This is a list of works by William Hogarth by publication date (if known).

As a printmaker Hogarth often employed other engravers to produce his work and frequently revised his works between one print run and the next, so it is often difficult to accurately differentiate between works by (or for) Hogarth and those in the style of or "after". Some of the less likely, possible, doubtful works and those formerly identified as Hogarth's works are listed at the end. Numbers in square brackets refer to the catalogue numbers in Ronald Paulson's third edition of Hogarth's Graphic Works (those with asterisks are classified as "After Hogarth" by Paulson).

The works are all paintings, prints or drawings, apart from Hogarth's 1753 book The Analysis of Beauty.

1720s

Hudibras Sallying Forth, one of 12 illustrations for the 1726 edition.

1730s

1740s

Captain Thomas Coram (1740)
The second scene from Marriage à-la-mode
The Dance / The Happy Marriage VI: The Country Dance (c.1745). This scene was used to illustrate The Analysis of Beauty.
Painter and his Pug, 1745 self-portrait with his dog, Trump

1750s

The Analysis of Beauty plate 1 (1753)
Satire on False Perspective (1754)
Francis Matthew Schutz in his bed; the third cousin to Frederick, Prince of Wales is shown vomiting into a chamber pot whilst lying in bed with a hangover. A painting allegedly commissioned by Schutz's wife to make her husband mend his ways.

1760s

Credulity, Superstition, and Fanaticism (c.1760/1762)

Date unknown

Lost

Attributed to Hogarth

Various works which are either wrongly attributed to Hogarth, unlikely to be his work, or where some doubt exists as to whether they are his.

Notes

  1. ^ Also listed as Fifteen Headpieces for Beaver's Military Punishments of the Ancients
  2. ^ Gowing p.14
  3. ^ a b c Gowing p.15
  4. ^ a b c Gowing p.27
  5. ^ Only four of these are now considered autograph. i.e. those respectively in the Anstruther-Gough-Calthorpe collection, UK; Birmingham City Art Gallery, UK; Yale Center for British Art, New Haven, United States; and Tate Britain, London, UK. See Simon, Hogarth, France and British Art pp.257ff.
  6. ^ Hallett p.98
  7. ^ a b c Gowing p.18
  8. ^ Hallett p.96
  9. ^ Gowing p.19
  10. ^ Gowing puts it as 1728
  11. ^ Gowing p.20
  12. ^ a b Gowing p.22
  13. ^ The Royal Collection
  14. ^ Hallett p.102
  15. ^ Dulwich Picture Gallery[permanent dead link]
  16. ^ Hallett p.104
  17. ^ Gowing puts it c.1730–32
  18. ^ Hallett p.202
  19. ^ Gowing p.29
  20. ^ Gowing puts it c.1727
  21. ^ The Royal Collection
  22. ^ Gowing puts it 1732–33
  23. ^ Gowing p.25
  24. ^ Names used in the Gowing catalogue of the Tate 1972 exhibition p.31
  25. ^ Hallett p.106
  26. ^ Hallett p.108
  27. ^ a b Gowing p.23
  28. ^ Gowing p.32
  29. ^ Hallett p.200
  30. ^ Gowing p.17
  31. ^ Gowing puts it c.1730
  32. ^ Paulson p.107
  33. ^ Hallett p.110
  34. ^ Hallett p.112
  35. ^ a b Hallett p.166
  36. ^ Gowing p.38
  37. ^ Hallett p.162
  38. ^ Hallett p.164
  39. ^ "Ticket for Tiverton School Feast, 1740" engraved after William Hogarth, published in The Works of William Hogarth, 1833
  40. ^ Hallett p.114
  41. ^ Hallett p.126
  42. ^ Hallett p.168
  43. ^ Hallett p.169
  44. ^ Hallett p.172
  45. ^ Hallett p.144
  46. ^ Hallett p.176
  47. ^ Hallett p.178
  48. ^ Hallett p.174
  49. ^ Hallett p.116
  50. ^ Hallett p.170
  51. ^ a b Tate
  52. ^ Hallett p.153
  53. ^ The Works of William Hogarth; in a Series of Engravings. Rev. John Trusler, with John Hogarth and John Nichols. Jones and Co., London, 1833. p.113.
  54. ^ Hallett p.156
  55. ^ Hallett p.227
  56. ^ Paulson p.32
  57. ^ Paulson, Ronald (February 1972). "Hogarth the Painter: The Exhibition at the Tate". The Burlington Magazine. 114 (827): 71–80. JSTOR 876874.
  58. ^ "The Royal Collection".
  59. ^ "The Royal Collection".
  60. ^ a b Paulson p.35

References

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