Me and My Mouth
Studio album by
Robert Lloyd
Released4 June 1990
Length44:31
LabelVirgin
Producer

Me and My Mouth (stylised as Me And My Mouth!?❊) is the debut solo studio album by English singer Robert Lloyd, released by Virgin on 4 June 1990.

Background

Lloyd embarked on a solo career after the Nightingales disbanded in 1986. He signed with the independent label In Tape and released two singles, "Something Nice" and "Nothing Matters", under the name Robert Lloyd and the New Four Seasons. Both singles entered the UK Independent Singles Chart, peaking at number 5 and number 13 respectively.[1] "Nothing Matters" generated interest from a number of major labels, including Virgin, Atlantic and London, and Lloyd chose to sign with Virgin in 1989. He recalled to Record Collector in 2020, "I liked the idea of going with Virgin because they'd put out records by Kevin Coyne and Captain Beefheart. They also stressed they were keen to nurture their artists, which was an attractive proposition, so I went with them."[2]

Lloyd spent the summer of 1989 recording Me and My Mouth.[3] Its release was preceded by the album's two singles, "Funeral Stomp" on 26 March 1990 and "Nothing Matters" on 23 April 1990.[4][5] The release of Me and My Mouth followed on 4 June 1990,[6] but neither the album or its two singles entered the top 100 of the UK charts. Following the disappointing commercial response, Virgin would drop Lloyd from their roster in 1991.[2]

Critical reception

Professional ratings
Review scores
SourceRating
NME7/10[7]
Record Mirror[8]

Upon its release, Lisa Tilston of Record Mirror stated that, on his "polished debut album", Lloyd "assumes the guise of matinée idol for several songs", whereas other tracks see him "slip into his alter ego as purveyor of daft songs and silly sagas to the masses". She singled out "Top Floor to Let" and "Funeral Stomp" as "great examples of his madcap jiggety folk rhythms and tongue twisters" and concluded, "It sometimes sounds as if Robert Lloyd's not sure if he wants to be a serious singer or a comedian. Actually it doesn't matter at all; he carries off both roles with consummate skill."[8] Andrew Collins of NME said that, despite the "expenso-production" and "mainstream MOR padding", Lloyd is "a fine songwriter, whatever studio trickery they throw at him" and added that the range of musical styles "prov[e] that the doomy fatalism in a lot of his lyrics spells carefree costume-changing rather than bedsit introspection". He concluded, "Herein you'll hear more intelligent, playful pop than your dance-addled body will be ready for."[7]

Simon Rushton of the Plymouth Evening Herald described the album as "safe pop music with cutting lyrics that are very listenable" and added that it "needs a couple of plays to get into but Lloyd's attitude is worth the risk".[9] Ian Gittins of Melody Maker considered most of the album to be "staggeringly ordinary" and wrote, "I'm sure Lloyd's much-vaunted, and genuinely engaging, eccentricity is bubbling under these surfaces but it's too submerged and, quite frankly, it's not worth labouring through his music to find it. Faced by upful brassy blares, layered strings or horrid jerky guitar, he's unsure how to cope. He tries to make his jokes and remind us how clever he is, but finds the music around him so smooth and sedate he can hardly leave a mark."[10] Trouser Press retrospectively stated that the album has "such a huge, glossy sound that it could pass for a Todd Rundgren job" and "simply isn't the right setting for Lloyd's talents". They added that "The Part of the Anchor" was "easily the highlight" as "the only cut to approach the raw urgency of the 'Gales or Lloyd's lyrical potential".[11]

Track listing

All tracks are written by Robert Lloyd except where noted

No.TitleWriter(s)Length
1."Cheap As Sin"Lloyd, Dave Lowe4:40
2."Nothing Matters"Lloyd, Mark Tibenham, Lowe3:55
3."Something Nice" 4:05
4."Top Floor to Let" 2:53
5."Not Forever" 3:48
6."Sweet Georgia Black" 4:55
7."Funeral Stomp"Lloyd, Tibenham3:51
8."Of Course You Can't"Lloyd, Peter Byrchmore3:11
9."Man Oh Man"Lloyd, Tibenham3:22
10."Hey Roberta"Lloyd, Tibenham2:15
11."Better to Have"Don Covay, Erskin Watts3:29
12."The Part of the Anchor" 4:07

Personnel

Production

Other

References

  1. ^ Lazell, Barry (1997). Indie Hits 1980-1999. Cherry Red Books. ISBN 0-9517206-9-4.
  2. ^ a b Peacock, Tim (5 October 2020). "The Nightingales". Record Collector. No. 511. Retrieved 21 January 2024.
  3. ^ Leigh, Andy (16 May 1990). "Lloyd of the mouth". Burton Mail. p. 15. Retrieved 21 January 2024 – via British Newspaper Archive.
  4. ^ "New Singles". Music Week. 24 March 1990. p. 33. ISSN 0265-1548.
  5. ^ "New Singles". Music Week. 21 April 1990. p. 39. ISSN 0265-1548.
  6. ^ "New Albums". Music Week. 2 June 1990. p. 40. ISSN 0265-1548.
  7. ^ a b Collins, Andrew (9 June 1990). "Long Play". New Musical Express. p. 38. ISSN 0028-6362.
  8. ^ a b Tilston, Lisa (16 June 1990). "Albums". Record Mirror. p. 14. ISSN 0144-5804.
  9. ^ Rushton, Simon (7 July 1990). "Pop Page: Reviews". Plymouth Evening Herald. Retrieved 21 January 2024 – via Newspapers.com.
  10. ^ Gittins, Ian (9 June 1990). "Albums". Melody Maker. p. 35. ISSN 0025-9012.
  11. ^ "Nightingales". Trouser Press. Retrieved 21 January 2024.
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