#LookAtMe | |
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Directed by | Ken Kwek |
Release dates |
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Running time | 108 |
Country | Singapore |
Language | English |
#LookAtMe is a 2022 Singaporean film directed by Ken Kwek. It was premiered at 2022 New York Film Festival.[1] The film was inspired by Amos Yee's 2015 vlogs that criticised Lee Kuan Yew and Christianity and other real life events.[2]
Sean and Ricky Mazuki are twins who lived with their mother, Nancy. Ricky is gay, while Sean has a girlfriend, Mia. Mia invites the twins to the evangelical megachurch she attends where the pastor gives an homophobic sermon. The brothers become enraged by the sermon and Sean creates a vlog casting the pastor in a bad light. The vlog goes viral, which earns Sean a defamation lawsuit, and a jail sentence for violating Singapore's laws on "hurting religious feelings" and "spreading fake news".
yao[a] - Sean and Ricky Mazuki (twins)
Pam Oei - Nancy
Ching Shu Yi - Mia
Adrian Pang - Pastor Josiah Long
Janice Koh - Gabriella Long
Martin Lukanov of Asian Movie Pulse akins the scenes of Pastor Long giving his sermon to "a real video by a real church leader".[3] Anthony Kao of Cinema Escapist writes that the film's choice to switch between genres was effective: family drama to build sympathy for the Mazuki family with the audience and tragedy and prison exploitation illustrating how the family's lives are spinning out of control.[2] Niina Doherty of Eastern Kicks writes that "Kwek's criticism of [the societal issues of Singapore or its legal system] is subtle and effective".[4] Akash Deshpande of High on FIlms writes that although the film had a chance of making a larger statement, it became "a reactionary work, which dulls its overall impact".[5]
On 17 October 2022, the film was refused classification by Infocomm Media Development Authority, which effectively barred the film from being screened in Singapore for "its potential to cause enemity and sociel division".[6] IMDA, Ministry of Culture, Community and Youth Ministry of Home Affairs also stated that the pastor in the film engages "in an act prohibited by his professed religious faiths"; that the depictions of the pastor in the film are "suggestive of a real pastor in Singapore", and the allegations may be "perceived to be offensive, defamatory and contrary to the Maintenance of Religious Harmony Act".[7]