Magister Franciscus (fl. 1370–80) was a French composer-poet in the ars nova style of late medieval music. He is known for two surviving works, the three-part ballades: De Narcissus and Phiton, Phiton, beste tres venimeuse; the former was widely distributed in his lifetime.^[1] Modern scholarship disagrees on whether Franciscus was the same person as the composer F. Andrieu.

Identity career

Franciscus may be the same person as the F. Andrieu who wrote Armes, amours/O flour des flours, a déploration on the death of poet-composer Guillaume de Machaut (c. 1300–1377).^[2] Although, the scholarly consensus on this identification is unclear.^{[n 1]} He may also be Franciscus de Goano or Johannes Franchois.^[1] Machaut was the most dominant and important composer of the 14th century,^[3] and Franciscus's works show many similarities to his, suggesting the two were contemporaries.^[1]

Music

Only two of his works survive, the three-part ballades: De Narcissus and Phiton, Phiton, beste tres venimeuse.^[1] They are both contained in the Chantilly Codex.^[4] Reaney notes that Magister Franciscus's works are likely earlier than Andrieu's, between 1370 and 1376.^[5]

Works

Editions

Franciscus's works are included in the following collections:

• Apel, Willi, ed. (1970–72). French Secular Compositions of the Fourteenth Century. Corpus mensurabilis musicae. Vol. 53. Cambridge, Massachusetts: American Institute of Musicology. ISBN 9780910956291. OCLC 311424615.
• Greene, Gordon K., ed. (1982). Manuscript Chantilly, Musée Condé 564 Part 1, nos. 1–50. Polyphonic Music of the Fourteenth Century. Vol. 18. Monaco: Éditions de l'Oiseau-Lyre. OCLC 181660103.

Recordings