The following is an incomplete list of works by the Flemish painter Anthony van Dyck (1599–1641).
Between 1613 and 1632, van Dyck travelled all over Europe – from his native Antwerp (where he began working as a painter, initially under Hendrick van Balen and later with Peter Paul Rubens), to England for a brief stay at the court of James I and then to Italy, where he had the chance to get to know the old masters. He then finally settled back in Flanders.
| Title | Year | Collection | City and country | Material | Dimensions | Image |
|---|---|---|---|---|---|---|
| Self-portrait (1613–14) | 1613–1614 | Academy of Fine Arts Vienna | Vienna  AUT
|
Oil on canvas | 25,8 × 19,5 cm | _(cropped_to_painted_surface).jpg)
|
| Self-portrait (1617–18) | 1617–1618 | Alte Pinakothek | Munich  DEU
|
Oil on canvas | 82,5 × 70 cm | 
|
| Portrait of Cornelius van der Geest | 1619–1620 | National Gallery | London  GBR
|
Oil on panel | 37,5 × 32,5 cm | 
|
| Portrait of a Lady | ca. 1620 | Legion of Honor Museum, Fine Arts Museums of San Francisco | San Francisco USA
|
Oil on Canvas | 148 x 109.2 cm | 
|
| Self-portrait 1620–21 | 1620–1621 | Metropolitan Museum of Art | New York City USA
|
Oil on canvas | 119,7 × 87,9 cm | 
|
| Portrait of Thomas Howard, 2nd Earl of Arundel | 1620–1621 | Getty Museum | Los Angeles USA
|
Oil on panel | 102,8 × 79,4 cm | 
|
| Portrait of Agostino Pallavicini | 1621 | Getty Museum | Los Angeles USA
|
Oil on canvas | 217.5 × 142.2 cm | 
|
| Portrait of Isabella Brant | 1621 | National Gallery of Art | Washington, D.C. USA
|
Oil on canvas | 153 × 120 cm | 
|
| Portrait of Frans Snyders and his wife Margareta de Vos | 1621 | Gemäldegalerie | Kassel DEU
|
Oil on canvas | 82 × 110 cm | 
|
| Portrait of Sir Robert Shirley | 1622 | Petworth House | Petworth GBR
|
Oil on canvas | 200 × 133,5 cm | 
|
| Portrait of Lady Theresa Shirley | 1622 | Petworth House | Petworth GBR
|
Oil on canvas | 200 × 133,4 cm | 
|
| Portrait of François Duquesnoy | 1622 | Royal Museums of Fine Arts of Belgium | Brussels  BEL
|
Oil on canvas | 77,5 × 61 cm | 
|
| Luigia Cattaneo-Gentile | 1622 circa | Musée des Beaux-Arts | Strasbourg  FRA
|
Oil on canvas | 147 × 112 cm | 
|
| Self-portrait 1622–23 | 1622–1623 | Hermitage Museum | Saint Petersburg  RUS
|
Oil on canvas | 116,5 × 93,5 cm |
|
| Portrait of marchesa Lomellini with her children | 1623 | São Paulo Museum of Art | São Paulo  BRA
|
Oil on canvas | 221 × 152 cm | 
|
| Portrait of Elena Cattaneo | 1623 | National Gallery of Art | Washington DC USA
|
Oil on canvas | 246 × 173 cm | 
|
| Portrait of cardinal Guido Bentivoglio | 1623 | Palazzo Pitti | Florence  ITA
|
Oil on canvas | 196 × 145 cm | 
|
| The Lomellini Family | 1623 | National Gallery of Scotland | Edinburgh GBR
|
Oil on canvas | 265 × 248 cm | 
|
| Portrait of Emanuele Filiberto, prince of Savoy | 1624 | Dulwich Picture Gallery | London GBR
|
Oil on canvas | 126 × 99,6 cm | 
|
| Portrait of a Genoese Noblewoman with her Son | 1625 | National Gallery of Art | Washington DC USA
|
Oil on canvas | 189 × 139 cm | 
|
| Portrait of a man in armour | 1625–1627 | Cincinnati Art Museum | Cincinnati USA
|
Oil on canvas | 137,2 × 121,3 | 
|
| Portrait of Jan van Monfort | 1626–1628 | Kunsthistorisches Museum | Vienna AUT
|
Oil on canvas | 114,5 × 88,5 cm | 
|
| Portrait of Johannes Baptista Franck | 1626–1632 | Kunsthistorisches Museum | Vienna AUT
|
Oil on canvas | 117 × 91 cm | 
|
| Equestrian Portrait of Anton Giulio Brignole-Sale | 1627 | Palazzo Rosso | Genoa ITA
|
Oil on canvas | 282 × 198 cm | 
|
| Double portrait of Cornelis and Lucas de Wael | 1627 | Capitoline Museums | Rome ITA
|
Oil on canvas | 120 × 101 cm | 
|
| Man with a Lute | 1627 circa | Museo del Prado | Madrid  ESP
|
Oil on canvas | 128.7 x 101 cm | 
|
| Count Hendrik van den Bergh | 1627-1632 | Museo del Prado | Madrid ESP
|
Oil on canvas | 114 x 100 cm | 
|
| Portrait of Nicholas Lanier | 1628 | Kunsthistorisches Museum | Vienna AUT
|
Oil on canvas | 111,5 × 87,5 | 
|
| Portrait of the Archduchess Isabella dressed as a widow | 1628–1629 | Galleria Sabauda | Turin ITA
|
Oil on canvas | 183 × 121 cm | 
|
| Portrait of Frederick Henry, prince of Orange | 1628–1629 | Baltimore Museum of Art | Baltimore USA
|
Oil on canvas | 112,5 × 95 cm | 
|
| Portrait of the duke of Arenberg | 1628–1632 | Holkham Hall | Holkham GBR
|
Oil on canvas | 315 × 240 cm | 
|
| Portrait of a Man | 1628-1632 | Museo del Prado | Madrid ESP
|
Oil on canvas | 112 x 100 cm | 
|
| Portrait of Jean-Charles della Faille | 1629 | Royal Museums of Fine Arts of Belgium | Brussels BEL
|
Oil on canvas | 130,8 × 118,5 | 
|
| Portrait of Maria Luisa de Tassis | 1629 | Castle of the Prince of Liechtenstein | Vaduz  LIE
|
Oil on canvas | 128,2 × 99,5 cm | 
|
| Portrait of Carolus Scribani | 1629 | Kunsthistorisches Museum | Vienna AUT
|
Oil on canvas | 117,5 × 104 cm | .jpg)
|
| Portrait of Olivia Boteler Porter | 1630s | Bowes Museum | Barnard Castle GBR
|
Oil on canvas | 
| |
| Portrait of a Man With Gloves | 1630 | Kunsthistorisches Museum | Vienna AUT
|
Oil on canvas | 111 × 85 cm | 
|
| Portrait of Martin Rijckaert | 1630 | Museo del Prado | Madrid ESP
|
Oil on canvas | 148 × 113 cm | 
|
| Portrait of a General Wearing a Red Sash | 1630–1632 | Gemäldegalerie Alte Meister | Dresden DEU
|
Oil on canvas | 90 × 70 cm | 
|
| Portrait of Maria de' Medici | 1631 | Musée des Beaux-Arts | Bordeaux FRA
|
Oil on canvas | 246 × 148 | 
|
| Portrait of Gaston d'Orléans | 1631 | Musée Condé | Chantilly FRA
|
Oil on canvas | 193 × 119 cm | .jpg)
|
| Portrait of Philippe Le Roy, Lord of Ravels | 1631 | Wallace Collection[1] | London GBR
|
Oil on panel | 213 × 120 cm | 
|
| Portrait of Jacques Le Roy | 1631 | Thyssen-Bornemisza Museum | Madrid ESP
|
Oil on canvas | 117.8 x 100.6 cm | 
|
| Portrait of Prince Charles Louis | 1631–1632 | Kunsthistorisches Museum | Vienna AUT
|
Oil on canvas | 176 × 96 cm | 
|
| Portrait of Prince Rupert of the Rhine | 1631–1632 | Kunsthistorisches Museum | Vienna AUT
|
Oil on canvas | 175 × 95,5 cm | 
|
From 1632 until his death in 1641, van Dyck travelled regularly to London and the court of his patron Charles I. An art lover, Charles I made van Dyck his Principal Painter and a baronet. In between he spent short periods in Antwerp, Brussels and Paris, where he hoped to become a court painter to Louis XIII of France.
| Title | Year | Location | City and country | Material | Dimensions | Image |
|---|---|---|---|---|---|---|
| Portrait of King Charles I and Queen Henrietta Maria | 1632 | Archiepiscopal Palace | Kroměříž  CZE
|
Oil on canvas | 113,5 × 163 cm | 
|
| Portrait of Charles I in his Garter Robes | 1632 | Gemäldegalerie Alte Meister | Dresden DEU
|
Oil on canvas | 123 × 96,5 cm | .jpg)
|
| Portrait of Charles I in Armour | 1632 | Arundel Castle | Arundel GBR
|
Oil on canvas | 100 × 81,8 cm | .jpg)
|
| Portrait of Henrietta Maria | 1632 | Royal Collection | Windsor GBR
|
Oil on canvas | 108,6 × 86 cm | 
|
| Great Peece | 1632 | Royal Collection | Windsor GBR
|
Oil on canvas | 146 × 254 cm | 
|
| Portrait of Philip, Lord Wharton | 1632 | National Gallery of Art | Washington DC USA
|
Oil on canvas | 132 × 106 cm | 
|
| Self-portrait with a sunflower | 1632–1633 | Private collection of the Duke of Westminster | GBR
|
Oil on canvas | 60 × 73 cm | 
|
| Portrait of Henrietta Maria with the dwarf Jeffrey Hudson | 1633 | National Gallery of Art | Washington DC USA
|
Oil on canvas | 219,1 × 134,8 cm | 
|
| Portrait of Thomas Wentworth, 1st Earl of Strafford | 1632–1633 | Private Collection | Oil on canvas | 213,2 × 138,2 cm | 
| |
| Portrait of Lady Venezia Digby as Prudence | 1633–1634 | National Portrait Gallery | London GBR
|
Oil on canvas | 101,1 × 80,2 cm | 
|
| Portrait of Lord George Stuart | 1633–1634 | National Portrait Gallery | London GBR
|
Oil on canvas | 218,4 × 133,4 cm | 
|
| Portrait of the Cardinal-Infante Ferdinand of Austria | 1634 circa | Museo del Prado | Madrid ESP
|
Oil on canvas | 107 x 106 cm | 
|
| Portrait of Marie-Claire de Croÿ, Duchess of Havré, and Son | 1634 | Legion of Honor Museum, Fine Arts Museums of San Francisco | San Francisco USA
|
Oil on Canvas | 207 x 123.2 cm | 
|
| Portrait of Charles I with M. de Saint-Antonie, his Riding Master | 1636 | Royal Collection | Windsor GBR
|
Oil on canvas | 368,4 × 269,9 cm | ;_Anthony_Van_Dyck.jpg)
|
| Portrait of James Stuart, duke of Lennox and Richmond | 1633–1634 | Metropolitan Museum of Art | New York City USA
|
Oil on canvas | 215,9 × 127,6 cm | 
|
| Portrait of William Feilding, 1st Earl of Denbigh | 1633–1634 | National Gallery | London GBR
|
Oil on canvas | 247,5 × 148,5 cm | 
|
| Portrait of Robert Rich, 2nd Earl of Warwick | 1634 | Metropolitan Museum of Art | New York City USA
|
Oil on canvas | 208 × 128 cm | 
|
| Portrait of Philip Herbert, 4th Earl of Pembroke | 1634 | National Gallery of Victoria | Melbourne  AUS
|
Oil on canvas | 105,4 × 83,8 cm | 
|
| Magistrate of Brussels | 1634 | Private collection | GBR
|
Oil on canvas | 
| |
| Portrait of Francisco de Moncada | 1634 | Kunsthistorisches Museum | Vienna AUT
|
Oil on canvas | 111,5 × 86 cm | 
|
| Equestrian Portrait of Francisco de Moncada | 1634 | Louvre | Paris FRA
|
Oil on canvas | 307 × 242 cm | _,_MARQUIS_D%27AYTONA_ET_COMTE_D%27OSSUNA,_1632_vers.jpg)
|
| Equestrian Portrait of Francisco de Moncada | 1634 | Valencia Fine Arts Museum | Valencia ESP
|
Oil on canvas | 303.5 x 293.5 cm | 
|
| Portrait of an Old Woman | 1634 | Kunsthistorisches Museum | Vienna AUT
|
Oil on canvas | 117 × 93 cm | 
|
| Portrait of Prince Tommaso Francesco of Savoia Carignano in Armour | 1634 | Gemäldegalerie | Berlin DEU
|
Oil on canvas | 112 × 103 cm | 
|
| Portrait of Prince Tommaso Francesco of Savoia Carignano | 1634 | Galleria Sabauda | Turin ITA
|
Oil on canvas | 315 × 236 cm | 
|
| Portrait of Quentin Simons | 1634–1635 | Mauritshuis | The Hague  NLD
|
Oil on canvas | 98 × 84 cm | 
|
| Magistrates of Brussels | 1634–35 | Destroyed | Oil on canvas | 
| ||
| Triple Portrait of Charles I | 1635 | Royal Collection | Windsor GBR
|
Oil on canvas | 84,5 × 99,7 cm | 
|
| Portrait of Queen Henrietta Maria | 1635 | Metropolitan Museum of Art | New York City USA
|
Oil on canvas | 105,5 × 84,2 cm | 
|
| The Three Eldest Children of Charles I | 1635 | Galleria Sabauda | Turin ITA
|
Oil on canvas | 153,7 × 156,8 cm | 
|
| The Three Eldest Children of Charles I | 1635 | Royal Collection | Windsor GBR
|
Oil on canvas | 133,4 × 151,8 cm | 
|
| Self-portrait with Sir Endymion Porter | 1635 | Museo del Prado | Madrid ESP
|
Oil on canvas | 119 × 144 cm | 
|
| Portrait of Philip Herbert, 4th Earl of Pembroke and His Family | 1635 | Wilton House | Wilton GBR
|
Oil on canvas | 123 × 96,5 cm | 
|
| Portrait of Inigo Jones | 1635–1636 | Hermitage Museum | Saint Petersburg RUS
|
Oil on canvas | 74,5 × 53,2 cm | 
|
| The King Hunting | 1635–1638 | Louvre | Paris FRA
|
Oil on canvas | 266 × 207 cm | 
|
| Portrait of a Young Woman with a Cello | 1635–1640 | Alte Pinakothek | Munich DEU
|
Oil on canvas | 113 × 93 cm | 
|
| Madagascar Portrait (Vienna version) | 1635–40 | Kunsthistorisches Museum | Vienna AUT
|
Oil on canvas | .jpg)
| |
| Portrait of Charles I in Royal Robes | 1636 | Royal Collection | Windsor GBR
|
Oil on canvas | 253,4 × 153,6 cm | 
|
| Portrait of Charles I on Horseback | 1636 | National Gallery | London GBR
|
Oil on canvas | 367 × 292 cm | 
|
| Portrait of Prince Charles Louis and Prince Rupert | 1637 | Louvre | Paris FRA
|
Oil on canvas | 132 × 152 cm | 
|
| Portrait of the Five Eldest Children of Charles I | 1637 | Royal Collection | Windsor GBR
|
Oil on canvas | 163,2 × 198,8 cm | 
|
| Portrait of Dorothy Savage, Viscountess Andover and her sister Elizabeth, Lady Thimbleby | 1637 | National Gallery | London GBR
|
Oil on canvas | 132,1 × 149,9 cm | 
|
| Portrait of George, Lord Digby and William, Lord Russell | 1637 | Private collection | Althorp GBR
|
Oil on canvas | 250 × 157 cm | 
|
| Portrait of Charles, Prince of Wales in Armour | 1637–1638 | Royal Collection | Windsor GBR
|
Oil on canvas | 153,7 × 131,4 cm | 
|
| Portrait of Lord John and Lord Bernard Stuart | 1638 | National Gallery | London GBR
|
Oil on canvas | 237,5 × 146,1 cm | 
|
| Portrait of Thomas Killigrew and Lord William Crofts | 1638 | Royal Collection | Windsor GBR
|
Oil on canvas | 132,7 × 143,5 cm | _Lord_William_Crofts.JPG)
|
| Portrait of Queen Henrietta Maria from the front | 1638 | Royal Collection | Windsor GBR
|
Oil on canvas | 78,7 × 65,7 cm | 
|
| Portrait of Queen Henrietta Maria, left profile | 1638 | Royal Collection | Windsor GBR
|
Oil on canvas | 71,8 × 56,5 cm | 
|
| Portrait of William Laud | 1638 | Hermitage Museum | Saint Petersburg RUS
|
Oil on canvas | 122 × 93,5 cm | 
|
| Portrait of Thomas Killigrew | 1638 | Chatsworth House | Chatsworth GBR
|
Oil on canvas | 100 × 82,5 cm | 
|
| Portrait of William Howard, 1st Viscount Stafford | 1638–1640 | Museum of Art | São Paulo BRA
|
Oil on canvas | 107 × 82,5 cm | 
|
| Madagascar Portrait (Arundel version) | 1639 | Arundel Castle | Arundel GBR
|
Oil on canvas | 135 × 206,8 cm | 
|
| Portrait of Queen Henrietta Maria, as St Catherine | 1639 circa | Oil on canvas | 
| |||
| Portrait of Margaret Lemon | 1639 | Royal Collection | Windsor GBR
|
Oil on canvas | 93,3 × 77,8 cm | 
|
| Self-portrait | 1640 circa | National Portrait Gallery | London GBR
|
Oil on canvas | 
| |
| Mary, Lady Van Dyck | 1640 circa | Museo del Prado | Madrid ESP
|
Oil on canvas | 104 x 81 cm | 
|
| Portrait of Sir Kenelm Digby in Armour | 1640 | National Portrait Gallery | London GBR
|
Oil on canvas | 117,2 × 91,7 cm | 
|
| Rachel de Ruvigny, Countess of Southampton | 1640 | National Gallery of Victoria | Melbourne AUS
|
Oil on canvas | 222,4 × 131,6 cm | 
|
| Portrait of William II of Nassau-Orange and Princess Mary | 1641 | Rijksmuseum | Amsterdam NLD
|
Oil on canvas | 182,5 × 142 cm | 
|
Mainly celebrated as a portraitist, van Dyck also produced several historical, religious and mythological works.
| Title | Year | Location | City and country | Material | Dimensions | Image |
|---|---|---|---|---|---|---|
| Drunken Silenus | 1620 | Gemäldegalerie Alte Meister | Dresden DEU
|
Oil on canvas | 107 × 91,5 cm | 
|
| Jupiter and Antiope | 1620 | Museum of Fine Arts | Ghent BEL
|
Oil on canvas | 150 × 206 cm | 
|
| Jupiter and Antiope | 1620 | Wallraf-Richartz Museum | Cologne DEU
|
Oil on canvas | 150 × 206 cm |
|
| Thetis Receiving the Weapons of Achilles from Hephaestus | 1630 | Kunsthistorisches Museum | Vienna AUT
|
Oil on canvas | 112x142 cm | 
|
| Venus Asks Vulcan to Forge Arms for her Son Aeneas | 1630-1632 | Louvre | Paris FRA
|
Oil on canvas | 220x145 cm | 
|
| The Shepherd Paris | 1632–1634 | Wallace Collection | London GBR
|
Oil on canvas | 105 × 92 cm | 
|
| Cupid and Psyche | 1638–1640 | Royal Collection | Windsor GBR
|
Oil on canvas | 188 × 195,6 cm | 
|
| Title | Year | Location | City and country | Material | Dimensions | Image |
|---|---|---|---|---|---|---|
| Saint Rosalia Interceding for the Plague-Stricken of Palermo or Saint Rosalia Taken Up to Heaven | 1624 (?) | Alte Pinakothek | Munich DEU
|
Oil on canvas | 
| |
| Saint Rosalia | 1625 | Museo del Prado | Madrid ESP
|
Oil on canvas | 
| |
| Saint Rosalia Crowned by Angels | 1624 (circa) | Menil Collection | Houston USA
|
Oil on canvas | 
| |
| Saint Rosalia Crowned by Angels | 1624 | Wellington Collection | London UK
|
Oil on canvas | .jpg)
| |
| Saint Rosalia Crowned by Angels | 1624 (circa) | Palazzo Abatellis | Palermo ITA
|
Oil on canvas | 
| |
| Pietà | 1629 (circa) | Museo del Prado | Madrid ESP
|
Oil on canvas | 114 x 100 cm | 
|
| Coronation of Saint Rosalia | 1629 | Kunsthistorisches Museum | Vienna AUT
|
Oil on canvas | 
| |
| Saint Rosalia Interceding for the City of Palermo | 1629 | Museo de Arte de Ponce | Ponce USA
|
oil on canvas | 
| |
| The Virgin Presenting Saint Rosalia to the Trinity | 1624-1625 | Alte Pinakothek | Munich DEU
|
Oil on canvas | 
| |
| Deposition | 1615 | Alte Pinakothek | Munich DEU
|
Oil on canvas | 
| |
| Saint Jerome | 1615–1616 | Liechtenstein Museum | Vienna AUT
|
Oil on canvas | 158 × 131 cm | |
| Abraham and Isaac | 1617 circa | Národní Gallery | Prague CZE
|
Oil on canvas | 119 × 178 cm | 
|
| Christ's Entry into Jerusalem | 1617 circa | Indianapolis Museum of Art | Indianapolis USA
|
Oil on canvas | 151 × 229 cm | 
|
| The Mystic Marriage of Saint Catherine | 1618-1620 | Museo del Prado | Madrid ESP
|
Oil on canvas | 124 x 174 cm | 
|
| Saint Martin Dividing his Cloak | 1618–1620 | Church of St Martin | Zaventem BEL
|
Oil on panel | 171,6 × 158 cm | 
|
| Apostle | 1618 circa | Staatliche Museen | Berlin DEU
|
Oil on oak panel | 61 × 49 cm | 
|
| Apostle with Folded Hands | 1618–1620 | Staatliche Museen | Berlin DEU
|
Pencil on oak panel | 57 × 45 cm | 
|
| The Brazen Serpent | 1618–1620 | Museo del Prado | Madrid ESP
|
Oil on canvas | 205 × 235 cm | 
|
| Christ Crowned with Thorns | 1618–1620 | Museo del Prado | Madrid ESP
|
Oil on canvas | 223 × 196 cm | 
|
| Pentecost | 1618–1620 | Staatliche Museen | Berlin DEU
|
Oil on canvas | 265 × 221 cm | 
|
| Deposition | 1618–20 | Kunsthistorisches Museum | Vienna AUT
|
Oil on canvas | 
| |
| Lamentation | 1618-1620 | Museo del Prado | Madrid ESP
|
Oil on canvas | 203 x 170 cm | .jpg)
|
| Sampson and Delilah | 1618–1620 | Dulwich Picture Gallery | London GBR
|
Oil on canvas | 149 × 229,5 cm | 
|
| Deposition | 1619 circa | Ashmolean Museum | Oxford GBR
|
Oil on canvas | 
| |
| Saint Ambrose barring Theodosius from Milan Cathedral | 1619–1620 | National Gallery | London GBR
|
Oil on canvas | 149 × 113,2 cm | 
|
| The Betrayal of Christ | 1620 | Museo del Prado | Madrid ESP
|
Oil on canvas | 344 × 249 cm | 
|
| The Betrayal of Christ | 1620 | Bristol Museum and Art Gallery | Bristol GBR
|
Oil on canvas | 274 × 222 cm | 
|
| The Betrayal of Christ | 1620 | Minneapolis Institute of Arts | Minneapolis USA
|
Oil on canvas | 142 × 113 cm | 
|
| The Saints John's | 1620 | Real Academia de Bellas Artes de San Fernando | Madrid ESP
|
Oil on panel | 63 X 49 cm | 
|
| Susanna and the Elders | 1620–1622 (circa) | Alte Pinakothek | Munich Germany
|
Oil on canvas | 194 x 44 cm | 
|
| Christ and The Adulteress | 1620-1622
(circa) |
BBVA Collection | Madrid ESP
|
Oil on canvas | 169 x 252 cm | 
|
| Christ and the Adulteress | 1620-1622
(circa) |
Hospital de la Venerable Orden Tercera. | Madrid ESP
|
Oil on canvas | 191 x 235 cm | .jpg)
|
| Madonna and Child | 1620- 1625 | Galleria Nazionale di Parma | Parma ITA
|
Oil on canvas | 62.5 x 52.5 cm | 
|
| Virgin and Child | 1621-1622 | Museum Cerralbo | Madrid ESP
|
Oil on canvas | 98 x 84 cm | .jpg)
|
| Martyrdom of Saint Sebastian | 1621-1627 | Real Monasterio de San Lorenzo del Escorial | Madrid ESP
|
Oil on canvas | 191.5 x 141.5 cm | .jpg)
|
| Virgin and Child with Repentant Sinners | 1621-1627 | Real Academia de Bellas Artes de San Fernando | Madrid ESP
|
Oil on canvas | 127 x 137 cm | 
|
| Saint Rosalie Interceding for the Plague–Stricken of Palermo | 1624 | Metropolitan Museum of Art | New York City USA
|
Oil on canvas | 99,7 × 73,7 cm | 
|
| Christ on the Cross | 1627 | Carmen Thyssen-Bornemisza Collection | Madrid ESP
|
Oil on panel | 105.3 x 73 cm | 
|
| Crucifixion | 1628–1630 | Kunsthistorisches Museum | Vienna AUT
|
Oil on canvas | 133 × 101 cm | 
|
| Deposition | 1629 circa | Royal Museum of Fine Arts Antwerp | Antwerp BEL
|
Oil on canvas | 
| |
| Deposition | 1629–1630 | Destroyed, once held at the Kaiser Friedrich Museum | Berlin DEU
|
Oil on canvas | 220 × 166 cm | 
|
| The Vision of the Blessed Hermann Joseph | 1630 | Kunsthistorisches Museum | Vienna AUT
|
Oil on canvas | 160 × 128 cm | 
|
| Sampson and Delilah | 1630 | Kunsthistorisches Museum | Vienna AUT
|
Oil on canvas | 146 × 254 cm | 
|
| Madonna and Child with Two Donors | 1630 | Louvre | Paris FRA
|
Oil on canvas | 250 × 191 cm | 
|
| Rest on the Flight into Egypt | 1630 | Alte Pinakothek | Munich DEU
|
Oil on canvas | 134,7 × 114,8 cm | 
|
| Madonna with Partridges | 1632 | Hermitage Museum | Saint Petersburg RUS
|
Oil on canvas | 215 × 285.5 cm | .jpg)
|
| Deposition | 1634 | Alte Pinakothek | Munich DEU
|
Oil on canvas | 109 × 149 cm | 
|
| Deposition | 1635 | Royal Museum of Fine Arts Antwerp | Antwerp BEL
|
Oil on canvas | 
| |
| Deposition | 1640 | Bilbao Fine Arts Museum | Bilbao ESP
|
Oil on canvas | 
|
All information on dimensions, location and dates are taken from the two books in the bibliography.