John Jackson, George Vincent, c. 1820, watercolour, National Portrait Gallery, London

This is an incomplete list of works by George Vincent. The British artist George Vincent (June 1796 – c.1832).[1] was one of the most talented of the Norwich School of painters;[2] his work was founded on the Dutch School of landscape painting as well as the style of John Crome. The school's reputation outside East Anglia in the 1820s was based largely upon the works of him and his friend James Stark.[3]

Vincent was educated at Norwich Grammar School and afterwards apprenticed to Crome.[4][5] He exhibited in London and elsewhere,[6] and from 1811 until 1831 showed works with the Norwich Society of Artists, exhibiting more than a 100 pictures of Norfolk landscapes and marine works.[7] By 1818 he had relocated to London and had obtained the patronage of wealthy clients, but then began to struggle financially. His financial problems led to his incarceration in the Fleet Prison for debt in 1824.[8][9]

After 1831, Vincent disappeared and his whereabouts after this date remain uncertain. His death may have occurred before April 1832, perhaps in Bath.[10] His picture Greenwich Hospital from the River was shown in London three decades after his death and caused renewed interest in his paintings and helped to establish his reputation as a leading member of the Norwich School.[11] The art historian Herbert Minton Cundall wrote in the 1920s that had Vincent "not given way to intemperate habits he would probably have ranked amongst the foremost of British landscape painters".[10]

Etchings

Key
BM—work held at the British Museum in London[12]
NMC—work held by the Norfolk Museums Collections,[13] based at Norwich Castle
O—work held elsewhere.
Image Title Date Locations Commentary known states
A Gypsy Encampment 1822 NMC, BM 2
Shipwreck on the coast BM 2
Trees and ruin BM 4
View of a harbour BM 4
View of a ruin BM 4
View of a rural path BM 5
View of a rural path from the left BM 5
View on the Yare, Afternoon BM Titled The River Yare and On the Yare, View of Norwich (NMC) 2 (NMC); 3 (BM)
View with a figure standing at the gate of a cottage NMC 1
View with a large tree in the left foreground NMC 1
View with a path in the centre leading to a river NMC 4
View with two cows walking in the foreground NMC 4
Whitlingham NMC 5
Whitlingham NMC 2
Woodland and figures BM Titled Group of trees with figure in roadway by NMC 1 (NMC); 5 (BM)

Oil paintings

Image Title Date Technique height x width (cm) Location Commentary
A Distant View of Pevensey Bay, the Landing Place of King William the Conqueror 1824 Oil on canvas 14.61 x 233.6 Norwich Museums Collections[14] View of Beachy Head from Pevensey – "Vincent's most ambitious painting"; its "bright colouring and magnificent panoramic space" emulated J. M. W. Turner. (Hemingway)[15]

Moore suggests that the "magnificence" of the view depicted by Vincent can be compared with both Constable and Turner.[16]

"one of his most ambitious oils" (Walpole)[17]

A Harbour Scene in the Isle of Wight, Looking Towards the Needles 1824 Oil on panel 39.1 x 55.9 Yale Center for British Art, Paul Mellon Collection[18] United States
An English Farmstead oil on canvas 101.5 x 127 Wolverhampton Art Gallery[19] (attributed to)
An Old Farmstead near Norwich oil on canvas 76.8 x 63.5
A Norfolk Cottage oil on panel 43.2 x 59.7 Sold at Keys in 2016. A photograph of a similar composition entitled View Near Cromer, signed and dated 1827, is in the Witt Library of the Courtauld Institute of Art.[20]
A Norfolk Mill Oil on panel 32.8 x 24.2 Museums Sheffield[21][22]
A Quiet Pool Oil on panel 30.5 x 22.9
A Shady country road Oil on canvas 20.3 x 25.7 Victoria and Albert Museum As part of an analysis of the painting's provenance by the Victoria and Albert Museum, the painting is a copy, and the whereabouts of the original by Vincent is unknown. According to the V&A, the painting has been convincingly attributed to John Joseph Cotman.[23] In 1905, Dickes did not doubt that it was Vincent's.[24]
A Shady Pool Oil on oak panel 30.4 x 25.4 Norwich Museums Collections[25]
A View near Thorpe, Norwich Sheffield Museums[22]
A View of Cheddar Gorge c.1820 Oil on canvas 91.4 x 121.9 Yale Center for British Art, Paul Mellon Collection[26] United States
A View of Suffolk oil on canvas 90.6 x 113.4 Museums Sheffield[27][22]
A View of Thames Street, Windsor oil on canvas 67.6 x 93.3 Yale Center for British Art United States
A View to Canterbury, Kent Oil on canvas 62 x 75 Sold at auction, Previously with Newhouse Galleries, New York[28]
After the storm Oil on canvas 75 x 125.5 Sold at Bonhams in 2015 (fetched £625)[29]
Alum Bay, Isle of Wight "exceptional example of the work of Crome's pupil, George Vincent..." (Walpole, Art and Artists of the Norwich School): painting reproduced p. 45.[30]
Beechy Head and the Martello Towers looking over Hastings from Fairlight Oil on board 38 x 49 Sold at Bonhams in 2015 (fetched £812)[31]
Bramerton, Woods End, near Thorpe, Norfolk 1821 Oil on canvas Bolton Art Gallery[32][22]
Brancepeth Castle, Durham oil on canvas 27.9 x 43.2 Sold at Keys in 2011 for £1500.[33]
Castle Ashby, Northamptonshire Oil on canvas 35.1 x 46.5 Newstead Abbey[34]
Cattle and sheep crossing a ford, a distant view of Norwich beyond Inland Revenue Register of Conditionally Exempt Works of Art[22]
Cattle Drinking oil on canvas 49.8 x 75.1 Museums Sheffield[35][22]
Cattle grazing before a windmill Oil on panel 32 x 43 Sold at Bonhams in 2003 (fetched £2937)[36]
Coast Scene with Rivers and Boats Lady Lever Art Gallery[22]
Country Lane with Figures by a Cottage oil on canvas 24.3 x 33 Sold at Keys in 2011 for £270.[37]
Driving the Flock, St Mary's, Beverley Oil on canvas 101.6 x 127 Private collection Also known as Driving the Flock, St Mary's, Beverley. Exhibited in 1820 under the title Sheep Crossing a Brook, "freshly coloured" and already showing Vincent's ability to be original and distinctive. (Hemingway)[38]
Dutch Fair on Yarmouth Beach (The Dutch Fair at Great Yarmouth) Oil on canvas 130 x 162 Norwich Museums Collections Hemingway describes the work as being "on a much more ambitious scale than Crome's" and compares it with Turner's St Mawes at the Pilchard Season.[39][22]
English landscape with a windmill Victoria Art Gallery, Bath, Somerset[22]
Entrance to Loch Katrine – moonlight; Highlanders Spearing Salmon 1825 Oil on canvas 76.8 x 107.9 Norwich Museums Collections[40] Regarded by the Norfolk Chronicle 6 August 1825 as "capital"; Vincent's stated ambition of producing 'Rembrant effects' in a painting was achieved here. (Moore)[41]

Described by Hemingway as the most romantic of Vincent's Scottish scenes, and by Dickes as "magnificent and Crome-like".[42][43]

Evening Twilight Oil on canvas 67.9 x 91.4 Nottingham Castle Museum and Art Gallery[44][22] (attributed)
Farmyard Scene Haworth Art Gallery[22]
Figures in a Wooded Lane with Cottage in Distance oil on board 21.6 x 27.9 Sold at Keys in 2015 for £720.[45]
Fish Auction, Yarmouth Beach 1827 Oil on canvas 63.5 cm x 76.2 National Trust
Fishing Boats in a Harbour 1828 Oil on canvas 64 cm x 92.4 Norwich Museums Collections[46]
Greenwich Hospital 1827 "It is at the same time a most charming performance". (Dickes)[47]
Greenwich Hospital from the River 1827 Oil on canvas hw "his masterpiece" (Dodgson)[8]

For further information about the painting see the main article about George Vincent.

Grove Scene, Norwich 1824 oil on panel 55.9 x 47.7 Victoria Art Gallery, Bath, Somerset[48][22]
Landscape Oil on canvas 22.2 x 32.2 Victoria and Albert Museum[49]
Landscape (View near Norwich) Oil on mahogany panel 26.7 x 34.6 Norwich Museums Collections[50]
Landscape, Cattle and Figures Williamson Art Gallery and Museum[22]
Landscape – Cattle Crossing A Stream Oil on canvas Birmingham Museum and Art Gallery[51][22]
Landscape – Loading Hay 64.77 x 80 "Texture excellent, particularly on the cattle and sheep." (Dickes)[52]
Landscape with Cart Oil on canvas 25.4 x 18.1 Norwich Museums Collections[53] (attributed)
Landscape with Cattle in a Pool oil on wood 25.4 x 30.5 Nottingham Castle Museum and Art Gallery[54][22]
Landscape with Cottages and Tinker 1828 oil on canvas 43.8 x 60.3 Nottingham Castle Museum and Art Gallery[55][22]
Landscape with Figures 1824 oil on wood 38.1 x 48.2 Leeds Art Gallery, Leeds Museums and Galleries[56]
Landscape with figures and cottage Oil on panel 25.4 x 18.1 Norwich Museums Collections[57]
Landscape with mule, pedlar and figures Nottingham Castle Museum and Art Gallery[22]
Lane Scene Oil on oak panel 24.8 x 20.3 Norwich Museums Collections[58]
Loch Etive, Argyllshire 1821 Oil on canvas 54 x 72.2 Fitzwilliam Museum, Cambridge[59][22]
London from the Surrey Side of Waterloo Bridge 1820 oil on canvas 142.24 x 203.2 "an important work" (Dickes)[60]

Listed and illustrated in A catalogue of pictures by British artists in the possession of Sir John Fleming Leicester, Bart. (1825)[61] Sold at Christie's on 11 September 2019 as St. Paul's from the Surrey Side of Blackfriars Bridge, figures and sailing barges in the foreground, for £10,000.[62]

Middle Mill, Wandsworth oil on canvas 65 x 89.5 British Embassy, Luxembourg Part of the Government Art Collection[63]
Mousehole Heath, Norfolk oil on canvas 43 x 63 The Ashmolean Museum of Art and Archaeology[64][22] (attributed to)
Mouth of the Yare 1821 Oil on panel 71.1 x 91.4 Towneley Hall Art Gallery & Museum[65][22]
Norfolk river scene Oil on panel 47.5 x 55.5 Sold at Bonhams in 2008 (fetched £4200)[66]
On the river Yare Sheffield Museums[22]
On the River Yare Oil on canvas 87.0 x 112.7 Norwich Museums Collections[67]
On the River Yare, Norfolk Oil on canvas
Overstand near Cromer oil on panel 21.6 x 16.1 Sold at Keys in 2014 for £300.[68]
Pastoral Scene 1828 Oil on mahogany panel 66.1 x 84.5 Norwich Museums Collections[69]
Pevensey Bay 1824 1824 Oil on paper laid on millboard 20.6 x 27.5 Norwich Museums Collections[70] Signed, inscribed and dated lower left centre 'GV to HD 1824'.[70]
Portrait of George Vincent (1796–1832), with landscape background by himself Oil on canvas 77 cm x 63.5 Norwich Museums Collections[71] Portrait by James Clover
Postwick Grove Oil on panel 38.4 x 32.4 Norwich Museums Collections[72]
River Scene with Boats 1825 Oil on board 25 x 35 National Trust, Felbrigg Hall[73][22]
Road Scene with Cattle Oil on oak panel 42.2 x 34.9 Norwich Museums Collections[74]
Road Scene with Cottage Oil on panel 29.8 x 38.1 Norwich Museums Collections[75]
Rouen 1816 Oil on canvas 63.4 cm x 91.7 Norwich Museums Collections[76] Vincent's only painting derived from a visit to the continent in 1816.[77]

Probably painted shortly after a visit to France, may have been inspired by Boulevard des Italiens, painted by John Crome. "...marred by inconsistencies of scale and perspective..." (Hemingway)[42]

Rural landscape with figures Oil on canvas 63.5 cm x 81.3 A group of large russet trees are in the foreground before a pool, on which three ducks are floating. At left and right are thatched cottages amid foliage. Exhibited in New York in 1932.[78]
Rustic Scene 1826 Oil on panel 53.0 x 63.8 Norwich Museums Collections[79]

On display at the Elizabethan House Museum, Great Yarmouth[80]

Sea Piece 1827 oil on canvas 50.2 x 68.6 Nottingham Castle Museum and Art Gallery[81][22]
Ship Building at Greenwich 1823 Oil on canvas 31 x 40 Sold at Bonhams in 2004 (fetched £27,500)[82] Stamped to the reverse of the panel: 'R. Davy, 83 Newman Street'. This would date the panel to post-1822. Exhibited: Norwich School paintings, Norwich Castle 1927. No 121.
St Benet's Abbey, Norfolk oil on panel 21.6 x 27.9 Sold at Keys in 2016.[83]
Sunlit glade Oil on mahogany panel 67.3 x 83.8 Art Gallery NSW[84] Australia
The Blasted Oak 1830 Oil on canvas 76.1 x 63.1 Norwich Museums Collections[85]
The River Yare with Cottage and Young Man Fishing from the Bank oil on canvas 40.6 x 55.9 Sold at Keys in 2012.[86]
The Travelling Pedlar c.1826 Oil on canvas 388.4 x 112 Norfolk Museums Service[87]
The Travelling Tinker oil on canvas 42.2 x 53.3 Victoria Art Gallery, Bath, Somerset[88][22]
The Travelling Tinker Christchurch Mansion Museum and Art Gallery, Suffolk[22]
Trowse Hythe, near Norwich Oil on canvas 31.8 cm x 41.3 Norwich Museums Collections[89]
Trowse Meadows, near Norwich 1828 Oil on canvas 72.9 x 109.4 Norwich Museums Collections[90] "This charming pastoral was apparently so admired by Thirtle that he made a beautiful water-colour drawing from it". (Dickes)[42]

"...one of the most impressive of his late works. It inevitably invites comparison with Constable's Haywain"; "The handling of Trowse Meadows does not have the transparency and glitter of Constable's paintwork, but the perspective of the clouds, the light effect and the atmospheric recession are all superbly rendered." (Hemingway)[91]

"The dainty painting of the trees, the broad treatment of the middle distance and above all the spectacular cloud formation... ...are all features associated with the best of Vincent's late work". (Moore)[92]

Valley of the Yare, near Bramerton 1828 Oil on canvas 76.2 x 104.5 Norwich Museums Collections[93]
View from Sandlings Ferry 45.7 x 63.5 "...has a good deal of quiet beauty." (The Builder, 12 January 1878)[94]

"This picture is remarkable for its pearly atmosphere. A tender vapour seems to pervade the scene." Owned by the Norfolk antiquarian William Birkbeck in 1905.(Dickes)[95]

Donated to the Norwich Castle Museum by his widow in 1914. Sold to Liverpool Museum in 1956.[96]

View in Glen Sharrah near Inverary 1823 Oil on canvas 63.5 x 76.8 Norwich Museums Collections[97]
View in the Highlands 1827 Oil on canvas 101.6 x 127.9 Fitzwilliam Museum, Cambridge[98][22]
View near Norwich, Norfolk c.1820 Oil on canvas 50 x 60 Northampton Museums & Art Gallery[99]
View near Pevensey Bay, Sussex, with Shepherd and Sheep Oil on canvas 64.77 x 79 Reproduced in Walpole Art and Artists of the Norwich School, p. 46.
View near Wroxham, Norfolk oil on canvas 49.1 x 38.8 Manchester Art Gallery[100]
View of Yarmouth from Gorleston Oil on canvas 104.1 x 166.4 "Though a multiplicity of detail gives a rather spotty effect, the sky naturally and solidly painted, representing beautiful floating clouds, renders this a masterpiece." (Dickes)[95]
View on the River Yare oil on canvas 112.5 x 202 Southampton City Art Gallery[101]
Woodland Road with Horseman and Sheep Oil on panel 45.7 x 33 National Trust for Scotland, Brodie Castle[102]
Yarmouth Quay 1823 Oil on canvas 77.2 x 103.0 Norwich Museums Collections[103]

Other works

Image Title Date Technique height x width (cm) Location Commentary
Drawing 1819 Graphite on paper 15.2 x 20.2 British Museum[104]
Shipping scene watercolour on paper 15.9 x 23.4 Norwich Museums Collections[105]
The Needles (The Needles from Christchurch) 1830 Watercolour on paper 16.8 x 20.4 Norwich Museums Collections[106] "a pleasant piece of work to which the underlying jumpiness of the drawing gives vitality" (Clifford)[107]
Thorpe, near Norwich watercolour 17.8 x 27.9 sold at Keys in 2015 for £180.[108]

Attributed works

Image Title Date Technique height x width (cm) Location Commentary
A View Near Norwich, with Cattle Grazing Oil on panel (11" x 16.5") Sold at auction 2019 for £280.[109]
A view on the Broads with men fishing from punts undated Oil on canvas 64.8 x 87.7 Sold at auction in 2020[110]

Footnotes

  1. ^ "George Vincent". Archdeacons transcripts for Norwich parishes, 1600–1812. FamilySearch. Retrieved 14 October 2020.
  2. ^ Hemingway 1979, pp. 181–182.
  3. ^ Hemingway 2017, p. 190.
  4. ^ Mottram 1931, p. 168.
  5. ^ Rajnai & Stevens 1976, p. 92.
  6. ^ Dodgson & Watt 2004.
  7. ^ Rajnai & Stevens 1976, pp. 92, 144.
  8. ^ a b Dodgson, Campbell (1885–1900). "Vincent, George" . Dictionary of National Biography. London: Smith, Elder & Co.
  9. ^ Day 1979, p. 91.
  10. ^ a b Cundall 1920, pp. 26–27.
  11. ^ Cundall 1920, p. 3.
  12. ^ "George Vincent". The British Museum. Retrieved 31 October 2020.
  13. ^ "George Vincent". Norfolk Museums Collections. Retrieved 31 October 2020.
  14. ^ "View of Beachy Head from Pevensey". Norfolk Museums Service. Retrieved 26 November 2018.
  15. ^ Hemingway 1979, p. 64.
  16. ^ Moore 1985, p. 44.
  17. ^ Walpole 1997, p. 46.
  18. ^ "A Harbor Scene in the Isle of Wight, Looking Towards the Needles". Yale Center for British Art. 2018. Retrieved 25 November 2018.
  19. ^ "An English Farmstead". Art UK. Public Catalogue Foundation. Retrieved 2 December 2018.
  20. ^ "A Norfolk Cottage". Keys Fine Art Auctioneers. Retrieved 2 December 2018.
  21. ^ "A Norfolk Mill". Art UK. Public Catalogue Foundation. Retrieved 27 November 2018.
  22. ^ a b c d e f g h i j k l m n o p q r s t u v w x y z Wright & Gordon 2006, p. 790.
  23. ^ "A Shady country road". V&A Search the Collections. Retrieved 30 November 2018.
  24. ^ Dickes 1905, p. 520.
  25. ^ "A Shady Pool". Norwich Museums Service. Retrieved 27 November 2018.
  26. ^ "A View of Cheddar Gorge". Yale Center for British Art. 2018. Retrieved 25 November 2018.
  27. ^ "A View of Suffolk". Art UK. Retrieved 1 December 2018.
  28. ^ "A view to Canterbury, Kent". 1stDibs. 2018. Retrieved 25 November 2018.
  29. ^ "After the storm". Bonhams. Retrieved 26 November 2018.
  30. ^ Walpole 1997, p. 45.
  31. ^ "Beechy Head and the Martello Towers looking over Hastings from Fairlight". Bonhams. Retrieved 26 November 2018.
  32. ^ "Bramerton, Woods End, near Thorpe, Norfolk". Bolton Library and Museum Services. Public Catalogue Foundation. Retrieved 1 December 2018.
  33. ^ "Brancepeth Castle, Durham". Keys Fine Art Auctioneers. Retrieved 2 December 2018.
  34. ^ "Castle Ashby, Northamptonshire". ArtUK. Public Catalogue Foundation ArtUK. Retrieved 25 November 2018.
  35. ^ "Cattle Drinking". Art UK. Retrieved 1 December 2018.
  36. ^ "Cattle grazing before a windmill". Bonhams. Retrieved 26 November 2018.
  37. ^ "Country Lane with Figures by a Cottage". Keys Fine Art Auctioneers. Retrieved 2 December 2018.
  38. ^ Hemingway 1979, pp. 63, 66.
  39. ^ Hemingway 1979, pp. 63–64.
  40. ^ "Entrance to Loch Katrine – moonlight; Highlanders Spearing Salmon". Norwich Museums Service. Retrieved 26 November 2018.
  41. ^ Moore 1985, p. 43.
  42. ^ a b c Dickes 1905, p. 515.
  43. ^ Hemingway 1979, pp. 65–66.
  44. ^ "Evening Twilight". Art UK. Public Catalogue Foundation. Retrieved 27 November 2018.
  45. ^ "Figures in a Wooded Lane with Cottage in Distance". Keys Fine Art Auctioneers. Retrieved 2 December 2018.
  46. ^ "Fish Auction, Yarmouth Beach". Norwich Museums Service. Retrieved 26 November 2018.
  47. ^ Dickes 1905, p. 518.
  48. ^ "Grove Scene, Norwich". Art UK. Retrieved 1 December 2018.
  49. ^ "Landscape". V&A Search the Collections. 2018. Retrieved 25 November 2018.
  50. ^ "Landscape (View near Norwich)". Norwich Museums Service. Retrieved 26 November 2018.
  51. ^ "Landscape – Cattle Crossing A Stream". Birmingham Museums. Retrieved 26 November 2018.
  52. ^ Dickes 1905, p. 519.
  53. ^ "Landscape with Cart". Norwich Museums Service. Retrieved 27 November 2018.
  54. ^ "Landscape with Cattle in a Pool". Art UK. Public Catalogue Foundation. Retrieved 1 December 2018.
  55. ^ "Landscape with Cottages and Tinker". Art UK. Retrieved 1 December 2018.
  56. ^ "Landscape with Figures". Art UK. Retrieved 1 December 2018.
  57. ^ "Landscape with figures and cottage". Norwich Museums Service. Retrieved 27 November 2018.
  58. ^ "Lane Scene". Norwich Museums Service. Retrieved 27 November 2018.
  59. ^ "Loch Etive, Argyllshire". University of Cambridge. Retrieved 30 November 2018.
  60. ^ Dickes 1905, p. 498.
  61. ^ "A catalogue of pictures by British artists in the possession of Sir John Fleming Leicester, Bart.: with etchings from the whole collection, including the pictures in his gallery at Tabley house, Cheshire". Internet Archive. Retrieved 29 November 2018.
  62. ^ "Lot 201". Christie's. 2019. Retrieved 11 September 2019.
  63. ^ "Middle Mill, Wandsworth". Art UK. Retrieved 1 December 2018.
  64. ^ "Mousehole Heath, Norfolk". Art UK. Public Catalogue Foundation. Retrieved 2 December 2018.
  65. ^ "Mouth of the Yare". Art UK. Public Catalogue Foundation. Retrieved 27 November 2018.
  66. ^ "Norfolk river scene". Bonhams. Retrieved 26 November 2018.
  67. ^ "On the River Yare". Norwich Museums Service. Retrieved 27 November 2018.
  68. ^ "Overstand near Cromer". Keys Fine Art Auctioneers. Retrieved 2 December 2018.
  69. ^ "Pastoral Scene". Norwich Museums Service. Retrieved 26 November 2018.
  70. ^ a b "Pevensey Bay 1824". Norwich Museums Service. Retrieved 26 November 2018.
  71. ^ "Portrait of George Vincent (1796–1832), with landscape background by himself". Norwich Museums Service. Retrieved 26 November 2018.
  72. ^ "Postwick Grove". Norwich Museums Service. Retrieved 27 November 2018.
  73. ^ "River Scene with Boats". ArtUK. Public Catalogue Foundation ArtUK. Retrieved 25 November 2018.
  74. ^ "Road Scene with Cattle". Norwich Museums Service. Retrieved 26 November 2018.
  75. ^ "Road Scene with Cottage". Norwich Museums Service. Retrieved 27 November 2018.
  76. ^ "Rouen". Norwich Museums Service. Retrieved 26 November 2018.
  77. ^ Moore 1985, p. 42.
  78. ^ "Furniture, books, prints, paintings, silver, rugs". American Art Association, Anderson Galleries. 1932.
  79. ^ "Rustic Scene". Norwich Museums Service. Retrieved 27 November 2018.
  80. ^ "The Dutch Fair at Great Yarmouth". Norwich Museums Service. Retrieved 30 November 2018.
  81. ^ "Sea Piece". Art UK. Retrieved 1 December 2018.
  82. ^ "Ship Building at Greenwich". Bonhams. Retrieved 26 November 2018.
  83. ^ "St Benet's Abbey, Norfolk". Keys Fine Art Auctioneers. Retrieved 2 December 2018.
  84. ^ "Sunlit glade". Art Gallery of New South Wales. Retrieved 26 November 2018.
  85. ^ "The Blasted Oak". Norfolk Museums Service. Retrieved 26 November 2018.
  86. ^ "The River Yare with Cottage and Young Man Fishing from the Bank". Keys Fine Art Auctioneers. Retrieved 2 December 2018.
  87. ^ "The Travelling Pedlar". ArtUK. Public Catalogue Foundation ArtUK. Retrieved 25 November 2018.
  88. ^ "The Travelling Tinker". Art UK. Retrieved 1 December 2018.
  89. ^ "Trowse Hythe, near Norwich". Norwich Museums Service. Retrieved 26 November 2018.
  90. ^ "Trowse Meadows, near Norwich". Norwich Museums Service. Retrieved 26 November 2018.
  91. ^ Hemingway 1979, p. 66.
  92. ^ Moore 1985, p. 46.
  93. ^ "Valley of the Yare, near Bramerton". Norwich Museums Service. Retrieved 26 November 2018.
  94. ^ "The Builder". Internet Archive. Retrieved 29 November 2018.
  95. ^ a b Dickes 1905, p. 517.
  96. ^ "William Birkbeck: Banker and collector of antiquities". World Museum. National Museums Liverpool. 2018. Retrieved 30 November 2018.
  97. ^ "View in Glen Sharrah near Inverary". Norwich Museums Service. Retrieved 27 November 2018.
  98. ^ "View in the Highlands". University of Cambridge. Retrieved 30 November 2018.
  99. ^ "View near Norwich, Norfolk". Art UK. Public Catalogue Foundation. Retrieved 27 November 2018.
  100. ^ "View near Wroxham, Norfolk". Art UK. Retrieved 1 December 2018.
  101. ^ "View on the River Yare". Art UK. Retrieved 1 December 2018.
  102. ^ "Woodland Road with Horseman and Sheep". ArtUK. Public Catalogue Foundation ArtUK. Retrieved 25 November 2018.
  103. ^ "Yarmouth Quay". Norwich Museums Service. Retrieved 27 November 2018.
  104. ^ "Drawing". British Museum. 2017. Retrieved 25 November 2018.
  105. ^ "Shipping scene". Norwich Museums Service. Retrieved 27 November 2018.
  106. ^ "The Needles". Norwich Museums Service. Retrieved 26 November 2018.
  107. ^ Clifford 1965, p. 37.
  108. ^ "Thorpe, near Norwich". Keys Fine Art Auctioneers. Retrieved 2 December 2018.
  109. ^ John Nicholsons Fine Art Auctioneer & Valuer, Hazelmere (2019)
  110. ^ "A view on the broads with men fishing from punts". Bonhams. Retrieved 31 October 2020.

References

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