		IV, 8
No. 44 		Lob des Tokayers O köstlicher Tokayer, o königlicher Wein August
1815 		Text by Baumberg
249 249 III, 2b
Anh. No. 4a 		Die Schlacht, D 249 Schwer und dumpfig 1/8/1815 Text by Schiller (other setting: D 387); Sketch
250 250 (1872) XX, 3
No. 105 		IV, 13 Das Geheimnis, D 250 Sie konnte mir kein Wörtchen sagen 7/8/1815 Text by Schiller (other setting: D 793)
251 251 (1872) XX, 3
No. 106 		IV, 4 Hoffnung, D 251 Es reden und träumen die Menschen viel 7/8/1815 Text by Schiller (other setting: D 637)
252 252 (1887) XX, 3
No. 108 		IV, 8
No. 46 		Das Mädchen aus der Fremde, D 252 In einem Tal bei armen Hirten 12/8/1815 Text by Schiller (other setting: D 117)
253 253 (1887) XX, 3
No. 110 		III, 4 No. 30
IV, 8 No. 47 		Punschlied: Im Norden zu singen Auf der Berge freien Höhen 18/8/1815 Text by Schiller; Two versions: 2nd for two voices
254 254 (1887) XX, 3
No. 111 		IV, 8
No. 48 		Der Gott und die Bajadere Mahadöh, der Herr der Erde 18/8/1815 Text by Goethe
255 255 (1850) XX, 3
No. 112 		IV, 8
No. 49 		Der Rattenfänger Ich bin der wohlbekannte Sänger 19/8/1815 Text by Goethe
256 256 (1887) XX, 3
No. 113 		IV, 8
No. 50 		Der Schatzgräber Arm am Beutel, krank am Herzen 19/8/1815 Text by Goethe
257 257 3,3
(1821) 		XX, 3
No. 114 		IV, 1a Heidenröslein Sah ein Knab' ein Röslein stehn 19/8/1815 Text by Goethe
258 258 (1887) XX, 3
No. 115 		IV, 8
No. 51 		Bundeslied In allen guten Stunden 19/8/1815 Text by Goethe
259 259 (1850) XX, 3
No. 116 		IV, 9 No. 27 An den Mond, D 259 Füllest wieder Busch und Tal 19/8/1815 Text by Goethe (other setting: D 296)
260 260 115p,2
(1829) 		XX, 3
No. 117 		IV, 8
No. 52 		Wonne der Wehmut Trocknet nicht, trocknet nicht 20/8/1815 Text by Goethe; Reused in D
261 261 (1850) XX, 3
No. 118 		IV, 8
No. 53 		Wer kauft Liebesgötter? Von allen schönen Waren 21/8/1815 Text by Goethe, from Der Zauberflöte zweiter Teil
262 262 (1895) XX, 3
No. 134 		IV, 9 No. 1 Die Fröhlichkeit Wess' Adern leichtes Blut durchspringt 22/8/1815 Text by Prandstätter [de]
263 263 (1848) XX, 3
No. 123 		IV, 9 No. 2 Cora an die Sonne Nach so vielen trüben Tagen 22/8/1815 Text by Baumberg
264 264 (1850)
(1872) 		XX, 3
No. 124 		IV, 9 No. 3 Der Morgenkuß Durch eine ganze Nacht sich nah zu sein 22/8/1815 Text by Baumberg; Two versions: 2nd, publ. in 1850, in AGA
265 265 (1895) XX, 3
No. 125 		IV, 9 No. 4 Abendständchen: An Lina Sei sanft wie ihre Seele 23/8/1815 Text by Baumberg
266 266 (1895) XX, 3
No. 126 		IV, 9 No. 5 Morgenlied, D 266 Willkommen, rotes Morgenlicht! 24/8/1815 Text by Stolberg-Stolberg
267 267 (1872) XVI
No. 17 		III, 3 No. 19 Trinklied, D 267 Auf! Jeder sei nun froh und sorgenfrei! 25/8/1815 For ttbb and piano
268 268 (1872) XVI
No. 18 		III, 3 No. 20 Bergknappenlied Hinab, ihr Brüder, in den Schacht! 25/8/1815 For ttbb and piano
269 269 (1848) XVIII
No. 5 		III, 3 No. 5
Anh. IV No. 2 		Das Leben Das Leben ist ein Traum 25/8/1815 Text by Wannovius [scores]; Two versions: 1st for tbb and piano – 2nd, in AGA, for ssa and piano
270 270 118p,5
(1829) 		XX, 3
No. 127 		IV, 9 No. 6 An die Sonne, D 270 Sinke, liebe Sonne 25/8/1815 Text by Baumberg
271 271 (1895) XX, 3
No. 128 		IV, 9 No. 7 Der Weiberfreund Noch fand von Evens Töchterscharen ich keine 25/8/1815 Text by Ratschky [de], after Cowley
272 272 (1872) XX, 3
No. 129 		IV, 9 No. 8 An die Sonne, D 272 Königliche Morgensonne 25/8/1815 Text by Tiedge
273 273 (1895) XX, 3
No. 130 		IV, 9 No. 9 Lilla an die Morgenröte Wie schön bist du, du güldne Morgenröte 25/8/1815
274 274 (1850) XX, 3
No. 131 		IV, 9 No. 10 Tischlerlied Mein Handwerk geht durch alle Welt 25/8/1815
275 275 (1895) XX, 3
No. 132 		IV, 9 No. 11 Totenkranz für ein Kind Sanft wehn, im Hauch der Abendluft 25/8/1815 Text by Matthisson
276 276 (1895) XX, 3
No. 133 		IV, 9 No. 12 Abendlied, D 276 Groß und rotenflammet 28/8/1815 Text by Stolberg-Stolberg
277 277 (1892) XIX
No. 7 		III, 3 No. 6 Punschlied, D 277 Vier Elemente, inning gesellt 29/8/1815 Text by Schiller; For ttb and piano
277A (1925) VII/2, 4 Minuet with Trio, D 277A A minor (minuet) / F major (trio) September
1815? 		For piano; Partly reused in D 279
278 278 (1830)
(1897) 		XX, 3
No. 147;
XXII, 11
No. 147 		IV, 9 No. 13 Anh. No. 1 Ossians Lied nach dem Falle Nathos Beugt euch aus euren Wolken nieder 1815 Text by Macpherson (Ossian), from Dar-Thula, transl. by E. Baron de Harold; Two versions: 1st is a fragment – 2nd publ. in 1830
279 279 (1888) X No. 2 VII/2, 1
No. 2 		Piano Sonata, D 279 C major September
1815 		Allegro moderato – Andante – Minuet (partly based on D 277A); D 309A, or 346, may be 4th movement
280 280 (1837) XX, 3
No. 139 		IV, 9 No. 14 Das Rosenband Im Frühlingsgarten fand ich sie September
1815 		Text by Klopstock
281 281 (1830) XX, 3
No. 148 		IV, 9 No. 15 Das Mädchen von Inistore Mädchen Inistores, wein auf dem Felsen September
1815 		Text by Macpherson (Ossian), from Fingal, Book I, transl. by E. Baron de Harold
282 282 (1830) XX, 4
No. 188 		IV, 9 No. 16 Cronnan Ich sitz' bei der moosigten Quelle 5/9/1815 Text by Macpherson (Ossian), from Carric-thura, transl. by E. Baron de Harold
283 283 172p,5
(1865) 		XX, 3
No. 136 		IV, 11 An den Frühling, D 283 Willkommen, schöner Jüngling! 6/9/1815 Text by Schiller (other settings: D 338 and 587)
284 284 (1895) XX, 3
No. 137 		IV, 9 No. 17 Lied, D 284 Es ist so angenehm, so süß 6/9/1815 Text by Schiller(?)
285 285 (1885)
(1895) 		XX, 3
No. 138 		IV, 9 No. 18 Anh. No. 2 Furcht der Geliebten, a.k.a. An Cidli Cidli, du weinest 12/9/1815 Text by Klopstock, from Oden; Two versions: 2nd publ. in 1885
286 286 (1837)
(1895) 		XX, 3
No. 140 		IV, 9 No. 19 Selma und Selmar Weine du nicht 14/9/1815 Text by Klopstock; Two versions: 2nd publ. in 1837
287 287 (1895) XX, 3
No. 141 		IV, 9 No. 20 Vaterlandslied Ich bin ein deutsches Mädchen 14/9/1815 Text by Klopstock, from Oden; Two versions
288 288 (1895) XX, 3
No. 142 		IV, 9 No. 21 An Sie Zeit, Verkündigerin der besten Freuden 14/9/1815 Text by Klopstock, from Oden
289 289 (1895) XX, 3
No. 143 		IV, 9 No. 22 Die Sommernacht Wenn der Schimmer von dem Monde 14/9/1815 Text by Klopstock; Two versions
290 290 (1837) XX, 3
No. 144 		IV, 9 No. 23 Die frühen Gräber Willkommen, o silberner Mond 14/9/1815 Text by Klopstock, from Oden
291 291 (1831)
(1895) 		XX, 3
No. 145 		IV, 9 No. 24 Dem Unendlichen Wie erhebt sich das Herz 15/9/1815 Text by Klopstock; Three versions: 2nd publ. in 1831
292 371
See D 371
293 293 (1830) XX, 3
No. 146 		IV, 9 No. 25 Shilric und Vinvela Mein Geliebter ist ein Sohn des Hügels 20/9/1815 Text by Macpherson (Ossian), from Carric-thura, transl. by E. Baron de Harold
294 294 (1892) XVII
No. 4 		III, 1 Namensfeier für Franz Michael Vierthaler, a.k.a. Gratulations-Kantate Erhabner! Verehrter Freund der Jugend! 27/9/1815 For stbSTB and orchestra
295 295 (1872)
(1895) 		XX, 3
No. 175 		IV, 9 No. 26 Hoffnung, D 295 Schaff, das Tagwerk meiner Hände 1815 or
1816? 		Text by Goethe; Two versions: 1st publ. in 1872
296 296 (1868) XX, 3
No. 176 		IV, 9 No. 28 An den Mond, D 296 Füllest wieder Busch und Tal 1815 or
1816? 		Text by Goethe (other setting: D 259)
297 297 (1850)
(1895) 		XX, 3
No. 171 		IV, 9 No. 29 Anh. No. 3 Augenlied Süße Augen, klare Bronnen! spring
1817? 		Text by Mayrhofer; Two versions: 2nd publ. in 1850
298 298 (1895) XX, 3
No. 170 		IV, 9 No. 30 Liane Hast du Lianen nicht gesehen? October
1815 		Text by Mayrhofer
299 299 (1897)
(1912) 		XXI, 3
No. 29 		VII/2, 6 Twelve Écossaises, D 299 Various keys 3/10/1815 For piano; No. 1 similar to D 145 Écoss. No. 1; Nos. 9–12 publ. in 1912
300 300 (1842) XX, 6
No. 398 		IV, 9 No. 31 Der Jüngling an der Quelle Leise, rieselnder Quell 1816 or
1817? 		Text by Salis-Seewis
301 301 (1842) XX, 3
No. 149 		IV, 9 No. 32 Lambertine O Liebe, die mein Herz erfüllet 12/10/1815 Text by Stoll [scores]
302 302 (1895) XX, 3
No. 150 		IV, 9 No. 33 Labetrank der Liebe Wenn im Spiele leiser Töne 15/10/1815 Text by Stoll [scores]
303 303 (1887) XX, 3
No. 151 		IV, 9 No. 34 An die Geliebte O, daß ich dir vom stillen Auge 15/10/1815 Text by Stoll [scores]; Music partly reused in D 497
304 304 (1895) XX, 3
No. 152 		IV, 9 No. 35 Wiegenlied, D 304 Schlumm're sanft! Noch an dem Mutterherzen 15/10/1815 Text by Körner
305 305 (1895) XX, 3
No. 153 		IV, 9 No. 36 Mein Gruß an den Mai Sei mir gegrüßt, o Mai 15/10/1815 Text by Kumpf [de]
306 306 (1895) XX, 3
No. 154 		IV, 9 No. 37 Skolie, D 306 Laßt im Morgenstrahl des Mai'n 15/10/1815 Text by Deinhardstein [de]
307 307 (1895) XX, 3
No. 155 		IV, 9 No. 38 Die Sternenwelten Oben drehen sich die großen unbekannten Welten dort 15/10/1815 Text by Fellinger [wikisource:de], after Jarnik
308 308 (1895) XX, 3
No. 156 		IV, 9 No. 39 Die Macht der Liebe Überall, wohin mein Auge blicket 15/10/1815 Text by Kalchberg [wikisource:de]
309 309 (1872) XX, 3
No. 157 		IV, 9 No. 40 Das gestörte Glück Ich hab' ein heißes junges Blut 15/10/1815 Text by Körner
309A VII/2, 1
Anh. No. 2 		Rondo, D 309A C major 1815 For piano; Fragment; 4th movement of D 279?
310 310 (1895) XX, 3
No. 158 		IV, 3 Sehnsucht, D 310, a.k.a. Lied der Mignon Nur wer die Sehnsucht kennt 18/10/1815 Text by Goethe, from Wilhelm Meister's Apprenticeship (other settings: D 359, 481, 656 and 877 Nos. 1 & 4); Two versions
311 311 IV, 9
Anh. No. 3 		An den Mond, D 311 19/10/1815? For voice and piano; Sketch without text
312 312 58,1
(1826)
(1895) 		XX, 3
No. 159 		IV, 3 Hektors Abschied Will sich Hektor ewig von mir wenden 19/10/1815 Text by Schiller; Two versions: 2nd is Op. 58 No. 1
313 313 (1895) XX, 3
No. 160 		IV, 9 No. 41 Die Sterne, D 313 Wie wohl ist mir im Dunkeln! 19/10/1815 Text by Kosegarten
314 314 (1887) XX, 3
No. 161 		IV, 9 No. 42 Nachtgesang, D 314 Tiefe Feier schauert um die Welt 19/10/1815 Text by Kosegarten
315 315 (1895) XX, 3
No. 162 		IV, 9 No. 43 An Rosa I Warum bist du nicht hier 19/10/1815 Text by Kosegarten
316 316 (1895) XX, 3
No. 163 		IV, 9 No. 44 An Rosa II Rosa, denkst du an mich? 19/10/1815 Text by Kosegarten; Two versions
317 317 (1895) XX, 3
No. 164 		IV, 9 No. 45 Idens Schwanenlied Wie schaust du aus dem Nebelflor 19/10/1815 Text by Kosegarten; Two versions: 2nd in AGA
318 318 (1895) XX, 3
No. 165 		IV, 9 No. 46 Schwangesang Endlich stehn die Pforten offen 19/10/1815 Text by Kosegarten
319 319 (1895) XX, 3
No. 166 		IV, 9 No. 47 Luisens Antwort Wohl weinen Gottes Engel 19/10/1815 Text by Kosegarten
320 320 (1895) XX, 3
No. 167 		IV, 9 No. 48 Der Zufriedene Zwar schuf das Glück hienieden 23/10/1815 Text by Reissig [de]
321 321 (1832) XX, 3
No. 168 		IV, 9 No. 49 Mignon a.k.a. Mignons Gesang Kennst du das Land 23/10/1815 Text by Goethe, from Wilhelm Meister's Apprenticeship III, 1
322 322 (1837) XX, 3
No. 169 		IV, 9 No. 50 Hermann und Thusnelda Ha, dort kömmt er 27/10/1815 Text by Klopstock
323
991 		323 (1895) XX, 3
No. 172 		IV, 9 No. 51 Anh. Nos. 5–6 Klage der Ceres Ist der holde Lenz erschienen? 9/11/1815–
June 1816 		Text by Schiller; Two versions: 2nd in AGA; A fragment of the last part was D 991
324 324 141p
(1837) 		XIII, 1
No. 3 		I, 2 Mass No. 3 B♭ major
Kyrie – Gloria – Credo – Sanctus & Benedictus – Agnus Dei 		started
11/11/1815 		Text: Mass ordinary (other settings: D 24E, 31, 45, 49, 56, 66, 105, 167, 452, 678, 755 and 950); For satbSATB and orchestra
324A IV, 8
No. 41 		Winterlied, D 324A 1816?[19]
325 325 (1895) XX, 3
No. 173 		IV, 1b No. 9 Harfenspieler, D 325 Wer sich der Einsamkeit ergibt 13/11/1815 Text by Goethe, from Wilhelm Meister's Apprenticeship (other setting: D 478 No. 1)
326 326 (1888) XV, 2
No. 4 		II, 3 Die Freunde von Salamanka (Singspiel in two acts) 18/11/1815–
31/12/1815 		Text by Mayrhofer; Music for ssstttbbbbbbSATB and orchestra; Overture – Act I (Nos. 1–7) – Act II (Nos. 8–18, with music of No. 12 reappearing in D 803 and of No. 14 in D 796 No. 15)
327 327 IV, 10 Lorma, D 327 Lorma saß in der Halle von Aldo 28/11/1815 Text by Macpherson (Ossian), from The Battle of Lora, transl. by E. Baron de Harold (other setting: D 376); Fragment
328 328 1
(1821)
(1895) 		XX, 3
No. 178 		IV, 1a &
b No. 1 		Erlkönig Wer reitet so spät durch Nacht und Wind? October
1815? 		Text by Goethe; Four versions: 2nd and 3rd switched in AGA – 4th is Op. 1
329 329 (1895) XX, 10
No. 591 		IV, 9
Anh. No. 7 		Die drei Sänger Der König saß beim frohen Mahle 23/12/1815 Text by Bobrik [scores]; Fragment
329A III, 2b Anh. No. 3
VIII, 2 No. 27 		Das Grab, D 329A Das Grab ist tief und stille 28/12/1815? Text by Salis-Seewis (other settings: D 330, 377, 569 and 643A); Canon for SATB; Sketch
330 330 (1895) XX, 3
No. 182 		III, 3 No. 14
Anh. I No. 2 		Das Grab, D 330 Das Grab ist tief und stille 28/12/1815 Text by Salis-Seewis (other settings: D 329A, 377, 569 and 643A); For choir and piano
331–510
1816 Up ↑
331
332 		331 (1866) XVI
No. 38 		III, 4
No. 31 		Der Entfernten, D 331 Wohl denk' ich allenthalben c. 1816 Text by Salis-Seewis (other setting: D 350); For ttbb; Identical to former D 332
333 796
Laß dein Vertrauen nicht schwinden
Part of D 796 No. 21
334 334 (1897) XXI, 3
No. 24 		VII/2, 4 Minuet with Trio, D 334 A major (minuet) / E major (trio) before
fall 1815 		For piano
335 335 (1897) XXI, 3
No. 25 		VII/2, 6 Minuet with two Trios E major 1813? For piano
337 337 (1860) XVI
No. 39 		III, 4
No. 32 		Die Einsiedelei, D 337, a.k.a. Lob der Einsamkeit Es rieselt klar und wehend ein Quell c. 1816 Text by Salis-Seewis (other settings: D 393 and 563); For ttbb
338 338 (1891) XVI
No. 40 		III, 4
No. 33 		An den Frühling, D 338 Willkommen, schöner Jüngling! c. 1816 Text by Schiller (other settings: D 283 and 587); For ttbb
342 342 (1885) XX, 4
No. 238 		IV, 10 An mein Klavier a.k.a. Seraphine an ihr Klavier Sanftes Klavier, welche Entzückungen schaffest du mir c. 1816 Text by Schubart
343 343 (1831) XX, 5
No. 342 		IV, 10 Am Tage Aller Seelen a.k.a. Litanei auf das Fest Aller Seelen Ruh'n in Frieden alle Seelen August
1816 		Text by Jacobi; Two versions: 1st, in AGA, publ. in 1831
344 344 IV, 10 Am ersten Maimorgen Heute will ich fröhlich sein 1816? Text by Claudius
345 345 (1897) XXI, 1
No. 3 		V, 7 No. 1 Violin Concerto, a.k.a. Konzertstück (Concert Piece) D major 1816 Adagio, Allegro
346 346 (1897) XXI, 3
No. 17 		VII/2, 4 Anh. Allegretto, D 346 C major 1816? For piano; Fragment; 4th movement of D 279?
347 347 (1897) XXI, 3
No. 18 		VII/2, 4 Anh. Allegro moderato, D 347 C major 1813? For piano; Fragment
348 348 (1897) XXI, 3
No. 19 		VII/2, 4 Anh. Andantino, D 348 C major 1816? For piano; Fragment
349 349 (1897) XXI, 3
No. 21 		VII/2, 4 Anh. Adagio, D 349 C major 1816? For piano; Fragment
350 350 (1885) XX, 4
No. 203 		IV, 10 Der Entfernten, D 350 Wohl denk' ich allenthalben 1816? Text by Salis-Seewis (other setting: D 331)
351 351 (1895) XX, 4
No. 204 		IV, 11 Fischerlied, D 351 Das Fischergewerbe gibt rüstigen Mut 1816? Text by Salis-Seewis (other settings: D 364 and 562)
352 352 (1847) XX, 4
No. 286 		III, 2b
No. 21 		Licht und Liebe a.k.a. Nachtgesang Liebe ist ein süßes Licht 1816? Text by Collin, M. C.; For st and piano
353 353 125p,2
(1840) 		V No. 11 VI, 4
No. 12 		String Quartet No. 11 E major 1816 Allegro con fuoco – Andante – Minuet – Rondo
354 354 (1930) VI, 9 Four Komische Ländler D major January
1816 		For two violins
355 355 (1928) VI, 9 Eight Ländler, D 355 F♯ minor January
1816 		For violin(?)
356 356 (1844) III, 3 Anh. II No. 3 Trinklied, D 356 Funkelnd im Becher so helle, so hold 1816 For vocal soloist, TTBB and piano; Piano part lost (by Czerny in 1844 ed.)
357 357 (1892) XIX
No. 24 		III, 4 No. 35
VIII, 2 No. 28 		Goldner Schein Goldner Schein deckt den Hain 1/5/1816 Text by Matthisson; Canon for three voices
358 358 (1849) XX, 4
No. 235 		IV, 10 Die Nacht, D 358 Du verstörst uns nicht, o Nacht! 1816 Text by Uz
359 359 (1872) XX, 4
No. 260 		IV, 3 Sehnsucht, D 359 a.k.a. Lied der Mignon Nur wer die Sehnsucht kennt 1816 Text by Goethe, from Wilhelm Meister's Apprenticeship (other settings: D 310, 481, 656 and 877 Nos. 1 & 4)
360 360 65,1
(1826) 		XX, 4
No. 268 		IV, 3 Lied eines Schiffers an die Dioskuren Dioskuren, Zwillingssterne 1816 Text by Mayrhofer
361 361 109p,1
(1829) 		XX, 4
No. 272 		IV, 10 Am Bach im Frühling Du brachst sie nun, die kalte Rinde 1816 Text by Schober; Piano intro probably not by Schubert
362 362 (1895) XX, 4
No. 280 		IV, 11 Zufriedenheit, D 362, a.k.a. Lied Ich bin vergnugt 1815 or
1816? 		Text by Claudius (other setting: D 501)
363 363 IV, 10 An Chloen, D 363 Die Munterkeit ist meinen Wangen 1816 Text by Uz; Fragment
364 364 (1897) XXI, 4
No. 35 		III, 4
No. 34 		Fischerlied, D 364 Das Fischergewerbe gibt rüstigen Mut 1816 or
1817? 		Text by Salis-Seewis (other settings: D 351 and 562); For ttbb
365 365 9
(1821) 		XII
No. 1 		VII/2, 6
& 7a 		36 Original Dances a.k.a. Erste Walzer Various keys c. Mar. 1818–
Jul. 1821 		For piano; No. 2 publ. in 1826 as Beethoven's (Kinksky Anh. 14 No. 1)
366 366 (1824)
(1869) 		XII
No. 10 		VII/2, 6
& 7a 		17 Ländler, D 366 Various keys c. Jul. 1824–
Nov. 1824 		For piano; Nos. 6 and 17 publ. in 1824; No. 7 partly reappears in D 618 and No. 17 in D 814
367 367 5,5
(1821) 		XX, 4
No. 261 		IV, 1a Der König in Thule Es war ein König in Thule early 1816 Text by Goethe, from Faust I, 8
368 368 3,4
(1821) 		XX, 4
No. 262 		IV, 1a Jägers Abendlied, D 368 Im Felde schleich ich, still und wild early 1816? Text by Goethe (other setting: D 215)
369 369 19,1
(1825) 		XX, 4
No. 263 		IV, 1a An Schwager Kronos Spute dich, Kronos! 1816 Text by Goethe
370 370 (1930) VI, 9 Nine Ländler, D 370 D major January
1816 		For violin?; No. 7 reused in D 378 No. 6
371
292 		371 (1872) XX, 4
No. 185 		IV, 10 Klage, D 371 Trauer umfließt mein Leben January
1816 		Two versions: 1st, a sketch, was D 292
372 372 (1895) XX, 4
No. 183 		IV, 10 An die Natur Süße, heilige Natur 15/1/1816 Text by Stolberg-Stolberg
373 373 (1895) XX, 4
No. 184 		IV, 10 Lied, D 373 Mutter geht durch ihre Kammern 15/1/1816? Text by Motte Fouqué, from Undine
374 374 (1902) VI, 9 11 Ländler, D 374 B♭ major February
1816? 		For violin; Nos. 1–3, 5, 7 and 11 reused in Nos. 1–5 and 7 of D 378; No. 2 also partly in D 146 No. 10
375 375 (1830) XX, 4
No. 187 		IV, 10 Der Tod Oskars Warum öffnest du wieder February
1816 		Text by Macpherson (Ossian), transl. by E. Baron de Harold
376 376 (1895) XX, 10
No. 592 		IV, 10 Lorma, D 376 Lorma saß in der Halle von Aldo 10/2/1816 Text by Macpherson (Ossian), from The Battle of Lora, transl. by E. Baron de Harold (other setting: D 327); Fragment
377 377 (1872) XX, 4
No. 186 		III, 3 No. 21
Anh. I No. 3 		Das Grab, D 377 Das Grab ist tief und stille 11/2/1816 Text by Salis-Seewis (other settings: D 329A, 330, 569 and 643A); For TTBB and piano
378 378 (1889) XII
No. 12 		VII/2, 6 Eight Ländler, D 378 B♭ major 13/2/1816 For piano; Nos. 1–5 and 7 reuse D 374 Nos. 1–3, 7, 11 and 5; No. 2 partly in D 146 No. 10; No. 6 reuses D 370 No. 7
379 379 (1859) XIV No. 17 I, 9
No. 13
& Anh. 2 		Deutsches Salve Regina (German Salve Regina) Sei, Mutter der Barmherzigkeit
F major 		21/2/1816 Text: after Salve Regina; For SATB and organ
380 380 (1897)
(1956)
(1989) 		XXI, 2
No. 28 		VII/2, 6 Three Minuets, each with Two Trios E major (No. 1)
A major (No. 2)
C major (No. 3) 		22/2/1816 For piano; AGA only Nos. 1–2; Start of No. 3, a fragment (1st trio incomplete, 2nd trio missing), reused in D 557
381 381 (1895) XX, 4
No. 189 		IV, 10 Morgenlied, D 381 Die frohe, neubelebte Flur 24/2/1816
382 382 (1895) XX, 4
No. 190 		IV, 10 Abendlied, D 382 Sanft glänzt die Abendsonne 24/2/1816
383
992 		383 (1888) XIV No. 13 I, 7 Stabat Mater, D 383, a.k.a. Deutsches Stabat Mater (German Stabat Mater) Jesus Christus schwebt am Kreuze
F minor 		started
28/2/1816 		Text by Klopstock after Stabat Mater; For stbSATB and orchestra; Sketch for Nos. 5–6 was D 992
384 384 137p,1
(1836) 		VIII
No. 2 		VI, 8 No. 1
& anh. 1 		Violin Sonata, D 384, a.k.a. Sonatina No. 1 D major March 1816 Allegro molto (+early version in NSA) – Andante – Allegro vivace
385 385 137p,2
(1836) 		VIII
No. 3 		VI, 8 No. 2 Violin Sonata, D 385, a.k.a. Sonatina No. 2 A minor March 1816 Allegro moderato – Andante – Minuet – Allegro
386 386 (1833) XIV No. 20 I, 9
No. 12
& Anh. 1 		Salve Regina, D 386 B♭ major
Salve Regina 		early 1816 Text: Salve Regina (other settings: D 27, 106, 223, 676 and 811); For SATB
387 387 (1897) XXI, 4
No. 44 		III, 2b
Anh. No. 4b 		Die Schlacht, D 387 Schwer und dumpfig March 1816 Text by Schiller (other setting: D 249); Sketch for vocal soloists, choir and piano; Music partly in D 249 and 602 No. 1
388 388 (1895) XX, 4
No. 193 		IV, 10 Laura am Klavier Wenn dein Finger durch die Saiten meistert March 1816 Text by Schiller; Two versions
389 389 (1873) XX, 4
No. 194 		IV, 3 Des Mädchens Klage, D 389 Der Eichwald brauset March 1816 Text by Schiller, from Wallenstein: Die Piccolomini III, 7 (other settings: D 6 and 191)
390 390 (1895) XX, 4
No. 195 		IV, 10 Entzückung an Laura, D 390 Laura, über diese Welt March 1816 Text by Schiller (other setting: D 577)
391 391 111p,3
(1829) 		XX, 4
No. 196 		IV, 10 Die vier Weltalter Wohl perlet im Glase March 1816 Text by Schiller
392 392 (1895) XX, 4
No. 197 		IV, 10 Pflügerlied Arbeitsam und wacker March 1816 Text by Salis-Seewis
393 393 (1845) XX, 4
No. 198 		IV, 11 Die Einsiedelei, D 393 Es rieselt klar und wehend ein Quell March 1816 Text by Salis-Seewis (other settings: D 337 and 563)
394 394 (1895) XX, 4
No. 199 		IV, 10 An die Harmonie a.k.a. Gesang an die Harmonie Schöpferin beseelter Töne! March 1816 Text by Salis-Seewis
395 395 111p,2
(1829) 		XX, 4
No. 205 		IV, 10 Lebensmelodien Auf den Wassern wohnt mein stilles Leben March 1816 Text by Schlegel, A. W.
396 396 (1975) IV, 2
Anh. No. 1 		Gruppe aus dem Tartarus, D 396 Horch, wie Murmeln des empörten Meeres March 1816 Text by Schiller (other settings: D 65 and 583); Fragment
397 397 (1832) XX, 4
No. 191 		IV, 10 Ritter Toggenburg Ritter, treue Schwesterliebe 13/3/1816 Text by Schiller
398 398 (1887) XX, 4
No. 217 		IV, 10 Frühlingslied, D 398 Die Luft ist blau 13/5/1816 Text by Hölty (other setting: D 243)
399 399 (1895) XX, 4
No. 218 		IV, 10 Auf den Tod einer Nachtigall, D 399 Sie ist dahin, die Maienlieder tönte 13/5/1816 Text by Hölty (other setting: D 201)
400 400 (1895) XX, 4
No. 219 		IV, 10 Die Knabenzeit Wie glücklich, wem das Knabenkleid 13/5/1816 Text by Hölty
401 401 (1895) XX, 4
No. 220 		IV, 10 Winterlied, D 401 Keine Blumen blühn 13/5/1816 Text by Hölty
402 402 (1872) XX, 4
No. 192 		IV, 10 Der Flüchtling Frisch atmet des Morgens lebendiger Hauch 18/3/1816 Text by Schiller (other setting: D 67)
403 403 (1845)
(1895) 		XX, 4
No. 201 		IV, 10 Lied, D 403 In's stille Land 27/3/1816 Text by Salis-Seewis; Four versions: 1st, publ. in 1845, and 2nd in AGA; Music partly reappears in D 877 No. 4
404 404 (1885) XX, 4
No. 200 		IV, 10 Die Herbstnacht a.k.a. Die Wehmuth Mit leisen Harfentönen March 1816 Text by Salis-Seewis
405 405 (1895) XX, 4
No. 202 		IV, 10 Der Herbstabend Abendglockenhalle zittern April 1816 Text by Salis-Seewis; Two versions: 1st in AGA
406 406 (1887) XX, 4
No. 208 		IV, 10 Abschied von der Harfe Noch einmal tön, o Harfe March 1816 Text by Salis-Seewis
407
441 		407 (1891)
(1892) 		XVI
No. 44
XIX
No. 5 		III, 3 No. 22
Anh. IV No. 3
VIII, 2
No. 31 		Beitrag zur fünfzigjährigen Jubelfeier des Herrn von Salieri Gütigster, Bester! Weisester Größter! – So Güt’ als Weisheit strömen mild – Unser aller Großpapa, bleibe noch recht lange da before
16/6/1816 		Text by Schubert; Quartet for ttbb (variant for ttb and piano: formerly D 441) – Aria for t and piano – Canon for three voices
408 408 137p,3
(1836) 		VIII
No. 4 		VI, 8 No. 3 Violin Sonata, D 408, a.k.a. Sonatina No. 3 G minor April 1816 Allegro giusto – Andante – Minuet – Allegro moderato
409 409 (1872) XX, 4
No. 206 		IV, 10 Die verfehlte Stunde Quälend ungestilltes Sehnen April 1816 Text by Schlegel, A. W.
410 410 115p,3
(1829) 		XX, 4
No. 207 		IV, 10 Sprache der Liebe Laß dich mit gelinden Schlägen rühren April 1816 Text by Schlegel, A. W.
411 411 (1887) XX, 4
No. 209 		IV, 10 Daphne am Bach Ich hab' ein Bächlein funden April 1816 Text by Stolberg-Stolberg
412 412 (1838) XX, 4
No. 210 		IV, 10 Stimme der Liebe, D 412 Meine Selinde April 1816 Text by Stolberg-Stolberg; Two versions: 2nd in AGA
413 413 (1895) XX, 4
No. 211 		IV, 10 Entzückung Tag voll Himmel! April 1816 Text by Matthisson
414 414 (1895) XX, 4
No. 212 		IV, 10 Geist der Liebe, D 414 Der Abend schleiert Flur und Hain April 1816 Text by Matthisson (other setting: D 747)
415 415 (1895) XX, 4
No. 213 		IV, 10 Klage, D 415 Die Sonne steigt, die Sonne sinkt April 1816 Text by Matthisson
416 416 (1825) IV, 10 Lied in der Abwesenheit Ach, mir ist das Herz so schwer April 1816 Text by Stolberg-Stolberg; Fragment
417 417 (1884) I, 2
No. 4 		V, 2
No. 4 		Symphony No. 4
Tragic 		C minor completed
27/4/1816 		Adagio molto, Allegro vivace – Andante – Minuet – Allegro
418 418 (1895) XX, 4
No. 214 		IV, 10 Stimme der Liebe, D 418 Abendgewölke schweben hell 29/4/1816 Text by Matthisson (other setting: D 187)
419 419 (1895) XX, 4
No. 215 		IV, 10 Julius an Theone Nimmer, nimmer darf ich dir gestehen 30/4/1816 Text by Matthisson
420 420 (1871) XII
No. 11 		VII/2, 7a Twelve German Dances, D 420 Various keys 1816 For piano; No. 10 reappears in D 679 No. 1
421 421 (1889) XII
No. 27 		VII/2, 6 Six Écossaises, D 421 Various keys May 1816 For piano; No. 1 after D 145 Écoss. No. 5
422 422 16,2
(1823) 		XVI
No. 8 		III, 3 No. 23 Naturgenuß, D 422 Im Abendschimmer wallt der Quell 1822? Text by Matthisson (other setting: D 188); For ttbb and piano
423 423 (1974) III, 4
No. 36 		Andenken, D 423 Ich denke dein wenn durch den Hain May 1816 Text by Matthisson (other setting: D 99); For ttb
424 424 (1974) III, 4
No. 37 		Erinnerungen, D 424 Am Seegestad, in lauen Vollmondsnächten May 1816 Text by Matthisson (other setting: D 98); For ttb
425 425 Lebensbild May 1816 Lost: may be related to D Anh. I/23 with the same lyrics as D 508; For ttb
426 426 III, 4 Trinklied, D 426 Herr Bacchus ist ein braver Mann May 1816 Lost; Text by Bürger; For ttb
427 427 (1892) XIX
No. 17 		III, 4
No. 38 		Trinklied im Mai Bekränzet die Tonnen May 1816 Text by Hölty; For ttb
428 428 (1974) III, 4
No. 39 		Widerhall Auf ewig dein, wenn Berg und Meere trennen May 1816 Text by Matthisson; For ttb
429 429 (1885) XX, 4
No. 221 		IV, 10 Minnelied Holder klingt der Vogelsang May 1816 Text by Hölty
430 430 (1895) XX, 4
No. 222 		IV, 10 Die frühe Liebe Schon im bunten Knabenkleide May 1816 Text by Hölty; Two versions: 1st in AGA
431 431 (1887) XX, 4
No. 223 		IV, 10 Blumenlied Es ist ein halbes Himmelreich May 1816 Text by Hölty
432 432 (1850)
(1895) 		XX, 4
No. 224 		IV, 10 Der Leidende a.k.a. Klage, D 432 Nimmer trag' ich langer May 1816 Other setting: D Anh. I/28; Two versions: 1st publ. in 1850
433 433 (1895) XX, 4
No. 225 		IV, 10 Seligkeit Freuden sonder Zahl May 1816 Text by Hölty
434 434 (1850) XX, 4
No. 226 		IV, 10 Erntelied Sicheln schallen, Ähren fallen May 1816 Text by Hölty
435 435 (1893) XV, 7
No. 13 		II, 13
III, 4 No. 30 		Die Bürgschaft, D 435 (Opera in three acts) started
2/5/1816 		For four sopranos, three tenors, three basses, two baritones, SATB and orchestra; Unfinished: Nos. 1–9 (Act I) – Nos. 10–14 (Act II, No. 13 in NSA III, 4, No. 14 reuses part of D 246) – Nos. 15–16 (Act III, No. 16 is fragment)
436
437 		436 (1850) XX, 4
No. 216 		IV, 10 Klage, D 436 Dein Silber schien durch Eichengrün 12/5/1816 Text by Hölty; Two versions: 1st publ. in 1850 – 2nd was D 437
438 438 (1897) XXI, 1
No. 4 		V, 7 No. 2 Rondo, D 438 A major June 1816 For violin and string orchestra
439 439 (1872) XVII
No. 12 		III, 2a
No. 8 		An die Sonne, D 439 O Sonne, Königin der Welt June 1816 Text by Uz; For satb and piano
440 440 (1839) XVII
No. 18 		III, 2a
No. 9 		Chor der Engel Christ ist erstanden June 1816 Text by Goethe, from Faust I, 1; For SATB
441 407
See D 407
442 442 (1847) XX, 4
No. 227 		III, 3 No. 7
Anh. I No. 4
IV, 10 		Das große Halleluja Ehre sei dem Hocherhabnen June 1816 Text by Klopstock; For voice(s?) and piano
443 443 (1895) XX, 4
No. 228 		III, 3 No. 8
Anh. I No. 5
IV, 10 		Schlachtlied, D 443, a.k.a. Schlachtgesang Mit unserm Arm ist nichts getan June 1816 Text by Klopstock, from Oden (other setting: D 912); For voice(s?) and piano
444 444 (1831) XX, 4
No. 229 		IV, 10 Die Gestirne Es tönet sein Lob June 1816 Text by Klopstock, from Oden
445 445 (1837) XX, 4
No. 230 		IV, 10 Edone Dein süßes Bild, Edone June 1816 Text by Klopstock, from Oden
446 446 (1887) XX, 4
No. 231 		IV, 10 Die Liebesgötter Cypris, meiner Phyllis gleich June 1816 Text by Uz
447 447 (1895) XX, 4
No. 232 		IV, 10 An den Schlaf Komm und senke die umflorten Schwingen June 1816
448 448 (1887) XX, 4
No. 233 		IV, 10 Gott im Frühlinge In seinem schimmernden Gewand June 1816 Text by Uz; Two versions: 1st, publ. in 1887, in AGA
449 449 (1872) XX, 4
No. 234 		IV, 10 Der gute Hirt Was sorgest du? June 1816 Text by Uz
450 450 (1832)
(1895) 		XX, 4
No. 236 		IV, 10 Fragment from Aeschylus So wird der Mann June 1816 Text by Mayrhofer after Aeschylus' Eumenides (Oresteia III); Two versions: 2nd publ. in 1832
451 451 Prometheus, D 451 Hervor aus Buschen und Baumen 17/6/1816 Text by Draexler von Carin [de]; Lost; Cantata for soprano, bass, choir and orchestra
452
961 		452 48
(1825)
(1829) 		XIII, 1
No. 4 		I, 2 Mass No. 4 C major
Kyrie – Gloria – Credo – Sanctus & Benedictus – Agnus Dei 		Jun. 1816–
Oct. 1828 		Text: Mass ordinary (other settings: D 24E, 31, 45, 49, 56, 66, 105, 167, 324, 678, 755 and 950); For satbSATB and orchestra; 2nd setting of "Benedictus", publ. in 1829, was D 961
453 453 I, 5 Anh. Requiem C minor
Introitus – Kyrie 		July 1816 Fragment; For SATB and orchestra
454 454 (1872) XX, 4
No. 239 		IV, 10 Grablied auf einen Soldaten Zieh hin, du braver Krieger du! July 1816 Text by Schubart
455 455 (1887) XX, 4
No. 240 		IV, 10 Freude der Kinderjahre Freude, die im frühen Lenze July 1816 Text by Köpken [scores]
456 456 (1887) XX, 4
No. 241 		IV, 10 Das Heimweh, D 456 Oft in einsam stillen Stunden July 1816 Text by Hell
457 457 44
(1827) 		XX, 4
No. 237 		IV, 3 An die untergehende Sonne Sonne, du sinkst July 1816–
May 1817 		Text by Kosegarten
458 458 (1872) XX, 4
No. 242 		IV, 10 Aus Diego Manazares: Ilmerine Wo irrst du durch einsame Schatten 30/07/1816 Text by Schlechta [de] from Diego Manazares
459
(Nos.
1–2) 		459 (1843) XI No. 14 VII/2, 1
No. 3 		Piano Sonata, D 459 E major August
1816 		Allegro moderato – Scherzo; With D 459A a.k.a. Fünf Klavierstücke
459
(Nos.
3–5) 		459A (1843) XI No. 14 VII/2, 4 Three piano pieces, D 459A C major (No. 1)
A major (No. 2)
E major (No. 3) 		1816? Adagio – Scherzo – Allegro patetico; With D 459 a.k.a. Fünf Klavierstücke
460 460 (1888) XIV No. 7 I, 9
No. 6 		Tantum ergo, D 460 C major August
1816 		Text by Aquinas (other settings: D 461, 730, 739, 750, 962 and Anh. I/17); For sSATB and orchestra
461 461 (1935) I, 9
No. 7 		Tantum ergo, D 461 C major August
1816 		Text by Aquinas (other settings: D 460, 730, 739, 750, 962 and Anh. I/17); For satbSATB and orchestra
462 462 (1895) XX, 4
No. 244 		IV, 10 An Chloen, D 462 Bei der Liebe reinsten Flammen August
1816 		Text by Jacobi
463 463 (1895) XX, 4
No. 245 		IV, 10 Hochzeit-Lied Will singen euch im alten Ton August
1816 		Text by Jacobi
464 464 (1895) XX, 4
No. 246 		IV, 10 In der Mitternacht Todesstille deckt das Tal August
1816 		Text by Jacobi
465 465 (1885) XX, 4
No. 247 		IV, 10 Trauer der Liebe Wo die Taub' in stillen Buchen August
1816 		Text by Jacobi; Two versions: 1st, in AGA, publ. 1885
466 466 (1872) XX, 4
No. 248 		IV, 10 Die Perle Es ging ein Mann zur Frühlingszeit August
1816 		Text by Jacobi
467 467 (1885) XX, 10
No. 593 		IV, 10 Pflicht und Liebe Du, der ewig um mich trauert August
1816 		Text by Gotter; Fragment
468 468 (1895) XX, 4
No. 243 		IV, 10 An den Mond, D 468 Was schauest du so hell 07/08/1816 Text by Hölty
469 469 (1897) XXII, 11 Nos. 394–
395 		IV, 3 Mignon, D 469 So laßt mich scheinen, bis ich werde September
1816 		Text by Goethe, from Wilhelm Meister's Apprenticeship (other settings: D 727 and 877 No. 3); Two versions, both fragments
470
601 		470 (1886) II No. 3 V, 5
VI, 4
Anh. No. 4 		Overture, D 470 B♭ major September
1816 		For orchestra; Overture to D 472(?); Fragment for string quartet was D 601
471 471 (1890)
(1897) 		VI No. 1
XXII, 1 p. 84 		VI, 6 No. 1
& Anh. No. 2 		String Trio, D 471 B♭ major September
1816 		Allegro (AGA VI) – Andante sostenuto (fragment, in AGA XXII)
472 472 128p
(1830)
(1892) 		XVII
No. 2 		III, 1 Kantate zu Ehren von Josef Spendou Da liegt er, starr – Gottes Bild ist Furst und Staat – Ein Punkt nur ist der Mensch – Die Sonne sticht September
1816 		Text by Hoheisel [scores]; For sstbSSATB and orchestra (piano reduction in 1st ed.); Overture: D 470(?); Recitative, aria with choir – Recitative, duet – Recitative, choir – Recitative, quartet with choir
473 473 (1833)
(1895) 		XX, 4
No. 249 		IV, 10 Liedesend Auf seinem gold'nen Throne September
1816 		Text by Mayrhofer; Two versions: 2nd in 1st ed.
474 474 (1832)
(1895) 		XX, 4
No. 250 		IV, 10 Lied des Orpheus, als er in die Hölle ging Wälze dich hinweg September
1816 		Text by Jacobi; Two versions: 2nd in 1st ed.
475 475 (1885) XX, 4
No. 251 		IV, 11 Abschied: Nach einer Wallfahrts-Arie bearbeitet Über die Berge zieht ihr fort September
1816 		Text by Jacobi
476 476 (1872) XX, 4
No. 252 		IV, 11 Rückweg Zum Donaustrom, zur Kaiserstadt September
1816 		Text by Mayrhofer
477 477 (1895) XX, 4
No. 253 		IV, 11 Alte Liebe rostet nie Alte Liebe rostet nie September
1816 		Text by Mayrhofer
478
479
480 		478 12
(1822)
(1895) 		XX, 4
Nos. 254, 256–
258, 255 		IV, 1a &
b No. 10
& Anh.
Nos. 6–7 		Gesänge des Harfners aus "Wilhelm Meister" 1. Wer sich der Einsamkeit ergibt – 2. Wer nie sein Brot mit Tränen aß – 3. An die Türen will ich schleichen September
1816–1822 		Text by Goethe, from Wilhelm Meister's Apprenticeship (other setting of No. 1: D 325); No. 2 was D 480; No. 3 was D 479; Two versions: 1st, Harfenspieler I/III/II, composed 1816, publ. 1895, has two variants of No. 2 – 2nd, 1822, is Op. 12
481 481 (1895) XX, 4
No. 259 		IV, 3 Sehnsucht, D 481 Nur wer die Sehnsucht kennt September
1816 		Text by Goethe, from Wilhelm Meister's Apprenticeship (other settings: D 310, 359, 656 and 877 Nos. 1 & 4)
482 482 (1895) XX, 4
No. 264 		IV, 11 Der Sänger am Felsen Klage, meine Flöte, klage September
1816 		Text by Pichler, from Idyllen
483 483 (1895) XX, 4
No. 265 		IV, 11 Lied, D 483 Ferne von der großen Stadt September
1816 		Text by Pichler, from Idyllen
484 484 (1895) XX, 10
No. 594 		IV, 11 Gesang der Geister über den Wassern, D 484 Des Menschen Seele gleicht dem Wasser September
1816 		Text by Goethe (other settings: D 538, 705 and 714); Fragment
485 485 (1885) I, 2
No. 5 		V, 2
No. 5 		Symphony No. 5 B♭ major Sept.–3 Oct.
1816 		Allegro – Andante con moto – Minuet – Allegro vivace
486 486 (1888) XIV No. 11 I, 9
No. 4 		Magnificat Magnificat anima mea Dominum
C major 		15/09/1815 Text by Luke (Vulgate translation); For satbSATB and orchestra
487 487 (1865) VII, 1
No. 2 		V, 7 No. 4
VI, 7 No. 5 		Adagio e Rondo concertante F major October 1816 For piano quartet
488 488 (1888) XIV No. 10 I, 8 Auguste jam coelestium Auguste jam coelestium October 1816 Duet for st and orchestra
489
493 		489 4,1
(1821)
(1895)
(1970) 		XX, 4
No. 266 		IV, 1a &
b No. 5 		Der Wanderer, D 489, a.k.a. Der Unglückliche Ich komme vom Gebirge her October 1816 Text by Schmidt von Lübeck; Three versions: 1st and 3rd in AGA 1895 – 2nd and 3rd were D 493 (2nd publ. 1970 – 3rd is Op. 4 No. 1); Music partly reappears in D 760
490 490 (1895) XX, 4
No. 267 		IV, 11 Der Hirt Du Turm! zu meinem Leide October 1816 Text by Mayrhofer
491 491 (1887) XX, 4
No. 269 		IV, 11 Geheimnis: An F. Schubert Sag an, wer lehrt dich Lieder October 1816 Text by Mayrhofer
492 492 (1849) XX, 4
No. 270 		III, 3 No. 15
IV, 11 		Zum Punsche, D 492 Woget brausend, Harmonien October 1816 Text by Mayrhofer
493 489
See D 489
494 494 (1871) XVI
No. 32 		III, 4
No. 41 		Der Geistertanz, D 494 Die bretterne Kammer der Toten erbebt November 1816 Text by Matthisson (other settings: D 15, 15A and 116); For ttbbb
495 495 (1868) XX, 4
No. 271 		IV, 11 Abendlied der Fürstin Der Abend rötet nun das Tal November 1816 Text by Mayrhofer
496 496 (1885) XX, 4
No. 274 		IV, 11 Bei dem Grabe meines Vaters Friede sei um diesen Grabstein her! November 1816 Text by Claudius
140 496A (1968) IV, 7
No. 22 		Klage um Ali Bey, D 496A Laßt mich! laßt mich! ich will klagen November 1816 Text by Claudius (other setting: D 140)
497 497 98,1
(1829) 		XX, 4
No. 276 		IV, 5 An die Nachtigall, D 497 Er liegt und schläft November 1816 Text by Claudius
498 498 98,2
(1829) 		XX, 4
No. 277 		IV, 5 Wiegenlied, D 498 Schlafe, schlafe, holder süßer Knabe November 1816
499 499 (1885) XX, 4
No. 278 		IV, 11 Abendlied, D 499 Der Mond ist aufgegangen November 1816 Text by Claudius
500 500 (1895) XX, 4
No. 279 		IV, 11 Phidile Ich war erst sechzehn Sommer alt November 1816 Text by Claudius
501 501 (1895) XX, 4
No. 281 		IV, 11 Zufriedenheit, D 501 Ich bin vergnugt November 1816 Text by Claudius (other setting: D 362); Two versions: 1st in AGA
502 502 (1872) XX, 4
No. 282 		IV, 11 Herbstlied, D 502 Bunt sind schon die Wälder November 1816 Text by Salis-Seewis
503 503 IV, 11 Mailied, D 503 Grüner wird die Au November 1816 Text by Hölty (other settings: D 129 and 199)
504 504 6,3
(1821)
(1970) 		XX, 4
No. 275 		IV, 1a &
b No. 8 		Am Grabe Anselmos Daß ich dich verloren habe 4/11/1816 Text by Claudius; Two versions: 1st, in AGA, is Op. 6 No. 3
505 505 145p,1
(1848)
(1897) 		XI No. 5
XXII, 4 No. 5 		VII/2, 2 Adagio, D 505 D♭ major September
1818? 		For piano; 2nd movement of D 625?; Abridged variant in E major, in AGA XXI, is Op. posth. 145 No. 1
506 506 145p,2
(1848) 		XI No. 5 VII/2, 4 Rondo, D 506 E major June 1817? For piano; 4th movement of D 566?
507 507 (1895) XX, 4
No. 283 		IV, 11 Skolie, D 507 Mädchen entsiegelten December 1816 Text by Matthisson
508 508 (1845) XX, 4
No. 284 		IV, 11 Lebenslied, D 508 Kommen und Scheiden December 1816 Text by Matthisson (other settings: D Anh. I, 23, and possibly 425)
509 509 (1872) XX, 4
No. 285 		IV, 11 Leiden der Trennung Vom Meere trennt sich die Welle December 1816 Text by Metastasio, from Artaserse III, 1, "L'onda dal mar divisa", transl. by Collin, H. J.; Two versions: 1st is a fragment – 2nd in AGA
510 510 (1895) XX, 10
No. 573 		IV, 11 Vedi quanto adoro Vedi quanto adoro December 1816 Text by Metastasio, from Didone abbandonata II, 4; Aria for soprano and piano; Clean copy and three sketches; Last extant autograph with corrections by Salieri[17]
511–598
1817 Up ↑
511 511 VII/2, 6 Écossaise, D 511 E♭ major c. 1817 For piano
513 513 (1891) XVI
No. 19 		III, 3 Anh. II No. 4 La pastorella al prato, D 513 La pastorella al prato 1817? Text by Goldoni, from Il filosofo di campagna II, 16 (other setting: D 528); For ttbb and piano
513A IV, 11 Nur wer die Liebe kennt Nur wer die Liebe kennt 1817? Text by Werner; Sketch
514 514 7,1
(1823) 		XX, 5
No. 300 		IV, 1a Die abgeblühte Linde Wirst du halten, was du schwurst 1817? Text by Széchényi [scores]
515 515 7,2
(1823) 		XX, 5
No. 301 		IV, 1a Der Flug der Zeit Es floh die Zeit im Wirbelfluge 1817? Text by Széchényi [scores]
516 516 8,2
(1822) 		XX, 6
No. 386 		IV, 1a &
Anh. No. 5 		Sehnsucht, D 516 Der Lerche wolkennahe Lieder 1816? Text by Mayrhofer
517 517 13,1
(1822)
(1972) 		XX, 5
No. 293 		IV, 1a Der Schäfer und der Reiter Ein Schäfer saß im Grünen April 1817 Text by Motte Fouqué; Two versions: 2nd, in AGA, is Op. 13 No. 1
518 518 (1824) XX, 5
No. 326 		IV, 5 An den Tod Tod, du Schrecken der Natur 1816 or 1817 Text by Schubart; For b and piano
519 519 173p,5
(1867) 		XX, 5
No. 299 		IV, 11 Die Blumensprache Es deuten die Blumen des Herzens Gefühle 1817? Text by Platner [scores] (?)
520 520 (1850)
(1895) 		XX, 5
No. 289 		IV, 11 Frohsinn Ich bin von lockerem Schlage January
1817 		Text by Castelli; Two versions: 1st in AGA
521 521 (1830)
(1895) 		XX, 5
No. 290 		III, 3 No. 16
Anh. I No. 6 		Jagdlied Trarah! Trarah! Wir kehren daheim January
1817 		Text by Werner, from Wanda, Königin der Sarmaten I (other text in 1830 ed.); For voice (or: unison choir) and piano
522 522 (1895) XX, 5
No. 291 		IV, 11 Die Liebe, D 522 Wo weht der Liebe hoher Geist? January
1817 		Text by Leon [de]
523 523 (1885) XX, 5
No. 292 		IV, 11 Trost, D 523 Nimmer lange weil' ich hier January
1817
524 524 13,3
(1822)
(1895)
(1970) 		XX, 5
No. 295 		IV, 1a &
b No. 12 		Der Alpenjäger, D 524 Auf hohem Bergesrücken January
1817 		Text by Mayrhofer; Three versions: 2nd, not in AGA, is for b and piano – 3rd is Op. 13 No. 3
525 525 21,3
(1823)
(1970) 		XX, 5
No. 296 		IV, 1a &
b No. 18 		Wie Ulfru fischt Der Angel zuckt, die Rute bebt January
1817 		Text by Mayrhofer; For b and piano; Two versions: 2nd, in AGA, is Op. 21 No. 3
526 526 (1832) XX, 5
No. 297 		IV, 11 Fahrt zum Hades Der Nachen dröhnt January
1817 		Text by Mayrhofer; For b and piano
527 527 24,2
(1823)
(1975) 		XX, 5
No. 298 		IV, 2a &
b No. 2 		Schlaflied a.k.a. Abendlied a.k.a. Schlummerlied Es mahnt der Wald January
1817 		Text by Mayrhofer; Two versions: 2nd, in AGA, is Op. 24 No. 2
528 528 (1872) XX, 10
No. 574 		IV, 11 La pastorella al prato, D 528 La pastorella al prato January
1817 		Text by Goldoni, from Il filosofo di campagna II, 16 (other setting: D 513); Arietta for soprano and piano
529 529 (1871)
(1897) 		XII
No. 11
XXI, 3
No. 30 		VII/2, 6 Eight Écossaises, D 529 Various keys February
1817 		For piano; Nos. 1–3, 6 and 8 publ. 1871
530 530 109p,3
(1829) 		XX, 4
No. 273 		IV, 11 An eine Quelle Du kleine grünumwachs'ne Quelle February
1817 		Text by Claudius
531 531 7,3
(1823) 		XX, 5
No. 302 		IV, 1a Der Tod und das Mädchen Vorüber, ach vorüber February
1817 		Text by Claudius; Music partly reappears in D 810
532 532 (1895) XX, 5
No. 303 		IV, 11 Das Lied vom Reifen Seht meine lieben Bäume an February
1817 		Text by Claudius; Fragment (completed in AGA)
533 533 (1876)
(1895) 		XX, 5
No. 304 		IV, 11 Täglich zu singen Ich danke Gott und freue mich February
1817 		Text by Claudius; 1876 publ. is piano reduction
534 534 (1830) XX, 5
No. 305 		IV, 11 Die Nacht, D 534 Die Nacht ist dumpfig und finster February
1817 		Text by Macpherson (Ossian), from Domhnull mac Fhionnlaidh, transl. by E. Baron de Harold
535 535 (1853)
(1895) 		XX, 10
No. 585 		III, 1 Lied, D 535 Brüder, schrecklich brennt die Träne February
1817 		For s and small orchestra; 1853 ed. is arrangement
536 536 21,2
(1823)
(1970) 		XX, 5
No. 318 		IV, 1a &
b No. 17 		Der Schiffer, D 536 Im winde, im Sturme 1817? Text by Mayrhofer; For b and piano; Two versions: 2nd, in AGA, is Op. 21 No. 2
537 537 164p
(1852) 		X No. 6 VII/2, 1
No. 4 		Piano Sonata, D 537 A minor March 1817 Allegro ma non troppo – Allegretto quasi Andantino – Allegro vivace
538 538 (1891) XVI
No. 33 		III, 4
No. 42 		Gesang der Geister über den Wassern, D 538 Des Menschen Seele gleicht dem Wasser March 1817 Text by Goethe (other settings: D 484, 705 and 714); For ttbb
539 539 8,4
(1822) 		XX, 5
No. 306 		IV, 1a Am Strome Ist mir's doch, als sei mein Leben March 1817 Text by Mayrhofer
540 540 (1831) XX, 5
No. 307 		IV, 11 Philoktet Da sitz' ich ohne Bogen March 1817 Text by Mayrhofer
541 541 6,1
(1821) 		XX, 5
No. 308 		IV, 1a Memnon Den Tag hindurch nur einmal mag ich sprechen March 1817 Text by Mayrhofer
542 542 6,2
(1821) 		XX, 5
No. 309 		IV, 1a Antigone und Oedip Ihr hohen Himmlischen March 1817 Text by Mayrhofer
543 543 92,2
(1828)
(1895) 		XX, 5
No. 310 		IV, 5 Auf dem See Und frische Nahrung March 1817 Text by Goethe; Two versions: 2nd is Op. 92 No. 2
544 544 19,3
(1825) 		XX, 5
No. 311 		IV, 1a Ganymed Wie im Morgenglanze March 1817 Text by Goethe
545 545 (1872)
(1895) 		XX, 5
No. 312 		IV, 11 Der Jüngling und der Tod Die Sonne sinkt, o könnt ich March 1817 Text by Spaun; Two versions: 1st is duet – 2nd publ. 1872
546 546 101p,3
(1827) 		XX, 5
No. 313 		IV, 5 Trost im Liede Braust des Unglücks Sturm empor March 1817 Text by Schober; Publ. as Op. posth. 101 No. 3 in 1828
547 547 88,4
(1827)
(1895) 		XX, 5
No. 314 		IV, 4 An die Musik Du holde Kunst March 1817 Text by Schober; Two versions: 2nd is Op. 88 No. 4
548 548 (1831) XX, 6
No. 382 		IV, 11 Orest auf Tauris Ist dies Tauris March 1817 Text by Mayrhofer
549 549 (1895) XX, 10
No. 595 		IV, 13 Mahomets Gesang, D 549 Seht den Felsenquell March 1817 Text by Goethe (other setting: D 721); Fragment
550 550 32
(1820)
(1895)
(1975) 		XX, 5
No. 327 		IV, 2a &
b No. 3 		Die Forelle In einem Bächlein helle late 1816–
October 1821 		Text by Schubart; Five versions: 1st–4th in AGA – 4th publ. as Op. 32 in 1827; Music partly reappears in D 667
551 551 (1831) XX, 5
No. 315 		IV, 11 Pax vobiscum Der Friede sei mit euch! April 1817 Text by Schober
552 552 20,3
(1823)
(1970) 		XX, 5
No. 316 		IV, 1a &
b No. 16 		Hänflings Liebeswerbung Ahidi! ich liebe April 1817 Text by Kind; Two versions: 2nd, in AGA, is Op. 20 No. 3; Music related to D 972 No. 3
553 553 21,1
(1823) 		XX, 5
No. 317 		IV, 1a Auf der Donau Auf der Wellen Spiegel April 1817 Text by Mayrhofer; For b and piano
554 554 (1895) XX, 5
No. 319 		IV, 11 Uraniens Flucht Laßt uns, ihr Himmlischen, ein Fest begehen! April 1817 Text by Mayrhofer
555 555 (1934) IV, 11 Liedentwurf, D 555 A minor May 1817? Sketch without text
556 556 (1886) II No. 4 V, 5 Overture, D 556 D major May 1817 For orchestra
557 557 (1888) X No. 3 VII/2, 1
No. 5 		Piano Sonata, D 557 A♭ major May 1817 Allegro moderato – Andante – Allegro
558 558 (1887) XX, 3
No. 120 		IV, 11 Liebhaber in allen Gestalten Ich wollt', ich wär' ein Fisch May 1817 Text by Goethe
559 559 (1885) XX, 3
No. 121 		IV, 11 Schweizerlied Uf'm Bergli bin i g'sässe May 1817 Text by Goethe
560 560 (1850) XX, 3
No. 122 		IV, 11 Der Goldschmiedsgesell Es ist doch meine Nachbarin May 1817 Text by Goethe
561 561 (1872) XX, 5
No. 320 		IV, 11 Nach einem Gewitter Auf den Blumen May 1817 Text by Mayrhofer
562 562 (1895) XX, 5
No. 321 		IV, 11 Fischerlied, D 562 Das Fischergewerbe gibt rüstigen Mut May 1817 Text by Salis-Seewis (other settings: D 351 and 364)
563 563 (1887) XX, 5
No. 322 		IV, 11 Die Einsiedelei, D 563 Es rieselt klar und wehend ein Quell May 1817 Text by Salis-Seewis (other settings: D 337 and 393)
564 564 (1838) XX, 10
No. 596 		IV, 11 Gretchen im Zwinger a.k.a. Gretchens Bitte Ach neige, du Schmerzensreiche May 1817 Text by Goethe, from Faust I, 18; Fragment
565 565 (1876) XX, 5
No. 324 		IV, 11 Der Strom Mein Leben wälzt sich murrend fort June 1817? For b and piano
566 566 (1888)
(1907)
(1928-
29) 		X No. 4 VII/2, 1 No. 6
& Anh. No. 3 		Piano Sonata, D 566 E minor June 1817 Moderato (in AGA) – Allegretto (publ. 1907) – Scherzo (publ. 1928/29); D 506 4th movement?
567
568 		568 122p
(1829)
(1897) 		X No. 7
XXI, 2
No. 9 		VII/2, 1 No. 7
& Anh. Nos. 4–6 		Piano Sonata in D♭ major, D 568;
Piano Sonata in E♭ major, D 568 		D♭ major;
E♭ major 		June 1817 Two versions: 1st, in D♭ major, composed June 1817 – 2nd, in E♭ major, is Op. posth. 122; Allegro moderato – Andante molto – Minuet (2nd version only, D 593 No. 2 for 1st version?) – Allegro moderato (2nd version), Allegretto (fragment, 1st version)
569 569 (1895) XX, 5
No. 323 		III, 3 No. 17 Das Grab, D 569 Das Grab ist tief und stille June 1817 Text by Salis-Seewis (other settings: D 329A, 330, 377 and 643A); For unison men's choir and piano
570 570 (1897) XXI, 3
No. 20 		VII/2, 1 No. 8
Anh. Nos. 8–9 		Scherzo and Allegro D major (scherzo)
F♯ minor (allegro) 		July 1817? For piano; Allegro is fragment; Last movements of D 571?
571 571 (1897) XXI, 2
No. 10 		VII/2, 1
Anh. No. 7 		Piano Sonata, D 571 F♯ minor July 1817 Allegro moderato; Fragment; Completed by (D 604 and) 570?
572 572 (1872) XVI
No. 34 		III, 4
No. 43 		Lied im Freien, D 572 Wie schön ist's im Freien July 1817 Text by Salis-Seewis (other setting: D Anh. I/19; For ttbb
573 573 98,3
(1829) 		XX, 5
No. 325 		IV, 5 Iphigenia Blüht denn hier an Tauris Strande July 1817 Text by Mayrhofer
574 574 162p
(1851) 		VIII
No. 6 		VI, 8 No. 4 Violin Sonata, D 574, a.k.a. (Grand) Duo A major August 1817 Allegro moderato – Scherzo – Andantino – Allegro vivace
575 575 147p
(1846) 		X No. 5 VII/2, 1 No. 9
& Anh. No. 10 		Piano Sonata, D 575 B major August 1817 Allegro ma non troppo – Andante – Scherzo – Allegro giusto
576 576 (1867) XI No. 7 VII/2, 4 13 Variations on a theme by Anselm Hüttenbrenner A minor August 1817 For piano
577 577 (1895) XX, 10
No. 597 		IV, 10 Entzückung an Laura, D 577 Laura, über diese Welt August 1817 Text by Schiller (other setting: D 390); Two fragments of a sketch
578 578 (1838) XX, 10
No. 586 		IV, 11 Abschied, D 578 Lebe wohl! Du lieber Freund! 24/08/1817 Text by Schubert
579 579 (1872)
(1897) 		XX, 5
No. 335
XXII, 11
No. 335 		IV, 11 Der Knabe in der Wiege Er schläft so süß Autumn
1817 		Text by Ottenwalt [scores]; Two versions: 1st publ. 1872 – 2nd is fragment
989 579A (1970) IV, 11 Vollendung Wenn ich einst das Ziel errungen habe Sept. or Oct.
1817? 		Text by Matthisson
989A 579B (1970) IV, 11 Die Erde Wenn sanft entzückt mein Auge sieht Sept. or Oct.
1817? 		Text by Matthisson
580 580 (1928) V, 7 No. 3 Polonaise, D 580 B♭ major September
1817 		For violin and orchestra
581 581 (1897) XXI, 1
No. 5 		VI, 6
No. 2–3 		String Trio, D 581 B♭ major September
1817 		Allegro moderato – Andante – Minuet – Rondo
583 583 24,1
(1823) 		XX, 5
No. 328 		IV, 2a Gruppe aus dem Tartarus, D 583 Horch, wie Murmeln des empörten Meeres September
1817 		Text by Schiller (other settings: D 65 and 396)
584 584 (1830) XX, 5
No. 329 		IV, 11 Elysium Vorüber die stöhnende Klage! September
1817 		Text by Schiller (settings of separate stanzas: D 51, 53, 54, 57, 58 and 60)
585 585 (1833) XX, 5
No. 330 		IV, 11 Atys Der Knabe seufzt übers grüne Meer September
1817 		Text by Mayrhofer
586 586 8,3
(1818) 		XX, 5
No. 331 		IV, 1a Erlafsee Mir ist so wohl, so weh' September
1817 		Text by Mayrhofer; Publ. as Op. 8 No. 3 in 1822
587
245 		587 (1885)
(1895) 		XX, 3
No. 107 		IV, 11 An den Frühling, D 587 Willkommen, schöner Jüngling! October
1817 		Text by Schiller (other settings: D 283 and 338); Two versions: 1st publ. 1885 – 2nd was D 245
588 588 37,2
(1825)
(1897)
(1975) 		XX, 5
No. 332
XXII, 11
No. 332 		IV, 2a &
b No. 7 		Der Alpenjäger, D 588 Willst du nicht das Lämmlein hüten? October
1817 		Text by Schiller; Two versions: 1st incomplete in AGA – 2nd is Op. 37 No. 2
589 589 (1885) I, 2
No. 6 		V, 2
No. 6 		Symphony No. 6
Little C major 		C major Oct. 1817–
Feb. 1818 		Adagio, Allegro – Andante – Scherzo – Allegro moderato
590 590 (1886) II No. 5 V, 5 Overture in the Italian Style, D 590 D major November
1817 		For orchestra; Piano duet arrangement: D 592; Music partly reappears in D 644
591 591 170p
(1865) 		II No. 6 V, 5 Overture in the Italian Style, D 591 C major November
1817 		For orchestra; Piano duet arrangement: D 597
592 592 (1872) IX, 2
No. 10 		VII/1, 5
No. 1 		Overture in the Italian Style, D 592 D major December
1817 		For piano duet; Arrangement of D 590
593 593 (1871) XI No. 15 VII/2, 4 Two Scherzi Various keys November
1817 		For piano; No. 2 related to D 568
594 594 110p
(1829) 		XX, 5
No. 333 		IV, 11 Der Kampf Nein, länger werd' ich diesen Kampf nicht kämpfen November
1817 		Text by Schiller; For b and piano
595 595 88,2
(1827)
(1895) 		XX, 5
No. 334 		IV, 4 Thekla: Eine Geisterstimme, D 595 Wo ich sei, und wo mich hingewendet November
1817 		Text by Schiller (other setting: D 73); Two versions: 2nd is Op. 88 No. 2
596 596 (1895) XX, 10
No. 598 		IV, 11 Lied eines Kindes Lauter Freude fühl' ich November
1817 		Fragment
597 597 (1872) IX, 2
No. 9 		VII/1, 5
No. 2 		Overture in the Italian Style, D 597 C major Nov. or Dec.
1817 		For piano duet; Arrangement of D 591
597A 597A Variations A major December
1817 		Lost sketch for violin
598
641 		598 11,1
(1822)
(1891) 		XVI
No. 4 &
No. 46 		III, 3 No. 24
Anh. IV No. 4 		Das Dörfchen Ich rühme mir mein Dörfchen hier December
1817 		Text by Bürger; For ttbb and piano; Two versions: 1st is sketch without piano – 2nd, Op. 11 No. 1, was D 641
599–632
1818 Up ↑
599 599 75
(1827) 		IX, 3
No. 26 		VII/1, 4 Four Polonaises Various keys July 1818 For piano duet
600 600 (1897) XXI, 3
No. 27 		VII/2, 4 Minuet, D 600 C♯ minor early 1814? For piano; May combine with D 610 and/or D 613
601 470
See D 470
602 602 27
(1824) 		IX, 1
No. 1 		VII/1, 4 Trois Marches héroiques Various keys 1818 or 1824 For piano duet
604 604 (1888) XI No. 10 VII/2, 4 Piano piece, D 604, a.k.a. Andante A major 1816 or 1817 2nd movement of D 571?
605 605 (1897) XXI, 3
No. 15 		VII/2, 4 Anh. Fantasy, D 605 C major 1821–1823 For piano; Fragment
605A (1969) VII/2, 4 Fantasy, D 605A, a.k.a. Grazer Fantasy C major 1818? For piano
606 606 (1840) XI No. 16 VII/2, 4 March, D 606 E major 1818? For piano
607 607 I, 8 Evangelium Johannis 6, Vers 55–58 In der Zeit sprach der Herr Jesus 1818 Text by John (Luther translation); For voice and figured bass
608 608 138p
(1834) 		IX, 2
No. 14 		VII/1, 1 No. 4 & Anh. No. 4 Rondo, D 608, "Notre amitié est invariable" D major January
1818 		For piano duet; Two versions: 2nd, in AGA, is Op. posth. 138
609
665 		609 (1872) XVII
No. 13 		III, 2a
No. 10 		Die Geselligkeit a.k.a. Lebenslust Wer Lebenslust fühlet January
1818 		Text by Unger [Wikisource:de]; For satb and piano; 2nd part of 1st stanza, "im traulichen Kreise", was D 665
610 610 (1889) XII
No. 31 		VII/2, 6 Trio, D 610 E major February
1818 		For piano; May belong to D 600, and together with that minuet to D 613
611 611 (1850) XX, 5
No. 336 		IV, 12 Auf der Riesenkoppe Hoch auf dem Gipfel deiner Gebirge March 1818 Text by Körner
612 612 (1869) XI No. 11 VII/2, 4 Adagio, D 612 E major April 1818 For piano; 2nd movement of D 613?
613 613 (1897) XXI, 2
No. 11 		VII/2, 2 Piano Sonata, D 613 C major April 1818 Moderato – [?]; Fragments; D 612 and 600/610 may constitute its other movements
614 614 (1832) XX, 5
No. 337 		IV, 12 An den Mond in einer Herbstnacht Freundlich ist dein Antlitz April 1818 Text by Schreiber [de]
615 615 V, 6 No. 9 Symphony, D 615 D major May 1818 Adagio, Allegro moderato – [?]; Sketches
616 616 (1830) XX, 5
No. 338 		IV, 12 Grablied für die Mutter Hauche milder, Abendluft June 1818
617 617 30
(1823) 		IX, 2
No. 11 		VII/1, 1
No. 5 		Sonata, D 617 B♭ major Summer–
Autumn
1818(?) 		For piano duet; Allegro moderato – Andante con moto – Allegretto
618 618 (1909) VII/1, 4 German Dance with Two Trios and Two Ländler G major (Deutscher/Trios)
E major (Ländler) 		Summer–
Autumn
1818 		For piano duet
618A 618A (1972) VII/1, 4 Polonaise, D 618A B♭ major July 1818 For piano duet; Sketch
619 619 (1892) XIX
No. 36 		III, 2b No. 22
VIII, 2 No. 9 		Sing-Übungen (vocal exercises) July 1818 For two voices and figured bass
620 620 (1840) XX, 5
No. 339 		IV, 12 Einsamkeit, D 620 Gib mir die Fülle der Einsamkeit! July 1818 Text by Mayrhofer
621 621 (1826) I, 6 Anh. Deutsches Requiem (German Requiem) a.k.a. Deutsche Trauermesse G minor
Bei des Entschlafnen Trauerbahre 		August 1818 Text by Schmid; Only known in Ferd. Schubert's arrangements; Publ. 1826 for satbSATB and organ[20]
622 622 (1833) XX, 5
No. 340 		IV, 12 Der Blumenbrief Euch Blümlein will ich senden August 1818 Text by Schreiber [de]
623 623 (1831) XX, 5
No. 341 		IV, 12 Das Marienbild Sei gegrüßt, du Frau der Huld August 1818 Text by Schreiber [de]
624 624 10
(1822) 		IX, 2
No. 15 		VII/1, 1 No. 6 & Anh. Nos. 5–6 Eight Variations on a French Song (i.e. Le bon Chevalier) E minor September
1818 		Theme after Hortense de Beauharnais; For piano duet
625 625 (1897) XXI, 2
No. 12 		VII/2, 2
No. 10 		Piano Sonata, D 625 F minor September
1818 		Allegro (fragment) – Scherzo – Allegro (fragment); D 505 may be its 2nd movement
626 626 (1842) XX, 5
No. 343 		IV, 12 Blondel zu Marien In düstrer Nacht September
1818
627 627 173p,6
(1867) 		XX, 5
No. 344 		IV, 12 Das Abendrot, D 627 Du heilig, glühend Abendrot! November
1818 		Text by Schreiber [de]; For b and piano
628 628 (1895) XX, 5
No. 345 		IV, 12 Sonett I Apollo, lebet noch dein hold Verlangen November
1818 		Text by Petrarch, transl. by Schlegel, A. W.
629 629 (1895) XX, 5
No. 346 		IV, 12 Sonett II Allein, nachdenklich, wie gelähmt vom Krampfe November
1818 		Text by Petrarch, transl. by Schlegel, A. W.
630 630 (1895) XX, 5
No. 347 		IV, 12 Sonett III Nunmehr, da Himmel, Erde schweigt November
1818 		Text by Petrarch, transl. by Gries
631 631 (1885) XX, 5
No. 348 		IV, 12 Blanka a.k.a. Das Mädchen Wenn mich einsam Lüfte fächeln December
1818 		Text by Schlegel, F.
632 632 (1831) XX, 5
No. 349 		IV, 12 Vom Mitleiden Mariä Als bei dem Kreuz Maria stand December
1818 		Text by Schlegel, F.
633–678
1819 Up ↑
633 633 57,1
(1826) 		XX, 3
No. 179 		IV, 3 Der Schmetterling Wie soll ich nicht tanzen 1819–1823? Text by Schlegel, F., from Abendröte I, 7
634 634 57,2
(1826) 		XX, 3
No. 180 		IV, 3 Die Berge Sieht uns der Blick gehoben 1819–1823? Text by Schlegel, F., from Abendröte I, 1
635 635 (1900)
(1906–
1907) 		III, 4
No. 44 		Leise, leise laßt uns singen, later also: Ruhe, and: (Nächtliches) Ständchen Leise, leise laßt uns singen, schlummre sanft (later also: Leise, leise laßt uns singen, still schon sieht der Mond) c. 1819 For ttbb; later text versions, from 1900, by Robert Graf and Anton Weiß
636 636 39
(1826)
(1895)
(1975) 		XX, 6
No. 357 		IV, 2a &
b No. 9 		Sehnsucht, D 636 Ach, aus dieses Tales Gründen early
1821? 		Text by Schiller (other setting: D 52); Three versions: 1st not in AGA – 3rd is Op. 39
637 637 87,2
(1827) 		XX, 6
No. 358 		IV, 4 (Die) Hoffnung, D 637 Es reden und träumen die Menschen viel c. 1819? Text by Schiller (other setting: D 251)
638 638 87,3
(1827)
(1895) 		XX, 6
No. 359 		IV, 4 Der Jüngling am Bache, D 638 An der Quelle saß der Knabe April 1819 Text by Schiller (other settings: D 30 and 192); Two versions: 2nd is Op. 87 No. 3
639
949 		639 (1820)
(1832) 		XX, 9
No. 553 		IV, 5 Widerschein Fischer harrt am Brückenbogen; Tom Lehnt harrend auf der Brücke 1820;
May/Sept.
1828 		Text by Schlechta [de]; Two versions; 1st publ. 1820 – 2nd, in AGA with another text variant ("Harrt ein Fischer auf der Brücke"), was D 949
641 598
See D 598
642 642 (1937) III, 2a
No. 1 		Viel tausend Sterne prangen Viel tausend Sterne prangen 1812? Text by Eberhard; For satb and piano
643 643 (1889) XII
No. 21 		VII/2, 6 German Dance and Écossaise C♯ minor (German dance)
D♭ major (Écossaise) 		1819 For piano
643A (1972) III, 2a
No. 11 		Das Grab, D 643A Das Grab ist tief und stille 1819 Text by Salis-Seewis (other settings: D 329A, 330, 377 and 569); For satb
644 644 (1855)
(1887)
(1891)
(1975) 		XV, 4
No. 7 		II, 4 Die Zauberharfe (Incidental music)
Was belebt die schöne Welt? (Romanze from No. 9) – Durch der Töne Zaubermacht (final choir) 		Apr.–Aug.
1820[17] 		Text by Georg von Hofmann; Music for tSATB and orchestra; Three acts: Overture (reused in D 797, publ. 1855) and Nos. 1–4 – Nos. 5–9 (Romanze from No.9, not in AGA, publ. 1887 with piano reduction and 1975 in concert version) – Overture and Nos. 10–13
645 645 IV, 12 Abend, D 645 Wie ist es denn, daß trüb und schwer early 1819 Text by Tieck; Fragment of a sketch
646 646 (1885) XX, 6
No. 350 		IV, 12 Die Gebüsche Es wehet kühl und leise January
1819 		Text by Schlegel, F., from Abendröte II, 9
647 647 (1872)
(1889) 		XV, 3
No. 5 		II, 5 Die Zwillingsbrüder (Singspiel) Oct. 1818–
1819[17] 		For stbbbSATB and orchestra (piano reduction in 1872 edition); Overture and Nos. 1–10
648 648 (1886) II No. 7 V, 5 Overture, D 648 E minor February
1819 		For orchestra
649 649 65,2
(1826) 		XX, 6
No. 351 		IV, 3 Der Wanderer, D 649 Wie deutlich des Mondes Licht zu mir spricht February
1819 		Text by Schlegel, F., from Abendröte II, 1; Two versions: 2nd is Op. 65 No. 2
650 650 (1831) XX, 6
No. 352 		IV, 12 Abendbilder Still beginnt's im Hain zu tauen February
1819 		Text by Silbert [wikisource:de]
651 651 (1831) XX, 6
No. 353 		IV, 12 Himmelsfunken Der Odem Gottes weht February
1819 		Text by Silbert [wikisource:de]
652 652 (1842) XX, 6
No. 354 		IV, 12 Das Mädchen, D 652 Wie so innig, möcht ich sagen February
1819 		Text by Schlegel, F., from Abendröte II, 4; Two versions: 1st, in AGA, publ. 1842
653 653 (1842) XX, 6
No. 355 		IV, 12 Bertas Lied in der Nacht Nacht umhüllt mit wehendem Flügel February
1819 		Text by Grillparzer
654 654 (1842) XX, 6
No. 356 		IV, 12 An die Freunde Im Wald, im Wald, da grabt mich ein March 1819 Text by Mayrhofer
655 655 (1897) XXI, 2
No. 13 		VII/2, 2 Piano Sonata, D 655 C♯ minor April 1819 Allegro; Fragment
656 656 (1867) XVI
No. 35 		III, 4
No. 45 		Sehnsucht, D 656 Nur wer die Sehnsucht kennt April 1819 Text by Goethe, from Wilhelm Meister's Apprenticeship (other settings: D 310, 359, 481 and 877 Nos. 1 & 4); For ttbbb
657 657 (1871) XVI
No. 36 		III, 4
No. 46 		Ruhe, schönstes Glück der Erde Ruhe, schönstes Glück der Erde April 1819 For ttbb
658 658 (1895) XX, 6
No. 364 		IV, 12 Marie Ich sehe dich in tausend Bildern May 1819? Text by Novalis, No. 15 from Geistliche Lieder [de]
659 659 (1872) XX, 6
No. 360 		IV, 12 Hymn I Wenige wissen das Geheimnis der Liebe May 1819 Text by Novalis, No. 7 from Geistliche Lieder [de]
660 660 (1872) XX, 6
No. 361 		IV, 12 Hymn II Wenn ich ihn nur habe May 1819 Text by Novalis, No. 5 from Geistliche Lieder [de]
661 661 (1872) XX, 6
No. 362 		IV, 12 Hymn III Wenn alle untreu werden May 1819 Text by Novalis, No. 6 from Geistliche Lieder [de]
662 662 (1872) XX, 6
No. 363 		IV, 12 Hymn IV Ich sag' es jedem, daß er lebt May 1819 Text by Novalis, No. 9 from Geistliche Lieder [de]
663 663 IV, 12 Psalm 13 (12) Ach Herr, wie lange willst du mein so ganz vergessen? June 1819 Text by Mendelssohn, M., translating Psalm 13; Fragment
664 664 120p
(1829) 		X No. 10 VII/2, 2
No. 11 		Piano Sonata, D 664 A major Summer 1819
or 1825 		Allegro moderato – Andante – Allegro
665 609
See D 609
666 666 158p
(1849) 		XIX
No. 3 		III, 2a
No. 12 		Kantate zum Geburtstag des Sängers Johann Michael Vogl Sänger, der von Herzen singet – Diese Berge sah'n dich blühen – Da saht ihr Oresten scheiden – Gott bewahr' dein teures Leben 10/08/1819 Text by Stadler, A. [scores]; For stb and piano; Publ. 1849, with different text, as Der Frühlingsmorgen
667 667 114p
(1829) 		VII, 1
No. 1 		VI, 7 No. 6 Trout Quintet A major 1819? Allegro vivace – Andante – Scherzo – Theme and variations – Allegro giusto; For violin, viola, cello, double bass and piano; Reuses music of D 550
668 668 (1897) XXI, 2
No. 6 		VII/1, 5
No. 3 		Overture, D 668 G minor October
1819 		For piano duet
669 669 (1829) XX, 6
No. 365 		IV, 12 Beim Winde Es traümen die Wolken October
1819 		Text by Mayrhofer
670 670 165p,2
(1862) 		XX, 6
No. 366 		IV, 12 Die Sternennächte In monderhellten Nächten October
1819 		Text by Mayrhofer; Two versions: 2nd is Op. posth. 165 No. 2
671 671 (1849) XX, 6
No. 367 		IV, 12 Trost, D 671 Hörnerklänge rufen klagend October
1819 		Text by Mayrhofer
672 672 36,2
(1825)
(1975) 		XX, 6
No. 368 		IV, 2a &
b No. 5 		Nachtstück Wenn über Berge sich der Nebel breitet October
1819 		Text by Mayrhofer; Two versions: 2nd is Op. 36 No. 2
673 673 165p,1
(1832)
(1862) 		XX, 6
No. 369 		IV, 12 Die Liebende schreibt Ein Blick von deinen Augen October
1819 		Text by Goethe; Two versions: 1st publ. in 1832 – 2nd is Op. posth. 165 No. 1
674 674 (1850) XX, 6
No. 370 		IV, 12 Prometheus, D 674 Bedecke deinen Himmel, Zeus October
1819 		Text by Goethe; For b and piano
675 675 34
(1825) 		IX, 2
No. 8 		VII/1, 5
No. 4 		Overture, D 675 F major November
1819? 		For piano duet
676 676 153p
(1845)
(1888) 		XIV No. 3 I, 8 Salve Regina, D 676, a.k.a. Drittes Offertorium A major
Salve Regina 		November
1819 		Text: Salve Regina (other settings: D 27, 106, 223, 386 and 811); For s and orchestra; Shortened in 1st ed., Op. posth. 153
677 677 (1848)
(1895) 		XX, 6
No. 371 		IV, 12 Stanza from "Die Götter Griechenlands" Schöne Welt, wo bist du? November
1819 		Text by Schiller; Two versions: 2nd publ. in 1848
678 678 (1875)
(1887) 		XIII, 2
No. 5 		I, 3 Mass No. 5 A♭ major
Kyrie – Gloria – Credo – Sanctus & Benedictus – Agnus Dei 		Nov. 1819–
Sept. 1822 		Text: Mass ordinary (other settings: D 24E, 31, 45, 49, 56, 66, 105, 167, 324, 452, 755 and 950); For satbSATB and orchestra; Two versions: 1st publ. in 1875 – 2nd in AGA
679–708
1820 Up ↑
681 681 (1930) VII/2, 6 Twelve Ländler, D 681 Various keys c. 1815 For piano; Nos. 1–4 are lost
682 682 (1895) XX, 10
No. 599 		IV, 12 Über allen Zauber Liebe Sie hüpfte mit mir auf grünem Plan 1820–1824 Text by Mayrhofer; Fragment
683 732
Die Wolkenbraut Der Jäger ruhte hingegossen
See D 732 No. 11
684 684 (1850) XX, 6
No. 378 		IV, 12 Die Sterne, D 684 Du staunest, o Mensch 1820 Text by Schlegel, F., from Abendröte II, 8
685 685 4,2
(1821) 		XX, 6
No. 379 		IV, 1a Morgenlied, D 685 Eh' die Sonne früh aufersteht 1820 Text by Werner
686 686 20,2
(1823)
(1970) 		XX, 6
No. 380 		IV, 1a &
b No. 15 		Frühlingsglaube Die linden Lüfte sind erwacht Sep. 1820–
Nov. 1822 		Text by Uhland; Three versions: 3rd, in AGA, is Op. 20 No. 2
687 687 (1872) XX, 6
No. 372 		IV, 12 Nachthymne Hinüber wall' ich January
1820 		Text by Novalis
688 688 (1871) XX, 10
Nos.
575–
578 		IV, 12 Vier Canzonen 1. Non t'accostar all'urna – 2. Guarda, che bianca luna – 3. Da quel sembiante appresi – 4. Mio ben, ricordati January
1820 		Text by Vittorelli (Nos. 1–2) and Metastasio (No. 3 from L'eroe cinese I, 3 – No. 4 from Alessandro nell'Indie III, 7)
689 689 (1865)
(1892) 		XVII
No. 1 		II, 10 Lazarus, oder: Die Feier der Auferstehung (Scenic oratorio in three acts) early 1820–
Mar. 1820[17] 		Text by Niemeyer; For sssttbSATB and orchestra (piano reduction in 1865 publ.); Unfinished: Nos. 1–21 (Act I) – Nos. 22–29 (Act II)
690 690 (1830) XX, 6
No. 376 		IV, 12 Abendröte Tiefer sinket schon die Sonne March 1823 Text by Schlegel, F., from Abendröte I
691 691 172p,6
(1865) 		XX, 6
No. 373 		IV, 12 Die Vögel Wie lieblich und fröhlich March 1820 Text by Schlegel, F., from Abendröte I, 2
692 692 (1872) XX, 6
No. 374 		IV, 12 Der Knabe Wenn ich nur ein Vöglein wäre March 1820 Text by Schlegel, F., from Abendröte I, 3
693 693 (1872) XX, 6
No. 375 		IV, 12 Der Fluß Wie rein Gesang sich windet March 1820 Text by Schlegel, F., from Abendröte I, 4
694 694 (1842) XX, 6
No. 377 		IV, 12 Der Schiffer, D 694 Friedlich lieg' ich hingegossen March 1820 Text by Schlegel, F.
695 695 (1895) XX, 10
No. 587 		IV, 12 Namenstagslied Vater, schenk' mir diese Stunde 19/3/1820? Text by Stadler, A. [scores]
696 696 113p
(1829) 		XIV No. 18 I, 9
No. 11 		Sechs Antiphonen zum Palmsonntag Hosanna filio David – In monte Oliveti – Sanctus – Pueri Hebraeorum – Cum angelis et pueris – Ingrediente Domino 26/3/1820 For SATB
697 697 18,É6
(1823)
(1889) 		XII
No. 28
No. 2,É6 		VII/2, 6 Six Écossaises, D 697 A♭ major May 1820 For piano; No. 5 is 6th Écossaise of Op. 18
698 698 (1832) XX, 6
No. 381 		IV, 12 Des Fräuleins Liebeslauschen Hier unten steht ein Ritter September
1820 		Text by Schlechta [de]
699 699 (1831) XX, 6
No. 383 		IV, 12 Der entsühnte Orest Zu meinen Füßen brichst du dich September
1820 		Text by Mayrhofer
700 700 (1831) XX, 6
No. 384 		IV, 12 Freiwilliges Versinken Wohin? o Helios! September
1820 		Text by Mayrhofer
701 701 (1929) II, 15 Sakuntala (also spelled Sacontala or Sakontala) (Opera in three acts) Oct. 1820–
spring
1821[17] 		Text by Neumann after Kalidasa's Shakuntala; For ssssssttttttbbbbbbSATB and orchestra; Unfinished (all numbers are sketches): Nos. 1–7 (Act I, last pages publ. in 1929) – Nos. 8a–11 (Act II)
702 702 8,1
(1822) 		XX, 6
No. 385 		IV, 1a Der Jüngling auf dem Hügel Ein Jüngling auf dem Hügel November
1820 		Text by Hüttenbrenner, H. [de]
703 703 (1870)
(1897) 		V No. 12
XXII v5 		VI, 5
No. 13 & Anh. 		String Quartet No. 12 C minor December
1820 		Allegro assai (a.k.a. Quartettsatz, publ. 1870) – Andante (fragment)
704 714
See D 714
705 705 (1897) XXI, 4
No. 34 		III, 3 Anh. II No. 5 Gesang der Geister über den Wassern, D 705 Des Menschen Seele gleicht dem Wasser December
1820 		Text by Goethe (other settings: D 484, 538 and 714); Sketch for ttbb and piano
706 706 132p
(1832) 		XVIII
No. 2 		III, 3 No. 25
Anh. III No. 2
Anh. IV No. 5 		Psalm 23 (22) Gott ist mein Hirt, mir wird nichts mangeln December
1820 		Text by Mendelssohn, M., translating Psalm 23; For ssaa and piano
707 707 36,1
(1825)
(1895) 		XX, 6
No. 387 		IV, 2a &
b No. 4 		Der zürnenden Diana Ja, spanne nur den Bogen December
1820 		Text by Mayrhofer; Two versions: 2nd is Op. 36 No. 1
708 708 (1832) XX, 6
No. 387 		IV, 12 Im Walde, D 708, a.k.a. Waldesnacht Windes Rauschen, Gottes Flügel December
1820 		Text by Schlegel, F.
708A–732
1821 Up ↑
615 708A V, 6 No. 10 Symphony, D 708A D major 1821 or
later 		Sketches of four movements
709 709 (1891) XVI
No. 31 		III, 4
No. 47 		Frühlingsgesang, D 709 Schmücket die Locken mit duftigen Kränzen March 1822
or earlier 		Text by Schober (other setting, partly reusing music of this setting: D 740); For ttbb
710 710 (1849) XVI
No. 15 		III, 3 No. 26 Im Gegenwärtigen Vergangenes Ros und Lilie morgentaulich March 1821? Text by Goethe; For ttbb and piano
711 711 13,2
(1822)
(1970) 		XX, 5
No. 294 		IV, 1a &
b No. 11 		Lob der Tränen Laue Lüfte, Blumendüfte 1818–1821? Text by Schlegel, A. W.; Two versions: 2nd, in AGA, is Op. 13 No. 2
712 712 (1842) XX, 6
No. 389 		IV, 13 Die gefangenen Sänger Hörst du von den Nachtigallen January
1821 		Text by Schlegel, A. W.
713 713 87,1
(1827)
(1895) 		XX, 6
No. 390 		IV, 4 Der Unglückliche Die Nacht bricht an January
1821 		Text by Pichler; Two versions: 2nd is Op. 87 No. 1
714
704 		714 167p
(1858)
(1891) 		XVI
No. 3 &
No. 45 		III, 1 Gesang der Geister über den Wassern, D 714 Des Menschen Seele gleicht dem Wasser Dec. 1820–
Feb. 1821 		Text by Goethe (other settings: D 484, 538 and 705); For ttttbbbb, two violas, two cellos and double bass; Two versions: 1st, a sketch, was D 704 – 2nd is Op. posth. 167
715 715 (1845) XX, 6
No. 391 		IV, 13 Versunken Voll Locken kraus ein Haupt so rund February
1821 		Text by Goethe
716 716 (1832) XX, 6
No. 393 		IV, 13 Grenzen der Menschheit Wenn der uralte heilige Vater March 1821 Text by Goethe; For b and piano
717 717 31
(1825) 		XX, 6
No. 397 		IV, 2a Suleika II Ach um deine feuchten Schwingen March? 1821 Text by Willemer
718 718 (1824) XI No. 8 VII/2, 4 Variation on a Waltz by Anton Diabelli C minor March 1821 For piano; No. 38 in Vaterländischer Künstlerverein Vol. II
719 719 14,2
(1822) 		XX, 6
No. 392 		IV, 1a Geheimes Über meines Liebchens Äugeln March 1821 Text by Goethe
720 720 14,1
(1822) 		XX, 6
No. 396 		IV, 1a &
b No. 13 		Suleika I Was bedeutet die Bewegung? March 1821 Text by Willemer; Two versions; 2nd, in AGA, is Op. 14 No. 1
721 721 (1895) XX, 10
No. 600 		IV, 13 Mahomets Gesang, D 721 Seht den Felsenquell March 1821 Text by Goethe (other setting: D 549); For b and piano; Fragment
722 722 (1889) XII
No. 19 		VII/2, 6 German Dance, D 722 G♭ major 8/3/1821 For piano
723 723 (1893) XV, 7
No. 15 		II, 18 Duet and Aria for Hérold's Das Zauberglöckchen Nein, nein, nein, nein, das ist zu viel – Der Tag entflieht, der Abend glüht Apr.–May
1821[17] 		Text by Théaulon, transl. by Treitschke;Duet for tb and aria for t (both with orchestra)
724 724 11,2
(1822) 		XVI
No. 5 		III, 3 No. 27 Die Nachtigall Bescheiden verborgen im buschigten Gang 22/4/1821
or earlier 		Text by Unger [Wikisource:de]; For ttbb and piano
725 725 (1929) III, 2b
Anh. No. 5 		Duet, D 725 Linde Lüfte wehen, or: Linde Weste wehen April 1821 Fragment for mezzo-soprano, tenor and piano
726 726 (1870) XX, 6
No. 394 		IV, 3 Mignon I, D 726 Heiß mich nicht reden April 1821 Text by Goethe, from Wilhelm Meister's Apprenticeship (other setting: D 877 No. 2)
727 727 (1850) XX, 6
No. 395 		IV, 3 Mignon II, D 727 So laßt mich scheinen, bis ich werde April 1821 Text by Goethe, from Wilhelm Meister's Apprenticeship (other settings: D 469 and 877 No. 3)
728 728 (1895) XX, 10
No. 601 		IV, 13 Johanna Sebus Der Damm zerreißt April 1821 Text by Goethe; Fragment
729 729 (1894)
(1934) 		V, 6 No. 7
& Anh 1 		Symphony No. 7 E major August
1821 		Adagio, Allegro – Andante – Scherzo – Allegro giusto; Sketches; First editions are completions by others (piano reduction in 1894)
730 730 (1926) I, 9
No. 8 		Tantum ergo, D 730 B♭ major 16/8/1821 Text by Aquinas (other settings: D 460, 461, 739, 750, 962 and Anh. I/17); For satbSATB and orchestra
731 731 173p,4
(1821) 		XX, 6
No. 399 		IV, 5 Der Blumen Schmerz Wie tönt es mir so schaurig September
1821 		Text by Majláth; Publ. as Op. posth. 173 No. 4 in 1867
732
683 		732 (1833)
(1834)
(1867)
(1882)
(1892) 		XV, 4
No. 8
(Ov.)
XV, 5
No. 9 		II, 6a–c
IV, 14 		Alfonso und Estrella (Opera in three acts) 20/9/1821–
27/2/1822 		Text by Schober; For two sopranos, two tenors, bass, two baritones, SATB and orchestra (piano reduction in 1882 publ.); Overture (also used as overture to D 797, publ. 1867, piano reductions: D 759A and 773) – Act I: Nos. 1–10 (No. 8 publ. 1833 with piano reduction) – Act II: Nos. 11–22 (No. 11 was also D 683 and some of its music reappears in No. 19 of D 911, No. 13 publ. 1834 with piano reduction) – Act III: Nos. 23–34
733–767
1822 Up ↑
733 733 51
(1826) 		IX, 1
No. 3 		VII/1, 4 Trois Marches militaires D major
G major
E♭ major 		Summer–
Autumn
1818? 		For piano duet
734 734 67
(1826) 		XII
No. 5 		VII/2, 7a 16 Ländler and 2 Écossaises, a.k.a. Wiener Damen-Ländler Various keys before
15/12/1826 		For piano
735 735 49
(1825) 		XII
No. 23 		VII/2, 7a Galop and Eight Écossaises Various keys before
21/11/1825 		For piano
736 736 (1842) XX, 7
No. 402 		IV, 13 Ihr Grab Dort ist ihr Grab 1822? Text by Engelhardt (a.k.a. Richard Roos) [de]
737 737 56,2
(1826) 		XX, 7
No. 414 		IV, 3 An die Leier Ich will von Atreus Söhnen 1822 or
1823? 		Text by Bruchmann [de] translating Anacreon
738 738 56,3
(1826) 		XX, 7
No. 415 		IV, 3 Im Haine Sonnenstrahlen durch die Tannen 1822 or
1823? 		Text by Bruchmann [de]
739 739 45
(1825) 		XIV No. 6 I, 9
No. 5 		Tantum ergo, D 739 C major 1814 Text by Aquinas (other settings: D 460, 461, 730, 750, 962 and Anh. I/17); For SATB and orchestra
740 740 16,1
(1823) 		XVI
No. 7 		III, 3 No. 28
Anh. III No. 3
Anh. IV No. 6 		Frühlingsgesang, D 740 Schmücket die Locken mit duftigen Kränzen January–
early April
1822 		Text by Schober (other setting, of which the music is partly reused in this setting: D 709); For ttbb and piano
741 741 20,1
(1823) 		XX, 6
No. 400 		IV, 1a Sei mir gegrüßt O du Entriß'ne mir late 1821–
autumn 1822 		Text by Rückert
742 742 68
(1822) 		XX, 7
No. 401 		IV, 3 Der Wachtelschlag Ach! mir schallt's dorten so lieblich hervor before
30/7/1822 		Text by Sauter [de]; Publ. as Op. 68 in 1827
743 743 23,2
(1823) 		XX, 7
No. 406 		IV, 2a Selige Welt Ich treibe auf des Lebens Meer autumn
1822? 		Text by Senn; For b and piano
744 744 23,3
(1823) 		XX, 7
No. 407 		IV, 2a Schwanengesang, D 744 Wie klag' ich's aus das Sterbegefühl autumn
1822? 		Text by Senn
745 745 73
(1822)
(1895) 		XX, 7
No. 408 		IV, 3 Die Rose Es lockte schöne Wärme 1822 Text by Schlegel, F., from Abendröte I, 6; Two versions: 1st publ. as Op. 73 in 1827
746 746 (1831) XX, 7
No. 422 		IV, 13 Am See, D 746 In des Sees Wogenspiele 1822 or
1823? 		Text by Bruchmann [de]
747 747 11,3
(1822) 		XVI
No. 6 		III, 3 No. 29 Geist der Liebe, D 747 Der Abend schleiert Flur und Hain January
1822 		Text by Matthisson (other setting: D 414); For ttbb and piano
748 748 157p
(1822) 		XVII
No. 3 		III, 1 Am Geburtstage des Kaisers Steig empor, umblüht von Segen January
1822 		Text by Deinhardstein [de]; For satbSATB and orchestra; Publ. with a modified text as Op. posth. 157 in 1849
749 749 (1850) XX, 10
No. 588 		IV, 13 Herrn Josef Spaun, Assessor in Linz Und nimmer schreibst du? January
1822 		Text by Collin, M. C.
750 750 (1888) XIV No. 8 I, 9
No. 9 		Tantum ergo, D 750 D major 22/3/1822 Text by Aquinas (other settings: D 460, 461, 730, 739, 962 and Anh. I/17); For SATB and orchestra
751 751 23,1
(1823) 		XX, 7
No. 410 		IV, 2a Die Liebe hat gelogen Die Liebe hat gelogen before
17/4/1822 		Text by Platen
752 752 (1872) XX, 7
No. 403 		IV, 13 Nachtviolen Nachtviolen, Nachtviolen April 1822 Text by Mayrhofer
753 753 65,3
(1826) 		XX, 7
No. 404 		IV, 3 Heliopolis I a.k.a. Aus Heliopolis Im kalten, rauhen Norden April 1822 Text by Mayrhofer
754 754 (1842) XX, 7
No. 405 		IV, 13 Heliopolis II a.k.a. Im Hochgebirge Fels auf Felsen hingewälzet April 1822 Text by Mayrhofer; For b and piano
755 755 I, 5 Anh. Kyrie, D 755 A minor
Kyrie 		May 1822 Text: Mass ordinary (other settings: D 24E, 31, 45, 49, 56, 66, 105, 167, 324, 452, 678 and 950); For satbSATB, strings and organ; Sketch
756 756 59,1
(1826)
(1895) 		XX, 7
No. 409 		IV, 3 Du liebst mich nicht Mein Herz ist zerrissen, du liebst mich nicht! July 1822 Text by Platen; Two versions: 2nd is Op. 59 No. 1
757 757 133p
(1839) 		XVIII
No. 3 		III, 3 No. 30
Anh. III No. 4 		Gott in der Natur Groß ist der Herr! August
1822 		Text by Kleist; For ssaa and piano
757A VII/2, 4 March, D 757A B minor 1822 For piano
758 758 108,2
(1829) 		XX, 7
No. 411 		IV, 5 Todesmusik In des Todes Feierstunde September
1822 		Text by Schober; Two versions: 2nd is Op. 108 No. 2
759 759 (1867) I, 2
No. 8
XXII v1 		V, 3
No. 7 		Symphony No. 8, a.k.a. Unfinished Symphony B minor 30/10/1822 Allegro moderato – Andante con moto – Scherzo (Fragment); D 797 No. 1 may be its 4th movement
732
(Ov.) 		759A 69
(1839) 		VII/2, 4 Overture to Alfonso und Estrella, D 759A D major November
1822 		For piano; Arranged from D 732 (see also: D 773)
760 760 15
(1823) 		XI No. 1 VII/2, 5 Fantasy, D 760, a.k.a. Wanderer Fantasy C major November
1822 		For piano; Reuses music of D 489
761 761 23,4
(1823)
(1795) 		XX, 7
No. 412 		IV, 2a &
b No. 1 		Schatzgräbers Begehr In tiefster Erde ruht ein alt Gesetz November
1822 		Text by Schober; Two versions: 2nd is Op. 23 No. 4
762 762 (1833) XX, 7
No. 413 		IV, 13 Schwestergruß Im Mondenschein' wall' ich auf und ab November
1822 		Text by Bruchmann [de]
763 763 146p
(1842) 		XVII
No. 11 		III, 2a
No. 13 		Des Tages Weihe Schicksalslenker, blicke nieder 22/11/1822 For satb and piano
764 764 92,1
(1828)
(1895) 		XX, 7
No. 416 		IV, 5 Der Musensohn Durch Feld und Wald zu schweifen early Dec.
1822 		Text by Goethe; Two versions: 2nd is Op. 92 No. 1
765 765 (1868) XX, 7
No. 417 		IV, 13 An die Entfernte So hab' ich wirklich dich verloren? early Dec.
1822 		Text by Goethe
766 766 (1872) XX, 7
No. 418 		IV, 13 Am Flusse, D 766 Verfließet, vielgeliebte Lieder early Dec.
1822 		Text by Goethe (other setting: D 160)
767 767 56,1
(1826)
(1895) 		XX, 7
No. 419 		IV, 3 Willkommen und Abschied Es schlug mein Herz early Dec.
1822 		Text by Goethe; Two versions: 2nd is Op. 56 No. 1
768–798
1823 Up ↑
768 768 96,3
(1827) 		XX, 7
No. 420 		IV, 5 Wandrers Nachtlied, D 768 Über allen Gipfeln ist Ruh before
July 1824 		Text by Goethe; Publ. as Op. 96 No. 3 in 1828
769 769 (1823)
(1889) 		XII
No. 18 		VII/2, 6
& 7a 		Two German Dances, D 769 Various keys before
19/12/1823
–Jan. 1824 		For piano; No. 2 publ. in 1823
994 769A VII/2, 2 Piano Sonata, D 769a E minor c. 1823 Allegro; Fragment
770 770 71
(1823) 		XX, 7
No. 424 		IV, 3 Drang in die Ferne Vater, du glaubst es nicht early 1823 Text by Leitner; Publ. as Op. 71 in 1827
771 771 22,1
(1823) 		XX, 7
No. 425 		IV, 1a Der Zwerg Im trüben Licht verschwinden schon die Berge 1822? Text by Collin, M. C.
772 772 22,2
(1823) 		XX, 7
No. 426 		IV, 1a Wehmut, D 772 Wenn ich durch Wald und Fluren geh' 1822 or
1823? 		Text by Collin, M. C.
773 773 69
(1826) 		VII/1, 5
No. 5 		Overture to Alfonso und Estrella, D 773 1823 For piano duet; Arranged from D 732 (see also: D 759A); Publ. as Op. 69 in 1830
774 774 72
(1823) 		XX, 7
No. 428 		IV, 3 Auf dem Wasser zu singen Mitten im Schimmer der spiegelnden Wellen 1823 Text by Stolberg-Stolberg; Publ. as Op. 72 in 1827
775 775 59,2
(1826) 		XX, 8
No. 453 		IV, 3 Daß sie hier gewesen Daß der Ostwind Düfte hauchet 1823? Text by Rückert
776 776 59,3
(1826) 		XX, 8
No. 454 		IV, 3 Du bist die Ruh Du bist die Ruh, der Friede mild 1823 Text by Rückert
777 777 59,4
(1826) 		XX, 8
No. 455 		IV, 3 Lachen und Weinen Lachen und Weinen zu jeglicher Stunde 1823? Text by Rückert
778 778 60,1
(1826) 		XX, 8
No. 456 		IV, 3 Greisengesang Der Frost hat mir bereifet before
June 1823 		Text by Rückert; For b and piano; Two versions; 2nd, in AGA, is Op. 60 No. 1
778A (1969) IV, 13 Die Wallfahrt Meine Tränen im Bußgewand 1823? Text by Rückert; For b and piano
778B VIII, 3 Ich hab' in mich gesogen Ich hab' in mich gesogen den Frühling treu und lieb 1823? Text by Rückert; Sketch; For ttbb
779 779 50
(1825) 		XII
No. 4
& Anh. 		VII/2, 6
& 7a 		34 Valses sentimentales Various keys Feb. 1823
–before
21/11/1825 		For piano; Early versions of Nos. 1, 2, 4, 8, 9, 12, 14 and 33 in AGA Anh.
780 780 94
(1823)
(1824)
(1828) 		XI No. 4 VII/2, 5 Six Moments musicaux Various keys before
Dec. 1823
–before
11/7/1828 		For piano; No. 3 publ. in 1823; No. 6 publ. in 1824; Publ. as Op. 94 in 1828
781 781 (1824)
(1825)
(1889) 		XII
No. 25
& No. 3 		VII/2, 6
& 7a 		Twelve Écossaises, D 781 Various keys January
1823 		For piano; No. 1 (=Écossaise No. 2 of D 783 and AGA XII No. 3) publ. in 1825; Nos. 4 and 7 publ. in 1824
782 782 (1824) VII/2, 7a Écossaise, D 782 D major before
21/2/1824 		For piano
783 783 33
(1825) 		XII
No. 3 		VII/2, 6
& 7a 		Sixteen German Dances and Two Écossaises Various keys Jan. 1823
–before
8/1/1825 		For piano; Related to other dances, e.g. D 790 No. 2, D 781 No. 1
784 784 143p
(1839) 		X No. 8 VII/2, 2
No. 12 		Piano Sonata, D 784 A minor February
1823 		Allegro giusto – Andante – Allegro vivace
785 785 (1831) XX, 7
No. 421 		IV, 13 Der zürnende Barde Wer wagt's, wer wagt's February
1823 		Text by Bruchmann [de]; For b and piano
786 786 123p
(1830) 		XX, 7
No. 423 		IV, 13 Viola Schneeglöcklein, o Schneeglöcklein March 1823 Text by Schober
787 787 (1889)
(1964) 		XV, 3
No. 6 		II, 7 Die Verschworenen, a.k.a. Der haüsliche Krieg (Singspiel in one act) completed
April 1823 		Text by Castelli; For ssss(s)aatt(t)bbSATB and orchestra; Overture (fragment publ. in 1964) – Nos. 1–11
788 788 (1838) XX, 7
No. 427 		IV, 13 Lied, D 788, a.k.a. Die Mutter Erde Des Lebens Tag ist schwer und schwül April 1823 Text by Stolberg-Stolberg
789 789 (1832) XX, 7
No. 429 		IV, 13 Pilgerweise Ich bin ein Waller auf der Erde April 1823 Text by Schober
790 790 171p
(1864) 		XII
No. 9 		VII/2, 6 Twelve German Dances, D 790, a.k.a. Twelve Ländler Various keys May 1823 For piano; No. 2 = D 783 No. 1; No. 8 similar to D. 783 No. 1
791 791 (1867) II, 16 Rüdiger (Opera) May 1823 Text by Mosel?; For ttTTBB and orchestra; Sketches of two numbers
792 792 (1833) XX, 7
No. 430 		IV, 13 Vergißmeinnicht Als der Frühling May 1823 Text by Schober
793 793 173p,2
(1867) 		XX, 7
No. 431 		IV, 13 Das Geheimnis, D 793 Sie konnte mir kein Wörtchen sagen May 1823 Text by Schiller (other setting: D 250)
794 794 37,1
(1825)
(1909) 		XX, 7
No. 432 		IV, 2a &
b No. 6 		Der Pilgrim Noch in meines Lebens Lenze May 1823 Text by Schiller; Two versions (merged into one in AGA): 1st is fragment – 2nd is Op. 37 No. 1
795 795 25
(1824) 		XX, 7
Nos.
433–
452 		IV, 2a &
Anh. No. 2–5 		Die schöne Müllerin (1. Das Wandern – 2. Wohin? – 3. Halt! – 4. Danksagung an den Bach – 5. Am Feierabend – 6. Der Neugierige – 7. Ungeduld – 8. Morgengruß – 9. Des Müllers Blumen – 10. Tränenregen – 11. Mein! – 12. Pause – 13. Mit dem grünen Lautenbande – 14. Der Jäger – 15. Eifersucht und Stolz – 16. Die liebe Farbe – 17. Die böse Farbe – 18. Trockne Blumen – 19. Der Müller und der Bach – 20. Des Baches Wiegenlied) 1. Das Wandern ist des Müllers Lust – 2. Ich hört' ein Bächlein rauschen – 3. Eine Mühle seh' ich blinken – 4. War es also gemeint – 5. Hätt' ich tausend Arme zu rühren – 6. Ich frage keine Blume – 7. Ich schnitt' es gern in alle Rinden ein – 8. Guten Morgen, schöne Müllerin – 9. Am Bach viel kleine Blumen stehn' – 10. Wir saßen so traulich beisammen – 11. Bächlein, laß dein Rauschen sein – 12. Meine Laute hab' ich gehängt an die Wand – 13. Schad' um das schöne grüne Band – 14. Was sucht denn der Jäger – 15. Wohin so schnell – 16. In Grün will ich mich kleiden – 17. Ich möchte zieh'n in die Welt hinaus – 18. Ihr Blümlein alle – 19. Wo ein treues Herze – 20. Gute Ruh', gute Ruh' October?–
November
1823 		Text by Müller, W.
796
333 		796 76
(1827)
(1840)
(1867)
(1872)
(1886) 		XV, 6
No. 10 		II, 8a–c Fierabras, also spelled Fierrabras (Opera in three acts)
Vocal numbers include 5. Laß uns mutvoll hoffen and 6b. Was quälst du mich, o Mißgeschick 		25/5/1823–
2/10/1823 		Text by Kupelwieser; Music for three sopranos, three tenors, three basses, baritone, SATB and orchestra; Overture (Schubert's piano duet version is D 798, Czerny's piano duet version publ. in 1827 as Schubert's Op. 76, orchestral score publ. in 1867) – Act I: Nos. 1–6 – Act II: Nos. 7–17 (No. 7 reuses music of D 982 No. 3, No. 15 reuses music of D 326 No. 14) – Act III: Nos. 18–23 (No. 21 publ. with piano reduction in 1840, last part of No. 21 was D 333, No. 22 publ. with piano reduction in 1872)
797 797 26
(1824)
(1828)
(1866)
(1867)
(1891) 		XV, 4
No. 8 		II, 9
III, 2b Anh. No. 6–7
III, 3 No. 31
IV, 2a 		Rosamunde, Fürstin von Zypern
(1. Entre'acte I – 2. Ballet I – 3a. Entre'acte II – 3b. Romanze a.k.a. Ariette – 4. Geisterchor – 5. Entre'acte III – 6. Hirtenmelodien – 7. Hirtenchor – 8. Jagerchor – 9. Ballet II) 		(Incidental music for a play in three acts)
Vocal numbers: 3b. Der Vollmond strahlt auf Bergeshöhn – 4. In der Tiefe wohnt das Licht – 7. Hier auf den Fluren – 8. Wie lebt sich's so fröhlich im Grünen 		autumn 1823 Text by Chézy; For aSATB and orchestra; (Overture: see D 644 and 732) – Nos. 1–9 (Nos. 1 and 5 publ. in 1866, Nos. 2 and 9 publ. in 1867, No. 3b publ. with piano reduction as Op. 26 in 1824, Nos. 4, 7 and 8 publ. with piano reduction in 1828 or 1834, No. 4 publ. 1828; No. 5 partly reused in D 935 No. 3 and Andante of D 804)
798 798 (1897) XXI, 2
No. 7 		VII/1, 5
No. 6 		Overture to Fierabras after
2/10/1823 		Arrangement for piano duet of D 796's overture
799–822
1824 Up ↑
799 799 (1832) XX, 8
No. 463 		IV, 13 Im Abendrot, D 799 Oh, wie schön ist deine Welt 1824 or
Feb. 1825 		Text by Lappe [de]
800 800 41
(1825)
(1827) 		XX, 8
No. 465 		IV, 2a Der Einsame Wann meine Grillen schwirren early 1825 Text by Lappe [de]; Two near-identical versions: 2nd publ. as Op. 41 in 1827
801 801 60,2
(1826) 		XX, 8
No. 457 		IV, 3 Dithyrambe, D 801 Nimmer, das glaubt mir, erscheinen die Götter before
10/6/1826 		Text by Schiller (other setting: D 47); For b and piano
802 802 160p
(1850) 		VIII
No. 7 		VI, 8 No. 5
& anh. 2 		Variations on "Trockne Blumen" E minor January
1824 		For flute and piano; Introduction, Theme (D 795 No. 18) and 7 Variations
803 803 166p
(1851)
(1898) 		III No. 1 VI, 1 No. 3 Octet, D 803 F major February–
1/3/1824 		For clarinet, bassoon, horn, string quartet and double bass; Movements 4 and 5 missing in 1st publ.
804 804 29
(1824) 		V No. 13 VI, 5
No. 14 		String Quartet No. 13 Rosamunde A minor Feb.–early
March 1824 		Allegro ma non troppo – Andante (after D 797 No. 5) – Minuet – Allegro moderato
805 805 (1833) XX, 8
No. 458 		IV, 13 Der Sieg O unbewölktes Leben early March
1824 		Text by Mayrhofer; For b and piano
806 806 (1833) XX, 8
No. 459 		IV, 13 Abendstern Was weilst du einsam an dem Himmel early March
1824 		Text by Mayrhofer
807 807 (1842) XX, 8
No. 460 		IV, 13 Auflösung Verbirg dich, Sonne March 1824 Text by Mayrhofer
808 808 (1872) XX, 8
No. 461 		IV, 13 Gondelfahrer, D 808 Es tanzen Mond und Sterne early March
1824 		Text by Mayrhofer (other setting: D 809)
809 809 28
(1824) 		XVI
No. 9 		III, 3 No. 32 Gondelfahrer, D 809 Es tanzen Mond und Sterne March 1824 Text by Mayrhofer (other setting: D 808); For ttbb and piano
810 810 (1831) V No. 14 VI, 5
No. 15 		String Quartet No. 14 Death and the Maiden D minor March 1824 Allegro – Andante con moto (after D 531) – Scherzo – Presto
811 811 149p
(1850) 		XIV No. 19 I, 9
No. 14 		Salve Regina, D 811 C major
Salve Regina 		April 1824 Text: Salve Regina (other settings: D 27, 106, 223, 386 and 676); For ttbb
812 812 140p
(1837) 		IX, 2
No. 12 		VII/1,
2 No. 1 		Sonata, D 812, a.k.a. Grand Duo C major June 1824 For piano duet; Allegro moderato – Andante – Scherzo – Allegro vivace
813 813 35
(1825) 		IX, 2
No. 16 		VII/1,
2 No. 2 		Eight Variations on an original theme A♭ major late May–mid
July 1824 		For piano duet
814 814 (1869) IX, 3
No. 27 		VII/1, 4 Four Ländler, D 814 Various keys July 1824 For piano duet; No. 1 also as Allemande D 366 No. 17
815 815 139pI
(1840) 		XVII
No. 10 		III, 2a
No. 14 		Gebet, D 815 Du Urquell aller Güte September
1824 		Text by Motte Fouqué; For satb and piano
816 816 (1956) VII/2, 6 Three Écossaises Various keys September
1824 		For piano
817 817 (1928) VII/2, 5 Ungarische Melodie B minor 2/9/1824 For piano; Reappears in D 818
818 818 54
(1826) 		IX, 3
No. 19 		VII/1,
2 No. 3 		Divertissement à l'hongroise G minor autumn
1824? 		For piano duet; Partly based on D 817
819 819 40
(1825) 		IX, 1
No. 2 		VII/1, 4 Six Grandes Marches Various keys 1818 or
1824 		For piano duet
820 820 (1931) VII/2, 6 Six German Dances, D 820 Various keys October
1824 		For piano
821 821 (1871) VIII
No. 8 		VI, 8 No. 6 Arpeggione Sonata A minor November
1824 		Allegro moderato – Adagio – Allegretto
822 822 (1842) XX, 8
No. 464 		III, 3 Anh. II No. 6 Lied eines Kriegers Des stolzen Männerlebens schönste Zeichen 31/12/1824 For b, unison men's choir and piano
823–862
1825 Up ↑
823 823 63 &
84
(1826)
(1827) 		IX, 3
Nos.
20–22 		VII/1,
2 No. 4 		Divertissement sur des motifs originaux français E minor before
17/6/1826–
before
6/7/1827 		For piano duet; Tempo di Marcia (publ. as Divertissement en Forme d'une Marche brillante et raisonnée Op. 63 in 1826) – Theme and variations (publ. as Andantino varié Op. 84 No. 1 in 1827) – Rondo (publ. as Rondeau brillant Op. 84 No. 2 in 1827)
824 824 61
(1826) 		IX, 3
No. 25 		VII/1, 4 Six Polonaises Various keys April 1826 For piano duet
825
No. 1 		825 64,1
(1828) 		XVI
No. 24 		III, 4
No. 52 		Wehmut, D 825 Die Abendglocke tönet before
summer 1826 		Text by Hüttenbrenner, H. [de]; For ttbb
825
No. 2 		825A 64,2
(1828) 		XVI
No. 25 		III, 4
No. 53 		Ewige Liebe Ertönet, ihr Saiten, in nächtlicher Ruh before
summer 1826 		Text by Schulze; For ttbb
825
No. 3 		825B 64,3
(1828) 		XVI
No. 26 		III, 4
No. 54 		Flucht In der Freie will ich leben early 1825 Text by Lappe [de]; For ttbb
826 826 (1892) XVII
No. 14 		III, 2a
No. 17 		Der Tanz Es redet und träumet die Jugend so viel early 1828 Text by Schnitzer von Meerau [scores]?; For satb and piano
827 827 43,2
(1825)
(1975) 		XX, 8
No. 470 		IV, 2a &
b No. 10 		Nacht und Träume Heil'ge Nacht, du sinkest nieder! before
June 1823 		Text by Collin, M. C.; Two versions: 2nd, in AGA, is Op. 43 No. 2
828 828 43,1
(1825) 		XX, 8
No. 469 		IV, 2a Die junge Nonne Wie braust durch die Wipfel early 1825 Text by Craigher de Jachelutta [de]
829 829 (1873) XX, 10
No. 603 		IV, 13 Abschied, D 829, a.k.a. Abschied von der Erde Leb' wohl du schöne Erde before
17/2/1826 		Text by Pratobevera [cs]; Melodrama for spoken voice and piano
830 830 85,1
(1828) 		XX, 9
No. 541 		IV, 4 Lied der Anne Lyle Wärst du bei mir im Lebenstal early 1825? Text by Macdonald quoted in Scott's Montrose (transl.)
831 831 85,2
(1828) 		XX, 9
No. 542 		IV, 4 Gesang der Norna Mich führt mein Weg wohl meilenlang early 1825 Text by Scott from The Pirate transl. by Spiker [de]
832 832 (1830) XX, 8
No. 466 		IV, 13 Des Sängers Habe Schlagt mein ganzes Glück in Splitter February
1825 		Text by Schlechta [de]
833 833 101p,2
(1827)
(1895) 		XX, 8
No. 468 		IV, 5 Der blinde Knabe O sagt, ihr Lieben, mir einmal April 1825 Text by Cibber transl. by Craigher de Jachelutta [de]; Two versions: 2nd publ. as Op. posth. 101 No. 2 in 1828
834 834 93,1
(1828)
(1835) 		XX, 8
No. 476 		IV, 5 Im Walde, D 834 Ich wandre über Berg und Tal March 1825
–Sep. 1827 		Text by Schulze; Two versions: 2nd, publ. 1828, in AGA
835 835 52,3
(1826) 		XVI
No. 10 		III, 3 No. 33
IV, 3 		Bootgesang a.k.a. Boat Song Triumph, er naht (Hail to the chief) 1825 Text by Scott from The Lady of the Lake transl. by Storck [de] (Canto II, 19); For ttbb and piano
836 836 52,4
(1826) 		XVIII
No. 1 		III, 3 No. 9
IV, 3 		Coronach: Totengesang der Frauen und Mädchen Er ist uns geschieden (He is gone to the mountain) 1825 Text by Scott from The Lady of the Lake transl. by Storck [de] (Canto III, 16); For SSA and piano
837 837 52,1
(1826) 		XX, 8
No. 471 		IV, 3 Ellens Gesang I a.k.a. Ellen's Song (I) Raste, Krieger, Krieg ist aus (Soldier rest! thy warfare o'er) April–
July 1825 		Text by Scott from The Lady of the Lake transl. by Storck [de] (Canto I, 31)
838 838 52,2
(1826) 		XX, 8
No. 472 		IV, 3 Ellens Gesang II a.k.a. Ellen's Song (II) Jäger, ruhe von der Jagd! (Huntsman rest! thy chase is done) April–
July 1825 		Text by Scott from The Lady of the Lake transl. by Storck [de] (Canto I, 32)
839 839 52,6
(1826) 		XX, 8
No. 474 		IV, 3 Ave Maria a.k.a. Ellens Gesang III: Hymne an die Jungfrau Ave Maria! Jungfrau mild (Ave Maria! maiden mild) April 1825 Text by Scott from The Lady of the Lake transl. by Storck [de] (Canto III, 29)
840 840 (1839)
(1861) 		XXI, 3
No. 14 		VII/2, 2
No. 13 		Piano Sonata, D 840 ("Reliquie") C major April 1825 Moderato – Andante (publ. 1839) – Minuet (fragment) – Rondo (fragment)
841 841 (1930) VII/2, 6 Two German Dances, D 841 Various keys April 1825 For piano
842 842 (1833) XX, 8
No. 467 		IV, 13 Totengräbers Heimwehe O Menschheit, o Leben, was soll's? April 1825 Text by Craigher de Jachelutta [de]
843 843 52,7
(1826) 		XX, 8
No. 475 		IV, 3 Lied des gefangenen Jägers – Lay of the Imprisoned Huntsman Mein Roß so müd – My hawk is tired April 1825 Text by Scott from The Lady of the Lake transl. by Storck [de] (Canto VI, 24)
844 844 (1897) XXI, 3
No. 31 		VII/2, 6 Waltz, D 844, a.k.a. Albumblatt G major 16/4/1825 For piano
845 845 42
(1826) 		X No. 9 VII/2, 2
No. 14 		Piano Sonata, D 845 A minor before end
May 1825 		Moderato – Andante – Scherzo – Rondo
846 846 52,5
(1826) 		XX, 8
No. 473 		IV, 3 Normans Gesang Die Nacht bricht bald herein April 1825 Text by Scott from The Lady of the Lake transl. by Storck [de] (Canto II, 23)
847 847 155p
(1849) 		XVI
No. 29 		III, 4
No. 55 		Trinklied aus dem 16. Jahrhundert Edit Nonna, edit Clerus July 1825 Text by Gräffer; For ttbb
848 848 156p
(1849) 		XVI
No. 30 		III, 4
No. 56 		Nachtmusik Wir stimmen dir mit Flötensang July 1825 Text by Seckendorff; For ttbb
849 944 Gmunden-Gastein Symphony C major Jun.–Sep.
1825 		Probably identical to D 944 (if not: lost);[20] See also D Anh. I/6A
850 850 53
(1826) 		X No. 11 VII/2, 2
No. 15 		Piano Sonata, D 850 ("Gasteiner") D major August 1825 Allegro vivace – Con moto – Scherzo – Rondo
851 851 79,1
(1827)
(1895) 		XX, 8
No. 478 		IV, 3 Das Heimweh, D 851 Ach, der Gebirgssohn August 1825 Text by Pyrker; Two versions: 2nd is Op. 79 No. 1
852 852 79,2
(1827) 		XX, 8
No. 479 		IV, 3 Die Allmacht, D 852 Groß ist Jehova, der Herr! August 1825 Text by Pyrker (other setting: D 875A); Two versions: 2nd, in AGA, is Op. 79 No. 2
853 853 93,2
(1828)
(1835) 		XX, 8
No. 477 		IV, 5 Auf der Bruck Frisch trabe sonder Ruh' und Rast Mar. or Aug.
1825–
Sep. 1827 		Text by Schulze; Two versions: 2nd, publ. 1828, in AGA
854 854 (1830) XX, 8
No. 480 		IV, 13 Fülle der Liebe Ein sehnend Streben teilt mir das Herz August 1825 Text by Schlegel, F.
855 855 (1842) XX, 8
No. 481 		IV, 13 Wiedersehn Der Frühlingssonne holdes Lächeln September
1825 		Text by Schlegel, A. W.
856 856 88,1
(1827) 		XX, 8
No. 482 		IV, 4 Abendlied für die Entfernte Hinaus mein Blick, hinaus ins Tal September
1825 		Text by Schlegel, A. W.
857 857 124p
(1829) 		XX, 8
Nos.
483–
484 		IV, 13 Two scenes from Lacrimas: 1. Lied der Delphine – 2. Lied des Florio 1. Ach, was soll ich beginnen vor Liebe? – 2. Nun, da Schatten niedergleiten September
1825 		Text by Schütz
859 859 55
(1826) 		IX, 1
No. 4 		VII/1, 4 Grande Marche Funèbre C minor after
1/12/1825 		For piano duet
860 860 (1832) XX, 8
No. 485 		IV, 13 An mein Herz O Herz, sei endlich stille December
1825 		Text by Schulze
861 861 (1832) XX, 8
No. 486 		IV, 13 Der liebliche Stern Ihr Sternlein, still in der Höhe December
1825 		Text by Schulze
862 862 88,3
(1827) 		XX, 8
No. 499 		IV, 4 Um Mitternacht Keine Stimme hör' ich schallen Dec. 1825–
Mar. 1826? 		Text by Schulze; Two versions: 2nd is Op. 88 No. 3
863–895
1826 Up ↑
863 863 IV, 13 An Gott Kein Auge hat dein Angesicht geschaut 1827 or
earlier 		Text by Hohlfeld (setting by Rindler publ. 1826); Music lost[20]
864 864 IV, 13 Das Totenhemdchen Starb das Kindlein 1825 or
later 		Text by Bauernfeld; Music lost
865 865 105,1
(1828) 		XVI
No. 12 		III, 3 No. 34
IV, 5 		Widerspruch Wenn ich durch Busch und Zweig 1826?–1828? Text by Seidl; Two versions: 1st for ttbb and piano
866 866 95
(1828) 		XX, 8
Nos.
508–
511 		IV, 5 Vier Refrainlieder: 1. Die Unterscheidung – 2. Bei dir allein – 3. Die Männer sind méchant – 4. Irdisches Glück 1. Die Mutter hat mich jüngst gescholten – 2. Bei dir allein empfind ich, daß ich lebe – 3. Du sagtest mir es, Mutter – 4. So mancher sieht mit finstrer Miene Summer
1828? 		Text by Seidl
867 867 105,2
(1828) 		XX, 8
No. 512 		IV, 5 Wiegenlied, D 867 Wie sich der Äuglein kindlicher Himmel 1826?–1828? Text by Seidl
869 869 (1832) XX, 8
No. 496 		IV, 14 Totengräber-Weise Nicht so düster und so bleich 1826 Text by Schlechta [de]
870 870 80,1
(1827) 		XX, 8
No. 506 		IV, 4 Der Wanderer an den Mond Ich auf der Erd', am Himmel du 1826 Text by Seidl
871 871 80,2
(1827)
(1979) 		XX, 8
No. 507 		IV, 4 Das Zügenglöcklein Kling die Nacht durch, klinge 1826 Text by Seidl; Two versions: 2nd, in AGA, is Op. 80 No. 2
872 872 (1854)
(1870) 		XIII, 2
No. 7 		I, 6 Deutsche Messe mit dem Anhang "Das Gebet des Herrn" (German Mass with The Lord's Prayer appended): 1. Zum Eingang – 2. Zum Gloria – 3. Zum Evangelium und Credo – 4. Zum Offertorium – 5. Zum Sanctus – 6. Nach der Wandlung – 7. Zum Agnus Dei – 8. Schlussgesang – Anh.: Das Gebet des Herrn 1. Wohin soll ich mich wenden – 2. Ehre, Ehre sei Gott in der Höhe! – 3. Noch lag die Schöpfung formlos da – 4. Du gabst, o Herr, mir Sein und Leben – 5. Heilig, heilig, heilig, heilig ist der Herr! – 6. Betrachtend deine Huld und Güte – 7. Mein Heiland, Herr und Meister! – 8. Herr, du hast mein Flehn vernommen – Anh.: Anbetend deine Macht und Größe summer or
early fall
1827 		Text by Neumann; Two versions: 1st for SATB and organ – 2nd, in AGA, adds winds, and optional double bass; Ferd. Schubert started publishing his arrangements from before 1838; Vocal score publ. in 1854
873 873 (1974) III, 4 Anh. II No. 2
VIII, 2 No. 29 		Canon, D 873 A major January
1826? 		For six voices; Sketch
873A III, 4
Anh. II No. 3 		Nachklänge January
1826? 		For ttbb; Sketch
874 874 IV, 14 O Quell, was strömst du rasch und wild O Quell, was strömst du rasch und wild January
1826? 		Text by Schulze; Sketch
875 875 102
(1831) 		XVI
No. 27 		III, 3 No. 35 Mondenschein Des Mondes Zauberblume lacht January
1826 		Text by Schober; For ttbbb and piano (only voices in AGA, piano score in 1st ed. not original)
875A III, 2b
Anh. No. 8 		Die Allmacht, D 875A Groß ist Jehova, der Herr! January
1826 		Text by Pyrker (other setting: D 852); For SATB and piano; Sketch
876 876 (1838) XX, 8
No. 487 		IV, 14 Im Jänner 1817 a.k.a. Tiefes Leid Ich bin von aller Ruh' geschieden January
1826 		Text by Schulze
877 877 62
(1827) 		XX, 8
Nos.
488–
491 		III, 2b No. 23
IV, 3 		Gesänge aus Wilhelm Meister (Songs from Wilhelm Meister): 1. Mignon und der Harfner – 2.–4. Lied der Mignon 1.&4. Nur wer die Sehnsucht kennt – 2. Heiß mich nicht reden, heiß mich schweigen – 3. So laßt mich scheinen, bis ich werde January
1826 		Text by Goethe, from Wilhelm Meister's Apprenticeship (other settings: D 310, 359, 469, 481, 656, 726 and 727); No. 1 for two voices and piano; No. 2 has two versions; No. 4 reuses music of D 403
878 878 105,3
(1828) 		XX, 8
No. 492 		IV, 5 Am Fenster Ihr lieben Mauern hold und traut March 1826 Text by Seidl
879 879 105,4
(1828) 		XX, 8
No. 493 		IV, 5 Sehnsucht, D 879 Die Scheibe friert, der Wind ist rauh March 1826 Text by Seidl
880 880 80,3
(1827) 		XX, 8
No. 494 		IV, 4 Im Freien Draußen in der weiten Nacht March 1826 Text by Seidl
881 881 96,4
(1828)
(1895) 		XX, 8
No. 495 		IV, 5 Fischerweise Den Fischer fechten Sorgen und Gram und Leid nicht an March 1826 Text by Schlechta [de]; Two versions: 2nd is Op. 96 No. 4
882 882 101p,1
(1828) 		XX, 8
No. 497 		IV, 5 Im Frühling Still sitz' ich an des Hügels Hang March 1826 Text by Schulze
883 883 (1832) XX, 8
No. 498 		IV, 14 Lebensmut, D 883 O wie dringt das junge Leben March 1826 Text by Schulze
884 884 108,1
(1829) 		XX, 8
No. 500 		IV, 5 Über Wildemann Die Winde sausen am Tannenhang March 1826 Text by Schulze
885 885 66
(1826) 		IX, 1
No. 5 		VII/1, 4 Grande Marche Héroique A minor c. 3/9/1826 For piano duet
887 887 161p
(1851) 		V No. 15 VI, 5
No. 16 		String Quartet No. 15 G major 20–
30/6/1826 		Allegro molto moderato – Andante un poco mosso – Scherzo – Allegro assai
888 888 (1850) XX, 8
No. 502 		IV, 14 Trinklied, D 888 Bacchus, feister Fürst des Weins July 1826 Text by Shakespeare from Antony and Cleopatra II, 7, transl. by Mayerhofer von Grünbühel [de] and Bauernfeld
889 889 (1830) XX, 8
No. 503 		IV, 14 Ständchen, D 889 Horch, horch! die Lerch im Ätherblau July 1826 Text by Shakespeare from Cymbeline II, 3, transl. by Schlegel, A. W.
890 890 (1830) XX, 8
No. 504 		IV, 14 Hippolits Lied Laßt mich, ob ich auch still verglüh July 1826 Text by Gerstenberg [scores]
891 891 106,4
(1828) 		XX, 8
No. 505 		IV, 5 An Sylvia a.k.a. An Silvia a.k.a. Gesang, D 891 Was ist Silvia, saget an July 1826 Text by Shakespeare from The Two Gentlemen of Verona IV, 2, transl. by Bauernfeld
892 892 134p
(1839) 		XVI
No. 13 		III, 3 No. 36 Nachthelle Die Nacht ist heiter September
1826 		Text by Seidl; For tenor solo, ttbb and piano
893 893 (1827) XVI
No. 41 		III, 4
No. 57 		Grab und Mond Silberblauer Mondenschein fällt herab September
1826 		Text by Seidl; For ttbb
894 894 78
(1827) 		X No. 12 VII/2, 3
No. 16 		Piano Sonata, D 894 ("Fantasie") G major October
1826 		Molto moderato e cantabile – Andante – Minuet – Allegretto
895 895 70
(1827) 		VIII
No. 1 		VI, 8 No. 7 Rondo, D 895, a.k.a. Rondeau brillant B minor October
1826 		For violin and piano
896–936
1827 Up ↑
896 896 IV, 14 Fröhliches Scheiden Gar fröhlich kann ich scheiden fall 1827–
early 1828 		Text by Leitner; Sketch
896A IV, 14 Sie in jedem Liede Nehm ich die Harfe fall 1827–
early 1828 		Text by Leitner; Sketch
896B IV, 14 Wolke und Quelle Auf meinen heimischen Bergen fall 1827–
early 1828 		Text by Leitner; Sketch
897 897 148p
(1846) 		VII, 2
No. 5 		VI, 7 No. 4 Notturno (Piano Trio, D 897) E♭ major 1828? Adagio
898 898 99p
(1836) 		VII, 2
No. 3 		VI, 7 No. 3 Piano Trio No. 1 B♭ major 1828? Allegro moderato – Andante un poco mosso – Scherzo – Rondo
899 899 90
(1827)
(1857) 		XI No. 2 VII/2, 5 & Anh. Impromptus Nos. 1–4 C minor – E♭ major – G♭ major – A♭ major summer–
fall 1827? 		For piano; Nos. 1–2 publ. 1827
900 900 (1897) XXI, 3
No. 16 		VII/2, 5 Anh. Allegretto, D 900 C minor 1821 or
later? 		For piano; Fragment
901 901 (1827) XVI
No. 37 		III, 4
No. 58 		Wein und Liebe Liebchen und der Saft der Reben before
June 1827 		Text by Haug; For ttbb
902 902 83
(1827) 		XX, 10
Nos.
579–
581 		IV, 4 Drei Gesänge: 1. L'incanto degli occhi (Die Macht der Augen) – 2. Il traditor deluso (Der getäuschte Verräter) – 3. Il modo di prender moglie (Die Art ein Weib zu nehmen) 1. Da voi, cari lumi (Nur euch, schöne Sterne) – 2. Ahimè, io tremo! (Weh mir, ich bebe!) – 3. Orsù! non ci pensiamo (Wohlan! und ohne Zagen) 1827
(before
September) 		Text by Metastasio, from Attilio Regolo II, 5 (No. 1, other version: D 990E) and Gioas re di Giuda II (No. 2); For b and piano
903 903 81,3
(1827) 		XVI
No. 11 		III, 3 No. 37
IV, 4 		Zur guten Nacht Horch auf! Es schlägt die Stunde January
1827 		Text by Rochlitz; For vocal soloist, TTBB and piano
904 904 81,1
(1827) 		XX, 4
No. 287 		IV, 4 Alinde Die Sonne sinkt ins tiefe Meer January
1827 		Text by Rochlitz
905 905 81,2
(1827) 		XX, 4
No. 288 		IV, 4 An die Laute Leiser, leiser, kleine Laute January
1827 		Text by Rochlitz
906 906 (1832) XX, 8
No. 514 		IV, 14 Der Vater mit dem Kind Dem Vater liegt das kind in Arm January
1827 		Text by Bauernfeld
907 907 86
(1828)
(1979) 		XX, 8
No. 501 		IV, 4 Romanze des Richard Löwenherz Großer Taten tat der Ritter fern im heiligen Lande viel March
1826? 		Text by Scott from Ivanhoe transl. by Müller, (K. L.) M. [wikisource:de] (Ch. 17); Two versions: 2nd, in AGA, is Op. 86
908 908 82,1
(1827) 		IX, 2
No. 17 		VII/1, 3 No. 1
Anh. No. 1 		Eight Variations on a theme from Hérold's Marie C major February
1827 		For piano duet
909 909 96,2
(1828) 		XX, 8
No. 515 		IV, 5 Jägers Liebeslied Ich schieß' den Hirsch im grünen Forst February
1827 		Text by Schober
910 910 (1833) XX, 8
No. 516 		IV, 14 Schiffers Scheidelied Die Wogen am Gestade schwellen February
1827 		Text by Schober
911 911 89
(1828) 		XX, 9
Nos.
517–
540 		IV, 4 Winterreise:
—Part I—
1. Gute Nacht – 2. Die Wetterfahne – 3. Gefror'ne Tränen – 4. Erstarrung – 5. Der Lindenbaum – 6. Wasserflut – 7. Auf dem Flusse – 8. Rückblick – 9. Irrlicht – 10. Rast – 11. Frühlingstraum – 12. Einsamkeit
—Part II—
13. Die Post – 14. Der greise Kopf – 15. Die Krähe – 16. Letzte Hoffnung – 17. Im Dorfe – 18. Der stürmische Morgen – 19. Täuschung – 20. Der Wegweiser – 21. Das Wirtshaus – 22. Mut – 23. Die Nebensonnen – 24. Der Leiermann 		—Part I—
1. Fremd bin ich eingezogen – 2. Der Wind spielt mit der Wetterfahne – 3. Gefror'ne Tropfen fallen – 4. Ich such' im Schnee vergebens – 5. Am Brunnen vor dem Tore – 6. Manche Trän' aus meinen Augen – 7. Der du so lustig rauschtest – 8. Es brennt mir unter beiden Sohlen – 9. In die tiefsten Felsengründe – 10. Nun merk' ich erst, wie müd ich bin – 11. Ich träumte von bunten Blumen – 12. Wie eine trübe Wolke
—Part II—
13. Von der Straße her ein Posthorn klingt – 14. Der Reif hat einen weißen Schein – 15. Eine Krähe war mit mir aus der Stadt gezogen – 16. Hie und da ist an den Bäumen – 17. Es bellen die Hunde – 18. Wie hat der Sturm zerrissen – 19. Ein Licht tanzt freundlich vor mir her – 20. Was vermeid' ich denn die Wege – 21. Auf einen Totenacker hat mich mein Weg gebracht – 22. Fliegt der Schnee mir ins Gesicht – 23. Drei Sonnen sah ich – 24. Drüben hinterm Dorfe steht ein Leiermann 		February
1827
(Part I
started);
October
1827
(Part II
started) 		Text by Müller, W.; Two versions for Nos. 7, 10, 11, 22 and 23; Music of No. 19 partly based on D 732 No. 11
912 912 151p
(1845) 		XVI
No. 28 		III, 4
No. 59 		Schlachtlied, D 912 Mit unserm Arm ist nichts getan 28/2/1827 Text by Klopstock, from Oden (other setting: D 443); For TTBBTTBB
913 913 139pII
(1846) 		XVI
No. 1 		III, 1 Nachtgesang im Walde Sei uns stets gegrüßt, o Nacht! April 1827 Text by Seidl; For ttbb and four horns
914 914 (1897) XXI, 4
No. 36a 		III, 4
No. 60 		Frühlingslied, D 914 Geöffnet sind des Winters Riegel April 1827 Text by Pollak; Music reappears in other setting D 919); For ttbb
915 915 (1870) XI No. 12 VII/2, 5 Allegretto, D 915 C minor 26/4/1827 For piano
916 916 (1961) III, 4
Anh. II No. 4 		Das stille Lied Schweige nur, süßer Mund May 1827 Text by Seegemund; For ttbb; Sketch
916A IV, 14 Liedentwurf, D 916A C major May 1827? Sketch without text
916B (1978) VII/2, 5 Anh. Piano piece, D 916B C major summer–
fall 1827? 		Sketch
916C (1978) VII/2, 5 Anh. Piano piece, D 916C C minor summer–
fall 1827? 		Sketch
917 917 115p,1
(1829) 		XX, 9
No. 543 		IV, 14 Das Lied im Grünen Ins Grüne, ins Grüne June 1827 Text by Reil [de]
918 918 (1868)
(1962) 		II, 17 Der Graf von Gleichen (Opera in two acts) started
19/6/1827 		Text by Bauernfeld; For ssssttbbbbbbSATB and orchestra; Music for Nos. 1–20f (sketches); No. 13 partly based on D 260 and No. 20c on D 102; Completions of No. 1 publ. in 1868, as "Morgengesang im Walde", and of No. 14 in 1962; Act I: Nos. 1–11 – Act II: Nos. 12–22
919 919 (1897) XXI, 4
No. 36b 		IV, 14 Frühlingslied, D 919 Geöffnet sind des Winters Riegel spring
1827? 		Text by Pollak; Music based on other setting D 914
920
921 		920 135p
(1840)
(1891) 		XVI
No. 14
XVIII
No. 4 		III, 3 No. 38 Ständchen, D 920, a.k.a. Notturno Zögernd leise July 1827 Text by Grillparzer; For a, choir and piano; Two versions: choir TTBB in 1st, and SSAA in 2nd (which was D 921, publ. as Op. posth. 135)
922 922 106,1
(1828)
(1895) 		XX, 9
No. 544 		IV, 5 Heimliches Lieben O du, wenn deine Lippen mich berühren September
1827 		Text by Klen(c)ke [de]; Two versions: 2nd is Op. 106 No. 1
923 923 165p,5
(1862)
(1895)
(1971) 		XX, 9
No. 545 		III, 2b No. 24
IV, 14 		Eine altschottische Ballade Dein Schwert, wie ist’s von Blut so rot September
1827 		Text by Herder after "Edward, Edward" from Percy's Reliques of Ancient English Poetry; For male voice, female voice and piano; Three versions: 1st is Op. posth. 165 No. 5 – 2nd for voice and piano – 3rd publ. in 1971
924 924 91
(1828) 		XII
No. 7 		VII/2, 7a Twelve Grazer Waltzes Various keys September
1827? 		For piano
925 925 (1828) XII
No. 24 		VII/2, 7a Grazer Galopp C major September
1827? 		For piano
926 926 106,2
(1828) 		XX, 9
No. 546 		IV, 5 Das Weinen Gar tröstlich kommt geronnen fall 1827–
early 1828 		Text by Leitner
927 927 106,3
(1828) 		XX, 9
No. 547 		IV, 5 Vor meiner Wiege Das also, das ist der enge Schrein fall 1827–
early 1828 		Text by Leitner
928 928 (1870) IX, 1
No. 7 		VII/1, 4 March, D 928, a.k.a. Kindermarsch G major 12/10/1827 For piano duet
929 929 100
(1828)
(1975) 		VII, 2
No. 4 		VI, 7 No. 2
& Anh. 		Piano Trio No. 2 E♭ major started
Nov. 1827 		Allegro – Andante con moto – Scherzando – Allegro moderato; Shortened version, in AGA, is Op. 100
930 930 104p
(1829) 		XIX
No. 2 		III, 2a
No. 15 		Der Hochzeitsbraten Ach liebes Herz, ach Theobald November
1827 		Text by Schober; For stb and piano
931 931 (1835) XX, 9
No. 548 		IV, 14 Der Wallensteiner Lanzknecht beim Trunk He! schenket mir im Helme ein! November
1827 		Text by Leitner
932 932 (1832) XX, 9
No. 549 		IV, 14 Der Kreuzzug Ein Münich steht in seiner Zell November
1827 		Text by Leitner
933 933 (1835) XX, 9
No. 550 		IV, 14 Des Fischers Liebesglück Dort blinket durch Weiden November
1827 		Text by Leitner
934 934 159p
(1850) 		VIII
No. 5 		VI, 8 No. 8 Fantasy, D 934 C major December
1827 		For violin and piano; Reuses music of D 741
935 935 142p
(1839) 		XI No. 3 VII/2, 5 & Anh. Impromptus Nos. 5–8 F minor – A♭ major – B♭ major – F minor December
1827 		For piano; 7th Impromptu reuses music of D 797
936 936 (1892) XVII
No. 15 		III, 2a
No. 16 		Kantate für Irene Kiesewetter a.k.a. Cantate zur Feier der Genesung der Irene Kiesewetter Al par del ruscelletto chiaro 26/12/1827 for ttbbSATB and piano duet
936A–965B
1828 Up ↑
615 936A V, 6 No. 11
& Anh. 2 		Symphony No. 10 D major spring–
summer
1828? 		Sketches for [Allegro maestoso] (two versions) – Andante – Scherzo (two versions)
937 937 (1872) XX, 10
No. 602 		IV, 14 Lebensmut, D 937 Fröhlicher Lebensmut summer
1828? 		Text by Rellstab; Fragment
938 938 (1835) XX, 9
No. 551 		IV, 14 Der Winterabend, D 938 Es ist so still, so heimlich um mich January
1828 		Text by Leitner
939 939 96,1
(1828) 		XX, 9
No. 552 		IV, 5 Die Sterne, D 939 Wie blitzen die Sterne so hell durch die Nacht January
1828 		Text by Leitner
940 940 103
(1829) 		IX, 3
No. 24 		VII/1, 3 No. 2 & Anh. No. 1 Fantasy, D 940 F minor January–
April 1828 		For piano duet
941 948
See D 948, 1st version
942 942 136p
(1839) 		XVII
No. 9 		III, 2b
No. 18 		Mirjams Siegesgesang Rührt die Zimbel, schlagt die Saiten – Aus ägypten vor dem Volke – Doch der Horizont erdunkelt – S'ist der Herr in seinem Grimme – Tauchst du auf, Pharao? – Drum mit Zimbeln und mit Saiten March 1828 Text by Grillparzer; For sSATB and piano
943 943 119p
(1829) 		XX, 10
No. 568 		IV, 14 Auf dem Strom Nimm die letzten Abschiedsküsse March 1828 Text by Rellstab; For voice, horn (or cello) and piano
944
849 		944 (1840) I, 2
No. 7 		V, 4
No. 8 		Symphony No. 9, Great C major C major summer
1825?–
March 1828 		Andante, Allegro ma non troppo – Andante con moto – Scherzo – Allegro vivace; Probably identical to Gmunden-Gastein Symphony, D 849[20]
944A 944A German Dance, D 944A 1/3/1828 For piano; Lost
945 945 (1895) XX, 10
No. 589 		IV, 14 Herbst, D 945 Es rauschen die Winde April 1828 Text by Rellstab
946 946 (1868) XI No. 13 VII/2, 5 Three piano pieces, a.k.a. Impromptus, D 946 E♭ minor – E♭ major – C major May 1828 Allegro assai, Andante – Allegretto – Allegro
947 947 144p
(1840) 		IX, 3
No. 23 		VII/1,
3 No. 3 		Allegro, D 947, a.k.a. Lebensstürme A minor May 1828 For piano duet
948
941
964 		948 (1891)
154p
(1849) 		XVI
No. 42
(1st v.)
& No. 2
(2nd v.) 		I, 9
No. 15–16
& Anh. 3 		Hymnus an den heiligen Geist Komm, heil'ger Geist, erhöre unser Flehen (1st v.); Herr, unser Gott! erhöre unser Flehen (2nd v.) May 1828 Text by Schmidl [de]; Two versions: 1st, for ttbbTTBB, was D 941 – 2nd, Op. posth. 154 for ttbbTTBB and winds, was D 964
949 639
See D 639
950 950 (1865) XIII, 2
No. 6 		I, 4 Mass No. 6 E♭ major
Kyrie – Gloria – Credo – Sanctus & Benedictus – Agnus Dei 		started
June 1828 		Text: Mass ordinary (other settings: D 24E, 31, 45, 49, 56, 66, 105, 167, 324, 452, 678 and 755); For satbSATB and orchestra
951 951 107
(1829) 		IX, 2
No. 13 		VII/1, 3 No. 4
& Anh. No. 2 		Rondo, D 951, a.k.a. Grand Rondeau A major June 1828 For piano duet
952 952 152p
(1848) 		IX, 3
No. 28 		VII/1,
3 No. 5 		Fugue, D 952 E minor 3/6/1828 For organ duet or piano duet
953 953 (1841) XVII
No. 19 		III, 2b
No. 19 		Psalm 92 (91) tôw l'hôdôs ladônoj July 1828 Text: Psalm 92; For baritone and satbSATB
954 954 (1828) XVII
No. 5 		III, 2b
No. 20 		Glaube, Hoffnung und Liebe, D 954 Gott, laß die Glocke glücklich steigen before
2/9/1828 		Text by Reil [de]; For ttbbSATB acc. by winds or piano
955 955 97
(1828) 		XX, 8
No. 462 		IV, 5 Glaube, Hoffnung und Liebe, D 955 Glaube, hoffe, liebe! August
1828 		Text by Kuffner [de]
956 956 163p
(1853) 		IV No. 1 VI, 2 No. 2 String Quintet C major September
1828? 		Allegro ma non troppo – Adagio – Presto – Allegretto; For two violins, viola and two cellos
957
Nos.
1–13 		957 (1829) XX, 9
Nos.
554–
566 		IV, 14 Schwanengesang, D 957, a.k.a. 13 Lieder nach Gedichten von Rellstab und Heine:
—Rellstab—
1. Liebesbotschaft – 2. Kriegers Ahnung – 3. Frühlingssehnsucht – 4. Ständchen – 5. Aufenhalt – 6. In der Ferne – 7. Abschied
—Heine—
8. Der Atlas – 9. Ihr Bild – 11. Die Stadt – 12. Am Meer – 13. Der Doppelgänger 		1. Rauschendes Bächlein, so silber und hell – 2. In tiefer Ruh liegt um mich her – 3. Säuselnde Lüfte wehen so mild – 4. Leise flehen meine Lieder – 5. Rauschender Strom, brausender Wald – 6. Wehe dem Fliehenden – 7. Ade! du muntre, du fröhliche Stadt – 8. Ich unglückselger Atlas – 9. Ich stand in dunkeln Träumen – 10. Das Fischermädchen – 11. Am fernen Horizonte – 12. Das Meer erglänzte weit hinaus – 13. Still ist die Nacht, es ruhen die Gassen August–
September?
1828 		Text by Rellstab (Nos. 1–7) and Heine, H. (Nos. 8–13); D 965A was No. 14; Early versions for Nos. 1 and 3; Variant for No. 4
958 958 (1839) X No. 13 VII/2, 3
No. 17 		Piano Sonata, D 958 C minor September
1828 		Allegro – Adagio – Minuet – Allegro
959 959 (1839) X No. 14 VII/2, 3
No. 18 		Piano Sonata, D 959 A major September
1828 		Allegro – Andantino – Scherzo – Allegretto (partly based on 2nd movement of D 537)
960 960 (1839) X No. 15 VII/2, 3
No. 19 		Piano Sonata, D 960 B♭ major September
1828 		Molto moderato – Andante sostenuto – Scherzo – Allegro ma non troppo
961 452
See D 452
962 962 (1890) XXI, 4
No. 32 		I, 9
No. 10
& Anh. 4 		Tantum ergo, D 962 E♭ major October
1828 		Text by Aquinas (other settings: D 460, 461, 730, 739, 750 and Anh. I/17); For satbSATB and orchestra; Sketch in AGA XIV No. 22
963 963 (1890) XXI, 4
No. 33 		I, 8 Intende voci, a.k.a. Offertory, D 963, or Aria for tenor with choir B♭ major October
1828 		Text: Psalm 5:3–4a, offertory for the Friday after Oculi Sunday; For tSATB and orchestra
964 948 154p
(1849) 		XVI
No. 2
Herr, unser Gott! erhöre unser Flehen
See D 948, 2nd version
965 965 129p
(1830) 		XX, 10
No. 569 		IV, 14 Der Hirt auf dem Felsen Wenn auf dem höchsten Fels ich steh October
1828 		Text by Müller, W., and Varnhagen von Ense; For voice, clarinet and piano
957
No.
14 		965A (1829) XX, 9
No. 567 		IV, 14 Die Taubenpost Ich hab' eine Brieftaub in meinem Sold October
1828 		Text by Seidl; Was D 957 No. 14
965B VIII, 2
Nos. 15–16 		Fugal exercises, D 965B November
1828 		Partly similar to D 952
966–992
1810–1828 Up ↑
966 11
See D 11 No. 3
966B V, 6 No. 8 Orchestral piece, D 966B A major 1820 or
later 		Sketch
968 968 (1888) IX, 3
No. 29 		VII/1, 1
No. 7 		Sonatina, D 968 C major – A minor 1815–1819? For piano duet; Allegro moderato – Andante
603 968A 82p,2
(1860) 		IX, 2
No. 18 		VII/1, 1
No. 8 		Introduction, Variations and Finale B♭ major ? For piano duet
886 968B 121p
(1829) 		IX, 1
No. 6 		VII/1, 4 Deux Marches caractéristiques C major spring 1826? For piano duet
969 969 77
(1827) 		XII
No. 6 		VII/2, 7a 12 Valses nobles Various keys before
22/1/1827 		For piano
970 970 (1889) XII
No. 13 		VII/2, 6 Six Ländler, D 970, a.k.a. German Dances Various keys ? For piano; No. 2 near-identical to D 145 No. 7
971 971 (1823) XII
No. 14 		VII/2, 7a Three German Dances, D 971 Various keys before
10/1/1823 		For piano
972 972 (1889) XII
No. 15 		VII/2, 6 Three German Dances, D 972 Various keys before
April 1817? 		For piano; No. 3 reused in D 552
973 973 (1889) XII
No. 16 		VII/2, 6 Three German Dances, D 973 Various keys ? For piano
974 974 (1889) XII
No. 17 		VII/2, 6 Two German Dances, D 974 Various keys ? For piano
975 975 (1889) XII
No. 20 		VII/2, 6 German Dance, D 975 D major ? For piano
976 976 (1825) XII
No. 22 		VII/2, 7a Cotillon E♭ major before
29/12/1825 		For piano
977 977 (1889) XII
No. 26 		VII/2, 6 Eight Écossaises, D 977 Various keys ? For piano
978 978 (1825) VII/2, 7a Waltz, D 978 A♭ major before
29/12/1825 		For piano
979 979 (1826) VII/2, 7a Waltz, D 979 G major before
23/12/1826 		For piano
980 980 (1826) VII/2, 7a Two Waltzes, D 980 Various keys before
23/12/1826 		For piano
640 980A VII/2, 6 Two Dances, D 980A Various keys ? For piano; Sketches
679 980B (1925) VII/2, 6 Two Ländler, D 980B E♭ major ? For piano
680 980C (1930) VII/2, 6 Two Ländler, D 980C D♭ major ? For piano; Fragments
980D (1828) VII/2, 7a Waltz, D 980D, a.k.a. Krähwinkler Tanz C major before
26/1/1828 		For piano
980E VII/2, 6 Two Dances, D 980E Various keys 1818 or
later 		For piano(?); Sketches
980F VII/2, 6 March, D 980F G major ? For piano; Arr. of a lost march for orchestra?
981 981 Der Minnesänger (Singspiel) ? Text by Kotzebue?; Lost
982 982 II, 16 Sketches for an opera a.k.a. Sophie (Opera) Sep.–Oct.
1820[17] 		For satb and orchestra; Nos. 1–3 (No. 3 partly reused in D 796 No. 7)
983
No.
1 		983 17,1
(1823) 		XVI
No. 20 		III, 4
No. 48 		Jünglingswonne So lang im deutschen Eichentale before
9/10/1823 		Text by Matthisson; For ttbb
983
No.
2 		983A 17,2
(1823) 		XVI
No. 21 		III, 4
No. 49 		Liebe Liebe rauscht der Silberbach before
9/10/1823 		Text by Schiller, from "Der Triumph der Liebe": stanza 25; Other: D 55, 61, 62, 63, 64; For ttbb
983
No.
3 		983B 17,3
(1823) 		XVI
No. 22 		III, 4
No. 50 		Zum Rundetanz Auf! es dunkelt; silbern funkelt before
9/10/1823 		Text by Salis-Seewis (other setting: D Anh. I/18); For ttbb
983
No.
4 		983C 17,4
(1823) 		XVI
No. 23 		III, 4
No. 51 		Die Nacht, D 983C Wie schön bist du, freundliche Stille before
9/10/1823 		Text by Krummacher(?); For ttbb
984 984 169p
(1865) 		III, 3 Anh. II No. 7 Der Wintertag a.k.a. Geburtstaglied In schöner heller Winterzeit 1821 or
later? 		For ttbb and piano; Fragment: piano part lost
985 985 112p,1
(1829) 		XVII
No. 6 		III, 2a
No. 4 		Gott im Ungewitter Du Schrecklicher, wer kann vor dir und deinem Donner stehn? ? Text by Uz; For satb and piano
986 986 112p,2
(1829) 		XVII
No. 7 		III, 2a
No. 5 		Gott der Weltschöpfer Zu Gott, zu Gott flieg auf ? Text by Uz; For satb and piano
988 988 (1873) XIX
No. 26 		III, 4
No. 61
VIII, 2
No. 30 		Liebe säuseln die Blätter Liebe säuseln die Blätter ? Text by Hölty; Canon for three voices
988A III, 3 Anh. II No. 8 Accompaniment part B♭ major 1821 or
later 		For piano, as accompaniment for a vocal composition
990 990 (1853) IV, 14 Der Graf von Habsburg Zu Aachen in seiner Kaiserpracht 1815–1820 Text by Schiller
990A (1853) IV, 14 Kaiser Maximilian auf der Martinswand [in Tirol] Hinauf! hinauf! in Sprung und Lauf 1815–1820 Text by Collin, H. J.
582 990B IV, 14 Augenblicke im Elysium Vor der in Ehrfurcht all mein Wesen kniet ? Text by Schober; Music lost
868 990C 130p
(1830) 		XX, 8
No. 513 		IV, 14 Das Echo Herzliebe gute Mutter, o grolle nicht mit mir ? Text by Castelli
990D IV, 14 Die Schiffende Sie wankt dahin! Die Abendwinde spielen ? Text by Hölty; Music lost
990E IV, 4 IV, 11 L'incanto degli occhi Da voi, cari lumi 1813–1816? Text by Metastasio, from Attilio Regolo II (other version: D 902 No. 1); Aria for s
990F IV, 11 Ombre amene a.k.a. La serenata Ombre amene 1813–1816? Text by Metastasio; Aria for s; Formerly misidentified as an early setting of Il traditor deluso, D 902 No. 2
991 323
O so laßt euch froh begrüssen O so laßt euch froh begrüssen
Text by Schiller; Last part of D 323
992 383
See D 383
Anh. I Spurious and doubtful works
Up ↑
40 Anh.
I/1 		String Quartet, D Anh. I/1 E♭ major 1813 Doubtful: lost or identical to D 87
Anh.
I/2 		String Quartet, D Anh. I/2 F major 1816 Doubtful: lost or identical to D 353
Anh.
I/3 		VIII, 2
Anh. No. 2 		Fugue, D Anh. I/3 C major 1812? Spurious?; For string quartet?; Fragment: only viola part is extant
2 Anh.
I/4
Spurious: fragment of a string quartet movement in G major by Stadler, A. [scores]
Anh.
I/5
Spurious: sketch for the opening movement of a string quartet in E♭ major
Anh.
I/6
Spurious: Duet in D major for two violins
Anh.
I/6A
Spurious:[21] Symphony in E major "1825" by Gunter Elsholz[22] (fake Gmunden-Gastein Symphony, D 849)[20]
858 Anh.
I/7 		VII/1, 4 March, D Anh. I/7 November
1825 		Doubtful; Lost; For two pianos, eight hands
Anh.
I/8 		Piano Sonata, D Anh. I/8 F major 1815 Doubtful: lost or identical to D 157
Anh.
I/9 		Piano Sonata, D Anh. I/9 F major 1816 Doubtful: lost or identical to D 459
Anh.
I/10 		Fantasy, D Anh. I/10 E♭ major 1825? Doubtful; Lost; For piano
Anh.
I/11
Spurious: Allegro in G major and Minuet in C major, a.k.a. Sonatina; For piano; Publ. in 1967
Anh.
I/12 		(1810) Seven Easy Variations G major before
Nov. 1810 		Spurious?; For piano
Anh.
I/13 		Six German Dances, D Anh. I/13 1814 Doubtful; Lost; For piano
Anh.
I/14 		(1970) VIII, 1 Waltz, D Anh. I/4, a.k.a. Kupelwieser-Walzer G♭ major 17/9/1826 Doubtful; For piano
336 Anh.
I/15 		(1897) XXI, 3
No. 26 		VIII, 1 Minuet with Trio, D Anh. I/15 D major Doubtful; For piano
Anh.
I/16 		(1975) Écossaise de Vienne A♭ major 1821? Doubtful: by Hüttenbrenner?; For piano
Anh.
I/17 		VIII, 1 Tantum ergo, D Anh. I/17 B♭ major Text by Aquinas (other settings: D 460, 461, 730, 739, 750 and 962); Spurious?; Fragment: only s part
132 Anh.
I/18 		(1974) III, 4
Anh. I No. 2 		Lied beim Rundetanz Auf, es dunkelt, silbern funkelt 1815–1816 Text by Salis-Seewis (other setting: D 983B); Doubtful; Fragment: one voice of a part song
133 Anh.
I/19 		(1974) III, 4
Anh. I No. 3 		Lied im Freien, D Anh. I/19 Wie schön ist's im Freien 1815–1816 Text by Salis-Seewis (other setting: D 572); Doubtful; Fragment: one voice of a part song
339 Anh.
I/20 		(1974) III, 4
Anh. I No. 4 		Amors Macht Wo Amors Flügel weben 1815–1816 Text by Matthisson; Doubtful; Fragment: one voice of a part song
340 Anh.
I/21 		(1974) III, 4
Anh. I No. 5 		Badelied Zur Elbe, zur Elbe, des Äthers Gewölbe 1815–1816 Text by Matthisson; Doubtful; Fragment: one voice of a part song
341 Anh.
I/22 		(1974) III, 4
Anh. I No. 6 		Sylphen Was unterm Monde gleicht uns Sylphen flink und leicht 1815–1816 Text by Matthisson; Doubtful; Fragment: one voice of a part song
425 Anh.
I/23 		(1974) III, 4
Anh. I No. 7 		Lebenslied, D Anh. I/23 Kommen und Scheiden 1815–1816 Text by Matthisson (other setting: D 508); Doubtful; Fragment: one voice of a part song; Related to D 425?
Anh.
I/24 		Kantate auf den Vater (Cantata to his father) 27/9/1816 Doubtful; Lost
Anh.
I/25 		VIII, 1 Drum Schwester und Brüder Drum Schwester und Brüder singt fröhliche Liede October
1819 		Doubtful; For voices and instruments; Fragment: choir text, and violin II and cello parts extant
Anh.
I/26 		VIII, 1 Sturmbeschwörung Nirgends Rettung, nirgends Land before
1840 		Spurious?; For voices; Fragment: s part extant
Anh.
I/27
Spurious: fragment of three TTB choirs with winds
512 Anh.
I/28 		VIII, 1 Klage, D Anh. I/28 Nimmer länger trag ich dieser Leiden Last c. 1817 Other setting: D 432; Spurious?
Anh.
I/29 		VIII, 1 Kaiser Ferdinand II. Was reget die Stadt sich in freudiger Hast? 1853 or
earlier 		Doubtful
Anh.
I/30
Spurious: "Mein Frieden" (Text Ferne, ferne flammen helle Sterne by Heine, C.), publ. in 1823, by another Schubert[23]
Anh.
I/31
Spurious: "Adieu!"/"Lebe wohl!" (Text Voici l'instant suprême by Bélanger after Wetzel, re-translated in German as Schon naht, um uns zu scheiden), publ. in 1824, by Weyrauch [et]
598A Anh.
I/32 		VIII, 2
Anh. No. 1 		Themes for thoroughbass exercises before
1812 		Doubtful
Anh. II Schubert's arrangements
Up ↑
Anh.
II/1 		VIII, 1 Arrangement of Gluck's overture to Iphigénie en Aulide early 1810? Fragment for piano duet: last bars of the Primo part extant
96 Anh.
II/2 		(1926) VIII, 1 Arrangement of Matiegka's Notturno (Trio), Op. 21, a.k.a. Quartet, D Anh. II/2 G major 26/2/1814 For flute, viola, guitar, and a cello part added by Schubert; Movements 2 (Trio II) and 5 (Var. II) recomposed by Schubert
Anh.
II/3 		VIII, 1 Arrangement of two arias from Gluck's Echo et Narcisse Rien de la nature – O combats, o désordre extrème! March 1816 Text by Tschudi
Anh.
II/4 		(1960) VIII, 1 Arrangement of M. Stadler's 8th Psalm (Zwölf Psalmen David's No. 1: "Unendlicher! Gott, unser Herr!") Dem Sangmeister auf Gittith, ein Psalm Davids 29/8/1823 Text by Mendelssohn, M., translating Psalm 8; For voice and orchestra; Schubert adapted and orchestrated the piano accompaniment, slightly modifying the vocal part
Anh. III Schubert's copies of compositions by other composers
Up ↑
Anh.
III/1 		Schubert's copy of nine canons by Michael Haydn and other composers: Nos. 1, 3, 4 and 6 by M. Haydn – No. 2 by M. or J. Haydn[24][25] – No. 5 by Otter [Wikisource:de] – No. 9 by Mozart 1. Es packe dich das Glück beim Kragen (F major) – 2. Vom Glück sei alles dir beschert (B♭ major) – 3. Glück fehl dir vor allem (G major) – 4. Wohlsein und Freude (C major) – 5. Drum habe Dank, o Vater Hayden – 6. Adam hat siebn Söhn (F major) – 7. Cato, Plato, Cicero (F major) – 8. Was i beim Tag mit der Leiern gwinn (E minor) – 9. Alleluia (C major) summer
1810[26] 		No. 1: for five voices (MH 577, also K. Anh. C.10.14)[27][28] – No. 2: for four voices (MH 619 or Hob. XXVIIb:Bb1)[29] – No. 3: for four voices (MH 582)[30] – No. 4: for five voices (MH 584)[31] – No. 5: for nine voices[32] – No. 6: for four voices (MH 699, also K. 562b)[33][34] – No. 7: (MH 714) – No. 8: (MH 723) – No. 9: for four voices (K. 553 [scores])
Anh.
III/2 		Schubert's copy of Roser [scores]'s Die Teilung der Erde [de] Nehmt hin die Welt! rief Zeus aus seinen Höhen c. 1810 Text by Schiller; Also Hob. XXVIa:C1[35]
Anh.
III/3 		Schubert's copy of part of Mozart's Symphony No. 41 C major after
29/3/1813 		Start of Minuet (3rd movement)
Anh.
III/4 		Schubert's copy of a canon from Zumsteeg's Elbondocani Hoffnung Kind des Himmels before
fall 1813? 		Text by Haug (transl. from French); For sstb and piano
Anh.
III/5 		Schubert's copy of Zumsteeg's Chor der Derwische Ein Gott, ein wahrer Gott ist nur spring
1813? 		Text by Iffland, from Achmet und Zenide; for ttb
85 Anh.
III/6 		Schubert's copy of Preindl [de]'s Offertory "Clamavi ad te", Op. 16 C major November
1813? 		Only the start of the s part is extant in Schubert's copy
Anh.
III/7 		Schubert's copy of Reichardt's Monolog aus Goethe's Iphigenie [scores] Heraus in eure Schatten 1815 Text by Goethe, from Iphigenia in Tauris; For voice, women's choir and piano
Anh.
III/8 		Schubert's copy of part of Beethoven's Symphony No. 4 B♭ major 1821 or
later 		Start of Adagio, Allegro vivace (1st movement)
Anh.
III/9 		Schubert's copy of the organ part of M. Haydn's Deutsches Hochamt, MH 560 Hier liegt vor deiner Majestät
B♭ major 		? Text by Kohlbrenner; For SATB and organ; Schubert's autograph lost
Anh.
III/10 		Schubert's copy of Preindl [de]'s Mass in C major C major
Kyrie – Gloria – Credo – Sanctus & Benedictus – Agnus Dei 		1821 or
later 		Text: Mass ordinary (Schubert's settings: D 24E, 31, 45, 49, 56, 66, 105, 167, 324, 452, 678, 755 and 950); For SATB and orchestra; Copied by Schubert and his brother Ferdinand
92 Anh.
III/11 		Schubert's copy of a canon by Mozart,[36] K. 440d (formerly K. Anh. 134), after K. 410/484d [scores] Laß immer in der Jugend Glanz ? For two voices; Schubert's autograph lost
127 Anh.
III/12 		Schubert's copy of a canon by Mozart,[36] K. 230/382b [scores] Selig, selig alle, die im Herrn entschliefen! ? Text by Hölty; For two voices; Schubert's autograph lost
Anh.
III/13 		Schubert's copy of Beethoven's Abendlied unterm gestirnten Himmel, WoO 150 [scores] Wenn die Sonne niedersinket after
March 1820 		Text by Goeble; Schubert's autograph transposed, incomplete

Not in the Deutsch catalogue

The New Schubert Edition mentions several compositions without a Deutsch number (D deest), most of them lost or fragmentary:

References

  1. ^ Newbould 1999.
  2. ^ Hilmar & Jestremski 2004.
  3. ^ Badura-Skoda & Branscombe 2008.
  4. ^ Deutsch 1951, pp. xvi–xvii.
  5. ^ Reed 1997, pp. 483–484.
  6. ^ Van Hoorickx 1971.
  7. ^ a b c d e f g Deutsch 1951.
  8. ^ a b c d e f Deutsch 1978.
  9. ^ a b c NSA website.
  10. ^ a b AGA 1884–1897.
  11. ^ a b c NSA scores.
  12. ^ History at Neue Schubert-Ausgabe website.
  13. ^ 50 Jahre "Neue Schubert-Ausgabe" at AdW Mainz website. 5 May 2015.
  14. ^ Schubert-online.
  15. ^ a b c LiederNet Archive.
  16. ^ a b Reed 1997.
  17. ^ a b c d e f g h NSA II, 15, p. IX (in Introduction).
  18. ^ NSA website, Winterabend.
  19. ^ NSA website, Winterlied, D 324A.
  20. ^ a b c d e Kube 2009.
  21. ^ NSA website, D. Anh. I/6A.
  22. ^ Elsholz 1982.
  23. ^ NSA website, D. Anh. I/30.
  24. ^ Mozart, Haydn & Haydn 2008, No. 21: "Vom Gluck sei alles dir beschert", MH 619.
  25. ^ Hob., "Vom Glück sei alles Dir beschert", Hob XXVIIb:B1.
  26. ^ Schubert-online, Anhang III,1 Michael Haydn und andere Komponisten: Neun Kanons.
  27. ^ Mozart, Haydn & Haydn 2008, No. 18: "Es packe dich das Gluck", MH 577.
  28. ^ K., "Es packe dich das Glück beim Kragen", KV Anh C.10.14.
  29. ^ RISM 400187433
  30. ^ Mozart, Haydn & Haydn 2008, No. 19: "Gluck fehl dir vor allen", MH 582.
  31. ^ Mozart, Haydn & Haydn 2008, No. 22: "Wohlsein, Freude", MH 584.
  32. ^ Hilmar & Jestremski 2004, p. 361.
  33. ^ Mozart, Haydn & Haydn 2008, No. 17: "Adam hat sieben Sohn", MH 699.
  34. ^ Keefe 2006, p. 135.
  35. ^ Hob., "Die Teilung der Erde", Hob XXVIa:C1.
  36. ^ a b Van Hoorickx 1974–1976.
  37. ^ NSA website, #1228: (Lied improvised for a play).
  38. ^ NSA website, #1229: Seliges Genügen.
  39. ^ NSA website, #1230: (Liedfragment).
  40. ^ NSA website, #1232: (Fragment ohne Text).
  41. ^ NSA website, #1233: "doch stärker ist die Mutterliebe".
  42. ^ NSA website, #1234: Ouvertüre.
  43. ^ NSA website, #1235: Streichquartett in B.
  44. ^ NSA website, #1236: Fantasie.
  45. ^ NSA website, #1237: Streichsextett.
  46. ^ NSA website, #1238: Fuge.
  47. ^ NSA website, #1239: "Lieder für das Pianoforte".
  48. ^ NSA website, #1240: Menuett.
  49. ^ NSA website, #1241: Canon a trè.
  50. ^ NSA website, #1242: Kanon in C.
  51. ^ NSA scores, VIII, 2 No. 10.

Sources

Multi-volume editions, websites and catalogues

Other

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