This article may rely excessively on sources too closely associated with the subject, potentially preventing the article from being verifiable and neutral. Please help improve it by replacing them with more appropriate citations to reliable, independent, third-party sources. (April 2020) (Learn how and when to remove this message)

Megan Evans is a Melbourne based visual artist known for her works about Australian colonisation.[1] She graduated from Victoria University of Technology with a PhD in 2003.[2] Evans describes herself as an interdisciplinary artist. Her work is held in a number of collections, including the National Gallery of Australia[3] and the Art Gallery of Ballarat.[4] She won the Footscray Art Prize in 2019 for her work, PARLOUR.[5]

References

[edit]
  1. ^ Spaces, Creative. "MEGAN EVANS (Visual Artist) | Artist in Residence". Creative Spaces. Retrieved 8 March 2020.
  2. ^ Evans, Megan (2003). From the ridiculous to the sublime : examining the relationship between perception and reality in the context of a historical view of the virtual (PhD thesis). Victoria University of Technology.
  3. ^ "Evans, Megan". NGA collection search results. Retrieved 8 June 2021.
  4. ^ "Megan Evans". The Art Gallery of Ballarat. Retrieved 8 June 2021.
  5. ^ "Alumna Dr Megan Evans wins the 2019 Footscray Art Prize". Victoria University | Melbourne Australia. 21 June 2019. Retrieved 8 June 2021.
[edit]


Categories