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Mahmoud Dowlatabadi
Mahmoud Dowlatabadi
Born
(1940-08-01) 1 August 1940 (age 83) Sabzevar, Iran
Mahmoud Dowlatabadi (Persian: محمود دولتآبادی, romanized: Mahmud Dowlatâbâdi; born August 1, 1940 in Dowlatabad, Sabzevar) is an Iranian writer and actor, known for his promotion of social and artistic freedom in contemporary Iran and his realist depictions of rural life, drawn from personal experience.
In 2020, he wrote and recited a work called Soldier (Half-Burned boots) for the Art of Peace global project, composed and arranged by Mehran Alirezaei. He has collaborated with this project.[1][2]
Biography
Mahmoud Dowlatabadi was born into a family of shoemakers in Dowlatabad, a remote village in Sabzevar, the northwestern part of Khorasan Province, Iran.[3] He worked as a farmhand and attended Mas'ud Salman Elementary School. Books were a revelation to the young boy. He "read all the romances [available]... around the village".[4] He "read on the roof of the house with a lamp…read War and Peace that way" while living in Tehran. Though his father had little formal education, he introduced Dowlatabadi to the Persian classical poets, Saadi Shirazi, Hafez, and Ferdowsi. His father generally spoke in the language of the great poets.
Nahid Mozaffari, who edited a PEN anthology of Iranian literature, said that Dowlatabadi "has an incredible memory of folklore, which probably came from his days as an actor or from his origins, as somebody who didn't have a formal education, who learned things by memorizing the local poetry and hearing the local stories."[3]
As a teenager, Dowlatabadi took up a trade like his father and opened a barbershop. One afternoon, he found himself hopelessly bored. He closed the shop, gave the keys to a boy, and told him to tell his father, "Mahmoud's left." He caught a ride to Mashhad, where he worked for a year before leaving for Tehran to pursue theatre. Dowlatabadi worked there for a year before he could attend theatre classes. When he did, he rose to the top of his class, still doing numerous other jobs. He was an actor---and a shoemaker, barber, bicycle repairman, street barker, worker in cotton factory, and cinema ticket taker. Around this time he also ventured into journalism, fiction writing, and screenplays. He said in an interview "whenever I was done with work and wasn't preoccupied with finding food and so on, I would sit down and just write".[4]
He performed Brecht (e.g. The Visions of Simone Machard), Arthur Miller (e.g. A View from the Bridge) and Bahram Beyzai (e.g. The Marionettes). He was arrested by the Savak, the Shah's secret police force in 1974. Dowlatabad's novels also attracted the attention of local police. When he asked what was his crime, they told him, "Nothing, but everyone we arrest seems to have copies of your novels so that makes you provocative to revolutionaries."[3] He was in prison for two years.
Towards the end of his incarceration, Dowlatabadi said "The story of Missing Soluch came to me all at once, and I wrote the entire work in my head." Dowlatabadi couldn't write anything down while in prison. He "become restless". One of the prisoners...said to him, 'You used to be so good at putting up with prison, now why're you so impatient?' He replied that "my anxiety isn't related to prison and all that came with it, but about something else entirely. I had to write this book." When he was finally released, he wrote Missing Soluch in 70 nights.[4] It later became his first novel published in English, preceding The Colonel.[5]
Major works
Dowlatabadi in 2011
Kelidar
Kelidar is a saga about a Kurdish nomadic family that spans 10 books and 3,000 pages. Encyclopædia Iranica praises its "heroic, lyrical, and sensual" language. The story is tremendously popular among Iranians due to "its detailed portrayal of political and social upheaval."[3] Dowlatabadi spent over a decade crafting the tale. "I spent fifteen years preparing, writing short stories, sometimes writing works that were a little longer, the grounds towards what would become Kelidar," he said.[4]
Missing Soluch
In Missing Soluch, an impoverished woman raises her children in an isolated village after the unexplained disappearance of her husband, Soluch. Though the idea for the novel first came to Dowlatabadi in prison, its origins trace back to his childhood. "My mother used to talk about a woman in the village whose husband had disappeared and had left her alone. She was left to raise several children on her own. Since she didn't want the village to pity her, she would take a bit of lamb's fat and melt it and then toss a handful of dry grass or something into the pan and put this in the oven, so that with the smoke that would come out of the oven the neighbors might think that she was cooking a meat stew for her children that night," he told an interviewer. Missing Soluch was his first work translated into English.[4]
The Colonel
The Colonel is a novel about nation, history, and family, beginning on a rainy night when two policemen summon the Colonel to collect the tortured body of his daughter, a victim of the Islamic Revolution.[5] Dowlatabadi wrote the novel in the 1980s, when intellectuals were in danger of execution. "I hid it in a drawer when I finished it," he said.[3] Though it is published abroad in English, the novel is not available in Iran, in Persian. "I did not even want to have this on their radar," he said. "Either they would take me to prison or prevent me from working. They would have their ways." The novel was first published in Germany, later in the UK and United States.[3]
Der Colonel Oper (version 2018) composed by Siamak Fallahi and the libretto is written by Angelika Messner based on the novel Colonel by Mahmoud Dowlatabadi. The opera have Five acts and 12 Characters which are all accompanied by singers, actors, choirs, large orchestras, and video art on stage. The composer used a new technique which led to a new event in opera and referred to it as the Reformation.
Thirst
Thirst (Persian: Besmel) is a novel of the Iran-Iraq war (1980-1988). It is written from the perspectives of two Iraqi and Iranian writers. The original Persian title refers to the concept of 'besmel' explained in a footnote as: "the supplication required in Islam before the sacrifice of any animal". It is used repeatedly in the text, as the characters find it applies to them.[6]
Influence
Dowlatabadi is celebrated as one of the most important writers in contemporary Iran, particularly for his use of language. He elevates rural speech, drawing on the rich, lyrical tradition of Persian poetry. He "examines the complexities and moral ambiguities of the experience of the poor and forgotten, mixing the brutality of that world with the lyricism of the Persian language," said Kamran Rastegar, a translator of Dowlatabadi's work.[3] When Tom Patterdale translated Dowlatabadi's The Colonel, he avoided Latinate English words in favor of Anglo-Saxon ones, hoping to reproduce the effect Dowlatabadi's "rough and ready" prose.[7] Most other Iranian writers come from solidly middle-class backgrounds, with urban educations. Because of his rural background, Dowlatabadi stands out as a unique voice. He has also garnered praise internationally, with Kirkus Reviews calling The Colonel, "A demanding and richly composed book by a novelist who stands apart."[8] The Independent described the novel as "passionate," and emphasized, "It's about time that everyone even remotely interested in Iran read this novel."[9]
Safarnameh Sistan, a documentary which was made by Ali Zare Ghanat Nowi in 2011, about a trip to Sistan and meeting Balochi ethnics, illustrating the very hard life of people living there, giving information about their life style in such a dry area, is a free adaptation from Meet the Baloch People by Mahmoud Dowlatabadi.[10]
Awards and honors
2009 Haus der Kulturen Berlin International Literary Award, shortlist, The Colonel
Contemporary Persian and Classical Persian are the same language, but writers since 1900 are classified as contemporary. At one time, Persian was a common cultural language of much of the non-Arabic Islamic world. Today it is the official language of Iran, Tajikistan and one of the two official languages of Afghanistan.
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