Lists of
Compositions by
Franz Schubert
By genre
Publications

Franz Schubert's compositions of 1817 are mostly in the Deutsch catalogue (D) range D 511–598,[1] and include:

Table

Legend

Legend to the table
column content
1 D '51 Deutsch number in the first version of the Deutsch catalogue (1951)[2]
2 D utd most recent (utd = up to date) Deutsch catalogue number;[3] the basic collation of the list is according to these numbers – whether or not the possibility to adjust the sorting according to the content of other columns is available depends on the device with which the table is displayed.
3 Op.
pbl 		Opus number (Op.; p indicates Post. = posthumous) and date of first publication (pbl; between brackets; when there is more than one date the earlier dates indicate partial publications). The column sorts to Opus number, then (earliest of) the publication date(s)
4 AGA Alte Gesamt-Ausgabe = Franz Schubert's Werke: Kritisch durchgesehene Gesammtausgabe. Indicates genre/instrumentation:[4]
5 NSA NGA/NSA/NSE = New Schubert Edition, also indicates genre/instrumentation:[5]
6 Name unique name, with, if available, a link to the relevant encyclopedia article; sorts by name with initial definite ("Der", "Die", "Das", ...) or indefinite ("Ein", "A", ...) articles, and numbers, moved after the expression they qualify: e.g. "Die Hoffnung, ..." sorts as "Hoffnung, Die, ..." – "Thirty Minuets ..." sorts as "Minuets, 30, ...".
7 Key / incipit incipit mostly for songs[6] (linking to lyrics and their translation, for instance at The LiederNet Archive, when available),[7] other compositions by key, except for Schubert's stage works: type of composition in brackets.
8 Date (presumed) date of composition, or, for copies and arrangements, date of Schubert's autograph. Sorts to earliest possible date of completion, unlike the chronology of the Deutsch catalogue that generally collates according to earliest date associated with the composition: e.g. Schubert started the composition of his 3rd String Quartet on 19 November 1812 and completed it on 21 February 1813 – in the Deutsch catalogue the composition is grouped with other compositions from 1812: when using the sort function of the 8th column the composition is grouped with compositions completed in 1813
9 Additional info may include:
  • Information about the text (lyrics,[6][7] libretto) of vocal compositions: e.g., "Text by [text author]", "Text: [standard lyrics]", "... from [literary work]"; "other settings: D ..." indicates Schubert's other settings of the same text; for fields starting with "Text ..." this column sorts by text author (last name, first name—or pen name when such name is more established), then incipit of the lyrics (alternatively, when the incipit is rarely used, title of the work)
  • Information about the authenticity of the composition: the work is without doubt Schubert's unless when marked as "Doubtful", "Spurious?" or "Spurious" (in the last case columns 3–8 give no further information about the composition)
  • Forces needed for performance ("For ..."):
    • may be omitted when the type of composition makes the instrumentation clear (e.g. String Quartet → two violins, viola and cello), and, for vocal music, when the setting is for voice and piano
    • "s", "a", "t" and "b" refer to a single soprano, alto, tenor and bass singer respectively, while "S", "A", "T" and "B" to choral parts for the same types of singers (see SATB).
  • Specifications regarding movements (e.g. "Allegro – Minuet – Rondo") or sections (e.g. "No. 1 ...")
  • Information about the completeness of the extant work: the work is considered complete as extant unless when marked "Sketch", "Incomplete", "Unfinished", "Fragment" or "Lost"
  • Information about versions (e.g. "Two versions: ...")

List

Compositions by Franz Schubert listed in the Deutsch catalogue for 1817
D
'51 		D
utd 		Op.
pbl 		AGA NSA Name Key / incipit Date Additional info
511 511 VII/2, 6 Écossaise, D 511 E♭ major c. 1817 For piano
513 513 (1891) XVI
No. 19 		III, 3 Anh. II No. 4 La pastorella al prato, D 513 La pastorella al prato 1817? Text by Goldoni, from Il filosofo di campagna II, 16 (other setting: D 528); For ttbb and piano
513A IV, 11 Nur wer die Liebe kennt Nur wer die Liebe kennt 1817? Text by Werner; Sketch
514 514 7,1
(1823) 		XX, 5
No. 300 		IV, 1a Die abgeblühte Linde Wirst du halten, was du schwurst 1817? Text by Széchényi [scores]
515 515 7,2
(1823) 		XX, 5
No. 301 		IV, 1a Der Flug der Zeit Es floh die Zeit im Wirbelfluge 1817? Text by Széchényi [scores]
516 516 8,2
(1822) 		XX, 6
No. 386 		IV, 1a &
Anh. No. 5 		Sehnsucht, D 516 Der Lerche wolkennahe Lieder 1816? Text by Mayrhofer
517 517 13,1
(1822)
(1972) 		XX, 5
No. 293 		IV, 1a Der Schäfer und der Reiter Ein Schäfer saß im Grünen April 1817 Text by Motte Fouqué; Two versions: 2nd, in AGA, is Op. 13 No. 1
518 518 (1824) XX, 5
No. 326 		IV, 5 An den Tod Tod, du Schrecken der Natur 1816 or 1817 Text by Schubart; For b and piano
519 519 173p,5
(1867) 		XX, 5
No. 299 		IV, 11 Die Blumensprache Es deuten die Blumen des Herzens Gefühle 1817? Text by Platner [scores] (?)
520 520 (1850)
(1895) 		XX, 5
No. 289 		IV, 11 Frohsinn Ich bin von lockerem Schlage January
1817 		Text by Castelli; Two versions: 1st in AGA
521 521 (1830)
(1895) 		XX, 5
No. 290 		III, 3 No. 16
Anh. I No. 6 		Jagdlied Trarah! Trarah! Wir kehren daheim January
1817 		Text by Werner, from Wanda, Königin der Sarmaten I (other text in 1830 ed.); For voice (or: unison choir) and piano
522 522 (1895) XX, 5
No. 291 		IV, 11 Die Liebe, D 522 Wo weht der Liebe hoher Geist? January
1817 		Text by Leon [de]
523 523 (1885) XX, 5
No. 292 		IV, 11 Trost, D 523 Nimmer lange weil' ich hier January
1817
524 524 13,3
(1822)
(1895)
(1970) 		XX, 5
No. 295 		IV, 1a &
b No. 12 		Der Alpenjäger, D 524 Auf hohem Bergesrücken January
1817 		Text by Mayrhofer; Three versions: 2nd, not in AGA, is for b and piano – 3rd is Op. 13 No. 3
525 525 21,3
(1823)
(1970) 		XX, 5
No. 296 		IV, 1a &
b No. 18 		Wie Ulfru fischt Der Angel zuckt, die Rute bebt January
1817 		Text by Mayrhofer; For b and piano; Two versions: 2nd, in AGA, is Op. 21 No. 3
526 526 (1832) XX, 5
No. 297 		IV, 11 Fahrt zum Hades Der Nachen dröhnt January
1817 		Text by Mayrhofer; For b and piano
527 527 24,2
(1823)
(1975) 		XX, 5
No. 298 		IV, 2a &
b No. 2 		Schlaflied a.k.a. Abendlied a.k.a. Schlummerlied Es mahnt der Wald January
1817 		Text by Mayrhofer; Two versions: 2nd, in AGA, is Op. 24 No. 2
528 528 (1872) XX, 10
No. 574 		IV, 11 La pastorella al prato, D 528 La pastorella al prato January
1817 		Text by Goldoni, from Il filosofo di campagna II, 16 (other setting: D 513); Arietta for soprano and piano
529 529 (1871)
(1897) 		XII
No. 11
XXI, 3
No. 30 		VII/2, 6 Eight Écossaises, D 529 Various keys February
1817 		For piano; Nos. 1–3, 6 and 8 publ. 1871
530 530 109p,3
(1829) 		XX, 4
No. 273 		IV, 11 An eine Quelle Du kleine grünumwachs'ne Quelle February
1817 		Text by Claudius
531 531 7,3
(1823) 		XX, 5
No. 302 		IV, 1a Der Tod und das Mädchen Vorüber, ach vorüber February
1817 		Text by Claudius; Music partly reappears in D 810
532 532 (1895) XX, 5
No. 303 		IV, 11 Das Lied vom Reifen Seht meine lieben Bäume an February
1817 		Text by Claudius; Fragment (completed in AGA)
533 533 (1876)
(1895) 		XX, 5
No. 304 		IV, 11 Täglich zu singen Ich danke Gott und freue mich February
1817 		Text by Claudius; 1876 publ. is piano reduction
534 534 (1830) XX, 5
No. 305 		IV, 11 Die Nacht, D 534 Die Nacht ist dumpfig und finster February
1817 		Text by Macpherson (Ossian), from Domhnull mac Fhionnlaidh, transl. by E. Baron de Harold
535 535 (1853)
(1895) 		XX, 10
No. 585 		III, 1 Lied, D 535 Brüder, schrecklich brennt die Träne February
1817 		For s and small orchestra; 1853 ed. is arrangement
536 536 21,2
(1823)
(1970) 		XX, 5
No. 318 		IV, 1a &
b No. 17 		Der Schiffer, D 536 Im winde, im Sturme 1817? Text by Mayrhofer; For b and piano; Two versions: 2nd, in AGA, is Op. 21 No. 2
537 537 164p
(1852) 		X No. 6 VII/2, 1
No. 4 		Piano Sonata, D 537 A minor March 1817 Allegro ma non troppo – Allegretto quasi Andantino – Allegro vivace
538 538 (1891) XVI
No. 33 		III, 4
No. 42 		Gesang der Geister über den Wassern, D 538 Des Menschen Seele gleicht dem Wasser March 1817 Text by Goethe (other settings: D 484, 705 and 714); For ttbb
539 539 8,4
(1822) 		XX, 5
No. 306 		IV, 1a Am Strome Ist mir's doch, als sei mein Leben March 1817 Text by Mayrhofer
540 540 (1831) XX, 5
No. 307 		IV, 11 Philoktet Da sitz' ich ohne Bogen March 1817 Text by Mayrhofer
541 541 6,1
(1821) 		XX, 5
No. 308 		IV, 1a Memnon Den Tag hindurch nur einmal mag ich sprechen March 1817 Text by Mayrhofer
542 542 6,2
(1821) 		XX, 5
No. 309 		IV, 1a Antigone und Oedip Ihr hohen Himmlischen March 1817 Text by Mayrhofer
543 543 92,2
(1828)
(1895) 		XX, 5
No. 310 		IV, 5 Auf dem See Und frische Nahrung March 1817 Text by Goethe; Two versions: 2nd is Op. 92 No. 2
544 544 19,3
(1825) 		XX, 5
No. 311 		IV, 1a Ganymed Wie im Morgenglanze March 1817 Text by Goethe
545 545 (1872)
(1895) 		XX, 5
No. 312 		IV, 11 Der Jüngling und der Tod Die Sonne sinkt, o könnt ich March 1817 Text by Spaun; Two versions: 1st is duet – 2nd publ. 1872
546 546 101p,3
(1827) 		XX, 5
No. 313 		IV, 5 Trost im Liede Braust des Unglücks Sturm empor March 1817 Text by Schober; Publ. as Op. posth. 101 No. 3 in 1828
547 547 88,4
(1827)
(1895) 		XX, 5
No. 314 		IV, 4 An die Musik Du holde Kunst March 1817 Text by Schober; Two versions: 2nd is Op. 88 No. 4
548 548 (1831) XX, 6
No. 382 		IV, 11 Orest auf Tauris Ist dies Tauris March 1817 Text by Mayrhofer
549 549 (1895) XX, 10
No. 595 		IV, 13 Mahomets Gesang, D 549 Seht den Felsenquell March 1817 Text by Goethe (other setting: D 721); Fragment
550 550 32
(1820)
(1895)
(1975) 		XX, 5
No. 327 		IV, 2a &
b No. 3 		Die Forelle In einem Bächlein helle late 1816–
October 1821 		Text by Schubart; Five versions: 1st–4th in AGA – 4th publ. as Op. 32 in 1827; Music partly reappears in D 667
551 551 (1831) XX, 5
No. 315 		IV, 11 Pax vobiscum Der Friede sei mit euch! April 1817 Text by Schober
552 552 20,3
(1823)
(1970) 		XX, 5
No. 316 		IV, 1a &
b No. 16 		Hänflings Liebeswerbung Ahidi! ich liebe April 1817 Text by Kind; Two versions: 2nd, in AGA, is Op. 20 No. 3; Music related to D 972 No. 3
553 553 21,1
(1823) 		XX, 5
No. 317 		IV, 1a Auf der Donau Auf der Wellen Spiegel April 1817 Text by Mayrhofer; For b and piano
554 554 (1895) XX, 5
No. 319 		IV, 11 Uraniens Flucht Laßt uns, ihr Himmlischen, ein Fest begehen! April 1817 Text by Mayrhofer
555 555 (1934) IV, 11 Liedentwurf, D 555 A minor May 1817? Sketch without text
556 556 (1886) II No. 4 V, 5 Overture, D 556 D major May 1817 For orchestra
557 557 (1888) X No. 3 VII/2, 1
No. 5 		Piano Sonata, D 557 A♭ major May 1817 Allegro moderato – Andante – Allegro
558 558 (1887) XX, 3
No. 120 		IV, 11 Liebhaber in allen Gestalten Ich wollt', ich wär' ein Fisch May 1817 Text by Goethe
559 559 (1885) XX, 3
No. 121 		IV, 11 Schweizerlied Uf'm Bergli bin i g'sässe May 1817 Text by Goethe
560 560 (1850) XX, 3
No. 122 		IV, 11 Der Goldschmiedsgesell Es ist doch meine Nachbarin May 1817 Text by Goethe
561 561 (1872) XX, 5
No. 320 		IV, 11 Nach einem Gewitter Auf den Blumen May 1817 Text by Mayrhofer
562 562 (1895) XX, 5
No. 321 		IV, 11 Fischerlied, D 562 Das Fischergewerbe gibt rüstigen Mut May 1817 Text by Salis-Seewis (other settings: D 351 and 364)
563 563 (1887) XX, 5
No. 322 		IV, 11 Die Einsiedelei, D 563 Es rieselt klar und wehend ein Quell May 1817 Text by Salis-Seewis (other settings: D 337 and 393)
564 564 (1838) XX, 10
No. 596 		IV, 11 Gretchen im Zwinger a.k.a. Gretchens Bitte Ach neige, du Schmerzensreiche May 1817 Text by Goethe, from Faust I, 18; Fragment
565 565 (1876) XX, 5
No. 324 		IV, 11 Der Strom Mein Leben wälzt sich murrend fort June 1817? For b and piano
566 566 (1888)
(1907)
(1928-
29) 		X No. 4 VII/2, 1 No. 6
& Anh. No. 3 		Piano Sonata, D 566 E minor June 1817 Moderato (in AGA) – Allegretto (publ. 1907) – Scherzo (publ. 1928/29); D 506 4th movement?
567
568 		568 122p
(1829)
(1897) 		X No. 7
XXI, 2
No. 9 		VII/2, 1 No. 7
& Anh. Nos. 4–6 		Piano Sonata in D♭ major, D 568;
Piano Sonata in E♭ major, D 568 		D♭ major;
E♭ major 		June 1817 Two versions: 1st, in D♭ major, composed June 1817 – 2nd, in E♭ major, is Op. posth. 122; Allegro moderato – Andante molto – Minuet (2nd version only, D 593 No. 2 for 1st version?) – Allegro moderato (2nd version), Allegretto (fragment, 1st version)
569 569 (1895) XX, 5
No. 323 		III, 3 No. 17 Das Grab, D 569 Das Grab ist tief und stille June 1817 Text by Salis-Seewis (other settings: D 329A, 330, 377 and 643A); For unison men's choir and piano
570 570 (1897) XXI, 3
No. 20 		VII/2, 1 No. 8
Anh. Nos. 8–9 		Scherzo and Allegro D major (scherzo)
F♯ minor (allegro) 		July 1817? For piano; Allegro is fragment; Last movements of D 571?
571 571 (1897) XXI, 2
No. 10 		VII/2, 1
Anh. No. 7 		Piano Sonata, D 571 F♯ minor July 1817 Allegro moderato; Fragment; Completed by (D 604 and) 570?
572 572 (1872) XVI
No. 34 		III, 4
No. 43 		Lied im Freien, D 572 Wie schön ist's im Freien July 1817 Text by Salis-Seewis (other setting: D Anh. I/19; For ttbb
573 573 98,3
(1829) 		XX, 5
No. 325 		IV, 5 Iphigenia Blüht denn hier an Tauris Strande July 1817 Text by Mayrhofer
574 574 162p
(1851) 		VIII
No. 6 		VI, 8 No. 4 Violin Sonata, D 574, a.k.a. (Grand) Duo A major August 1817 Allegro moderato – Scherzo – Andantino – Allegro vivace
575 575 147p
(1846) 		X No. 5 VII/2, 1 No. 9
& Anh. No. 10 		Piano Sonata, D 575 B major August 1817 Allegro ma non troppo – Andante – Scherzo – Allegro giusto
576 576 (1867) XI No. 7 VII/2, 4 13 Variations on a theme by Anselm Hüttenbrenner A minor August 1817 For piano
577 577 (1895) XX, 10
No. 597 		IV, 10 Entzückung an Laura, D 577 Laura, über diese Welt August 1817 Text by Schiller (other setting: D 390); Two fragments of a sketch
578 578 (1838) XX, 10
No. 586 		IV, 11 Abschied, D 578 Lebe wohl! Du lieber Freund! 24/08/1817 Text by Schubert
579 579 (1872)
(1897) 		XX, 5
No. 335
XXII, 11
No. 335 		IV, 11 Der Knabe in der Wiege Er schläft so süß Autumn
1817 		Text by Ottenwalt [scores]; Two versions: 1st publ. 1872 – 2nd is fragment
989 579A (1970) IV, 11 Vollendung Wenn ich einst das Ziel errungen habe Sept. or Oct.
1817? 		Text by Matthisson
989A 579B (1970) IV, 11 Die Erde Wenn sanft entzückt mein Auge sieht Sept. or Oct.
1817? 		Text by Matthisson
580 580 (1928) V, 7 No. 3 Polonaise, D 580 B♭ major September
1817 		For violin and orchestra
581 581 (1897) XXI, 1
No. 5 		VI, 6
No. 2–3 		String Trio, D 581 B♭ major September
1817 		Allegro moderato – Andante – Minuet – Rondo
583 583 24,1
(1823) 		XX, 5
No. 328 		IV, 2a Gruppe aus dem Tartarus, D 583 Horch, wie Murmeln des empörten Meeres September
1817 		Text by Schiller (other settings: D 65 and 396)
584 584 (1830) XX, 5
No. 329 		IV, 11 Elysium Vorüber die stöhnende Klage! September
1817 		Text by Schiller (settings of separate stanzas: D 51, 53, 54, 57, 58 and 60)
585 585 (1833) XX, 5
No. 330 		IV, 11 Atys Der Knabe seufzt übers grüne Meer September
1817 		Text by Mayrhofer
586 586 8,3
(1818) 		XX, 5
No. 331 		IV, 1a Erlafsee Mir ist so wohl, so weh' September
1817 		Text by Mayrhofer; Publ. as Op. 8 No. 3 in 1822
587
245 		587 (1885)
(1895) 		XX, 3
No. 107 		IV, 11 An den Frühling, D 587 Willkommen, schöner Jüngling! October
1817 		Text by Schiller (other settings: D 283 and 338); Two versions: 1st publ. 1885 – 2nd was D 245
588 588 37,2
(1825)
(1897)
(1975) 		XX, 5
No. 332
XXII, 11
No. 332 		IV, 2a &
b No. 7 		Der Alpenjäger, D 588 Willst du nicht das Lämmlein hüten? October
1817 		Text by Schiller; Two versions: 1st incomplete in AGA – 2nd is Op. 37 No. 2
589 589 (1885) I, 2
No. 6 		V, 2
No. 6 		Symphony No. 6
Little C major 		C major Oct. 1817–
Feb. 1818 		Adagio, Allegro – Andante – Scherzo – Allegro moderato
590 590 (1886) II No. 5 V, 5 Overture in the Italian Style, D 590 D major November
1817 		For orchestra; Piano duet arrangement: D 592; Music partly reappears in D 644
591 591 170p
(1865) 		II No. 6 V, 5 Overture in the Italian Style, D 591 C major November
1817 		For orchestra; Piano duet arrangement: D 597
592 592 (1872) IX, 2
No. 10 		VII/1, 5
No. 1 		Overture in the Italian Style, D 592 D major December
1817 		For piano duet; Arrangement of D 590
593 593 (1871) XI No. 15 VII/2, 4 Two Scherzi Various keys November
1817 		For piano; No. 2 related to D 568
594 594 110p
(1829) 		XX, 5
No. 333 		IV, 11 Der Kampf Nein, länger werd' ich diesen Kampf nicht kämpfen November
1817 		Text by Schiller; For b and piano
595 595 88,2
(1827)
(1895) 		XX, 5
No. 334 		IV, 4 Thekla: Eine Geisterstimme, D 595 Wo ich sei, und wo mich hingewendet November
1817 		Text by Schiller (other setting: D 73); Two versions: 2nd is Op. 88 No. 2
596 596 (1895) XX, 10
No. 598 		IV, 11 Lied eines Kindes Lauter Freude fühl' ich November
1817 		Fragment
597 597 (1872) IX, 2
No. 9 		VII/1, 5
No. 2 		Overture in the Italian Style, D 597 C major Nov. or Dec.
1817 		For piano duet; Arrangement of D 591
597A 597A Variations A major December
1817 		Lost sketch for violin
598
641 		598 11,1
(1822)
(1891) 		XVI
No. 4 &
No. 46 		III, 3 No. 24
Anh. IV No. 4 		Das Dörfchen Ich rühme mir mein Dörfchen hier December
1817 		Text by Bürger; For ttbb and piano; Two versions: 1st is sketch without piano – 2nd, Op. 11 No. 1, was D 641

References

  1. ^ Deutsch 1978, pp. 299–347.
  2. ^ Deutsch 1951.
  3. ^ NSA website.
  4. ^ AGA 1884–1897.
  5. ^ NSA scores.
  6. ^ a b Reed 1997.
  7. ^ a b LiederNet Archive.

Sources

Multi-volume editions, websites and catalogues

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