.mw-parser-output .hidden-begin{box-sizing:border-box;width:100%;padding:5px;border:none;font-size:95%}.mw-parser-output .hidden-title{font-weight:bold;line-height:1.6;text-align:left}.mw-parser-output .hidden-content{text-align:left}You can help expand this article with text translated from the corresponding article in German. (August 2022) Click [show] for important translation instructions. View a machine-translated version of the German article. Machine translation, like DeepL or Google Translate, is a useful starting point for translations, but translators must revise errors as necessary and confirm that the translation is accurate, rather than simply copy-pasting machine-translated text into the English Wikipedia. Consider adding a topic to this template: there are already 8,968 articles in the main category, and specifying|topic= will aid in categorization. Do not translate text that appears unreliable or low-quality. If possible, verify the text with references provided in the foreign-language article. You must provide copyright attribution in the edit summary accompanying your translation by providing an interlanguage link to the source of your translation. A model attribution edit summary is Content in this edit is translated from the existing German Wikipedia article at [[:de:Michel Erhart]]; see its history for attribution. You should also add the template ((Translated|de|Michel Erhart)) to the talk page. For more guidance, see Wikipedia:Translation.
Virgin of Mercy (c. 1480–90), limewood, Bode-Museum, Berlin

Michel Erhart (c. 1440 to 1445 – after 1522, Ulm) was a German late Gothic sculptor who lived and worked in Ulm.

Life

Erhart spent his journeyman years in various regions including Konstanz and the Netherlands before finally settling in Ulm around 1469, where works by him are extant from around 1469–1522. He worked in the workshop of Jörg Syrlin the Elder, as did his sons Gregor Erhart and Bernhard Erhart. After 1474 he apparently had his own workshop with numerous apprentices.

Erhart's style was apparently influenced by Nikolaus Gerhaert.

Further reading