Ideas from mathematics have been used as inspiration for fiber arts including quilt making, knitting, cross-stitch, crochet, embroidery and weaving. A wide range of mathematical concepts have been used as inspiration including topology, graph theory, number theory and algebra. Some techniques such as counted-thread embroidery are naturally geometrical; other kinds of textile provide a ready means for the colorful physical expression of mathematical concepts.
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Main article: quilt |
The IEEE Spectrum has organized a number of competitions on quilt block design, and several books have been published on the subject. Notable quiltmakers include Diana Venters and Elaine Ellison, who have written a book on the subject Mathematical Quilts: No Sewing Required. Examples of mathematical ideas used in the book as the basis of a quilt include the golden rectangle, conic sections, Leonardo da Vinci's Claw, the Koch curve, the Clifford torus, San Gaku, Mascheroni's cardioid, Pythagorean triples, spidrons, and the six trigonometric functions.[1]
Knitted mathematical objects include the Platonic solids, Klein bottles and Boy's surface. The Lorenz manifold and the hyperbolic plane have been crafted using crochet.[2][3] Knitted and crocheted tori have also been constructed depicting toroidal embeddings of the complete graph K7 and of the Heawood graph.[4] The crocheting of hyperbolic planes has been popularized by the Institute For Figuring; a book by Daina Taimina on the subject, Crocheting Adventures with Hyperbolic Planes, won the 2009 Bookseller/Diagram Prize for Oddest Title of the Year.[5]
Embroidery techniques such as counted-thread embroidery[6] including cross-stitch and some canvas work methods such as Bargello make use of the natural pixels of the weave, lending themselves to geometric designs.[7][8]
Ada Dietz (1882 – 1950) was an American weaver best known for her 1949 monograph Algebraic Expressions in Handwoven Textiles, which defines weaving patterns based on the expansion of multivariate polynomials.[9]
J. C. P. Miller (1970) used the Rule 90 cellular automaton to design tapestries depicting both trees and abstract patterns of triangles.[10]
Margaret Greig was a mathematician who articulated the mathematics of worsted spinning.[11]
The silk scarves from DMCK Designs' 2013 collection are all based on Douglas McKenna's space-filling curve patterns.[12] The designs are either generalized Peano curves, or based on a new space-filling construction technique.[13][14]
The Issey Miyake Fall-Winter 2010–2011 ready-to-wear collection designs from a collaboration between fashion designer Dai Fujiwara and mathematician William Thurston. The designs were inspired by Thurston's geometrization conjecture, the statement that every 3-manifold can be decomposed into pieces with one of eight different uniform geometries, a proof of which had been sketched in 2003 by Grigori Perelman as part of his proof of the Poincaré conjecture.[15]
