Copper coins, minted in Gwalior, issued on the name of Madho Rao Scindia.
Madho Rao acceded to the throne in 1886 and ruled until his death in 1925. He was noted by the British Government as a progressive ruler of a princely state. He was married twice, but only had children with his second wife in 1913, one son and one daughter, to whom King George V and Queen Mary stood sponsors. He was succeeded by his son, Maharajdhiraja Maharaja Sir George Jivaji Rao Scindia, 6th Maharaja Scindia of Gwalior. His daughter married, but died without children in 1934.
The Maharaja of Gwalior is also known as the rejected suitor of Gayatri Devi's mother, the glamorous Princess Indira of Baroda (Indira Devi), who broke off her engagement (contracted between her parents and her fiance) by letter. The Maharaja then married Gajararaje from the Rane family of Goa. Later on, Gajararaje's sisters were married into the notable Sardar families of Gwalior, which included the Angre, Shitole & the Mahadik Families.
The Maharaja received a number of honours and decorations from the United Kingdom and other Indian States. He was appointed Honorary Aide-de-camp to King Edward VII in 1901, in recognition of his support during the Boxer Rebellion in China.[1] In May of the following year, he received the honorary degree LL.D. from the University of Cambridge.[2]
An interesting story is that Madho Rao, the Maharajah of Gwalior, helped to fund the completion of a set of mosaics in the Church of the Ascension in Timoleague, County Cork, Ireland. The mosaics are of particular note, begun in 1894 by Mr. Robert Augustus Travers of Timoleague House in memory of family members, continued in 1918 by his son Robert in commemoration of his father and brother who were killed at Gallipoli. The last phase of the mosaics was at the expense of the Maharajah of Gwalior, installed as a memorial to his friend and physician, Lt. Col Crofts IMS from Councamore (near Timoleague), who had saved the life of his son. The mosaic was completed by Italian workmen in 1925, ten years after the doctor's death. The mosaic, most likely designed by the Church of Ireland architect W.H. Hill, is a blend of the European and the Islamic. The series of stained glass windows include a Warrington over the altar (east window), glass by Lavers, Westlake and also Mayer elsewhere. The architect Jeremy Williams wrote in "A Companion Guide to Architecture in Ireland 1837-1921" that "this building was a monument to a living friendship enshrined in a hidden masterpiece of the Arts and Crafts Movement in Ireland" and that it "transcended the sectarian divide between Irish Catholic and Protestant, the Indian Muslim and Hindu, personal friendship breaking up distinctions of caste and colour."[3]
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