Magdalene Odundo DBE | |
|---|---|
.JPG) Untitled Burnished, reduction fired pot by Magdalene Odundo from the W.A. Ismay collection at York Art Gallery | |
| Born | Magdalene Anyango Namakhiya Odundo 1950 (age 73–74) |
| Nationality | British |
| Known for | Studio pottery |
Dame Magdalene Anyango Namakhiya Odundo DBE (born 1950) is a Kenyan-born British studio potter, who now lives in Farnham, Surrey.[1] Her work is in the collections of notable museums including the Art Institute of Chicago, The British Museum, The Metropolitan Museum of Art, and the National Museum of African Art.[2][3][4][5]
She has been Chancellor of the University for the Creative Arts since 2018.[6]
Magdalene Odundo was born in Nairobi, Kenya, and received her early education in both India and Kenya. She attended the Kabete National Polytechnic in Kenya to study Graphics and Commercial Art and later moved to England in 1971 to follow her chosen vocation in Graphic Design. After training in Farnham, Surrey,[1] she completed her qualifications in foundation art and graphics at the Cambridge School of Art,[7] where she began to specialise in ceramics.[8]
After a while in England she discovered pottery, and in 1974–75 she visited Nigeria, visiting the Pottery Training Centre in Abuja, and Kenya to study traditional hand-built pottery techniques.[9] She also travelled to San Ildefonso Pueblo, New Mexico, to observe the making of black-burnished vessels. In 1976, Odundo received a BA degree from West Surrey College of Art & Design (now University for the Creative Arts).[10] She then earned a master's degree at the Royal College of Art in London. She taught at the Commonwealth Institute in London from 1976 to 1979 and at the Royal College of Art in London from 1979 to 1982, before returning to teach at Surrey Institute of Art & Design (now University for the Creative Arts) in 1997, becoming Professor of Ceramics in 2001.[10] In March 2016 she was inaugurated as an Emerita Professor of the University for the Creative Arts, with a celebration event held at the Farnham campus against the backdrop of her important work in glass, Transition II.[11] She lives and works in Surrey.
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Odundo's best-known ceramics are hand built, using a coiling technique. Each piece is burnished, covered with slip, and then burnished again. The pieces are fired in an oxidizing atmosphere, which turns them a red-orange. A second firing in an oxygen-poor (reducing) atmosphere causes the clay to turn black; this is known as reduction-firing.[12] She uses the same types of techniques used by the Ancient Greeks and Romans and likes to take inspiration from countries such as China and Mexico.[13] Her graphic design skills still remain with her as she often sketches her interest in natural forms and the design of form to help her with her ceramic creations.[14] Many of the vessels Odundo creates are reminiscent of the human form, often following the curves of the spine, stomach, or hair.[12] Furthermore, the shape of expression of her vessels are symbolic of the female body; one of her most famous pieces is a black and ocher vessel with a curved base and elongated neck resembling the form of a pregnant woman. Her work is now a part of permanent collections of nearly 50 international museums including:
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In 2006, her work was presented in an exhibition titled "Resonance and Inspiration" at the Samuel P. Harn Museum of Art of the University of Florida. This was her first solo exhibition in the US since 1997 and her first solo appearance in Florida. This exhibit was also the first time her drawings and sketches were presented alongside her vessels.[17] Her free-form drawing style replicates the same shape and form as her vessels, serving as a glimpse into how Odundo perceives her three-dimensional works in two dimensions.
In 2019 there was a major exhibition that centred on a group of more than 50 of her works, alongside other works of art that Odundo saw as relating to or influencing her work; the exhibition was titled 'The Journey of Things'.[18] The show was displayed in two locations: The Hepworth Wakefield, West Yorkshire and then the Sainsbury Centre for Visual Arts, East Anglia.[18]
Odundo was awarded the African Art Recognition Award by Detroit Institute of Arts in 2008, and the African Heritage Outstanding Achievement in the Arts award in 2012, together with honorary doctorates from the University of Florida (2014) and University of the Arts London (2016).[19] She was appointed Officer of the Order of the British Empire (OBE) for services to art in the 2008 Birthday Honours[20] and Dame Commander of the Order of the British Empire (DBE) in the 2020 New Year Honours for services to art and arts education.[21]
Odundo has been recognized as a significant player in contemporary ceramics, making her name a large contributor to African Art in the US during the 1990s. As observed by Augustus Casely-Hayford, "[She draws] on something of the wisdom and experience of the Leach, or a line borrowed from ancient European antiquity, to create a trans-global, trans-temporal visual system of her own; modern, yet simultaneously old, African yet resolutely European..."[5]
In 2017 it was announced that Odundo would take up the role of Chancellor of the University for the Creative Arts from June 2018.[22]
Odundo, who in 2008 was appointed an Officer of the Order of the British Empire (OBE) for services to Art,[23] was made a Dame (DBE) in the Queen's 2020 New Year's Honours.[24][25][26] In 2022 is a world famous ceramic artist and Chancellor of the University of the Creative Arts. In 2008 she received the African Art Recognition Award from the Detroit Art Institute and in 2012 the African Heritage 40 Years Anniversary Award. In 2019 she received a Lifetime Achievement Award at the International Ceramics Festival and in 2020 was appointed DBE in the Queen’s New Year’s Honours list for Services to the Arts and Arts Education. In 2022 she was awarded an Honorary Doctorate of Arts by Anglia Ruskin University.
