Authority control databases
| International | |
|---|---|
| National | |
| Other | |
Michael Nicoll Yahgulanaas | |
|---|---|
| Born | 1954 (age 69–70) |
| Nationality | Haida |
| Known for | Painting, sculpture, carving |
| Notable work | Hachidori Coppers from the Hood Pedal to the Meddle |
| Movement | Indigenous art, Haida manga |
| Website | http://mny.ca |
Michael Nicoll Yahgulanaas is a visual artist, author, and public speaker. His work has been seen in public spaces, museums, galleries and private collections across globe. Institutional collections include the British Museum, Metropolitan Museum of Art, Seattle Art Museum, Vancouver Art Gallery, and the Humboldt Forum.
Yahgulanaas has a long history of environmental activism and political involvement. For many years he was an elected Chief Councillor of the Old Massett Village Council and a member of the Council of the Haida Nation.
Michael Nicoll Yahgulanaas was born in Prince Rupert, British Columbia in 1954 and grew up alongside Delkatla, near the fishing village of Masset on Haida Gwaii, off the north coast of British Columbia.[1] He is a descendant of the influential Haida artists, Isabella Edenshaw and Charles Edenshaw.[1][2]
As a child, Yahgulanaas was an avid comic book reader and cartoonist. A prolific young artist, he soon covered the walls and ceilings of his bedroom with drawings.[1]
At age 22, he began to direct his artistic endeavors outward, to effect change in the community and in relation to broader movements of environmental activism.[1]
In 1978, Yahgulanaas began an apprenticeship with renowned Haida artist Robert Davidson. Yahgulanaas credits Davidson, as well as Haida master carver James Hart, in providing him with formal training in the classical forms of Haida art.[1]
While Yahgulanaas trained under master carvers, his brief exposure to Chinese brush techniques with Cai Ben Kwan encouraged a departure from the typical expressions of the Haida art form and the development of a new genre of narrative art called "Haida manga."[3]
Haida Manga blends Pacific Northwest Indigenous iconographies and framelines with the graphic dynamism of Asian manga. Haida Manga is committed to hybridity as a positive force that opens a third space for critical engagement. It offers an empowering and playful way of viewing and engaging with social issues as it seeks participation, dialogue, reflection, and action.[4]
Yahgulanaas's works in metal include commissions from the British Museum (2010), The City of Vancouver (2011) and the 2010 Winter Olympics organizing committee. In 2015, his sculpture Sei, depicting a sei whale, was unveiled at the Vancouver International Airport.[5] In January 2016, his sculpture Yelthadaas from the Coppers From the Hood series joined the permanent collection at the Metropolitan Museum of Art in New York City.[6] This work was put on display in 2017. The piece hangs in Gallery 399, between the Modern and Contemporary Art wing and the Rockefeller Wing, where contemporary art borders Indigenous art.[7]
The original five–meter long mural that was published in 2009 as RED: A Haida manga is on a multi-year exhibit tour. Hachidori has sold over 100,000 copies in Japan, with a single-day record sale of 20,000 copies. Flight of the Hummingbird, first published in North America and now available in five languages, is also a bestseller and includes essays contributed by the Dalai Lama and Nobel Peace prize winner Wangari Maathai. Declaration of Interdependence, written by Dr. David Suzuki, was illustrated by Yahgulanaas.[9][10]
