Due to financial difficulties, Message to Love was not released until 1995 in the UK and 1997 in the US, after premiering at a San Jose film festival in 1995.[1] A soundtrack album was also issued by Castle Communications/Sony Legacy in 1997.
Background
The film often comically depicts the myriad problems associated with the chaotic festival – the main program of which was held on 26–30 August 1970 – including gate-crashing, numerous crowd incursions onto the stage, Kris Kristofferson being booed offstage, and head promoter Rikki Farr's rants against the audience, which only intensified as the situation deteriorated: "We put this festival on, you bastards, with a lot of love! We worked for one year for you pigs! And you wanna break our walls down and you wanna destroy it? Well you go to hell!" In addition, several near-riots occurred over the price of tickets, as well as during several of the performances that took place over the weekend, especially Jimi Hendrix's last billed performance in England.[2]
Production
The filming used eight cameras,[3] and took 175 hours of 16mm and 35mm Ektachrome footage, which was later edited down to approx 78 minutes of music and 41 minutes of interviews and announcements.[1] All of the headliners were captured, only Sly Stone and Chicago refused permission to be filmed.[4]
Release
The 1996 version of the film was given a certificate of 15, with the 1999 extended edition being rated 18 for nudity.[5]BBC2 premiered the film for the 25th anniversary of the festival. The VHS was released a month later by Castle. The Region 1 DVD was released in 1997, with the Region 2 DVD being released in 2003 by Castle.
Time Out magazine said "The music is exemplary stuff to anyone who heard it the first time around – the Doors, Free, Kris Kristofferson (who eventually stormed off stage), the Who, Miles Davis (silhouetted against the dusk), Jethro Tull – but it's the hilarity of the sound-bites that makes this really worth catching."[8]
TV Guide said "Lerner's sharp, devastingly funny film, which was to be financed by the profits, remained one of its greatest casualties – until now. Lerner managed to capture all the hilarious backstage wheeling and dealing, as well as some of the era's best live music."[7]
The Austin Chronicle said "because Message to Love does such a fine job of underscoring the ideology of a generation in conflict with the commercialism of festivals like Wight, it's easy to forget about the quality performances captured by Lerner over the five days that the festival raged".[1]
Deseret News said "Though the performances are great, the 'warts-and-all' approach the film takes elevates it from being just a good music documentary to a great one."[9]The Independent suggested the film was "twice as entertaining if you fast- forwarded through the music".[10]
Variety magazine said this expertly-edited film had "a far deeper historical insight than similar pics from its original era", adding "images are in good shape, and sound quality is excellent."[11] At the Boston Society of Film Critics Awards in 1997, the film was nominated for Best Documentary. Rolling Stone placed it at number 21 in their list of the greatest rock documentaries.[12]Vulture.com included the film at number 37 on their list of the best music documentaries of all time.[13] Musicoholics had it at number 37 on their list of Legendary Music Documentaries.[14] It was listed at number five on the list of Top 10 Music Festival Documentaries.[15]
