The parish includes the villages of Holmer Green, Hyde Heath and Little Kingshill, and the hamlets of Beamond End, Brays Green, Mop End and Spurlands End. The 2011 Census recorded the population of the ward of Little Missenden, which includes Hyde Heath and Little Kingshill,[1] as 2,234,[2] albeit those other two villages in the ward are each larger than Little Missenden itself. The population of the entire parish was estimated as 6,490 in 2017,[3] reflecting the inclusion of the much larger Holmer Green within the parish.
The main London – Aylesbury road used to run through the centre of Little Missenden and past the two pubs – The Red Lion and The Crown. Early in the 19th century a new by-pass road was built to the north and this now forms part of the modern A413 road.
Etymology
The name Missenden is first attested in the Domesday Book as Missedene, with other early attestations including the spellings Messedena and Musindone.[4][5] The -den element probably comes from Old Englishdenu, meaning 'valley', but the etymology of the first element is uncertain. It is thought to occur in the name of the River Misbourne, which rises in Great Missenden, and also in the Hertfordshire place-name Miswell. Frank Stenton and Allen Mawer guessed that it came from a hypothetical Anglo-Saxon personal name Myrsa, which they also supposed to be found in the name of Mursley.[6]
Eilert Ekwall suggested that the name Missenden came from a lost Old English word related to English moss, and to Danish mysse and Swedish missne (which denote plants of the genus Calla, such as water arum).[7] Recent researchers have tentatively preferred Ekwall's guess, in which case the name Missenden would once have meant something like 'valley where water-plants/marsh-plants grow'.[4][8]
Manors
The Domesday Book of 1086 records Missedene without distinguishing the two villages, but three manors of Little Missenden are identifiable as having existed by the reign of King Edward the Confessor (1042–66). William the Conqueror granted one hide of land around what is now Town Farm to his half-brother Robert, Count of Mortain. After Domesday it evolved as the manor of Holmer, whence the hamlet of Holmer Green arose.[5]
The manor of Mantle was half a hide and was held by the Mantle family.. Another half-hide in Little Missenden had been held by Wulfwig, Bishop of Dorchester, but by 1086 was held by Hugh de Bolebec.[5]
By the early 14th century a fourth manor, Beamond, had emerged, probably from part of the Mortains' manor. It was held by the AugustinianBicesterpriory until 1536, when it surrendered its estates to the Crown in the Dissolution of the Monasteries. Its name survives in Beamond End.[5]
Little Missenden Manor house
The current Little Missenden Manor house originated in the 16th century as a late medieval timber-framed hall house. In the 17th century it was extended in red brick, and retains gables and a staircase from that period.[9] The house was refaced in the 18th century.[10] The Manor House has been Grade II listed since 1958 as a "timber framed 2 storey C16 with modern cement infill".[10]
Missenden House, a red and grey brick building, has been Grade II listed since 1958 as Missenden House, Trout Hollow and East Wing. The listing indicates that it was completed in 1729, with an east wing added in the 19th century.[11]
Little Missenden Abbey is a Tudor Revival mansion,[9] Grade II listed since 1987, as a "country house on the site of a medieval Augustinian Abbey ... founded in 1133". The listing indicates that the abbey was modified into a mansion ca.1600, when it was owned by the Fleetwood family. Additional modifications were made when subsequent owners acquired the property in 1787 (James Oldham) and in 1815 (John Ayton).[12] In the 21st century, the mansion was being used as a conference and training facility, and as a wedding venue, after an extensive renovation completed in 1988, necessitated by a fire that occurred in 1985.[13][14]
A history of the community, published in 1908, offers this description of it in that era:[5]
The village consists of a few small houses of the 18th century, of brick and rough-cast, and some cottages. Of late a number of week-end cottages have been erected in the parish. The manor house has some remains of 17th-century work, but was modernized in the early part of the 19th century and later. The house called 'Little Missenden Abbey,' the residence of Mr. E. Callard, possibly incorporates the remains of an old house.
C10 or C11 Anglo-Saxon core, C12 arcades, early English chancel, early C14 north chapel, C15 timber framed porch and west tower. Exterior of south aisle brick, C18. Flint with limestone dressings, some roughcast. Old tile roofs, aisles lead roofed. Modern vestry to north in C18 style, roughcast, hipped tiled roof ...
Other sources provide more specifics. The nave is 10th-century Saxon, built about AD 975. Its plain chancel arch is also Saxon and its imposts are re-used Roman bricks. The aisles, with their Normanarcades, were added in the 12th century: the south first, and the north slightly later.[16] The Aylesbury-style font is also 12th century.[15]
The chancel is now Early English,[16] having been rebuilt in the 13th century.[citation needed] The north chapel was added early in the 14th century. The west tower and timber-framed south porch are 15th-century.[15][17]
The exterior of the south aisle was rebuilt in brick in the 18th century. On the north side of the church is a modern vestry designed in 18th-century style by Quinlan Terry.[15] The church is a Grade I listed building.[15]
Paintings on the north wall of the nave, with St Christopher on the left
The wall paintings were whitewashed in the 16th century in the English Reformation. In 1931 they were rediscovered and Prof. EW Tristram was called in to uncover and restore them. One painting eluded Tristram: A Doom painting in the customary position over the chancel arch at the east end of the nave. In 2017 traces of a 14th-century Doom were finally discovered, over the chancel arch, hidden behind old plaster.[18]
The west tower has a ring of six bells. John Rufford of Toddington, Bedfordshire cast the third bell in about 1380. The successor of John Danyell of London cast the fourth bell in about 1470. Joseph Carter of Reading, Berkshire cast the fifth bell in 1603. Ellis II and Henry III Knight of Reading cast the tenor bell in 1663. John Warner & Sons of Cripplegate, London cast the second bell in 1881.[19] That made a ring of five[5] until 1948, when Mears and Stainbank of the Whitechapel Bell Foundry cast the present treble bell.[19]
Culture
The village has been used in many films and television programmes over the years, particularly as one of the more frequent ITVMidsomer Murders filming locations. "Missenden Murders" was considered as a possible title for the series.[20] The Red Lion pub has appeared in three episodes.[21] A house in the village was used for long shots of the home of Barnes Wallis in The Dam Busters (his real house was in Effingham, Surrey).[22] Little Missenden became the village of Blandley in the 1963 film Nurse on Wheels by Gerald Thomas and Peter Rodgers.[citation needed]
Little Missenden hosts comedy and arts festivals. The children of Little Missenden primary school performed the premiere of John Tavener's Celtic Requiem in 1970 and continue to perform annually at the Little Missenden Festival of Music and Arts.
Herbert Austin (1866–1941), motor vehicle manufacturer, was born in Little Missenden to a farming family. He moved to Rotherham, West Riding at an early age.
^A. Mawer and F. M. Stenton, The Place-Names of Buckinghamshire, English Place-Name Society, 2 (Cambridge: Cambridge University Press, 1925).
^Eilert Ekwall, The Concise Oxford Dictionary of English Place-Names, 4th edn (Oxford: Oxford University Press, 1960), p. 328 (s.v. Misbourne).
^Hough, Carole, 'Place-Name Evidence for Anglo-Saxon Plant-Names', in From Earth to Art, the Many Aspects of the Plant-world in Anglo-Saxon England: Proceedings of the First ASPNS Symposium, University of Glasgow, 5–7 April 2000, ed. by Carole Hough, Costerus New Series, 148 (Amsterdam and New York: Rodopi, 2003), pp. 41-78 (pp. 54-55).
