Terence Cuneo (1907–1996) was an English painter famous for his scenes of railways, horses, ceremonies, and military action.

Ceremonial paintings

Year Title Image Dimensions Collection Comments
1952 Visit of HRH The Duke of Edinburgh to the Department of Engineering, 13 November 1952 (c. 1952), oil on canvas view 100 × 124 cm. (39.4 × 48.8 in.) Department of Engineering, University of Cambridge, Cambridge Scene: Duke of Edinburgh (1921–2021).
1953 The Coronation Luncheon the Her Majesty Queen Elizabeth in Guildhall, 12 June 1953, oil on canvas view[permanent dead link] 166 × 214 cm. (65.4 × 84.3 in.) Guildhall Art Gallery, City of London Scene: Queen Elizabeth II (1926–2022); Duke of Edinburgh (1921–2021); Guildhall, City of London, 12 June 1953.
1954 The Coronation of Queen Elizabeth II view Buckingham Palace, City of Westminster Scene: Queen Elizabeth II (1926–2022); Duke of Edinburgh (1921–2021); Westminster Abbey, City of Westminster, 12 June 1953. RCIN 404470
1957 The Departure of HM Queen Elizabeth II and HRH the Duke of Edinburgh from the Corporation Pier, Kingston upon Hull, for the State Visit to Denmark, oil on canvas view 115 × 180 cm. (45.3 × 70.9 in.) Hull Guildhall, Kingston upon Hull, East Riding of Yorkshire Scene: Queen Elizabeth II (1926–2022); Duke of Edinburgh (1921–2021); Corporation Pier, Kingston upon Hull.
1958 Elizabeth II Visiting the Staff College, oil on canvas view 128 × 99.5 cm. (50.4 × 39.2 in.) Defence Academy of the United Kingdom, Shrivenham, Oxfordshire Scene: Queen Elizabeth II (1926–2022). Artwork commissioned by Army Staff College.
1960 The Dedication to a Memorial of King Haakon VII of Norway, Colonel-in-Chief, in St Mary's Parish Church, Richmond, 1959, oil on canvas view 101 × 85 cm. (39.8 × 33.5 in.) Green Howards Regimental Museum, Richmond, North Yorkshire Scene: Haakon VII of Norway (1872–1957); Richmond, North Yorkshire.
1961 Luncheon in the Guildhall, London, to Her Majesty the Queen and the Duke of Edinburgh, 10 March 1961, oil on canvas view 198 × 258 cm. (78 × 101.6 in.) Guildhall Art Gallery, City of London Scene: Queen Elizabeth II (1926–2022); Duke of Edinburgh (1921–2021); Guildhall, City of London.
1961 Opening of the College by Her Majesty the Queen, July 1960, oil on canvas view 182 × 243 cm. (71.7× 95.7 in.) Royal College of Obstetricians and Gynaecologists Scene: Queen Elizabeth II (1926–2022); opening ceremony of Royal College of Obstetricians and Gynaecologists, Sussex Place, Regent's Park, London.
1962 Council of the College, 1962, oil on canvas view 144 × 215 cm. (56.7 × 84.6 in.) Hunterian Museum, Royal College of Surgeons of England, Lincoln's Inn Fields, London Artwork commissioned, 1962.
1965 Presentation of the Guidon by HM Queen Mother, 1965 (11th Hussars) (c. 1965) view 100 x 140 cm. (39.4 x 55.1 in.) HorsePower, King’s Royal Hussars Museum, Peninsula Barracks, Winchester, Hampshire Scene: Queen Mother (1900–2002); 11th Hussars; Guidon.
1965 The Lying-in-State of Sir Winston Churchill, oil on canvas view 101.6 × 127 cm. (40 × 50 in.) Palace of Westminster, London Scene: Winston Churchill (1874–1965), 29 January 1965; Westminster Hall, Palace of Westminster.
1966 Presentation of the Victoria Cross to the Reverend Theodore Bayley Hardy, VC, DSO, MC by HM King George V, oil on canvas view 86 × 116  cm. (33.9 × 45.7 in.) Museum of Army Chaplaincy, Amport House, near Andover, Hampshire Scene: Theodore Hardy VC (1863–1918); George V (1865–1936).
1969 The Commonwealth Prime Ministers' Banquet at the Guildhall, 13 January 1969, oil on canvas view 183 × 244 cm. (72 × 96 in.) Guildhall Art Gallery, City of London Scene: Queen Elizabeth II (1926–2022); Duke of Edinburgh (1921–2021).
1970 The Surrender of the Sword of State to HM Queen Elizabeth II on Her Arrival at Kingston upon Hull on 4 August 1969, oil on canvas view 120 × 182 cm. (47.2 × 71.7 in.) Hull Guildhall, Kingston upon Hull, East Riding of Yorkshire Scene: Queen Elizabeth II (1926–2022); Kingston upon Hull, East Riding of Yorkshire.
1982 Elizabeth II Visiting on International Day, oil on canvas view 89.2 × 120.8 cm. (35.1 × 40.5 in.) Defence Academy of the United Kingdom, Shrivenham, Oxfordshire Scene: Queen Elizabeth II (1926–2022).
Trooping the Colour, oil on canvas view 63.2 × 76.2 cm. (24.39 × 30 in.)

Portraits

Year Title Image Dimensions Collection Comments
1949 Sir Henry Thirkill (Conversation Piece), oil on canvas view 81.9 × 108.6 cm. (32.2 × 42.8 in.) Clare College, University of Cambridge, Cambridge Subject: administrators of Clare College; Sir Henry Thirkill (Master), with William John Harrison (Bursar) and William Telfer (Dean).
1952 Colonel and Mrs. Vere Cotton, oil on canvas view 76.5 × 101.5 cm. (30.1 × 40 in.) Walker Art Gallery, National Museums Liverpool, Liverpool, Merseyside Subjects: Colonel Vere Egerton Cotton and his wife, Elfreda Moore.
1953 Coronation Study (c. 1953) view view Subject: Queen Elizabeth II (1926–2022). Artwork commissioned by the Queen's representatives, the Lord-Lieutenants of England, Scotland, Wales, and Northern Ireland. Portion of artwork used in 1953 Royal Mail Coronation stamp (view Archived 29 June 2013 at the Wayback Machine view).
1953 Portrait of Admiral of the Fleet Andrew Browne Cunningham, oil on canvas view 76.2 × 63.5. cm. (30 × 25 in.) Subject: Andrew Cunningham, 1st Viscount Cunningham of Hyndhope (1883–1963).
1956 Rick Pearson, Cow Puncher, Texas, oil on canvas view 76 × 63.5 cm. (29.9 × 25 in.) Scene: cow puncher; Texas, United States
1957 Sir Cuthbert and Lady Ackroyd and Their Family in the Mansion House, London, oil on canvas view 80 × 109 cm. (31.5 × 42.9 in.) Guildhall Art Gallery, City of London Subject: Sir Cuthbert Lowell Ackroyd, 1st Baronet DL, JP (1892–1973), Lord Mayor of London, 1955–56; Joyce Wallace Whyte (m. 1927; daughter of Robert Whyte); Christopher Lovell Ackroyd (b. 1934); John Robert Whyte Ackroyd, 2nd Baronet (1932–1995); Jennifer Eileen McLeod Bishop (daughter of Henry George Stokes Bishop; wife of John Robert Whyte Ackroyd, m. 1956, d. 1997).
1962 Sir Lawrence Bragg Giving the 1961 Christmas Lectures in the Royal Institution Theatre, oil on canvas view 120 × 172 cm. (47.3 × 67.7 in.) The Royal Institution, London Subject: Sir Lawrence Bragg (1890–1971), physicist, X-ray crystallographer, and Nobel Laureate (youngest, having received the award at the age of 25).
1966 The Reverend Ivan Delacrois Neil, oil on canvas view 76 × 63.5 cm. (29.9 × 25 in.) Museum of Army Chaplaincy, Amport House, Hampshire Subject: The Reverend Ivan Delacrois Neil (1912–2001), OBE, Chaplain-General (1960–1966).
1971 Sir Edward Heath view 123 × 99 cm. (48.4 × 39 in.) Balliol College, University of Oxford, Oxford Subject: Sir Edward Heath (1916–2005), KG, Organ Scholar (1935–1939), Honorary Fellow (1969), Prime Minister (1970–1974).
1972 Field Marshal Viscount Montgomery of Alamein, oil on canvas view 125 × 100 cm. (49.2 × 39.4 in.) Defence Academy of the United Kingdom, Shrivenham, Oxfordshire Subject: Field Marshal Bernard Law Montgomery (1887–1976), 1st Viscount Montgomery of Alamein, GCB, DSO. Artwork commissioned by the Army Staff College, 1971.
1972 Self Portrait see Cuneo Society website
Linda see Cuneo Society website Subject: the artist's daughter.
Carole see Cuneo Society website Subject: the artist's daughter.
Her Majesty The Queen with Her Dogs at Frogmore see Cuneo Society website Subject: Queen Elizabeth II (1926–2022).
Sir Norman Jeffcoate, oil on canvas view 100.5 × 74.8 cm. (39.6 × 29.4 in.) Royal College of Obstetricians and Gynaecologists, London Subject: Sir Norman Jeffcoate (1907–1992), President of the Royal College of Obstetricians and Gynaecologists (1969–1972).
Deputy Marshall of Tombstone see Terence Cuneo website
Simienesh Sirak, oil on canvas view 62.9 × 51.4 cm. (24.8 × 20.2 in.)

Military paintings or illustrations

Year Title Image Dimensions Collection Comments
1939-1945 Invasion Scene (originally may have been untitled), oil on canvas view 61 × 76 cm. (24 × 29.9 in.) The National Archives, Kew, Richmond, UK Scene: troop-carrying Airspeed Horsa aircraft land in field amidst tank battle. Artwork created for Ministry of Information during Second World War. INF3/19
1939-1945 Coastal Battery Scene (originally may have been untitled; or Back Them Up!), oil on board view 70.1 × 53.4 cm. (27.6 × 21.0 in.) The National Archives, Kew, Richmond, UK Artwork created for Ministry of Information during Second World War. INF 3/21
1939-1945 Invasion Scene in Far East) (originally may have been untitled), oil and mixed media on board view 46.8 x 60.7 cm. (18.4 x 23.9 in.) The National Archives, Kew, Richmond, UK Artwork created for Ministry of Information during Second World War. INF 3/28
1939-1945 Aircraft Attack British Battleship (originally may have been untitled), oil on board view[permanent dead link] 64.4 × 49.2 cm. (25.4 × 19.4 in.) The National Archives, Kew, Richmond, UK Artwork created for Ministry of Information during Second World War. INF 3/45
1939-1945 Publicity for Latin America: Assault (5 scenes untitled), black carbon ink and black fabricated chalk drawings with white gouache highlights and masking The National Archives, Kew, Richmond, UK Scene: Royal Indian Navy and British Troops co-operating. INF 3/1472
1939-1945 Publicity for Latin America: In Peace and War (4 scenes untitled), black carbon ink and black fabricated chalk drawings with white gouache The National Archives, Kew, Richmond, UK Scene: yachts and motor torpedo boats. INF 3/1479
1939-1945 Under Nazi Rule: Resistance Movement Series (individual scenes untitled), charcoal and gouache on paper view The National Archives, Kew, Richmond, UK Scene: man and woman in cellar listening to radio, likely coded messages. INF 3/1787
1939-1945 Under Nazi Rule: Resistance Movement Series (individual scenes untitled), fabricated black chalk/charcoal and white gouache The National Archives, Kew, Richmond, UK Scene: gang clearing wrecked train from railway line. INF 3/1788
1939-1945 Under Nazi Rule: Resistance Movement Series (individual scenes untitled), fabricated black chalk/charcoal and white gouache The National Archives, Kew, Richmond, UK Scene: priest preaching in damaged church. INF 3/1789
1939-1945 Under Nazi Rule: Resistance Movement Series (individual scenes untitled), fabricated black chalk/charcoal and white gouache The National Archives, Kew, Richmond, UK Scene: wounded man attended by Dutch family. INF 3/1790
1939-1945 Under Nazi Rule: Resistance Movement Series (individual scenes untitled), fabricated black chalk/charcoal and white gouache The National Archives, Kew, Richmond, UK Scene: German firing squad and Resistance man. INF 3/1791
1939-1945 Under Nazi Rule: Resistance Movement Series (individual scenes untitled), fabricated black chalk/charcoal and white gouache The National Archives, Kew, Richmond, UK Scene: inside French bakery. INF 3/1792
1939-1945 Under Nazi Rule: Resistance Movement Series (individual scenes untitled), fabricated black chalk/charcoal and white gouache The National Archives, Kew, Richmond, UK Scene: scene in dockside office. INF 3/1793
1939-1945 Under Nazi Rule: Resistance Movement Series (individual scenes untitled), fabricated black chalk/charcoal and white gouache The National Archives, Kew, Richmond, UK Scene: civilian men being herded into railway carriage by German soldiers. INF 3/1794
1939-1945 Under Nazi Rule: Resistance Movement Series (individual scenes untitled), fabricated black chalk/charcoal and white gouache The National Archives, Kew, Richmond, UK Scene: parachutist dropping at night amongst windmills. INF 3/1795
1939-1945 Under Nazi Rule: Resistance Movement Series (individual scenes untitled), fabricated black chalk/charcoal and white gouache The National Archives, Kew, Richmond, UK Scene: 2 Resistance fighters watching railway engine guarded by soldier. INF 3/1796
1939-1945 Under Nazi Rule: Resistance Movement Series (individual scenes untitled), fabricated black chalk/charcoal and white gouache The National Archives, Kew, Richmond, UK Scene: German soldiers approaching pedlar/peddler. INF 3/1797
1939-1945 Under Nazi Rule: Resistance Movement Series (individual scenes untitled), fabricated black chalk/charcoal and white gouache The National Archives, Kew, Richmond, UK Scene: man and whip. INF 3/1798
1939-1945 Under Nazi Rule: Resistance Movement Series (individual scenes untitled), fabricated black chalk/charcoal and white gouache The National Archives, Kew, Richmond, UK Scene: arm and dagger and German sentry. INF 3/1799
1939-1945 Under Nazi Rule: Resistance Movement Series (individual scenes untitled), charcoal on board view The National Archives, Kew, Richmond, UK Scene: distressed male figure in prison uniform sitting in corner of cell. INF 3/1800
1939-1945 Under Nazi Rule: Resistance Movement Series (individual scenes untitled), fabricated black chalk/charcoal and white gouache The National Archives, Kew, Richmond, UK Scene: crowd advancing, bearing banners - massed formation of aircraft overhead. INF 3/1801
1939-1945 Under Nazi Rule: Resistance Movement Series (individual scenes untitled), fabricated black chalk/charcoal and white gouache The National Archives, Kew, Richmond, UK Scene: preacher in pulpit. INF 3/1802
1939-1945 Under Nazi Rule: Resistance Movement Series (individual scenes untitled), charcoal and gouache on paper view The National Archives, Kew, Richmond, UK Scene: Allied soldiers at a Resistance headquarters. INF 3/1803
1939-1945 Under Nazi Rule: Resistance Movement Series (individual scenes untitled), fabricated black chalk/charcoal and white gouache The National Archives, Kew, Richmond, UK Scene: explosion at a fuel depot. INF 3/1804
1939-1945 Under Nazi Rule: Resistance Movement Series (individual scenes untitled), fabricated black chalk/charcoal and white gouache The National Archives, Kew, Richmond, UK Scene: British Manchester bomber aircraft dropping leaflets. INF 3/1805
1939-1945 Under Nazi Rule: Resistance Movement Series (individual scenes untitled), fabricated black chalk/charcoal and white gouache The National Archives, Kew, Richmond, UK Scene: Resistance fighters over-running German post in French town. INF 3/1806
1939-1945 Under Nazi Rule: Resistance Movement Series (individual scenes untitled), fabricated black chalk/charcoal and white gouache The National Archives, Kew, Richmond, UK Scene: explosion at bridge bearing train. INF 3/1807
1940 British Warship of Drake's Day (c. 1940), watercolor and gouache on board view 30 × 23.5 cm. (11.8 × 9.3 in.)
1941 Tank Repairs, oil on canvas view 50 × 60 cm. (19.7 × 23.6 in.)
1942 Assassination of Heydrich (c. 1942; originally may have been untitled), oil on canvas on board view 61.4 × 76.1 cm. (24.2 × 30 in.) The National Archives, Kew, Richmond, UK Subject: SS-General Reinhard Heydrich (1904–1942; Operation Anthropoid). Artwork created for Ministry of Information during Second World War. INF 3/24
1943 Second Lieutenant W. Andrews, charcoal and gouache on paper view The National Archives, Kew, Richmond, UK Scene: Wallace Andrews attempting to defuse an unexploded bomb. (illustration for GC Book Publishers) INF3/483
1943 Chief Officer G.P. Stronach, charcoal and gouache on paper view The National Archives, Kew, Richmond, UK Scene: George Stronach rescuing man from debris on ship's deck. (illustration for GC Book Publishers) INF 3/484
1943 Captain D. W. M. Mason, charcoal and gouache on paper view The National Archives, Kew, Richmond, UK Scene: Dudley Mason; Malta Convoys; fore-end of merchant ship SS Ohio under air attack. (illustration for GC Book Publishers) INF 3/485
1943 Mr. A. E. Dolphin, charcoal and gouache on board view The National Archives, Kew, Richmond, UK Scene: Albert Dolphin attempting to rescue nurse - wall collapsing. (illustration for GC Book Publishers) INF 3/477
1944 Production of Tanks (original may have been untitled), oil on canvas view 51.3 × 61.5 cm. (20.2 × 24.2 in.) The National Archives, Kew, Richmond, UK Scene: workers manufacture Churchill tanks on a factory production line. Artwork created for Ministry of Information during Second World War. INF 3/17
1944 Tank Battle (original may have been untitled), oil and pencil on board view 50.8 ×71.2 cm. (20 × 28 in.) The National Archives, Kew, Richmond, UK Artwork created for Ministry of Information during Second World War. INF 3/18
1944 Bristol Beaufighter Being Armed with a Torpedo, oil on canvas view 60 × 75 cm. (23.6 × 29.5 in.) Royal Air Force Museum Scene: Bristol Beaufighter.
1944 Warwick Air and Sea Rescue, oil on canvas view 61 × 51 cm. (24 × 20.1 in.) Scene: Vickers Warwick.
1945 In the Butts: Testing a Parnall Turret, oil on canvas view 55 × 65 cm. (21.7 × 25.6 in.) Royal Air Force Museum Scene: armament testing at Parnall.
1948 Radar, oil on canvasboard work 35.5 × 50 cm. (14 × 19.7 in.) Scene: radar installation.
1950 The Royal Engineers Clearing the Mine Fields at the Start of the Battle of El Alamein, 23 October 1942 (or Breaching the Mine Fields), oil on canvas/acrylic on canvas view view[permanent dead link] 87 × 108 cm. (34.3 × 42.5 in.) Defence Academy of the United Kingdom, Shrivenham, Oxfordshire Scene: Royal Engineers; Second Battle of El Alamein, 23 October 1942; Second World War.
1952 Servicing the Vampire, oil on canvas view 76 × 63 cm. (29.9 × 24.8 in.) de Havilland Aircraft Heritage Centre, London Colney, Hertfordshire Scene: refueling de Havilland Vampire.
1958 Lieutenant John Cridlan Barrett, VC, 1/5th Battalion, Leicestershire Regiment during the Attack on Machine Guns in Forgan's Trench, 24 September 1918, oil on canvas view 135 × 160 cm. (53.1 × 63 in.) Royal Leicestershire Regiment Museum, Newarke Houses Museum, Leicester Scene: Lieutenant John Cridlan Barrett VC (1897–1977); Leicestershire Regiment fighting near Pontruet, France, First World War, 24 September 1918. Artwork commissioned by the Regiment in 1958.
1960 Port to Port (c. 1960), oil on canvas view 108.6 × 134.2 cm. (42.8 × 52.8 in.) National Railway Museum, York, North Yorkshire Scene: wheelhouse at sea.
1961 The Launch of HMS Dreadnought, oil on canvas view 88 × 136.5 cm. (34.6 × 53.7 in.) Royal Navy Submarine Museum, Gosport, Hampshire Scene: HMS Dreadnought (S101), United Kingdom's first nuclear-powered submarine; Queen Elizabeth II (1926–2022); Barrow Shipyard; Trafalgar Day, 1960.
1961 German Paratroops Landing on Top of the 2nd Battalion, The Leicestershire Regiment in Crete, 20 May 1941, oil on canvas view 150 × 196 cm. (59.1 × 77.2 in.) Royal Leicestershire Regiment Museum, Newarke Houses Museum, Leicester Scene: Leicestershire Regiment fighting at Crete, 20 May 1941; Second World War. Artwork commissioned by the Regiment, 1959.
1961 2nd Battalion the Leicestershire Regiment, as Chindits, during Operations against the Japanese at Indaw Lake, Burma, 1944, oil on canvas view 148 × 196 cm. (58.3 × 77.2 in.) Royal Leicestershire Regiment Museum, Newarke Houses Museum, Leicester Scene: Leicestershire Regiment fighting at Indaw Lake, Burma, 1944; Second World War. Artwork commissioned by the Regiment, 1959.
1962 Lance Sergeant Philip Smith Winning The Leicestershire Regiment's First Victoria Cross for Bringing in Wounded Comrades at the Great Redan, Sevastopol, 18 June 1855 (c. 1962), oil on canvas view 82 x 95.5 cm. (32.2 x 37.6 in.) Royal Leicestershire Regiment Museum, Newarke Houses Museum, Leicester Scene: Lance Sergeant Philip Smith VC (1825–1906); 17th (Leicestershire) Regiment of Foot; Sevastopol, Crimean War, 18 June 1855. Artwork commissioned by the Regiment in 1962.
1964 The Chestnut Troop (c. 1964) view Scene: A Battery (Chestnut Troop) Royal Horse Artillery exercises in Germany, October 1964; Ferret scout car; forward observer Centurion tank; 155 mm Howitzer battery.
1964 The 2nd Battalion 6th Gurkha Rifles and 14th/20th King's Hussars Fighting for the Town of Medicina, Italy, 16 April 1945, oil on canvas view[permanent dead link] Gurkha Museum, Peninsula Barracks, Winchester, Hampshire Scene: 6th Gurkha Rifles; 14th/20th King's Hussars; Medicina, Italy; Second World War, 16 April 1945.
1966 'B' Company 1st Battalion Action against Indonesian Parachutists at Labis, 23 September 1964 (also The Action at Labis), oil on canvas view view[permanent dead link] 100 × 125 cm. (39.4 × 49.2 in.) Gurkha Museum, Peninsula Barracks, Winchester, Hampshire Scene:10th Princess Mary's Own Gurkha Rifles; Labis, Segamat District, Johor, Malaysia; Malayan Emergency, 23 September 1964.
1966 Lance Corporal Rambahadur Limbu winning the Victoria Cross, Sarawak, 21 November 1965, oil on canvas view[permanent dead link] Sir John Moore Barracks, Shorncliffe Camp, Cheriton, Kent Scene: Rambahadur Limbu VC; Battle of Bau, 21 November 1965; Sarawak, Malaysia.
1968 Temple Cliffs, Aden, Yemen, 20 June 1967, oil on canvas view 101.5 × 136 cm. (40 × 53.6 in.) Fusiliers Museum of Northumberland, Abbot's Tower, Alnwick Castle, Alnwick, Northumberland Scene: Royal Northumberland Fusiliers; Aden, Yemen; North Yemen Civil War.
1970 Glider Assault, D-Day (c. 1970), oil on canvas view 60 x 75 cm (23.6 x 29.5 in.) Royal Air Force Museum
1971 Leeson Street Patrol (c. 1970), acrylic on canvas view view[permanent dead link] view Scene: members of R Company of the Royal Green Jackets in action during their 4-month operations in Northern Ireland in September 1971.
1972 Changing the Guard at Buckingham Palace, oil on canvas view[permanent dead link] Sir John Moore Barracks, Shorncliffe Camp, Cheriton, Kent Scene: Changing the Queen's Life Guard, Buckingham Palace.
1973 Ceremony of the Keys, acrylic on canvas view view[permanent dead link] Sir John Moore Barracks, Shorncliffe Camp, Cheriton, Kent Scene: ceremonial locking of the Tower of London; custodian of Queen's keys, chief Yeoman Warder, is challenged by sentry on duty (member of Gurkha Regiment at time of painting).
1976 The Tragedy of Ulster 1976, oil on canvas view[permanent dead link] view 90.2 × 151.1 cm. (35.5 × 59.5 in.) Army and Navy Club, London Scene: street violence in Ulster, Northern Ireland.
1977 The Tragedy of Ulster 1976, acrylic on canvas view[permanent dead link] Scene: street violence in Ulster, Northern Ireland.
1978 First Air Post (or First Air Mail), oil on canvas view[permanent dead link] view
1980 Tebourba Gap, oil on canvas view 98 × 135 cm. (38.6 × 53.1 in.) Royal Hampshire Regiment Museum, Serle's House, Winchester, Hampshire Scene: Major H. W. Le Patourel VC (1916–1979); Hampshire Regiment; Tebourba Gap, Tunisia, 1942; Second World War. Artwork commissioned by the regiment.
1981 The Last Halifax, oil on canvas view 131 × 152 cm. (51.5 × 59.8 in.) Royal Air Force Museum Scene: Handley Page Halifax.
1981 Sari Bair - 1st Battalion 6th Gurkha Rifles led by Major C. J. L. Allanson attacking the Turks on the crest of Sari Bair ridge, Gallipoli, 9th August 1916, oil on canvas view[permanent dead link] Gurkha Museum, Peninsula Barracks, Winchester, Hampshire Scene: C. J. L. Allanson; 6th Gurkha Rifles; Battle of Sari Bair, Gallipoli, First World War, 9 August 1916.
1982 The Battle of Kohima, April 1944, oil on canvas view 100 × 123 cm. (39.4 × 48.4 in.) Kohima Museum, Imphal Barracks, York, North Yorkshire Scene: Battle of Kohima, India, April 1944; Second World War.
1982 Lull in the Battle (c. 1982) view Scene: 3rd Battalion, Parachute Regiment with the Army Catering Corps at Port San Carlos, Falkland Islands, Falklands War, May 1982.
1982 Battle of Tumbledown Mountain (c. 1982) view Scene: 2nd Battalion Scots Guards capturing one of the most strongly defended Argentine positions of Falklands campaign, 14 June 1982.
1984 D-Day, 6th June 1944, oil on canvas view 106.5 × 183 cm. (41.9 × 72 in.)
1985 The Raising of the Green Howards (or Raising the Regiment), acrylic on canvas (c. 1985) view view[permanent dead link] Scene: raising of the Green Howards by Colonel Francis Luttrell at Dunster Castle, Somerset, 16 November 1688.
1989 The Crossing of the Indaw Chaung, Burma, 1944, oil on canvas view 75 × 100 cm. (29.5 × 39.4 in.) Wardown Park Museum, Bedfordshire and Hertfordshire Regiment Association Museum Collection, Luton, Bedfordshire Scene: Burma Campaign, 1944; near Indaw, Katha District, Burma; Second World War.
1990 The Battle of Monte Cassino, Italy, 1944, oil on canvas view 75 × 100 cm. (29.5 × 39.4 in.) Wardown Park Museum, Bedfordshire and Hertfordshire Regiment Association Museum Collection, Luton, Bedfordshire Scene: Battle of Monte Cassino; Monte Cassino, near Cassino, Italy; Second World War.
1990 Sustaining Forward (c. 1990) view Scene: field kitchen located on the Saudi Arabia/Iraq border, serving meals to the troops of the 7th Armoured Brigade (Desert Rats) before they moved to their pre-attack positions; Catering Support Regiment, Gulf War.
1991 Army Challenger - Operation Desert Storm 1991 Gulf War (c. 1991; or Tanks in the Gulf, July 1991), oil on canvas view view[permanent dead link] Army and Navy Club, London Scene: 1st Armoured Division making advance, Objective COBALT; Gulf War, 1991.
Paras Have Landed (or The Paras Are Landing) view see Cuneo Society website Scene: paratroopers landing.
The Defence of Calais 1940 view view Scene: members of 1st Battalion rifle brigade in defence of Calais; they held off repeated attacks of German tanks and infantry for 4 days.
Road to Basra, acrylic on canvas view[permanent dead link] Scene: tanks near Basra, Iraq.
Air Drop see Terence Cuneo website
Surrender see Terence Cuneo website
Baskeyfield (or Lance Sergeant J D Baskeyfield VC), oil on canvas view Staffordshire Regiment Museum, Staffordshire Subject: Lance Sergeant John "Jack" Daniel Baskeyfield VC.
Raising the Regiment - The King's Own Scottish Borderers. March 1689 view Scene: raising the regiment (originally the 25th Foot) in Edinburgh on 18 March 1689 by David Leslie, 3rd Earl of Leven (1660–1728), for the defence of the city against the Jacobites during the Glorious Revolution that brought William of Orange (1650–1702) to England.
Battle of Hyderabad, 24th March 1843 view Scene: Royal Horse Artillery 1st Troop under the command of Major Leslie galloping across front of infantry—Cheshire Regiment—to bring guns into action closer to enemy during Battle of Hyderabad.
Ambush at Sannas Post view Scene: 4 VCs were awarded to Q battery for getting their guns into action against 1,000 Boers concealed behind a ridge, near Bloemfontein in 1900 (during Second Boer War).
Saving the Guns at Le Cateau, oil on canvas view Scene: Captain Reynold and drivers Luke and Drain saving the guns of 37th Battery from advancing German Infantry during Battle of Le Cateau, 26 August 1914; all 3 were awarded VC.
Last Stand of the 5th (Gibraltar) Battery view Scene: 26–27 May 1918, 5th Battery's gun position was overrun by German Infantry; Battery Commander and 2 subalterns rallied surviving men and with Lewis Gun and rifles attempted to beat off the attack; only 4 gunners survived.
The Battle of Knightsbridge, 6th June 1942 view Scene: 8th Army battles against Rommel's Afrika Korps in western desert over 3-day period; artwork depicts 426th Battery of 107th Regiment Royal Horse Artillery (South Nottinghamshire Hussars) as tanks of Afrika Korps attack.
The Kidney Ridge Action view Scene: members of 2nd Battalion rifle brigade and 239 Battery RA knocking out at least 32 enemy tanks during desert campaign on 27 October 1942; Lieutenant VB Turner was awarded the VC for this action.
The Battle of Medenine, 6th march 1943 view Scene: anti-tank guns of the left flank company 2nd Battalion Scots Guards during Battle of Medenine, Tunisia; Lt F A L Waldron's platoon knocks out s German tanks as they came over crest of ridge.
Captain The Lord Lyell VC view Scene: action near Djebel Bou Aoukaz, Tunisia, 27 April 1943; Lyell (1913–1943) charging German 88 mm gun position single handed; 5 men fell at his feet, before he was overpowered .
S Company Scots Guards in the Battle of Monte Piccolo, Italy 28th May 1944 view Scene: S Company Scots Guards along with 3 Company Coldstream Guards, after heavy fighting, captures hill from German 1st parachute regiment.
Scots Guards Fighting Through the Bocage view Scene: action of the right flank, 3rd Battalion Scots Guards during the advance from Caumont to Les Loges, Normandy, 30 July 1944; commanding the Churchill tank "Lochinvar" is Lt Robert Runcie (1921–2000), later to serve as Archbishop of Canterbury (1980–91).
Sword Beach view Scene: Pioneers were among first British troops to land on beaches of Normandy on D-Day, by 1 August 1944 there were over 35,500 Pioneers in Normandy; artwork depicts various activities of Pioneers during D-Day landings.
The Battle of Monte Cassino view Scene: 8th Army artillery firing during last Battle of Monte Cassino; 600 guns destroyed the remaining German defences; Second World War.
The German Surrender at Luneberg Heath, May 1945 view Scene: German surrender at Lüneberg Heath, Lower Saxony, Germany ending Second World War.
The Sunger Sekayan Action in Borneo view Scene: patrol of 2nd Green Jackets (King's Royal Rifle Corps) 14 platoon under Lt. Michael Robertson successfully ambush 30 Indonesian regulars; artwork depicts Sgt. Hunt carrying Rfn. Martin with platoon giving supporting fire.
The Price of Freedom view Scene: embodiment of spirit of entire British Army.
The de Havilland Field Service, oil on canvas view 77 × 51  cm. (30.3 × 20.1 in.) Scene: support services for de Havilland aircraft.
Sir Gustave Gorganzola at the Siege of the Granaries, oil on canvas 30 × 25 cm. (11.8 × 9.8 in.)
Soldiers Re-loading, oil on board view 50.8 × 50.2 cm. (20 × 19.8 in.)
Bird's Eye View view 46.7 × 61.9 cm. (18.4 × 24.4 in.) Scene: view from cockpit.
The Horse Guards at Hyde Park Corner, oil 62 × 74.5 cm. (24.4 × 29.3 in.) Scene: Horse Guards; Hyde Park Corner.
Polythene, oil on canvasboard 35.5 × 50 cm. (14 × 19.7 in.) Scene: radar operator at work.
The Hook Action, acrylic on canvas view[permanent dead link] Scene: Battle of the Hook, Korean War.
The Freedom of the City of Nottingham, acrylic on canvas view[permanent dead link] Scene: Nottingham.
The Battle of Killiecrankie, acrylic on canvas view[permanent dead link]

Railway paintings

Year Title Image Dimensions Collection Comments
1940 Essex, LNER (or Essex by Rail) (c. 1940) view[permanent dead link] view Scene: London and North Eastern Railway in Essex. British Railways poster artwork.
1946 The Day Begins, oil on canvas view 88.5 × 127 cm. (34.8 × 50 in.) National Railway Museum, York, North Yorkshire Scene: London, Midland and Scottish Railway rolling stock. British Railways poster artwork.
1946 Royal Border Bridge (c. 1946) view view[permanent dead link] Scene: rolling stock crossing Royal Border Bridge, River Tweed, Northumberland. British Railways poster artwork.
1947 First Days of Steam, oil on canvas view 77 × 89.9 cm. (30.3 × 35.4 in.) National Railway Museum, York, North Yorkshire
1947 Giants Refreshed: Pacifics in the Doncaster Locomotive Works, oil on canvas view view 78 × 122 cm. (30.7 × 48 in.) Doncaster Museum and Art Gallery, Doncaster, South Yorkshire Scene: maintenance on London and North Eastern Railway rolling stock—Class A4 No.4500 Sir Ronald Matthews and Class A2/3 No.520 Owen Tudor—at Doncaster Works. Artwork commissioned by London and North Eastern Railway in 1947 for poster artwork.
1948 On Early Shift view view[permanent dead link] 101.6 × 127 cm. (40 × 50 in.) Scene: Greenwood signal box, New Barnet railway station, London. British Railways poster artwork.
1948 Red Crane and Train at Building Site, oil on canvas view 76.2 × 64.1 cm. (30 × 25.2 in.)
1949 An Engine is Wheeled view British Railways poster artwork.
1949 Clear Road Ahead, Monmouth Castle view[permanent dead link] view Scene: Great Western Railway rolling stock—Castle class No.5037 Monmouth Castle—in transit with clear track ahead. British Railways poster artwork.
1949 The Opening of the Stockton and Darlington Railway, 1825 view 69.6 × 85.5 cm. (27.4 × 33.7 in.) National Railway Museum, York, North Yorkshire Scene: Stockton and Darlington Railway rolling stock.
1950 Veteran Crossing a French Railway, (c 1950), oil on canvas visit 61 × 75 cm. (20 × 29.5 in.) Coventry Transport Museum, Coventry, West Midlands Scene: close call at railway crossing.
1950 Tay Bridge, (c. 1950) view Scene: rolling stock on Tay Rail Bridge, Firth of Tay, Scotland. British Railways poster artwork.
1950 Glen Ogle, Perthshire (c. 1950) view 101 × 63 in. (39.8 × 24.8 in.) Scene: Glen Ogle, Perthshire, Scotland. British Railways poster artwork.
1952 Bon Voyage: Trains Joining Steam Ships at Calais, oil on canvas view 92 × 133.6 cm. (36.2 × 52.6 in.) National Railway Museum, York, North Yorkshire Scene: Calais, France. British Railways poster artwork.
1952 Forging Ahead: The First British Railways Standard Express Locomotive, oil on canvas view 96 x 133.5 cm. (37.8 x 52.6 in.) National Railway Museum, York, North Yorkshire British Railways poster artwork.
1952 Scotland for Your Holidays (c. 1952; or The Forth Railway Bridge) view view Scene: London and North Eastern Railway rolling stock—Gresley A4 class Pacific Plover—crossing Forth Bridge. British Railways poster artwork.
1955 The Highlands, Monessie Gorge (c. 1955) view Scene: West Highland Line, Monessie Gorge, Scottish Highlands. British Railways poster artwork.
1955 Track Laying by Night (c. 1955) view Scene: laying down permanent way on night shift using mechanised equipment; Wandsworth Common railway station, London. British Railways poster artwork.
1957 Talyllyn Railway on the Dolgoch Viaduct (or Tal-Y-Llyn Railway on the Dolgoch Viaduct), oil on canvas view 64 × 76  cm (25.2 × 29.9 in.) Russell-Cotes Art Gallery and Museum, Bournemouth, Dorset Scene: Talyllyn Railway rolling stock on Dolgoch viaduct near Dolgoch railway station, Mid Wales.
1957 Progress, oil on canvas view 86 × 130.2 cm. (33.9 × 51.3 in.) National Railway Museum, York, North Yorkshire British Railways poster artwork.
1959 Night Freight (1959), oil on canvas view[permanent dead link] view BR (M) poster artwork to promote the new Condor overnight container freight service.
1960 Nord 2–3–0 at SNCF (French National Railways) Boulogne Shed (c. 1960), oil on canvas view 77.5 × 90.3 cm. (30.5 × 35.6 in.) National Railway Museum, York, North Yorkshire Scene: SNCF rolling stock—Nord class—at Boulogne rail yard.
1961 Clapham Junction, oil on canvas view 105.6 × 120.7 cm. (41.6 × 47.5 in.) National Railway Museum, York, North Yorkshire Scene: Clapham Junction railway station, London Borough of Wandsworth. British Railways poster artwork.
1961 Trains in the Yard, oil on canvas view 63.5 × 76.2 cm. (25 × 30 in.) Scene: rolling stock in rail yard.
1961 Le Dernier des Géants, oil on canvas view 83.7 × 122 cm. (33 × 48 in.)
1962 South Grid Railway Sidings, oil on canvas view 105.4 × 130.9 cm. (41.5 × 51.5 in.) National Railway Museum, York, North Yorkshire British Railways poster artwork for "Service to Industry" series.
1962 Signal Success view Scene: modernization to electric signal lights in rail yard. British Railways poster artwork.
1963 First Journey of Penydarren Locomotive, oil on canvas view 62 × 75 cm. (24.4 × 29.5 in.) Amgueddfa Cymru—National Museum Wales, Department of Industry, Cardiff, Wales Scene: Richard Trevithick (1771–1833) and his "Pen-y-Darren" locomotive.
1964 The Pass Track (c. 1964), oil on canvas view see Terence Cuneo website 114 × 138.5 cm. (44.9 × 54.5 in.) Scene: Ffestiniog Railway rolling stock, Wales. British Railways poster artwork.
1965 Blue Train at Bowling Harbour (or Glasgow Electric, Helensburgh; Helensburgh Electric Railcar), oil on canvas view 94 × 119.5 cm. (37 × 47 in.) Glasgow Museums Resource Centre, Glasgow, Scotland Scene: British Rail rolling stock—Class 303 "Blue Train"—at Bowling, West Dunbartonshire, Scotland.
1965 The Lickey Incline, oil on canvas view see Terence Cuneo website 76.2 × 101.6 cm. (30 × 40 in.) Scene: London, Midland and Scottish Railway rolling stock (No.5593/45593 Jubilee Kolhapur) thunders up Lickey Incline, Birmingham and Gloucester Railway, steepest gradient in English country. Artwork commissioned by Patrick Whitehouse OBE (1922–1993), pioneer in railway preservation.
1967 The Mistral, oil on canvas view 57 × 101.5 cm. (22.4 × 40 in.) Scene: SNCF rolling stock—Le Mistral.
1967 The Last of the Thoroughbreds, Great Western Castles in Sheds, Tyseley, Birmingham, oil on canvas view 75 × 88 cm. (29.5 × 34.6 in.) Scene: Great Western Railway rolling stock at Tyseley Locomotive Works, Birmingham, West Midlands.
1967 A Country Holt, acrylic on canvas view[permanent dead link] Scene: rolling stock at station in English countryside.
1968 Atmosphere of Steam, oil on canvas view 61 × 119.5 cm. (24 × 47 in.)
1968 Express Engines at Tyseley, oil on canvas view view 75 × 100 cm. (29.5 × 39.4 in.) Scene: rolling stock—London, Midland and Scottish Railway No.5593/45593 Jubilee Kolhapur and Great Western Railway No.7029 Clun Castle— at Tyseley Locomotive Works, Birmingham, West Midlands.
1969 King George V Steam Locomotive, No.6000 at the Bulmer Cider Mill, Hereford, oil on canvas view 76 × 101.5 cm. (29.9 × 40 in.) Scene: Great Western Railway rolling stock—King class No.6000 King George V; Bulmer Cider Mill, Hereford.
1969 At the Throttle of the Flying Scotsman (or Alan Pegler Driving Flying Scotsman), oil on canvas view see Cuneo Society website 51 × 63.5 cm. (20.1 × 25 in.) Scene: Alan Pegler (1920–2012); cab of Class A3 No.4472 Flying Scotsman.
1969 Westway, oil on canvas view 76 × 103 cm. (29.9 × 40.6 in.)
1970 Dolgoch Station on the Talyllyn Railway (c. 1970) view[permanent dead link] view Scene: Dolgoch railway station, Mid Wales, on Talyllyn Railway. British Railways poster artwork.
1970 Royal Scot on the Britannia Bridge, Menai Straits, oil on canvas view 91.5 × 127 cm. (36 × 50 in.) Scene: West Coast Main Line rolling stock—Royal Scot; Britannia Bridge, Menai Strait, Wales.
1971 Emerging from the Severn Tunnel, oil on canvas view 62 × 75 cm. (24.4 × 29.5 in.) Amgueddfa Cymru—National Museum Wales, Department of Industry, Cardiff, Wales Scene: rolling stock emerging from Severn Tunnel.
1972 Freight from Port Shepstone - Memories of the Narrow Gauge, Natal, South Africa, oil on canvas view 84 × 122 cm. (33.1 × 48 in.) Scene: narrow gauge rolling stock; Port Shepstone, Natal, South Africa.
1973 Locomotive Halt, oil on canvas view 51 × 66 cm. (20.1 × 26 in.)
1975 The Evening Star, Freight Train, German State Railways, oil on canvas view 63.5 × 76.5 cm. (25 × 30.1 in.) Scene: German State Railways rolling stock−The Evening Star.
1975 Evening Freight to Knysna, oil on canvas view 53.3 × 101.6 cm. (21 × 40 in.) Scene: rolling stock heading to Knysna, South Africa.
1975 The Water Column, oil on canvas view 54.5 × 76.2 cm. (21.5 × 30 in.) Scene: rolling stock taking on water.
1978 Storm Over Southall Shed, oil on canvas view see Terence Cuneo website 46 × 66.5 cm. (18.1 × 26.2 in.) Scene: Great Western Railway rolling stock at Southall railway station, London.
1978 Sleigh Post, oil on canvas view[permanent dead link]
1979 Into the 80s, the APT, oil on canvas Framed, 103 x 77.5 cm. (40.5 × 30.5 in.) Science Museum, London Scene: The prototype electric Advanced Passenger Train leaving Euston station, with historic diesel and steam locomotives of the LNWR and LMS in the background. Artwork commissioned by British Rail.
1984 Flying Cheltenham, oil on canvas view 61 × 72.5 cm. (24 × 28.5 in.) British Postal Museum and Archive Scene: Great Western Railway rolling stock—Castle class Flying Cheltenham. Artwork commissioned by Royal Mail in 1984 for Famous Trains stamp issue (1985).
1984 Flying Scotsman, oil on canvas view 48 x 73.5 cm. (18.9 x 28.9 in.) British Postal Museum and Archive Scene: London and North Eastern Railway rolling stock—Flying Scotsman. Artwork commissioned by Royal Mail in 1984 for Famous Trains stamp issue (1985).
1984 Royal Scot, oil on canvas view 50 x 74 cm. (19.7 x 29.1 in.) British Postal Museum and Archive Scene: West Coast Main Line rolling stock—Royal Scot. Artwork commissioned by Royal Mail in 1984 for Famous Trains stamp issue (1985).
1984 Golden Arrow, oil on canvas view 49 x 74 cm (19.3 x 29.1 in.) British Postal Museum and Archive Scene: Southern Railway rolling stock—Golden Arrow. Artwork commissioned by Royal Mail in 1984 for Famous Trains stamp issue (1985).
1984 King Richard III view 74 x 99 cm (29.1 x 39 in.) British Postal Museum and Archive Scene: Great Western Railway rolling stock—King class No.6015 King Richard III. Artwork commissioned by Royal Mail in 1984 for Famous Trains stamp issue (1985).
1985 Ffestiniog Work Horses (or Festiniog Workhorses), oil on canvas view view 102 × 178 cm. (40.2 × 70.1 in.) Atkinson Art Gallery & Library, Southport Scene: Ffestiniog Railway rolling stock. Artwork commissioned to celebrate 150th anniversary of opening of Ffestiniog Railway on 20 April 1836.
1985 Docklands Light Railway (c. 1985), acrylic on canvas view Scene: Docklands Light Railway rolling stock crossing West India Docks, Isle of Dogs, London.
1985 The Last of the Giants, oil on canvas view 76.5 × 102 cm. (30.1 × 40.2 cm.)
1985 Firefly Leaving Box Tunnel, Great Western Railway, oil on canvas view 77 × 102 cm. (30.3 × 40.2 in.) Scene: Great Western Railway rolling stock—Firefly class—leaving Box Tunnel, Box Hill, Wiltshire.
1988 Ready to Roll (c. 1988) view Scene: Southern Railway rolling stock—SR Merchant Navy class "Bulleid Pacific" No. 35027 Port Line.
1991 Construction of the Manchester Metrolink, oil on canvas view 61 × 89.5 cm. (24 × 35.2 in.) Scene: Manchester Metrolink.
1994 Golden Arrow, oil on canvas view 75.5 × 102 cm. (29.7 × 40.2 in.) Scene: Southern Railway rolling stock—Golden Arrow, Britannia Class No. 70004 William Shakespeare—arriving at rail yard (Dover Marine).
Winston Churchill at Bournemouth Shed view view Scene: British Railway rolling stock—Battle of Britain Class No.34051 Winston Churchill—flanked by Southern Railway rolling stock—Merchant Navy class No.35029 Ellerman Lines and Q-1 Class No.33001.
Duchess of Hamilton on Shap see Cuneo Society website
Flying Scotsman, oil on canvas view Scene: London and North Eastern Railway rolling stock—Class A3 No.4472 Flying Scotsman.
Bentley vs The Blue Train view see Cuneo Society website Scene: 1930 Cannes to Calais Maritime race.
Evening Star view see Terence Cuneo website Scene: last steam locomotive built for British Railways—Standard class 9F No.92220 Evening Star.
Castles at Tyseley view see Terence Cuneo website Scene: Great Western Railway rolling stock—Castle class—at Tyseley Locomotive Works, Birmingham, West Midlands.
The Night King, acrylic on canvas view view[permanent dead link] Scene: Great Western Railway rolling stock—King class No.6000 King George V—steams through the night.
The Great Marquess view see Terence Cuneo website Scene: London and North Eastern Railway rolling stock—Class K4 The Great Marquess—in the round house.
Halfway between Edinburgh and London view see Terence Cuneo website Scene: rolling stock.
Mallard view Scene: London and North Eastern Railway rolling stock—Class A4 No.4468 Mallard.
Mallard at Speed, acrylic on canvas view[permanent dead link] Scene: London and North Eastern Railway rolling stock—Class A4 No.4468 Mallard.
Cathedral Express view Scene: Great Western Railway rolling stock—Cathedral Express/Castle class No.7029 Clun Castle.
Steam in the Rockies view Scene: Canadian Pacific Railway rolling stock—Hudson class steam locomotive—at Revelstoke, British Columbia, near Kicking Horse Pass.
A Local Train Pulls Out view Scene: rolling stock—Nord class P8—in northern France.
Departure from Paddington view Scene: rolling stock leaving Paddington station, London.
Intercity (or Class 91, Bounds Green) view Scene: British Rail rolling stock—Class 91 electric locomotive—at Bounds Green traction maintenance depot.
Le Shuttle, acrylic on canvas view view[permanent dead link] Scene: Eurotunnel Le Shuttle rolling stock.
A Baldwin 141 R in France view 61 × 76.2 cm. (24 × 30 in.) Scene: SNCF Class 141R rolling stock by Baldwin Locomotive Works in France.
Centenary Royal Albert Bridge, Saltash 1859-1959 view Scene: rolling stock on Royal Albert Bridge spanning River Tamar, Saltash, Cornwall. British Railways poster artwork.
Power, oil on canvas view 51 × 76 cm. (20.1 × 29.9 in.)
An A4 Pacific Crossing the Forth, oil on canvas view 91.4 × 137.1 cm. (36 × 54 in.) Scene: London and North Eastern Railway rolling stock—A4 Pacific class—crossing Forth Bridge at night.
Memories of Willesden Junction, oil on canvas view view 77.5 × 101.6 cm. (30.5 × 40 in.) Scene: rolling stock at Willesden Junction rail yard, Harlesden, London.
Out of the Night, oil on canvas view 92 × 137 cm. (36.2 × 53.9 in.) Scene: rolling stock running at night.
Double Header in the Highlands, Class Five on the Oban Line in Scotland, oil on canvas view 71.6 × 92 cm. (28.2 × 36.2 in.) Scene: London, Midland and Scottish Railway rolling stock—Class 5—on Oban Line in Scottish Highlands.
Class 91, Durham Viaduct Scene: British Rail rolling stock—Class 91 electric locomotive—at County Durham.
Steam Train at the Station, oil on canvas view 31.1 × 41.3 cm. (12.2 × 16.3 in.) Scene: steam locomotive.
Winter Express, oil on canvas view 40.2 × 61 cm. (15.8 × 24 in.) Scene: German State Railways rolling stock.
Northbound Freight, Manitoba Canada, oil on canvas view 28 × 36 cm. (71.1 × 91.4 in.) Scene: rolling stock; Manitoba, Canada.
On the Platform, oil on board view 30.5 × 41.9 cm. (12 × 16.5 in.)
Racing the Train, oil on board view 16.5 × 14 cm. (6.5 × 5.5 in.)
Big Boy on Sherman Hill, oil on canvas view 30.5 × 61 cm. (12 × 24 in.)
The Crossing, oil on canvas view 50.8 × 76.2 cm. (20 × 30 in.)
The Black Prince, oil on canvas view 61 × 119.3 cm. (24 × 47 in.) Scene: British Railways rolling stock—BR Standard Class 9F No.92203 Black Prince.
Full Steam Ahead, oil on canvas view 71 × 91.5 cm. (28 × 36 in.)
The Gradiant, acrylic on canvas view[permanent dead link] Scene: rolling stock on uphill journey.
Voltage vs Stream, acrylic on canvas view[permanent dead link] Scene: rolling stock from two stages of transportation.
Signal Box Great Western, acrylic on canvas view[permanent dead link] Scene: Great Western Railway signal box.
Fleche d'Or, acrylic on canvas view[permanent dead link] Scene: Chemins de Fer du Nord rolling stock of Flèche d’Or.

Automobile paintings

Year Title Image Dimensions Collection Comments
1913 Brooklands, acrylic on canvas view[permanent dead link] Scene: race car at Brooklands racing circuit, Surrey; train in background.
1932 The Spirit of Brooklands 1932 (c. 1932), acrylic on canvas view view[permanent dead link] Scene: auto race at Brooklands racing circuit, Surrey; Sir Henry Birkin's (1896–1933) 4.5 litre Bentley versus John Cobb's (1899–1952) 10.5 litre Delage
1950 On the Brighton Road (c. 1950), oil on canvas view 62 × 75 cm. (24.4 × 29.5 in.) West Midlands Police Museum, Sparkhill Police Station, Sparkhill, Birmingham Scene: motorists on Brighton Road.
1950 Racing Cars, 1950, oil on canvas view[permanent dead link]
1960 Monte Carlo Rally, oil on canvas view 62.2 × 76.2 cm. (24.5 × 30 in.) Scene: auto racing on beach at Monte Carlo, Monaco.
The Shell Rally, oil on canvas view 63.5 × 76 cm. (25 × 29.9 in.)
Sunbeam Rapier, oil on canvas view 64 × 76 cm. (25.2 × 29.9 in.) Scene: Sunbeam Rapier.
Armstrong Siddeley, oil on canvas view 59.5 × 72.5 cm. (23.4 × 28.5 in.) Scene: Armstrong Siddeley.

Industrial paintings

Year Title Image Dimensions Collection Comments
1940 The Victory (c. 1940), watercolor and gouache on board view 29.5 × 23.5 cm. (11.6 × 9.3 in.) Scene: HMS Victory at sea.
1940 RMS Queen Elizabeth (c. 1940), oil on board view 37 × 29.5 cm. (14.6 × 11.6 in.) Scene: RMS Queen Elizabeth at sea.
1940 RMS Empress of Britain (c. 1940), watercolor and gouache on board view 33.5 × 27 cm. (13.2 × 101.6 in.) Scene: RMS Empress of Britain near port.
1940 The Strathnaver Dropping Her Pilot off Dover (c. 1940), watercolor and gouache on board view 30 × 23.5 cm. (11.8× 9.3 in.) Scene: launching RMS Strathnaver near Dover, Kent.
1940 The Shamrock at Cowes (c. 1940), watercolor and gouache on board view 29.5 × 23.5 cm. (11.6 × 9.3 in.) Scene: Shamrock at sea off Cowes, Isle of Wight.
1943 Interior of a Plane Making Factory, oil on canvas laid on board view 50.8 × 71 cm. (20 × 28 in.)
1944 Happy Landing: Tyre Production, Happy Landing: Tyre Production view 57.5 x 72.5 cm. (22.6 x 28.5 in.) Royal Air Force Museum Scene: men at work in production of airplane tires.
1944 Bristol Aircraft Company Assembly Line, oil on canvas view 50.8 × 76.2 cm. (20 × 30 in.) Royal Air Force Museum Scene: Bristol Aeroplane Company
1944 Giant in the Background: 'Giant Extruder', oil on canvas view 51 × 76 cm. (20.1 × 29.9 in.) Royal Air Force Museum
1944 Implement of Victory: Spar-Mill, oil on canvas view 56 × 50.5 cm. (22 × 19.9 in.) Royal Air Force Museum
1946 Miles Marathon in Flight, oil on canvas view 50 × 75 cm. (19.7 × 29.5 in.) Royal Air Force Museum Scene: Handley Page Marathon.
1947 Melting Shop at the Birmingham Works of Henry Wiggin[1] view Scene: inside the Henry Wiggin plant, Birmingham, England.
Universal Mill at the Birmingham Works of Henry Wiggin[1] view Scene: inside the Henry Wiggin plant, Birmingham, England.
Rod Mill at the Birmingham Works of Henry Wiggin[1] view Scene: inside the rod mill, Henry Wiggin plant, Birmingham, England.
The Testing of Magnetic Alloys at the Development and Research Laboratory, Birmingham[1] view
Extrusion Press at the Glasgow Works of Henry Wiggin[1] view Scene: inside the Henry Wiggin plant, Glasgow, Scotland.
1948 Crane, oil on canvas view 75 × 62.5 cm. (29.5 × 24.6 in.)
1949 The Holman Test Mine, oil on canvas view 76 × 62 cm. (29.9 × 24.4 in.) Royal Cornwall Museum, Truro, Cornwall Scene: Holman Bros. Ltd. was a Cornish engineering family firm founded in 1801; it gained a worldwide reputation in mining equipment manufacture and merged in 1968 with Broom Wade of High Wycombe to become CompAir (UK) Ltd. The company closed in December 2003.
1949 Comet Taking Off, oil on canvas view 75 × 62.1 cm. (29.5 × 24.5 in.) Defence Academy of the United Kingdom, Shrivenham, Oxfordshire
1949 Beam Engine Cylinder with Figure, oil on canvas view 63 × 76 cm. (24.8 × 29.9 in.) Royal Cornwall Museum, Truro, Cornwall Scene:Scene: Holman Bros. Ltd., Camborne, Cornwall.
1950 A Machine Shop, Camborne Works, oil on canvas view 63 × 76 cm. (24.8 × 29.9 in.) Royal Cornwall Museum, Truro, Cornwall Scene: Holman Bros. Ltd., Camborne, Cornwall.
1950 Trevithick and Holman with High Pressure Boiler, oil on canvas view 76 × 50 cm. (29.9 × 19.7 in.) Royal Cornwall Museum, Truro, Cornwall Scene: Richard Trevithick (1771–1833); Nicholas Holman, Holman Bros. Ltd.
1950 Conversation Piece, oil on canvas view 85 × 111 cm. (33.5 × 43.7 in.) Royal Cornwall Museum, Truro, Cornwall Scene: Holman Bros. Ltd., Camborne, Cornwall
1950 Walking Dragline Excavator on an Opencast Coal Site at Whitley Bay, oil on canvas view 64 × 76.5 cm. (25.2 × 30.1 in.) Scene: walking dragline excavator; opencast coal mine, Whitley Bay, Tyne and Wear.
1950 Steel Works at Magram, oil on canvas view 64 × 77 cm. (25.2 × 30.3 in.)
1950 Twin Batch Paver on Runway Construction, oil on canvas view 64 × 76 cm. (25.2 × 29.9 in.)
1950 Oil Refinery, oil on canvas 63 × 76 c. (24.8 × 29.9 in.)
1951 Shaft Collar during Construction at a Gold Mine in the Orange Free State, oil on canvas view 63 x 76 cm. (24.8 x 29.9 in.) Scene: mine construction; Orange Free State.
1951 Power Station under Construction at Plymouth, oil on canvas view 63 × 76 cm. (24.8 × 29.9 in.) Scene: Plymouth, Devon.
1951 Power Station and Wharf under Construction at Plymouth, oil on canvas view 63 × 76 cm. (24.8 × 29.9 in.) Scene: Plymouth, Devon.
1952 Clearing Woodland - The Vickers Vigor Tractor, oil on canvas view 64.5 × 85 cm. (25.4 × 33.5 in.) Scene: Vickers Vigor tractor at work.
1952 Earth Mover in Woodland, oil on canvas view 76 × 63 cm. (29.9 × 24.8 in.) Scene: creating a field from woodland.
1953 Earth Mover, oil on canvas view 76 × 63 cm. (29.9 × 24.8 in.) Scene: creating a field from woodland.
1953 Earth Mover and Workers, oil on canvas view 76 × 63 cm. (29.9 × 24.8 in.) Scene: creating a field from woodland.
1953 The Gas Light, oil on canvas view 76.2 × 101.5 cm. (30 × 40 .in.) Scene: gas lighting.
1953 Coryton Oil Refinery, oil on canvas view 64 × 76.5 cm. (25.2 × 30.1 in.) Scene: Coryton Refinery, Essex.
1953 Eight-Storey Office Building for the Public Works Dept. Johannesburg, view 64 × 76.5 cm. (25.2 × 30.1 in.) Scene: Johannesburg, South Africa.
1954 Jet Engine on a Test Bed, oil on canvas view 63.5 × 76.5 cm. (25 × 30.1 in.) Science Museum, South Kensington, London
1955 Early Stages of Construction of the New Cathedral Church of St. Michael, Coventry, oil on canvas view 76 × 102 cm. (29.9 × 40.2 in.) Scene: construction of St. Michael's Cathedral, Coventry, West Midlands, 1956–62.
1955 The Frood-Stobie Open Pit at Copper Cliff, Northern Ontario[1] view Scene: Frood-Stobie open pit mine, Greater Sudbury, Ontario.
1955 At the Stope of the Frood Mine[1] view Vale Canada Ltd headquarters, Toronto, Ontario (?) Scene: two miners drilling an underground rock face, Frood Mine.
1955 Miners Leaving the Cage at the Surface of the Frood Mine[1] view Vale Canada Ltd headquarters, Toronto, Ontario (?) Scene: underground miners exiting the cage, Frood Mine.
1955 The Convertor Aisle at the Copper Cliff Smelter[1] view Vale Canada Ltd headquarters, Toronto, Ontario (?) Scene: inside the Copper Cliff smelter, Greater Sudbury, Ontario.
1955 The Wire-Bar Casting Wheel at the Copper Refinery[1] view Vale Canada Ltd headquarters, Toronto, Ontario (?) Scene: inside the Copper Cliff Copper Refinery, Greater Sudbury, Ontario.
1955 The Electrolytic Cell House[1] view Vale Canada Ltd headquarters, Toronto, Ontario (?) Scene: inside the nickel refinery, Port Colborne, Ontario.
Chemicals Department of the Clydach Refinery[1] view Scene: inside the nickel refinery, Clydach, Swansea, Wales.
The Decomposer Aisle at the Clydach Nickel Refinery[1] view Scene: inside the nickel refinery, Clydach, Swansea, Wales.
Wet Process Section of the Acton Precious Metals Refinery[1] view Scene: inside the precious metals refinery, Acton, London.
1955 Extrusion Press at the Hereford Works of Henry Wiggin[1] view Scene: inside Henry Wiggin plant, Hereford, England.
1955 Forging Hammer at the International Nickel Company's Huntington, West Virginia Works[1] view Scene: forging hammer, Huntington, West Virginia.
1955 Rolling Mill at Huntington[1] view Scene: rolling mill, Huntington, West Virginia.
1955 International Nickel Company's Bayonne, N.J., Foundry[1] view Scene: casting floor, Bayonne, New Jersey.
1955 The International Nickel Company's Wrightsville Atmospheric Corrosion-Testing Station[1] view Scene: Wrightsville Beach, North Carolina.
Inco's Kure Beach Sea Water Corrosion-Testing Station[1] view Scene: Kure Beach, North Carolina.
1956 Electrical Engineering Workshop, oil on canvas 366 × 457.5 cm (144 × 180.1 in.) Science Museum, South Kensington, London
1956 Constructing the Hoover Dam, oil on canvas view 76 × 102 cm. (29.9 × 40.2 in.) Scene: Hoover Dam, Black Canyon of Colorado River, Arizona/Nevada.
1957 Dam for a Reservoir in the Mountains of Mourne, oil on canvas view 74 × 86 cm. (29.1 × 33.9 in.) Scene: Mourne Mountains, County Down, Northern Ireland.
1958 Berkely Power Station, oil on canvas view 76 × 102 cm. (29.9 × 40.2 in.) Scene: power station under construction.
1959 Coventry No.2, oil on canvas view 76 × 101.5 cm. (29.9 × 40 in.)
1960 Trans-Canada Highway in the Rocky Mountains, British Columbia, oil on canvas view 76 × 102 cm. (29.9 × 40.2 in.) Scene: construction of Trans-Canada Highway, British Columbia.
1960 Queensborough Bridge, New Westminster, British Columbia, oil on canvas view 76 × 102 cm. (29.9 × 40.2 in.) Scene: construction of Queensborough Bridge, Fraser River, New Westminster, British Columbia, 1960.
1960 Annacis Industrial Estate, British Columbia, oil on canvas view 81 × 81 cm. (31.9 × 31.9 in.) Scene: Annacis Island, Fraser River, British Columbia.
1960 B.C. Electricity, Vancouver, oil on canvas view 64 × 76.5 cm. (25.2 × 30.1 in.) Scene: Vancouver, British Columbia.
1962 Richard Trevithick's London Road Carriage (1962–72), oil on canvas view 35.5 x 46 cm. (14 x 18.1 in.) Science Museum, South Kensington, London Scene: Richard Trevithick (1771–1833); London Steam Carriage.
1964 The Post Office Tower from Clipstone Street, oil on board view 98 × 73.5  cm. (38.6 × 28.9 in.) British Postal Museum & Archive Scene: Post Office Tower, Fitzrovia, London.
1966 Brittanic House, Moorfields, oil on canvas view 102 × 76 cm. (40.2 × 29.9 in.) Scene: construction at Moorfields, City of London.
1967 North Sea Gas Pipeline, oil on canvas view 76 × 101.5 cm. (29.9 × 40 in.)
1974 Greythorpe Oil Rig, oil on canvas view 99 × 136 cm. (39 × 53.5 in.)
1978 Isle of Grain, oil on canvas view 77 × 101 cm. (30.3 × 39.8 in.) Scene: Isle of Grain, Hoo Peninsula, Medway.
1979 Floatout, Conoco's Murchison Jacket, Ardersier, Highlands, oil on canvas view 75 × 100 cm. (29.5 × 39.4 in.) Aberdeen Maritime Museum, Aberdeen, Scotland Scene: construction of Murchison oil platform; jacket being floated out into the North Sea.
1981 The Test House, oil on canvas view 73.5 × 59 cm. (28.9 × 23.2 in.) Royal Air Force Museum Scene: aircraft manufacturing.
1983 Raising of the Mary Rose, oil on canvas view 127 × 102 cm. (50 × 40.2 in.) Scene: salvage of the Mary Rose; Babcock Power Construction in operation.
1984 Mating (or Mating, Conoco's Hutton Tension Platform), oil on canvas view view Aberdeen Maritime Museum, Aberdeen, Scotland Scene: Conoco's Hutton tension-leg platform, Moray Firth, Scotland, May 1984.
1990 RMC Silos, Thurrock, oil on canvas view 61 x 91.5 cm. (24 x 36 in.) Scene: Thurrock, Essex.
1990 Sizewell at Night, oil on canvas view 76 x 101.5 cm. (29.9 x 40 in.) Scene: construction of Sizewell nuclear power station, Sizewell, Suffolk.
1991 Toyota Factory, oil on canvas view 76 × 101 cm. (29.9 × 39.8 in.) Scene: Toyota Manufacturing UK, Burnaston, Derbyshire.
1991 Pen-Y-Clip, Conway, oil on canvas view 76 × 102 cm. (29.9 × 40.2 in.) Scene: construction of Pen-y-Clip Tunnels (North Wales Expressway), Conwy, Wales.
1992 Construction Site, oil on canvas view 76 × 102 cm. (29.9 × 40.2 in.)
1994 Bridge under Construction, oil on canvas view 76 × 102 cm. (29.2 × 40.2 in.)
The Fire Whim at East Pool, oil on canvas view 48 × 35 cm. (18.9 × 13.8 in.) Royal Cornwall Museum, Truro, Cornwall Scene: winding engine house; last Cornish beam engine built by Holman Bros. Ltd. in 1887; East Pool mine, near Pool, Cornwall; now Cornwall and West Devon Mining Landscape, World Heritage Site.
Broomyard Factory (or Bromyard Foundry), oil on canvas view 76 × 101 cm. (29.9 × 39.8 in.)
At the Heavy Planet Repair Shop, oil on canvas view 63 × 76 cm. (24.8 × 29.9 in.)
dredging operation, oil view
sheet metal plant view

Paintings on post-war Dagenham vehicle production

Year Title Image Dimensions Collection Comments
Dagenham Jetty
Final Assembly
Quality Inspection
Vehicle Inspection

Animal paintings

Year Title Image Dimensions Collection Comments
1956 Chico, oil on canvas view 62.5 × 75 cm. (24.6 × 29.5 in.) Scene: horse with western saddle.
1986 Royal Stallion view
1992 The Sale, oil on canvas view Scene: horse sale.
Shire Horse and Foals (or Shire and Foals) view see Terence Cuneo website Scene: Shire horses in countryside.
The Shires view Scene: Shire horses in countryside with storm approaching.
Indian Ponies, oil on canvas view 65 × 76 cm. (25.6 × 29.9 in.)
The Puppy Show, Wynnstay, oil on canvas view 76.2 × 101.6 cm. (30 × 40 in.) Scene: Wynnstay, Wales.
Donkeycade, acrylic on canvas view[permanent dead link]

Mouse cartoons

Year Title Image Dimensions Collection Comments
1958 The Honourable Mrs. Lavina Vole and Her Daughter Vanessa, oil on canvas view view 30 × 25 cm. (11.8 × 9.8 in.)
1959 Lady Josephine Caerphilly with Her Page 'Cheddar', oil on canvas view 30 × 25 cm. (11.8 × 9.8 in.)
1962 Stilton Junction, Great Gnawing Railway view Scene: pastiche of The Railway Station, 1862, by William Firth.
1970 The Opportunist (c. 1970) view see Terence Cuneo website
1970 The Gambler (or The Rt Hon. Percy Blue Vinney OGM, Master Gambler at the Scalded Cat Saloon and The Black Mouse of the Family) (c. 1970) view see Terence Cuneo website
1971 Lord Nelson, oil on canvas view 35.5 × 25.5 cm. (14 × 10 in.)
1971 Lady Nelson, oil on canvas view 35.5 × 25.5 cm. (14 × 10 in.)
1974 Anthony, oil on canvas view see Cuneo Society website 35.5 × 25.4 cm. (14 × 10 in.)
1977 The Cheese Fair view see Terence Cuneo website
Cleopatra view
Trumpeter see Cuneo Society website
The Gun Mouse see Cuneo Society website
Brunel see Cuneo Society website
Running Sheds view see Terence Cuneo website
Isambard Kingdom see Terence Cuneo website
The Grand Brie view Scene: whimsical auto race at the finish line.
D'Artagnan and the Three Mousketeers view Scene: 4 heroes celebrate festive evening at inn.
Bold bad Dick Fondente on His Faithful Chestnut Stoat Bresse-Bleu, oil on canvas view 35 × 25 cm. (13.8 × 9.8 in.)

International paintings

Year Title Image Dimensions Collection Comments
1937 The Little Harbour, oil on canvasboard view 48 × 35.5 cm. (18.9 × 14 in.)
1968 Loading Sampans at Dawn in Hong Kong (c. 1968; or Figures Loading Barges at Dawn, Hong Kong), oil on canvas view 50.8 × 61 cm. (20 × 24 in.) Scene: Sampans, Hong Kong.
1973 A Tank Engine, oil on canvas view 51 × 66 cm. (20.1 × 26 in.)
1974 Le Citoyen Claude Cochon de l'Armee de la Liberte de la France, oil on canvas view 35 × 25.5 cm. (13.8 × 10 in.)
1980 A Nomadic Woman, oil on canvas view 50.8 x 61 cm. (20 x 24 in.)
1991 Arctic Exploration, oil on canvas view 50.8 × 76.2 cm. (20 × 30 in.)
The Paddy Fields see Cuneo Society website
The Grain Market, oil on canvas view 62 × 72 cm. (24.4 × 28.3 in.) Paisley Museum and Art Galleries, Paisley, Renfrewshire, Scotland
Domingo, Figures and Donkeys in a Street, oil on canvas view 60 × 50 cm. (23.6 × 19.7 in.)
The Edge of the Jungle, Penang, Malaya, oil on canvas view 50.8 × 61 cm. (20 × 24 in.) Scene: Penang, Malaysia.
Donkey Pool, Rhodes, oil on canvas view 49 × 75 cm. (19.3 × 29.5 in.) Scene: Rhodes, Greece.
Mexico, acrylic on canvas view[permanent dead link] Scene: Mexico
Little Bedouin Girl, acrylic on canvas view[permanent dead link] Scene: Bedouin girl in Jordan.

Africa

Year Title Image Dimensions Collection Comments
1951 Voortrekker Monument from the Amphitheatre, Pretoria, South Africa, oil on canvas view 64 × 76.5 cm. (25.2 × 30.1 in.) Scene: Voortrekker Monument, Pretoria, South Africa.
1951 African Dance, oil on canvas view 74 × 100.4 cm. (29.1 × 39.5 in.)
1951 Cape House, Johannesburg, oil on canvas view 63 × 76 cm. (24.8 × 29.9 in.) Scene: Johannesburg, South Africa.
1951 Paper Mills during Construction in the Transvaal, oil on canvas view 63 × 76 cm. (24.8 × 29.9 in.) Scene: paper mills; Transvaal Province, South Africa.
1968 Giraffe before Mount Kenya, oil on canvas view 39 × 65 cm. (15.4 × 25.6 in.) Scene: Mount Kenya, Kenya.
1968 The Old Tusker before Mount Kilimanjaro, oil on canvas view 65 × 100 cm. (25.6 × 39.4 in.) Scene: African elephant; Mount Kilimanjaro, Tanzania.
1968 A Family of Warthog Moving On, oil on canvas view 75 × 100.5 cm. (29.5 × 39.6 in.) Scene: warthog.
1968 Evening Return, Haut Bay, Cape Town, oil on canvas view 54 × 76 cm. (21.3 × 29.9 in.) Scene: Hout Bay, Cape Town, South Africa.
1968 Old Harbour, Mombasa, oil on canvas view 76 × 102 cm. (29.9 × 40.2 in.) Scene: Mombasa, Kenya.
1973 In the Port of Massawa, Ethiopia, oil on canvas view 51 × 76 cm. (20.1 × 29.9 in.) Scene: Massawa, Ethiopia (now Eritrea).
1973 On the Edge of the Rift Valley, Ethiopia, oil on canvas view 61 × 102 cm. (24 × 40.2 in.) Scene: Rift Valley, Ethiopia.
1973 The return to the village, Ethiopia (Near Ankober), oil on canvas view 61 × 101.5 cm. (24 × 40 in.) Scene: Ankober, Ethiopia.
1980 The Market, Arusha, East Africa, oil on canvas view 51 × 76 cm. (20.1 × 29.9 in.) Scene: Arusha, Tanzania.
The Ethiopian Horseman, oil on canvas view 45.7 × 55.9 cm. (18 × 22 in.)
The Malay Quarter, Cape Town see Cuneo Society website Scene: Malay Quarter, Cape Town, South Africa.
Down to the Pool, a Lion and a Pair of Blue Ververt Monkeys, oil on canvas view 69 × 90 cm. (27.2 × 35.4 in.)
The Tribal Dance, acrylic on canvas view[permanent dead link]

Italy

Year Title Image Dimensions Collection Comments
1985 The Gondolier, oil on canvas view 46 × 61 cm. (18.1 × 24 in.) Scene: Venice, Italy.
1988 Venice, oil on canvas view 31 × 46 cm. (12.2 × 18.1 in.) Scene: Venice, Italy.
1988 Venetian Gondolas, oil on canvas view 48.5 × 74.5 cm. (19.1 × 29.3 in.)
1988 Moored Gondola, Venice, oil on canvas view 50.8 × 61 cm. (20 × 24 in.) Scene: Venice, Italy.
1989 Venetian Canal, oil on canvas view 25.4 × 34.9 cm. (10 × 13.7 in.) Scene: Venice, Italy.
The Quiet Backwater, Venice see Cuneo Society website Scene: Venice, Italy.
The Grand Canal, Venice, oil on canvas view 60.9 × 76.2 cm. (24 × 30 in.) Scene: Grand Canal, Venice, Italy.
Dawn at Camogli, near Portofino, Italy, oil on canvas view 61 × 51 cm. (24 × 20.1 in.) Scene: Camogli, Portofino, Italy.
The Charcoal Boat, Camogli, Italy, oil on canvas view[permanent dead link] 59.5 × 49.5 cm. (23.4 × 19.5 in.) Scene: Camogli, Portofino, Italy.
Exterior of Italian Café, oil on canvas view 63.5 × 76.2 cm. (25 × 30 in.)
Italian Café, oil on canvas view 62 × 75 cm. (24.4 × 29.5 in.)

Spain

Year Title Image Dimensions Collection Comments
1957 The Matador (or Bullfighter), oil on canvas view 63.5 × 76.2 cm. (25 × 30 in.)
1957 Preparing for the Bull Fight, oil on canvas 63.5 × 76 cm. (25 × 29.9 in.)
1962 The Spanish Horse, Medina del Campo, Spain, oil on canvas view 62 × 74 cm. (24.4 × 29.1 in.) Scene: Medina del Campo, Spain.
1972 Study in the Sun, Ibiza, oil on canvas view 59.6 × 64.7 cm. (23.5 × 25.5 in.) Scene: Ibiza, Spain.
The Green Cart, Northern Spain, oil on canvas 36.2 × 40.7 cm. (14.3 × 16 in.)
The Picador, oil on canvas view 57.2 × 76.2 cm. (22.5 × 30 in.) Scene: picador.

Thailand

Year Title Image Dimensions Collection Comments
1965 Temple Dancers, Bangkok, oil on canvas view 51 × 61 cm. (20.1 × 24 in.) Scene: Bangkok, Thailand.
1968 China Clay Barges, Bangkok (c. 1968), oil on canvas view 50.8 × 61 cm. (20 × 24 in.) Scene: Bangkok, Thailand.
The Temple, Bangkok, oil on canvas view 51 × 61 cm. (20.1 × 24  in.) Scene: Bangkok, Thailand.
The Floating Market, Bangkok, oil on canvas view 50.8 × 60.9 cm. (20 × 24 in.) Scene: Bangkok, Thailand.

American West

Year Title Image Dimensions Collection Comments
1973 Horse and Rider with His Dog, oil on canvas view 50.5 × 76 cm. (19.9 × 29.9 in.)
A Day's Work Done see Cuneo Society website
Gunfight at the OK Corral view see Terence Cuneo website Scene: gunfight at OK Corral, between 3 Earp brothers and Clanton gang; artwork based on rough sketch approved by Wyatt Earp himself.
Herding the Horses, oil on canvas view 63.5 × 76.2 cm. (25 × 30 in.)
Bryce Canyon, Utah, U.S.A., oil on canvas view 41.5 × 51 cm. (16.3 × 20.1 in.) Scene: rolling stock running through Bryce Canyon, Utah.
The Salt Lick, Pitchfork Ranch, Texas, oil on canvas view 63.5 × 76.2 cm. (25 × 30 in.) Scene: Pitchfork Ranch, Texas.
The Salt Lick, oil on canvas view 63.5 × 76.2 cm. (25 × 30 in.)
Moving Herd, oil on canvas view 50.8 × 76.2 cm. (20 × 30 in.)
Pony Express, oil on canvas view 60 × 90 cm. (23.6 × 35.4 in.) Scene: Pony Express.

Miscellaneous paintings

Year Title Image Dimensions Collection Comments
1944 The Old Smock Mill, Kent, oil on board view 21 × 15 cm. (8.3 × 5.9 in.) Scene: smock mill, Kent.
1947 Scenery Painters, oil on canvas view 64 × 76 cm. (25.2 × 29.9  in.)
1948 Britain in Winter; Shooting Party Outside the Flying Swan, oil on canvasboard view 63.5 × 54.6 cm. (25 × 21.5 in.)
1948 Britain in Autumn
1948 Britain in Summer
1948 Britain in Spring
1949 The Underwriting Room at Lloyd's of London, November 1948, oil on canvas/acrylic on canvas view[permanent dead link] view[permanent dead link] Scene: Lloyd's of London.
1950 Royal Show, oil on canvas view 85 × 110 cm. (33.5 × 43.3 in.)
1952 Massey Harris Harvesters, oil on canvas view 62.5 × 75 cm. (24.6 × 29.5 in.) Scene: Massey Harris harvesters at work.
1952 The Boat Workshop, oil on canvas view 63.5 × 76 cm. (25 × 29.9 in.)
1955 The Bottle Neck, Lewes, oil on canvas view view 91.4 × 61 cm. (36 × 24 in.) Scene: street scene; Lewes, East Sussex. British Rail poster artwork.
1956 Gardener with Mill and Millstream Beyond, oil on canvas view 61 × 76 cm. (24 × 29.9 in.)
1962 Tottenham v. Burnley, F.A. Challenge Cup, 1962, oil on canvas view[permanent dead link] 121.9 × 182 cm. (48 × 71.7 in.) Scene: Football Association Challenge Cup, Wembley Stadium; Tottenham Hotspur F.C. vs. Burnley F.C.
1967 Waterloo Station, oil on canvas view 366 × 610 cm. (144 × 240 in.) Science Museum, South Kensington, London Scene: London Waterloo station. Artwork on loan to the National Railway Museum.
1970 A View of Chiswick, oil on canvas 61 × 101.5 cm. (24 × 40 in.) Scene: Chiswick, London.
1970 Kew Gardens (or The Temple at Kew), oil on canvas view 61 × 101.6 cm. (24 × 40 in.) Scene: Royal Botanic Gardens, Kew.
1971 The Eastern Counties Otter Hounds, the Guist Bridge Meet, River Wensum, 31st August 1970, oil on canvas view 122 × 185 cm. (48 × 72.8 in.) Scene: Otter Hounds; River Wensum; Guist, Norfolk.
Hounslow Heath 1919 see Terence Cuneo website Scene: Ffestiniog Railway; Merddin Emrys and Linda at Tan-y-Bwlch.
The Old Customs House, Fowey, Cornwall, oil on canvas view 60 × 50 cm. (23.6 × 19.7 in.) Scene: custom house, Fowey, Cornwall.
A Child Sitting in the Sun, oil on canvas view 61 × 50.8 cm. (61 × 20 in.)
The Modelmaker, oil on canvasboard view 48 × 35.6 cm. (18.9 × 14 in.)
Ploughing the Fields, oil on canvas view 63.5 × 76.2 cm. (25 × 30 in.)
Flowers in a Cart, oil on canvasboard view 40.6 × 50.8 cm. (16 × 20 in.) Scene: still life.
Prince Frederick's Barge, oil on canvas view 63.5 × 76.8 cm. (25 × 30.2 in.) Scene: Prince Frederick's Barge, neo-Palladian state barge built in 1732 for Frederick, Prince of Wales (1707–1751), eldest son of King George II (1683–1760).
Rush Hour Traffic, oil on paper laid with board view 48.5 × 61.5 cm. (19.1 × 24.2 in.)
Giselle, Covent Garden, oil on canvas view 59 × 40 cm. (23.2 × 15.7 in.) Scene: Giselle, Covent Garden, London.
Portrait of Tania, oil on canvas view 77 × 115 cm. (30.3 × 45.3 in.) Scene: full length reclining nude.
The Omnibus, oil on board view 13 × 17 cm. (5.1 × 6.7 in.)
Essex Water-mill Scene: Essex.
The Watermill, oil on canvas view 63 × 76 cm. (24.8 × 29.9 in.)
A High Wind, oil on board 17.5 × 14.5 cm. (6.9 × 5.7 in.)
Hyde Park Corner, oil on canvas 75 × 100.5 cm. (29.5 × 39.6 in.) Scene: Hyde Park Corner.
Lady with Parasol, oil view 98 × 75 cm. (38.6 × 29.5 in.)
Farm Scene, oil on canvas view 62 × 75 cm. (24.4 × 29.5 in.)
Dante's Inferno, acrylic on canvas view[permanent dead link] Scene: Inferno, Divine Comedy by Dante Alighieri.
artist's home and studio see Cuneo Society website Scene: Surrey.

Illustrations

Year Title Image Dimensions Collection Comments
1929 Illustration for The Vanishing Trail (John Sweet, Chums #1896, 8 January 1929)
1929 Illustration for Son of the Legion (Lewis Allen, Chums #1917, 4 June 1929)
1929 Illustrations for The Secret of the Castle (Cedric Weston, Chums #1921, 2 July 1929)
1929 Illustration for Cordillera Gold (14 part serial; Eric W. Townsend, Chums #1934-1947, October–December, 1929)
1930 Illustration for The Flying Spy! (14 part serial; George E. Rochester, The Magnet v38 #1169-1182, July–October, 1930)
1931 Illustrations for The White Arab (16 part serial; Percy F. Westerman, Chums v40 #2026-2041, July–October, 1931)
1932 Illustrations for The Red Falcon! (18 part serial; Arthur Steffens, The Magnet v38 #1279-1295, August–December, 1932)
1933 Illustration for Outlawed (Cecil Fanshaw, The Greyfriars Holiday Annual 1934, Amalgamated Press, released 1933)
1934 Illustration for Tales of the Sea, 1934 (Percy F. Westerman, Raphael Tuck & Sons)
1936 Illustrations for The Black Ray (6 part serial; Stanton Hope, Chums Annual 1935–1936)
1937 Illustrations for Red Falcon the Pirate Hunter (6 part serial; S. Walkey, Chums Annual 1937)
1938 Illustration for The Riddle of the Forests (Eric W. Townsend, Chums Annual 1938)
1938 Illustration for The Secret of the Fiord (Ernest McKeag, Chums Annual 1938)
1938 Illustration for Typhoon (E. Halwell, The Wide World Magazine v80 #478, January 1938)
1938 Illustration for Pipe-Line Pirates (E. W. Barton, The Wide World Magazine v80 #480, March 1938)
1938 Illustration for River of Mystery (Stuart Martin, The Wide World Magazine v80 #481, April 1938)
1938 Illustration for Touch and Go (Philip H. Godsell, FRGS, The Wide World Magazine v80 #481, April 1938)
1938 Illustration for A Matter of Salvage (Captain T. P. Wilson, The Wide World Magazine v80 #482, May 1938)
1938 Illustration for "Lightering" (David Head, The Wide World Magazine v81 #482, May 1938)
1938 Illustration for The Man Who Turned Pirate (E. K. Berdan and J. E. Hogg, The Wide World Magazine v81 #484, July 1938)
1938 Illustration for Posted as Missing (Captain R. Barry O'Brien, The Wide World Magazine v81 #485, August 1938)
1938 Illustration for The Leopards of Mbwongo (Captain H. Hichens, The Wide World Magazine v82 #488, November 1938)
1938 Illustration for "Pigeon" (W. Charnley, The Wide World Magazine v82 #489, December 1938)
1939 Illustration for The Iron Thunderbolt (Bruce Arthur, Chums Annual 1939)
1939 Illustration for In the Gun-Runner’s Grip (W. O. Woods, Chums Annual 1939)
1939 Illustration for O, My Name Is William Kidd (Stephen Vincent Benét, Illustrated, v1 #22, 29 July 1939, Odhams Press)
1939-1945 Untitled (illustration for Ditty Box magazine), oil The National Archives, Kew, Richmond, UK Scene: lifeboat on waves. INF 3/678
1940 Illustration for Heroic Hector (E. D. Dickinson, The Illustrated London News, Christmas 1940 The Illustrated London News.
1941 Illustration for Fighting for Freedom, 1941 (Percy F. Westerman, Blackie and Son Ltd.)
1944 Cover illustration for Secret Convoy, 1944 (Percy F. Westerman) view
1944 Illustration for Engage the Enemy Closely, 1944 (Percy F. Westerman, Blackie and Son Ltd.)
1945 Cover illustration for the Victory issue of The Illustrated London News, 12 May 1945 view[permanent dead link] The Illustrated London News.
1945 Illustration for Alan Carr in Command, 1945 (Percy F. Westerman, Blackie and Son Ltd.)
1946 Illustration for By Luck and by Pluck, 1946 (Percy F. Westerman, Blackie and Son Ltd.)
1946 Illustration for Squadron Leader, 1946 (Percy F. Westerman, Blackie and Son Ltd.) view[permanent dead link]
1946 Cover illustration for John Bull view[permanent dead link] John Bull.
1947 Cover illustration for John Bull view[permanent dead link] John Bull.
1949 Illustration for Wyatt Earp and the Clinton Gang (Stuart N. Lake, The Strand v118 #706, October 1949
1953–1958 Illustration for Armstrong Siddeley 'Sapphire' Cars, oil on canvas view 64 x 77 cm. (25.2 x 30.3 in.) Herbert Art Gallery and Museum, Coventry, West Midlands Scene: Sapphire motor car (blue) produced by Armstrong Siddeley Motors Limited.
1953–1958 Illustration for Armstrong Siddeley 'Sapphire' Cars, oil on canvas view 77 x 64 cm. (30.3 x 25.2 in.) Herbert Art Gallery and Museum, Coventry, West Midlands Scene: Sapphire motor car (tan and blue) produced by Armstrong Siddeley Motors Limited.
1958-1959 Untitled (illustration for Army Magazine, No. 3, 1959) The National Archives, Kew, Richmond, UK Scene: repulse of German paratroops in Crete. INF 6/868
1962 Service to Industry: I C I Works, Billingham The National Archives, Kew, Richmond, UK Scene: rolling stock at Imperial Chemical Industries rail yard, Billingham, County Durham. AN 14/191
1968 Tsavo Reserve, Kenya (1968–1970), charcoal and pen view 22.5 × 27.9 cm. (8.9 × 11 in.) Scene: lions; Tsavo Reserve, Kenya.
1973 The Village, Ethiopia, pencil 26 × 28 cm. (9.1 × 11 in.) Scene: Ethiopia.
Cover illustration for John Bull, oil on board view 53.4 x 45.1 cm. (21 x 17.8 in.) John Bull.
There Was No Need for Further Orders see Cuneo Society website
Radio Contact, gouache and charcoal view see Cuneo Society website 51 × 38 cm. (20.1 × 151 in.)
The Queen in the Gardens of Buckingham Palace, pencil view 26 × 38.1 cm. (10.2 × 15 in.)
16th Century Barn, Surrey see Cuneo Society website
Shipmates see Cuneo Society website
Jeremy Sayers see Cuneo Society website
Illustration for Noel Howard, Midshipman, oil on card view
Cover illustrations for War Weekly, oil on canvasboard view 36.2 × 38.2 cm. (14.3 × 15 in.)
At the Steel Works, pencil view 19.7 × 24.8 cm. (7.8 × 9.8 in.)
A Train Assembly Line, pencil and charcoal view 58.4 × 45.7 cm. (23 × 18 in.)
Engineers Working on a Royal Naval Harrier, pencil and charcoal view 45.7 x 58.4 cm. (18 x 23 in.) This particular scene is one of 10 works perhaps all with the same title, and actually depicts 'Engineers working on a hovercraft". Aircraft are shown in background, left Harrier, right Phantom.
New Dry Dock - Palmers, pencil and charcoal view 52.1 × 40.6 cm. (20.5 × 16 in.)
The Travelling Gypsy, pencil view 20.4 × 28 cm. (8 × 11 in.)
The Duke Box, pencil view 31 × 39.4 cm. (12.2 × 15.5 in.)
World War II: The Juke Box, Dunker's Den, pencil view 31 × 39.4 cm. (12.2 × 15.5 in.)
Rescue in the Snow, oil on paper view 45.8 × 35.5 cm. (18 × 14 in.)
Sketches of an Angry Elephant, charcoal and pencil view 16.5 × 52.1 cm. (6.5 × 20.5 in.) Scene: African elephant.
The Door that Never Closes, the Rainbow Club, pencil view 30.5 × 39.5 cm. (12 × 15.6 in.)
A Village Set in a Rolling Pastoral Landscape, gouache 33.1 × 52 cm. (13 × 20.5 in.)

References

  1. ^ a b c d e f g h i j k l m n o p q r s t Pictures of an Industry (Promotional hardcover brochure for the INCO-Mond-Wiggin Group of Companies). Publication 1304 (5804). De Montfort Press, Slater Street, Leicester: Raithby, Lawrence & Co. Ltd.
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