Lists of
Compositions by
Franz Schubert
By genre
Publications

Franz Schubert's compositions of 1812 are mostly in the Deutsch catalogue (D) range D 13–37,[1] and include:

Table

Legend

Legend to the table
column content
1 D '51 Deutsch number in the first version of the Deutsch catalogue (1951)[2]
2 D utd most recent (utd = up to date) Deutsch catalogue number;[3] the basic collation of the list is according to these numbers – whether or not the possibility to adjust the sorting according to the content of other columns is available depends on the device with which the table is displayed.
3 Op.
pbl 		Opus number (Op.; p indicates Post. = posthumous) and date of first publication (pbl; between brackets; when there is more than one date the earlier dates indicate partial publications). The column sorts to Opus number, then (earliest of) the publication date(s)
4 AGA Alte Gesamt-Ausgabe = Franz Schubert's Werke: Kritisch durchgesehene Gesammtausgabe. Indicates genre/instrumentation:[4]
5 NSA NGA/NSA/NSE = New Schubert Edition, also indicates genre/instrumentation:[5]
6 Name unique name, with, if available, a link to the relevant encyclopedia article; sorts by name with initial definite ("Der", "Die", "Das", ...) or indefinite ("Ein", "A", ...) articles, and numbers, moved after the expression they qualify: e.g. "Die Hoffnung, ..." sorts as "Hoffnung, Die, ..." – "Thirty Minuets ..." sorts as "Minuets, 30, ...".
7 Key / incipit incipit mostly for songs[6] (linking to lyrics and their translation, for instance at The LiederNet Archive, when available),[7] other compositions by key, except for Schubert's stage works: type of composition in brackets.
8 Date (presumed) date of composition, or, for copies and arrangements, date of Schubert's autograph. Sorts to earliest possible date of completion, unlike the chronology of the Deutsch catalogue that generally collates according to earliest date associated with the composition: e.g. Schubert started the composition of his 3rd String Quartet on 19 November 1812 and completed it on 21 February 1813 – in the Deutsch catalogue the composition is grouped with other compositions from 1812: when using the sort function of the 8th column the composition is grouped with compositions completed in 1813
9 Additional info may include:
  • Information about the text (lyrics,[6][7] libretto) of vocal compositions: e.g., "Text by [text author]", "Text: [standard lyrics]", "... from [literary work]"; "other settings: D ..." indicates Schubert's other settings of the same text; for fields starting with "Text ..." this column sorts by text author (last name, first name—or pen name when such name is more established), then incipit of the lyrics (alternatively, when the incipit is rarely used, title of the work)
  • Information about the authenticity of the composition: the work is without doubt Schubert's unless when marked as "Doubtful", "Spurious?" or "Spurious" (in the last case columns 3–8 give no further information about the composition)
  • Forces needed for performance ("For ..."):
    • may be omitted when the type of composition makes the instrumentation clear (e.g. String Quartet → two violins, viola and cello), and, for vocal music, when the setting is for voice and piano
    • "s", "a", "t" and "b" refer to a single soprano, alto, tenor and bass singer respectively, while "S", "A", "T" and "B" to choral parts for the same types of singers (see SATB).
  • Specifications regarding movements (e.g. "Allegro – Minuet – Rondo") or sections (e.g. "No. 1 ...")
  • Information about the completeness of the extant work: the work is considered complete as extant unless when marked "Sketch", "Incomplete", "Unfinished", "Fragment" or "Lost"
  • Information about versions (e.g. "Two versions: ...")

List

Compositions by Franz Schubert listed in the Deutsch catalogue for 1812
D
'51 		D
utd 		Op.
pbl 		AGA NSA Name Key / incipit Date Additional info
13 13 VII/2, 4 Fugue, D 13 D minor c. 1812 For piano?; By Schubert?
14 14 Overture, D 14 c. 1812 Piano sketch; Lost
15 15 (1895) XX, 10
No. 590/1 		IV, 7
Anh. No. 5 		Der Geistertanz, D 15 Die bretterne Kammer der Toten erbebt c. 1812 Text by Matthisson (other settings: D 15A, 116 and 494); Fragment
15 15A (1895) XX, 10
No. 590/2 		IV, 7
Anh. No. 6 		Der Geistertanz, D 15A Die bretterne Kammer der Toten erbebt c. 1812 Text by Matthisson (other settings: D 15, 116 and 494); Fragment
16 16 (1940) VIII, 2
No. 11 		Counterpoint exercises, D 16 G minor (Nos. 1–4); A minor (Nos. 5–7) 1823? Seven exercises in double counterpoint
17 17 (1940) VIII, 2
No. 37 		Composition exercises, D 17 Quell' innocente figlio 1812? Text by Metastasio, from Isacco I, "Aria dell' Angelo"; Nine settings with corrections by Salieri; No. 1, for s, related to D 30; No. 2 for ss; Nos. 3 and 5–6 for sat; Nos. 4 and 7–8 for satb (No. 7 not in 1940 publ.)
18 18 (1890) V No. 1 VI, 3 No. 1 String Quartet No. 1 G minor / B major 1810–1811 Andante, Presto vivace – Minuet – Andante – Presto
19 19 String Quartet, D 19 1810–1811 Lost
19A 19A String Quartet, D 19A 1810–1811 Lost
19B Waltzes and a March, D 19B 1812–1813? For piano; Lost
20 20 Overture, D 20 B♭ major 1812 For string quartet; Lost
21 21 Six Variations, D 21 E♭ major 1812 For piano; Lost
22 22 Twelve Minuets with Trios, D 22 1812 For piano; Lost
23 23 131p,3
(1830) 		XX, 1
No. 6 		IV, 6
No. 4 		Klaglied Meine Ruh ist dahin, meine Freud ist entflohn 1812 Text by Rochlitz
24 24 Seven Variations, D 24 F major 1812? For piano; Fragment; Lost
24A VII/2, 4 Fugue, D 24A C major summer
1812? 		For keyboard (organ or piano); Partly reused in D 24E
24B VII/2, 4 Fugue, D 24B G major summer
1812? 		For keyboard (organ or piano); Two versions
24C VII/2, 4 Fugue, D 24C D minor summer
1812? 		For keyboard (organ or piano)
24D VII/2, 4 Anh. Fugue, D 24D C major summer
1812? 		For piano; Fragment; Partly reused in D 46
24E I, 5 Anh. Mass, D 24E F major?
Gloria – Credo 		summer
1812? 		Text: Mass ordinary (other settings: D 31, 45, 49, 56, 66, 105, 167, 324, 452, 678, 755 and 950); For SATB and orchestra; Fragment of a Gloria and a Credo; Partly based on D 24A
25 25 VIII, 2 Counterpoint exercises, D 25 started
18/6/1812 		Four 2-part and three 3-part counterpoint exercises; Four 2-part imitation exercises
25A VIII, 2 Counterpoint exercises, D 25A summer
1812? 		Two 4-part counterpoint exercises
25B VIII, 2 Counterpoint exercises, D 25B summer
1812? 		Fifteen 3-part counterpoint exercises
25C VIII, 2 Fugue, D 25C F major summer
1812? 		Counterpoint exercise for two voices; Fragment
26 26 (1886) II No. 2 V, 5 Overture, D 26 D major 26/6/1812 For orchestra
27 27 (1928) I, 8 Salve Regina, D 27 F major
Salve Regina 		28/06/1812 Text: Salve Regina (other settings: D 106, 223, 386, 676 and 811); For s and orchestra
28 28 (1923) VI, 7 No. 1 Piano Trio, D 28, a.k.a. Sonata B♭ major 27/7/1812–
28/8/1812 		Allegro
29 29 (1888) XI No. 9 VII/2, 4 Andante, D 29 C major 9/9/1812 For piano; Related to D 3 and 36
30 30 (1894) XX, 1
No. 5 		IV, 4 Der Jüngling am Bache, D 30 An der Quelle saß der Knabe 24/9/1812 Text by Schiller (other settings: D 192 and 638)
31 31 (1888) XIV No. 14 I, 5 Kyrie, D 31 D minor
Kyrie 		25/9/1812 Text: Mass ordinary (other settings: D 24E, 45, 49, 56, 66, 105, 167, 324, 452, 678, 755 and 950); For stSATB and orchestra; First part of a Mass
32 32 (1890)
(1897)
(1954) 		V No. 2
XXII v5 		VI, 3 No. 4 String Quartet No. 2 C major Sep.–Oct.
1812 		Presto (publ. in 1890) – Andante – Minuet (publ. in 1890, music partly reappears in D 128 No. 12) – Allegro con spirito (publ. partly in 1897)
33 33 (1940) VIII, 2
No. 38 		Composition exercises, D 33 Entra l'uomo allor che nasce Sep.–Oct.
1812 		Text by Metastasio, from Isacco II, "Aria di Abramo"; Six settings (No. 1 for s, Nos. 2 for sa, No. 3 for sat, Nos. 4–6 for satb) and an Allegretto (b?), with corrections by Salieri
34 34 (1940) VIII, 2
No. 39 		Composition exercises, D 34 Te solo adoro 5/11/1812 Text by Metastasio, from Betulia liberata II, "Aria di Achior"; For satb; Two versions of start; With corrections by Salieri
35 35 (1940) VIII, 2
No. 40 		Composition exercises, D 35 Serbate, o Dei custodi Oct.–Dec.
1812 		Text by Metastasio, from La clemenza di Tito I, 5; Three settings (No. 1 for satb, No. 2 for SATB, No. 3 for t and accompaniment); With corrections by Salieri
36 36 (1890) V No. 3 VI, 3 No. 5 String Quartet No. 3 B♭ major 19/11/1812–
21/2/1813 		Allegro – Andante – Minuet – Allegretto
37 37 74
(1827) 		XIX
No. 1 		III, 3 No. 1 Die Advokaten Mein Herr, ich komm' mich anzufragen 25/12/1812–
27/12/1812 		Text by Rustenfeld [scores]; For ttb and piano

References

  1. ^ Deutsch 1978, pp. 15–29.
  2. ^ Deutsch 1951.
  3. ^ NSA website.
  4. ^ AGA 1884–1897.
  5. ^ NSA scores.
  6. ^ a b Reed 1997.
  7. ^ a b LiederNet Archive.

Sources

Multi-volume editions, websites and catalogues

Other

Categories