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((more citations needed|date=February 2009))
((Infobox person
| name               = Margo Jones
| image              = Margojones1.jpg
| imagesize          = 250px
| caption            = 
| birthname          = Margaret Virginia Jones
| birth_date         = ((Birth date|1911|12|12|mf=y))
| birth_place        = [[Livingston, Texas]], U.S.
| death_date         = ((Death date and age|1955|7|24|1911|12|12|mf=y))
| death_place        = [[Dallas, Texas]], U.S.
| occupation         = Theater director and producer
))

'''Margo Jones''' (December 12, 1911 – July 24, 1955), nicknamed the "Texas Tornado",<ref name="sweet-about">((cite web |title=About Margo |url=http://sweettornado.org/about/ |url-status=dead |archive-url=https://web.archive.org/web/20190531210529/http://sweettornado.org/about/ |archive-date=May 31, 2019 |access-date=May 31, 2019 |website=Sweet Tornado: Margo Jones and the American Theater |publisher=American Public Television))</ref><ref name="mjtheatre">((citation |title = The Margo Jones Theatre at the Magnolia Lounge |publisher = Margo Jones Partnership |website = Margo Jones Theatre |url = http://www.margojonestheatre.org/venue.html |access-date = May 31, 2019 ))</ref> was an American [[Theatre director|stage director]] and [[Theatrical producer|producer]], best known for launching the American regional theater movement and for introducing the [[theatre in the round|theater-in-the-round]] concept in [[Dallas, Texas]].<ref name="TSHAbio">((Cite web|url = http://www.tshaonline.org/handbook/online/articles/fjo59|title = Jones, Margaret Virginia |publisher = Texas State Historical Association|accessdate = May 31, 2019 |website = Handbook of Texas Online |first = Helen |last = Sheehy))</ref> In 1947, she established the first regional professional company when she opened '''Theatre '47''' in Dallas. Of the 85 plays Jones staged during her Dallas career, 57 were new, and one-third of those new plays had a continued life on stage, television, and radio. Jones played an important role in the early careers of a range of playwrights, such as [[Tennessee Williams]], [[William Inge]], [[Joseph Hayes (author)|Joseph Hayes]], [[Jerome Lawrence]], and [[Robert E. Lee (playwright)|Robert E. Lee]].<ref name="sweet-who">((citation |last = Sheehy |first = Helen |date = 2005 |title = Who was Margo Jones |url = http://sweettornado.org/who-was-margo-jones/ |website = Sweet Tornado: Margo Jones and the American Theater |publisher = American Public Television |access-date = May 31, 2019))</ref>

[[File:Birthplace of Margo Jones.jpg|thumb|Texas Historical Marker (center) marks the birthplace of Margo Jones in Livingston, Texas]]

==Early career ==
Born Margaret Virginia Jones in [[Livingston, Texas]], Jones worked in community and professional theaters in [[California]], [[Houston]], and New York City.  "Since 1936, Margo Jones had served as assistant director of the Federal Theatre in Houston, traveled to Soviet Russia for a festival at the Moscow Art Theatre, and founded and directed the Houston Community Theatre.  She had recently joined the faculty of the University of Texas's drama department in Austin (around 1942)."<ref>Leverich, Lyle; "Tom:  The Unknown Tennessee" (New York:  Crown Publishers, 1995), p. 473</ref>

She traveled internationally, experiencing theater abroad, and eventually gained commercial success on Broadway as co-director of the original production of ''[[The Glass Menagerie]]'' by Tennessee Williams. She directed Williams' ''[[Summer and Smoke]]'', a flop in its first production, but highly regarded years later. After she directed [[Maxwell Anderson]]'s successful ''[[Joan of Lorraine]]'', starring [[Ingrid Bergman]] as [[Joan of Arc]], she was fired during the [[Washington, DC]], tryout. However, her name remained on the marquee and playbills, and no other director was ever credited for the production. ((Citation needed|date=October 2011))

All three plays were filmed. Bergman repeated her Joan of Lorraine role in ''[[Joan of Arc (1948 film)|Joan of Arc]]'' (1948), for which she was Oscar-nominated. [[Geraldine Page]] was Oscar-nominated for her performance in ''Summer and Smoke'' (1961). Since 1950, at least five different film/TV productions of ''The Glass Menagerie'' have been made.

== Theater '47 ==
The success of ''The Glass Menagerie'' allowed her to take the next step toward her dream of running a repertory theatre outside of New York. She moved back to Dallas and opened Theatre '47. The theater changed its name to the corresponding year every New Year's Eve,<ref name="sweet-about" /> but according to the ''[[New York Times]]'', was more often simply called "Margo's".<ref name=":0">((Cite news |title=MARGO JONES: THEATRE PIONEER | work=The New York Times |url=http://timesmachine.nytimes.com/timesmachine/1955/07/31/93806820.html?pageNumber=216 |access-date=2022-03-23 |language=en))</ref>

Her theater was in the sleek "Magnolia Lounge" ([[Magnolia Petroleum Company]], later Mobil Oil) building, designed by Swiss-born architect William Lescaze, in 1936 for the Texas Centennial and situated on the grounds of [[Fair Park]] in Dallas. The theater was America's first modern nonprofit professional resident theater, and also the first professional arena theater (theater-in-the-round) in the country. Jones was inspired by [[Franklin Roosevelt]]'s Depression-era National Theater Project and the European arts movement, which she had experienced directly during the 1930s. The resident company was dedicated to staging new plays and classics of world theater rather than revivals of past Broadway hits. The initial season introduced William Inge's first play, ''[[Farther Off from Heaven]]'', later revised as ''[[The Dark at the Top of the Stairs]]''.<ref name="TSHAbio" />

Though touring shows did exist at this time, no quality professional American theatre companies existed outside of New York. Jones believed in the decentralization of theater. She wanted her art to exist all across America, beyond the realm of commercialized Broadway, and this was a key component in the start of the regional-theatre movement.  She reasoned, "If we succeeded in inspiring the operation of 30 theatres like ours, the playwright won't need Broadway."<ref name=":0" /> Playwrights Inge, [[Jerome Lawrence]], and Robert E. Lee championed this sentiment when they received their first big breaks from Jones' Dallas theater.

Jones envisioned it as a place where actors, writers, and technicians could have steady jobs and not be subject to the problems found in the volatile New York scene. When the Ford Foundation began giving grants outside of New York during the 1950s, the movement gathered momentum and Theatre '47 became the model of how to build a new company. <!-- (Weeks) -->

In her book ''Theatre-in-the-Round'', Jones outlined inexpensive methods to enable companies to get started, detailing valuable information on subscription sales, board development, programming, actor/artist relations, and other issues relevant to new regional-theatre companies.<ref>Jones, M., ''Theatre-in-the-Round'' ([[New York City|New York]]: [[Rinehart & Company]], 1951).</ref> Her theater-in-the-round concept requires no stage curtain or little scenery, and allows the audience to sit on three sides of the stage. The physical space also requires particularly skilled blocking, directing, and acting: "Its mistakes are mistakes seen very close up."<ref name=Perry >((cite magazine| last1=Perry |first1=George Sessions | title= Darnedest Thing You've Seen|url= https://search.ebscohost.com/login.aspx?direct=true&db=f6h&AN=19897108&site=ehost-live| magazine=[[Saturday Evening Post]]|date=March 1952 |accessdate=December 28, 2019|volume=224|number=35|page=36 ))</ref> Theater-in-the-round staging was used for well-known shows as the original stage production of ''[[Man of La Mancha]]'', and all plays staged at the [[ANTA Washington Square Theatre]] (demolished in the late 1960s), including [[Arthur Miller]]'s autobiographical play ''[[After the Fall (play)|After the Fall]]'' (1964), and through to this day. ((Citation needed|date=October 2011))

== Later career ==
For eight years, Jones balanced her career between Broadway and regional projects. In Dallas, she staged the world premiere of [[Jerome Lawrence]] and Robert E. Lee's ''[[Inherit the Wind (play)|Inherit the Wind]]'',<ref name="mjtheatre" /><ref name="sweet-about" /> a fictionalized retelling of the [[Scopes monkey trial]], after it had been rejected by several Broadway producers. The play received rave reviews and subsequently opened on Broadway in April 1955, where it became a major hit. ''Inherit the Wind'' become an Oscar-nominated film in 1960 and has been revived as a TV special three times. ((Citation needed|date=October 2011))

==Death==
On July 17, 1955, Jones invited friends over to a party, but during the party she spilled paint on the carpet, so her secretary later brought professional cleaners to deal with it. They used [[carbon tetrachloride]], a strong solvent commonly used in dry-cleaning processes at the time. Jones, satisfied with the cleaning, fell asleep into the night. Unfortunately, some carbon tetrachloride had been absorbed into the carpet and later evaporated, filling her home with toxic fumes. She woke up dizzy; the gas was later found to have caused [[kidney failure]]. She was then found unconscious on the couch resting and she was rushed to hospital, but died a week later. 

According to her friends, she briefly regained consciousness and found out she was going to die, and made elaborate preparations for her burial, including asking her friends to dress her properly and grooming her for her funeral. She died July 24, 1955, at the age of 43, never realizing what killed her. In 1959, her theater was closed.<ref>((Cite news |title=Margo Jones Theatre To Suspend on Dec. 15 | work=The New York Times |url=http://timesmachine.nytimes.com/timesmachine/1959/12/07/89308262.html?pageNumber=42 |access-date=2022-03-23 |language=en))</ref>

==Legacy==
Jones' innovative ideas inspired the growth of numerous resident companies, and made experiencing the art she loved possible for regions across America. In 1950–55, producer [[Albert McCleery]] brought the concept of theater-in-the-round to television with his ''[[Cameo Theatre]]''.

The Margo Jones Award was established in 1961 by Jerome Lawrence and Robert E. Lee.

The theater space inside the Magnolia Lounge building has been renamed the Margo Jones Theatre to honor Jones and is the home to several small theater groups.<ref name="mjtheatre" />

The television series ''[[Curious & Unusual Deaths]]'' features an episode in season two about Jones' death.

==Television==
In 2006, a [[documentary film]] about her life and career, ''Sweet Tornado: Margo Jones and the American Theater'', was shown on [[PBS]]. With Jones portrayed by [[Judith Ivey]], the film dramatized scenes from her life, adapted from her letters and correspondence with Broadway producers and Tennessee Williams (portrayed by [[Richard Thomas (actor)|Richard Thomas]]). The film features interviews with people who worked with her, including actor [[Ray Walston]], who got his first big break in the original production of ''Summer and Smoke''.<ref>((cite web |title=Ray Walston Biography |url=https://www.biography.com/people/ray-walston-9542216 |url-status=dead |archive-url=https://web.archive.org/web/20190119112846/https://www.biography.com/people/ray-walston-9542216 |archive-date=19 January 2019 |website=Biography |publisher=A&E Network |accessdate=5 March 2019))</ref>

==Stage productions==
{| class="wikitable" style="font-size: 90%;"
|-
! Date
! Production
! Author
! Location
|-
|1942
|''The Eve of St. Mark''
|[[Maxwell Anderson]]
|University of Texas, Austin
|-
|rowspan=3|1943
|''Sporting Pink'' 
|Theodore Apstein 
|rowspan=2|University of Texas, Austin 
|-
|''A Choice of Weapons''
|Theodore Apstein 
|-
|''You Touched Me''
|[[Tennessee Williams]]
|Pasadena Playhouse, California
|-
|1945
|''[[The Glass Menagerie]]''
|Tennessee Williams
|Playhouse, New York
|-
|rowspan=2|1946
|''On Whitman Avenue''
|Maxine Wood
|Broadway, New York
|-
|''[[Joan of Lorraine]]''
|Maxwell Anderson
|Alvin Theatre, New York
|-
|rowspan=5|1947
|''[[The Dark at the Top of the Stairs|Farther Off From Heaven/The Dark at the Top of the Stairs]]'' 
|[[William Inge]]
|rowspan=3|Theatre '47, Dallas, Texas
|-
|''[[Hedda Gabler]]''
|[[Henrik Ibsen]]
|-
|''How Now Hecate''
|Martyn Coleman
|-
|''[[Summer and Smoke]]''
|Tennessee Williams
|Theatre '47, Dallas, Texas<br>Music Box Theatre, New York
|-
|''Third Cousin'' 
|Vera Mathews
|Theatre '47, Dallas, Texas
|-
|rowspan=9|1948
|''[[The Master Builder]]'' 
|[[Henrik Ibsen]]
|rowspan=3|Theatre '48, Dallas, Texas
|-
|''[[The Taming of the Shrew]]'' 
|[[William Shakespeare]]
|-
|''[[The Importance of Being Earnest]]''
|[[Oscar Wilde]]
|-
|''Summer and Smoke''
|Tennessee Williams
|Broadway, New York
|-
|''[[One act plays by Tennessee Williams#The Last of My Solid Gold Watches|Last of My Solid Gold Watches]]''<br>''[[One act plays by Tennessee Williams#This Property Condemned|This Property Is Condemned]]''<br>''[[One act plays by Tennessee Williams#Portrait of a Madonna|Portrait of a Madonna]]'' 
|Tennessee Williams
|rowspan=5|Theatre '48, Dallas, Texas
|-
|''Throng o' Scarlet''
|Vivian Connell
|-
|''Lemple's Old Man''
|Manning Gurain
|-
|''Leaf and Bough'' 
|[[Joseph Hayes (author)|Joseph Hayes]]
|-
|''Black John''
|[[Barton MacLane]]
|-
|rowspan=7|1949
|''[[Les Femmes Savantes|The Learned Ladies]]''
|[[Molière]]
|rowspan=7|Theatre '49, Dallas, Texas
|-
|''[[Twelfth Night]]'' 
|William Shakespeare
|-
|''[[The Sea Gull]]'' 
|[[Anton Chekhov]]
|-
|''[[She Stoops to Conquer]]'' 
|[[Oliver Goldsmith]]
|-
|''Here's to Us''
|Shirland Quin
|-
|''Sting in the Tail''
|Tom Purefoy
|-
|''The Coast of Illyria'' 
|[[Dorothy Parker]] and Ross Evans
|-
|rowspan=9|1950
|''[[Heartbreak House]]''
|[[George Bernard Shaw]]
|rowspan=9|Theatre '50, Dallas, Texas
|-
|''[[Ghosts (play)|Ghosts]]'' 
|[[Henrik Ibsen]]
|-
|''An Old Beat-Up Woman''
|Sari Scott
|-
|''My Granny Van'' 
|Loren Disney and [[George Sessions Perry]]
|-
|''[[Cock-a-Doodle Dandy]]''
|[[Seán O'Casey]]
|-
|''The Golden Porcupine''
|Muriel Roy Bolton
|-
|''Southern Exposure'' 
|Owen Crump
|-
|''A Play for Mary'' 
|William McCleery
|-
|''An Innocent Time'' 
|Edward Caufield
|-
|rowspan=7|1951
|''[[Lady Windermere's Fan]]'' 
|Oscar Wilde
|rowspan=7|Theatre '51, Dallas, Texas
|-
|''[[The Merchant of Venice]]'' 
|William Shakespeare
|-
|''[[Candida (play)|Candida]]'' 
|George Bernard Shaw
|-
|''A Willow Tree'' 
|A. B. Shiffrin
|-
|''One Bright Day''
|Siomund Miller
|-
|''Walls Rise Up'' 
|Duane, Frank and Richard Shannon
|-
|''A Gift for Cathy'' 
|Ronald Alexander 
|-
|rowspan=5|1952
|''[[A Midsummer Night's Dream]]'' 
|William Shakespeare
|rowspan=5|Theatre '52, Dallas, Texas
|-
|''Sainted Sisters'' 
|Alden Nash
|-
|''The Blind Spot'' 
|Edward Caulfield
|-
|''So in Love'' 
|Vern Matthews
|-
|''I Am Laughing'' 
|[[Edwin Justus Mayer]]
|-
|rowspan=8|1953
|''[[Hamlet]]'' 
|William Shakespeare
|rowspan=8|Theatre '53, Dallas, Texas 
|-
|''The Rivals'' 
|[[Richard Brinsley Sheridan]]
|-
|''Goodbye, Your Majesty'' 
|Vivian Connell
|-
|''The Rising Heifer'' 
|[[Robin Cecil Romer Maugham, 2nd Viscount Maugham|Robin Maugham]]
|-
|''The Last Island''
|[[Eugene Raskin]]
|-
|''Late Love'' 
|Casey
|-
|''Uncle Marston'' 
|John Briard Harding
|-
|''The Day's Mischief''
|[[Lesley Storm]]
|-
|rowspan=14|1954
|''[[Volpone]]'' 
|[[Ben Jonson]]
|rowspan=14|Theatre '54, Dallas, Texas
|-
|''The Footpath Way'' 
|Burgess Drake
|-
|''The Guilty'' 
|Harry Granick
|-
|''Happy We'll Be'' 
|[[Samson Raphaelson]]
|-
|''Oracle Junction'' 
|Samson Raphaelson
|-
|''The Heel'' 
|Samson Raphaelson
|-
|''A Rainbow at Home'' 
|Milton Robertson
|-
|''Horatio'' 
|Wallach, David Baker, and Harnick
|-
|''[[One act plays by Tennessee Williams#The Purification|The Purification]]'' 
|Tennessee Williams
|-
|''[[Apollo of Bellac]]'' 
|[[Jean Giraudoux]]
|-
|''The Brothers'' 
|John S. Rodell
|-
|''A Dash of Bitters'' 
|[[Reginald Denham]] and Conrad Sutton-Smith
|-
|''Sea-Change'' 
|William Case
|-
|''The Hemlock Cup'' 
|Edward Hunt
|-
|rowspan=5|1955
|''[[As You Like It]]'' 
|William Shakespeare
|rowspan=5|Theatre '55, Dallas, Texas
|-
|''[[Inherit the Wind (play)|Inherit the Wind]]'' 
|[[Jerome Lawrence]] and [[Robert Edwin Lee]]
|-
|''Whisper to Me'' 
|[[William Goyen]] and Greer Johnson
|-
|''La Belle Lulu'' 
|[[Jacques Offenbach]] and Charles Previn
|-
|''The Girl from Boston''
|[[Joseph Hayes (author)|Joseph Hayes]]
|}

==Listen to==
*[http://sweettornado.org/interviews/ Clips of interviews] with Albert J. Devlin, [[Judith Ivey]], Helen Sheehy, and Jerome Weeks conducted by Kay Cattarulla and Rob Tranchin for [http://sweettornado.org/ ''Sweet Tornado: Margo Jones and the American Theater'']:

==Book==
*((cite book| first=Margo| last=Jones| title= Theatre-in-the-round| year=1951| publisher= McGraw Book Coy| location=New York))

==Sources==
*((cite book| last=Sheehy |first= Helen |title=Margo: The Life and Theatre of Margo Jones | url=https://archive.org/details/margolifethea00shee | url-access=registration |location= Dallas |publisher= Southern Methodist University Press |year= 1989|isbn= 9780870742965 ))  ((ISBN|0-870-74296-5))

==References==
((reflist))

==External links==
((Portal|Biography))
* ((IBDB name))
* [https://video.kera.org/video/sweet-tornado-margo-jones-and-the-american-theater-e5qzej/ Sweet Tornado: Margo Jones and the American Theater (1 hour documentary)] 
* ((IMDb name|1631182))
*((Find a Grave|13716143))
* [http://www.dallaslibrary.org/ctx/archives/06201.html Margo Jones Papers at the Dallas Public Library]

((Authority control))

((DEFAULTSORT:Jones, Margo))
[[Category:1911 births]]
[[Category:1955 deaths]]
[[Category:Accidental deaths in Texas]]
[[Category:American theatre directors]]
[[Category:American theatre managers and producers]]
[[Category:American women theatre directors]]
[[Category:Women theatre managers and producers]]
[[Category:People from Livingston, Texas]]
[[Category:20th-century American businesspeople]]
[[Category:20th-century American businesswomen]]
[[Category:Deaths by poisoning]]
[[Category:Deaths from kidney failure]]

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