Matilda (Russian: Матильда) is а 2017 Russian historical romantic drama film directed by Alexei Uchitel. It was released in cinemas on October 26, 2017.[1] The picture tells the story about the relationship between ballerina Matilda Kshesinskaya and Nicholas II.
Criticised by monarchist groups as a "distortion of historical events", the picture became controversial after State Duma deputy Natalia Poklonskaya led a campaign to ban the film on religious grounds.[2]
The film tells the story of the romantic relationship between the heir to the Russian throne, Nikolai Aleksandrovich Romanov, and the ballerina of the Imperial Theater, Matilda Kshesinskaya, from the time the 22-year-old tsesarevich and 17-year-old dancer met in 1890 to the coronation of Nikolai and his wife Aleksandra Feodorovna in 1896.
Anna Chernovich as Maid of honor of the Empress Maria Fedorovna
Mariya Glazunova as Maid of honor
Anastasiya Lomachenkova
Stanislav Lyamtsev
Alina Suhareva as Maid
Sergey Korenkov as Colonel
Kirill Andreev as Guard on the train
Sergey Krasavin as General
Roman Shalyapin as Assistant director of the Imperial Theatres
Reception
The film received mixed reviews in Russian media.[3]Yuri Grymov and Stas Tyrkin from Komsomolskaya Pravda differed in their opinions; Grymow criticized the film, citing the muddled nature of the picture,[4] while Tyrkin gave a positive review.[5]
Meduza's Anton Dolin praised the film; he complimented the fairy-tale like atmosphere, cinematography, sets and costumes.[8]
Controversy
In 2016 when the official trailer of the film which contained in particular erotic love scenes was released,[9] representatives of the public movement "King's Cross" found in the upcoming film a "distortion of historical events", and an "anti-Russian and anti-religious provocation in the field of culture". One cinema chain pulled out of showing the film after a group of self-described Orthodox militants threatened the film’s director and cinemas preparing to screen it.[10]
After a request to the Prosecutor General of the Russian Federation from the Duma deputy Natalia Poklonskaya known for her veneration of Nicholas II,[11] the film's material was audited and no violations were found.[12] The Chairman of the Duma Committee on Culture, film director Stanislav Govoruhin, criticized the idea of checking the film, he expressed confidence that such scandalous initiatives should be "nipped right in the bud." In the Kremlin, Poklonskaya’s request caused confusion and an uncertain delayed response. The Ministry of Culture said that the question of issuing certificates for rental of the film will be decided upon the completion of work on the picture.[13][12][14][15]
Somewhat later in December 2016 it was reported that the prosecutor's office would request the movie's script for inspection at the request of deputy Poklonskaya.[16][17]
In September 2017, Cinema Park and Formula Kino group, Russia's biggest cinema chain, cancelled screenings of the film due to "extreme actions by opponents of the film" and threats made against cinemas. They later reversed the decision.[18] Two cars were torched outside the Moscow office of a lawyer acting for Alexei Uchitel, the director of the film.[19]
On 4 September, an ultra-Orthodox participant in a monarchist rally against the film rammed the entrance to the Cosmos cinema, the largest in Yekaterinburg, with his car. In the car there was a barrel of gasoline and gas cylinders. The criminal set fire to the car with a Molotov cocktail and tried to escape but was soon detained. The court released him from criminal liability because it deemed him insane. For the same reason, the owners of the cinema did not receive compensation for the damage caused (19.3 million rubles in their estimation).[20][21]
Attempts of a ban
Director of the office of the Russian Imperial House Aleksandr Zakatov called the film "blasphemy" but added that "such works should be condemned, but to inflate a scandal around them and make a formal ban does not make sense".[22] A similar position was taken by the Bishop of YegoryevskTikhon (Shevkunov), who reviewed the film highly critically but said that the demand to ban the film "is an absolutely dead-end and wrong approach":[23][24]
... An admonition regarding right and wrong – this is the goal that can and must be put in connection with the forthcoming wide screening of the film.
Nevertheless, Bishop Tihon pointed out, "most likely, individuals and groups, including Orthodox, will demand its prohibition".[25]
Production
More than 17 tons of fabric were used to create a total of more than 5,000 costumes.[26]
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