Margaret Tait
Born(1918-11-11)11 November 1918
Kirkwall, Orkney, Scotland
Died16 April 1999(1999-04-16) (aged 80)
Firth, Orkney, Scotland
NationalityScottish
Alma mater
Occupation(s)filmmaker, poet, author

Margaret Caroline Tait (11 November 1918 – 16 April 1999) was a Scottish medical doctor, filmmaker and poet.

Early life and education

House in Kirkwall where Tait was born in 1918

Tait was born and raised in Kirkwall, in the Orkney Islands in the north of Scotland, before being sent to school in Edinburgh.[1]

Tait attended the University of Edinburgh, gaining qualifications in medicine upon her graduation in 1941. Between 1943 and 1946 she served in the Royal Army Medical Corps, where she was stationed variously in India, Sri Lanka and Malaya.[1] Following her service, she moved to Rome in 1950 to study filmmaking at the Centro Sperimentale di Cinematografia.[2]

Career

After completing her studies in Italy, Tait returned to Scotland in 1952, where she lived on Rose Street in Edinburgh[3] and founded Ancona Films, named after the street where she had lodged while studying in Rome.[4] During this period she was close to, though not a member of, the Edinburgh-based Rose Street Poets, whose ranks included Hugh MacDiarmid, Sorley Maclean and Norman MacCaig.[5] From 1955 to 1961 she was a member of the ruling council of the influential Edinburgh conservationist body the Cockburn Association.[6]

In the mid-1960s she lived near Helmsdale in Sutherland,[7] before returning to Orkney. In the early 1970s she would make films which took inspiration from the landscape and culture of the islands and the town of her birth, Kirkwall. She made the majority of her 32 short films and one full-length film, Blue Black Permanent, in Orkney. She also wrote prose and poetry, self publishing in the years 1959 and 1960, three books of verse: origins and elements, The Hen and the Bees, Subjects and Sequences and two of short stories Lane Furniture: A Book of Stories and The Grassy Stories: Short Stories for Children. In 2012 academic Sarah Neely edited Margaret Tait Poems, Stories and Writings with a foreword by Ali Smith. This would have a second edition published as a Carcanet Classic in 2023.[8][9]

Her interest in poetry was often reflected in her films. The Leaden Echo and the Golden Echo is named after the poem by Gerard Manley Hopkins, and features Tait herself reading it; Hugh MacDiarmid, A Portrait featured the poet, who reads from several of his own poems; and in the title and content of her film Colour Poems of which she wrote "A poem started in words is continued in images." [Subjects and Sequences: a Margaret Tait Reader, LUX, London, 2004. p 164]. Much analysis of Tait's work also foregrounds their lyrical qualities. Writer Ali Smith wrote of her film Aerial: "Here's a tiny poem of the relentlessness and beauty of the natural, all around us.".[10] Fellow Orcadian, writer George MacKay Brown, wrote that her film Place of Work "calls to mind T. S. Eliot's poem Burnt Norton: Garden and house, a small enclave in time where gracious and lovely and stirring things have happened – love and birth and death.’[11] In the documentary Margaret Tait: Film Maker, produced for Channel Four Television in 1983, Tait would describe her life's work as making ‘film poems’.

Death and legacy

Commemorative plaque to Tait in Kirkwall

Tait died 16 April 1999 at the home she shared with her husband Alex Pirie on Orkney.[12][13] An annual Margaret Tait Award was established in 2010 in conjunction with Glasgow Film Festival.[14]

Retrospectives of Tait's work took place at the National Film Theatre London in 2000, curated by Benjamin Cook and Peter Todd, at the Edinburgh Film Festival in 2004, and at BFI Southbank (NFT) London in 2018, both curated by Todd.[15][16][17][18] The 2018 retrospective was part of a year-long celebration of her life and work, with screenings, exhibitions, talks and other events with Sarah Neely as the director, supported by Creative Scotland. Centenary exhibitions devoted to her work were held at the GoMA Glasgow and The Pier Arts Centre in Orkney.

In February 2020 Historic Environment Scotland announced Tait would be included in the Commemorative plaque scheme.The plaque was unveiled on 14 July 2022 at 25 Broad Street, Kirkwall.[19][20]

Her work was introduced to many new audiences with the international film tour of her work Subjects and Sequences (named after her book of poems). Made up of two programmes of films, newly struck on 16mm film from the original 16mm negatives, the first titled Film Poems, and the second Islands, and curated by Peter Todd for LUX it was launched on 16 November 2004 with a screening at Cecil Sharp House, London. Subjects and Sequences A LUX Project was made possible by funding from Arts Council England, Scottish Screen, Esmée Fairbairn Foundation, & Pier Arts Centre. Over the next three years it would be presented at over thirty screenings including Watershed Bristol, Dundee Contemporary Arts, Scratch Projections Paris, Dartington Arts, Chapter Cardiff, Cinematexas Austin, Museum of Modern Art New York,[21] Mumbai International Film Festival, Kino Arsenal Berlin,[22] National Screen and Sound Archive of Wales, Harvard Film Archive,[23] Greek Film Archive Athens.

The latter half of 2022 would see acknowledgement and the influence of Tait on fellow artists and filmmakers continue.  The exhibition Being in a Place – A Portrait of Margaret Tait opened in September at the VOID Gallery, Derry.[24] It also saw the premiere of a film about Tait by Luke Fowler, from which the exhibition took its name. A second exhibition featuring the film opened later at The Modern Institute, Glasgow [25] in November 2022. Both exhibitions presented the film, with works from the Tait archive. Her films remain in distribution in the UK.[26] Fowler's film Being in a Place will be shown in the Forum section of the 73rd Berlin International Film Festival (2023) in competition for the Caligari Filmpreis.[27]

In November 2022 the film Aftersun directed by Charlotte Wells was released, which took direct influence from Tait's work.[28] Wells acknowledged the impact of Tait on her work, particularly the film Blue Black Permanent[29] which also centres around childhood memories of a now-absent parent, as experienced in the present. Tait's collection of 'Poems, Stories and Writings' is shown to be one of the books the character of Calum (played by Paul Mescal) has taken with him on his Turkish summer holiday with his young daughter.

Filmography

Selected works

References

  1. ^ a b "Margaret Tait (1918–1999)". Scottish Poetry Library. Retrieved 25 August 2018.
  2. ^ Bell, Gavin (27 September 2000). "A reel visionary". The Scotsman. Archived from the original on 25 August 2018. Retrieved 25 August 2018.
  3. ^ Neely, Sarah. Between categories : the films of Margaret Tait: portraits, poetry, sound and place. Oxford. p. 232. ISBN 978-1-78707-316-6. OCLC 982451544.
  4. ^ Stevenson, Gerda (18 May 1999). "Margaret Tait". Glasgow Herald. Archived from the original on 25 August 2018. Retrieved 25 August 2018.
  5. ^ Nick Roddick, pp. 54, Sight & Sound June 2015 Volume 25 Issue 6
  6. ^ "Historic Cockburn Association Office-Bearers".
  7. ^ Neely, Sarah. Between categories : the films of Margaret Tait: portraits, poetry, sound and place. Oxford. p. 235. ISBN 978-1-78707-316-6. OCLC 982451544.
  8. ^ "Carcanet Press - Poems, Stories and Writings". www.carcanet.co.uk. Retrieved 13 November 2023.
  9. ^ "Collections Search | BFI | British Film Institute". collections-search.bfi.org.uk. At 9 minutes 55 seconds. Retrieved 7 April 2020.((cite web)): CS1 maint: location (link)
  10. ^ Smith, Ali. The Margaret Tait Years in Subjects and Sequences: a Margaret Tait Reader. LUX, London, 2004. pp. Page 13.
  11. ^ MacKay Brown quoted in Neely, Sarah, . pp153-154, George (2016). Between Categories The Films of Margaret Tait: Portraits, Poetry, Sound and Place. pp. 153–154. ISBN 978-3034318549.((cite book)): CS1 maint: multiple names: authors list (link) CS1 maint: numeric names: authors list (link)
  12. ^ "Gerda Stevenson". www.gerdastevenson.co.uk. Retrieved 10 April 2020.
  13. ^ "Obituary: Margaret Tait". The Independent. 12 May 1999. Retrieved 7 April 2020.
  14. ^ "Margaret Tait Award". Glasgow Film Festival. Retrieved 25 August 2018.
  15. ^ "Peter Todd". LUX. Retrieved 9 April 2020.
  16. ^ National Film Theatre Guide, October 2000, pp.34–3
  17. ^ Edinburgh International Film Festival 58th Brochure, 18–29 August 2004 pp 124–128
  18. ^ BFI Southbank Guide (NFT), October–November 2018, pp 44–46
  19. ^ @histenvscot (14 July 2022). "Register" (Tweet) – via Twitter.
  20. ^ "Margaret Tait 100". Margaret Tait 100. Retrieved 7 April 2020.
  21. ^ "Stalking the Image: The Films of Margaret Tait | MoMA". The Museum of Modern Art. Retrieved 17 July 2022.
  22. ^ ""The cinema I care about is at the level of poetry" (Margaret Tait)". Arsenal – Institut für Film und Videokunst e.V. Retrieved 17 July 2022.
  23. ^ "Margaret Tait: Subjects and Sequences". Harvard Film Archive. Retrieved 17 July 2022.
  24. ^ "Luke Fowler". Void Derry. Retrieved 14 January 2023.
  25. ^ "Viewing Room: Luke Fowler Being in a Place". The Modern Institute. Retrieved 14 January 2023.
  26. ^ "Margaret Tait". LUX. Retrieved 7 April 2020.
  27. ^ Dalton, Ben (16 January 2023). "News: Berlinale unveils Forum titles for 2023 edition". Retrieved 10 February 2023.
  28. ^ "Aftersun review – luminous father-daughter drama starring Paul Mescal". the Guardian. 20 November 2022. Retrieved 14 January 2023.
  29. ^ Daniels, Robert. "Writing Inside Out: Charlotte Wells on Aftersun | Interviews | Roger Ebert". Roger Ebert.com. Retrieved 14 January 2023.
  30. ^ "Full record for 'LOOK OF THE PLACE, the' (3704) - Moving Image Archive catalogue". movingimage.nls.uk.

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