Plot
The life of spoiled Robert Merrick is saved through the use of a hospital's only pulmotor, but because the medical device cannot be in two places at once, it results in the death of Dr. Hudson, a selfless, brilliant surgeon and generous philanthropist. Merrick falls in love with Hudson's widow, Helen, though she holds him responsible for her husband's demise. One day, he insists on driving her home, and makes a pass at her. She gets out, and is struck by another car, losing her sight. Merrick confronts a friend of Helen's husband, wanting to know why a beautiful young woman would marry a middle-aged man. The doctor's friend tells him that her husband had a philosophy - to help people, but never let it be known that you are the one helping them. Only then, he believed, could there be true reward in life.
Merrick watches over Helen, and visits her during her recuperation, concealing his identity and calling himself Dr. Robert. His true identity is known to Helen's step-daughter, Joyce, who keeps it a secret. When he finds out that she is nearly penniless, Merrick secretly pays for specialists to try to restore her vision. Finally, she travels to Paris, and is told that her eyesight is gone forever. Robert follows her, confesses his true identity, and proposes marriage. She forgives him and reciprocates his love, but then leaves him secretly The next morning, not wanting to be a burden to him.
Six years later, Robert has become a Nobel Prize-winning brain surgeon. He learns that Helen urgently needs an operation, which he performs. When she awakens, she can already see some light. Robert tells her that in a short while her sight will return completely.
Production notes
The film, which raised Robert Taylor to stardom, had its New York City premiere at Radio City Music Hall on December 30, 1935, and drew capacity crowds, despite frigid weather.[1]
Remake
The film was remade in 1954 by director Douglas Sirk, with Rock Hudson and Jane Wyman in the leads.
Adaptations in other media
Magnificent Obsession was adapted as a radio play on the April 26, 1937, and November 13, 1944, broadcasts of Lux Radio Theater, the first starring Robert Taylor and Irene Dunne in their original film roles, the second with Claudette Colbert and Don Ameche. It was also adapted on the January 19, 1941, broadcast of The Screen Guild Theater, starring Myrna Loy and Don Ameche, and the February 13, 1949, broadcast of Screen Director's Playhouse, with Irene Dunne and Willard Waterman.
