"Making Plans for Nigel" is a song by English rock band XTC, released by Virgin Records as the lead single from their 1979 album Drums and Wires. It was written by Colin Moulding, the band's bassist. The lyrics are told from the point of view of overbearing parents who are certain that their son Nigel is "happy in his world", affirming that his future, to be spent working for British Steel, "is as good as sealed", and that he "likes to speak and loves to be spoken to".[5]
The single marked XTC's commercial breakthrough. It spent 11 weeks on the UK Singles Chart and peaked at No. 17. In 2016, the song was ranked number 143 on the Pitchfork website's list of the 200 best songs of the 1970s.[5] It was also ranked number 73 in NME list of 100 best songs of the 1970s.[6]
I didn't know where it came from. That phrase popped into my head, and one line followed another. Before I knew it, I'd written three parts of the song, and the rest of it just kind of fell in line probably a day or two later. ... When I was about 16, my father wanted me to stay on in school. But by that time, I really didn't want to do anything other than music, I think. ... So, in a way, is it autobiographical? Well, a little bit. I knew somebody called Nigel at school. But I think that, when you write songs, it's a lot of things all wrapped up, like in your dreams. Your dreams are kind of bits and pieces of all the walks of life you've been in.[7]
During this time, XTC typically rehearsed about two or three times a week, at which juncture Moulding would introduce his bandmates to whatever new songs he had been working on. He remembered that "Making Plans for Nigel" appeared to receive "a favourable response. But at that time, I didn't really have enough confidence in myself to know where I was going with the arrangement. The other guys helped me on that, I suppose."[7]
Recording
In the XTC biography Chalkhills and Children, it is stated that the song's drum pattern was discovered by accident after a miscommunication between guitarist Andy Partridge and drummer Terry Chambers.[8] Partridge said that the drum pattern was actually a deliberate attempt to invert drum tones and accents in the style of Devo's cover of the Rolling Stones' "Satisfaction".[9] He explained that Moulding introduced the song to the rest of the band on a nylon-string guitar at a slow tempo and did not have an idea of how the arrangement should be fleshed out, "so we said [to Colin], 'Do you fancy trying something like [Devo] for this?" And Colin said, 'Yeah, give it a go.'"[10]
In Chambers' recollection: "Because of the subject matter, I wanted to make the beat a bit more industrial. So instead of keeping the rhythm on the hi-hat, I played it on the floor tom and used the hi-hat for the accents. It was the opposite to what drummers usually do but it gave it a juddering, production-line feel. We used a keyboard to make a smashing sound, like an anvil in a foundry.[11] Partridge said that once the drum pattern was established, the band decided that Moulding should duplicate the tom rhythm on his bass guitar. He continued:
[Our second guitarist] Dave [Gregory] began to chop away, doing a much more syncopated version of the basic chords, on electric guitar. Almost snare-drum-like, you know? And I thought, "Well, what the hell am I going to do?" ... so I locked on to that with this two-note, little oriental pattern. That's really how the whole feel of the song came about, because when Colin brought it up, at about half that tempo, on a nylon-string guitar, it was a case of, "Well, this is a great melody, and great subject matter, but it's going to go nowhere like that.[10]
Among the idiosyncrasies of the song's arrangement is Partridge's high backing vocals. He commented:
Literally, as soon as it came up, it was like, 'Jesus, this is annoying! But then again, that might be a good thing. That might click with people, if they find it as irritating as I do!' [laughs] It was just a little 'byoo-doop,' sung in a falsetto. We still loved those high-falsetto, Beach Boys-y answer things. You can hear them all over White Music and Go 2, and it only starts to get out of our system over the next few albums. I still love it."[10]
Virgin Records immediately earmarked "Making Plans for Nigel" as the lead single off XTC's Drums and Wires,[11] although the band did not expect that the single would be successful.[7] Partridge later complained about the amount of time spent recording the song, remarking that "[w]e spent a week doing Nigel and three weeks doing the rest of the album."[12]
Packaging
The first 20,000 copies of the single had a fold-out cover that created a gameboard of "Snakes and Ladders". This was adapted to feature key points in Nigel’s "miserable life", including buying a moped, going for job interviews, vacationing in Spain and getting engaged to "a very nice girl". There were two versions of the gameboard; one for Nigel, and one for his parents. As credited on the back cover, the illustrator was Steve Shotter and sleeve design was by Cooke Key.[13]
"Making Plans for Nigel" was released in August 1979 as the opening track of Drums and Wires. On 14 September, the song was issued as a single, backed with Partridge's "Bushman President" and "Pulsing Pulsing". According to Dave Gregory:
Despite glowing press reviews [of Drums and Wires], we were still struggling to fill small theatres in the UK and the brief tour was disappointing. But then, the unthinkable happened – Nigel got playlisted at the BBC and in early October, XTC were back in the charts! And back on Top of the Pops! Twice! When we resumed touring in late November, every gig was sold out.[14]
The single spent 11 weeks on the UK Singles Chart[8] and marked the band's first hit record.[11] Biographer Chris Twomey wrote that although the single is reported to have reached number 17, it was "later learned that a computer error by the chart compilers had forced the record downwards when it had in fact gone up."[8] The song also reached number 12 on the Canadian chart and remained on the charts there for 22 weeks.[15]
After the song's release, 100,000 steel workers went on strike and contacted Moulding for a statement on their issues, but he offered no comment.[16] British Steel also gathered four Sheffield employees named Nigel to talk about job satisfaction for the trade publication Steel News.[5] In a 2020 Guardian article about the song, Moulding said: "I've had countless Nigels come up to me over the years and say: 'That song is my life.'"[11]
1998 – Pitchshifter, Genius (JS Clayden slightly alters the lyrics, singing "He has no future in a British steel [...] Nigel's no future is as good as sealed")
^Farmer, Neville (1998). XTC: Song Stories: The Exclusive Authorized Story Behind the Music. London: Helter Skelter Publishing. pp. 68–69. ISBN190092403X.
