It is semi-autobiographical in some aspects. There are allusions to Husain's own experiences with his muse, Madhuri Dixit, with whom he made his previous film, Gaja Gamini (2000).[2] The film was screened in the Marché du Film section of the 2005 Cannes Film Festival.[3]
Synopsis
Nawab, a popular Hyderabadi novelist, is suffering from a classic case of writer's block. Five years have passed, and stories of substance seem to have dried up. Then, almost providentially, Nawab comes across a young woman named Meenaxi. She's enigmatic and individualistic – and not quite willing to perform the part of a passive muse. But that doesn't deter a rejuvenated Nawab from giving her different personae – she can be the mysterious perfume trader of Hyderabad, the exotic desert bloom of Jaisalmer or the orphaned Maria of Prague. Inexorably, she consolidates her command over the novelist. She dismisses his renewed attempts at writing as insubstantial and hackneyed, plunging him into a state of deeper despair. She is scathingly critical about his story and is amused by one of his characters, the lovelorn and awkward Kameshwar. Finally, as Nawab strives on a new page all over again, Meenaxi comments that perhaps the book is in vain. In any case, it is much too late. The writer must survive and live, if he can, without her support, inspiration and criticism.
A. R. Rahman composed the music on lyrics written by Rahat Indori, M. F. Husain, and Sukhwinder Singh. The music for Meenaxi was released on 24 January 2004 creating great controversies regarding the song "Noor-Un-Ala" which had lyrics directly adapted from the Quran.[4]
"Do Kadam" is sung by Sonu Nigam with lyrics provided by Rahat Indori. Planetbollywood referred to this song as the best from Sonu Nigam.[5] The song "Noor-Un-Ala-Noor" is a Sufi style song sung by Murtaza Khan and Qadir Khan, together called Khan brothers. Lyrics for the song were by M. F. Hussain which slightly adapted the Quranic verses honouring Allah to honour the lead character Meenaxi.[4]
The audio was released on 24 January 2004 creating controversy regarding the song "Noor-Un-Ala" which had lyrics directly taken from the Quran.[4] The film was pulled from cinemas a day after some Muslim organisations raised objections to the song.[6]
Ronjita Kulkarni of Rediff.com called the film ″poetry in colour″, she also praised Tabu's performance, writing, ″Tabu is brilliant. The way she teases the two men in the film is spectacular. She is aided, of course, by Husain's knack of presenting his women beautifully, like he did to Madhuri Dixit in Gaja Gamini.″[10]Derek Elley of Variety wrote ″Painter-cum-filmmaker M.F. Husain lets palette take precedence over plotting in “Meenaxi: Tale of 3 Cities,” a beautifully lensed tale of a writer bewitched by a female muse that desperately needs a more solid script. An artier, free-form take on Bollywood formulae, this showcase for actress Tabu (niece of veteran thesp Shabana Azmi) could find a niche offshore on the strength of its visuals and the varied score by composer du jour A.R. Rahman, though wider dissemination will be on ancillary.″[11] Manish Gajjar of BBC.com wrote that the film ″will appeal to those who appreciate art. It is definitely not one of your run of the mill Bollywood's masala films.″[12]
