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((more citations needed|date=April 2017))

((Infobox architect
| name = Miguel Vila Luna
| image = 
| image_size = 
| caption = 
| nationality = [[Dominican Republic|Dominican]]
| birth_date = July 7, 1943
| birth_place = [[Santiago de los Caballeros, Dominican Republic]]
| death_date = April 1, 2005
| death_place = [[Santo Domingo, Dominican Republic]]
| alma_mater = [[American University]]<br>[[Catholic University]]<br>[[Palais de Fontainebleau]]<br>[[Universidad de Puerto Rico]]
| significant_buildings = Plaza de la Cultura, Oficinas Ejecutivas Industrias Nigua, Museo de la Historia Natural
| significant_projects = Saint Michel's, Hotel Capella Beach Resort, Le Grand Café, Misión ILAC
| significant_design = Residencial Lunas Ferrari, Residencial(es) Casa de Campo, Amber Cove Monuments, Punta Cana Resort Hotel Lobby (remodel)
| awards = Patrimonio Cultural de la República Dominicana<ref>"Clausuran VIII Bienal de Arquitectura." Hoy Digital. N.p., 27 Nov. 2006. Web. http://hoy.com.do/clausuran-viii-bienal-de-arquitectura.</ref><br>Sociedad de Arquitectos de la Republica Dominicana<ref>"CRONOLOGA." La Nueva Arquitectura Dominicana. N.p., 12 May 2013. Web. http://www.latinartmuseum.com/arquitectura_dominicana.htm</ref><br>Premio Diseño de Interiores<ref>"8va Bienal de Arquitectura en el Museo de Arte Moderno." Diario Libre. N.p., 11 Nov. 2006. Web. https://www.diariolibre.com/revista/8va-bienal-de-arquitectura-en-el-museo-de-arte-moderno-KIDL115690.</ref><br>Gran Premio Bienal<br>VIII Bienal Nacional<br>XI Bienal Nacional <ref>Rodriguez, Tommy. "La Bienal de Arquitectura de Santo Domingo." 8va-BIASD. N.p., 02 June 2006. Web. http://arquitectura.do/bienal/index.php?option=com_content&task=view&id=12&Itemid=9.</ref><br>Premio Banco Nacional de la Vivienda 1983 de Diseño Arquitectónico
| birth_name = Miguel Eduardo Vila–Luna
))

'''Miguel Eduardo "Micky" Vila Luna''' (July 7, 1943 – April 1, 2005) was an architect and painter from the [[Dominican Republic]]. 

== Early life and education ==
Miguel Vila Luna was born in [[Santiago de los Caballeros, Dominican Republic]] on July 7, 1943. His parents were [[Ramón Vila Piola]]<ref>"Cápsulas genealógicasDe Santiago a Santiago: los Vila." Hoy Digital. N.p., 12 June 2010. Web. 06 Apr. 2017. http://hoy.com.do/capsulas-genealogicasde-santiago-a-santiago-los-vila-2/</ref> (who led a revolt against dictator [[Rafael Leónidas Trujillo Molina]] alongside [[Juan Isidro Jimenes Grullón]] in 1934), and [[Ana Gregoria Luna]].<ref>Espinal, Rafael E. "Instituto Dominicano de Genealoga, Inc." Instituto Dominicano de Genealoga, Inc. N.p., 12 June 2010. Web. http://www.idg.org.do/capsulas/junio2010/junio201012.htm.</ref> Vila was an individual linked to design, to aspects of decorative comfort, to pictorial work, but from the training of architecture and above all, in cultivated sensitivity that formed in the roots of his family life. After his early training in painting with [[Rafael Arzeno]], he took up an artistic career at an art course at the [[University of Puerto Rico]] and graduated as an architect at the [[Catholic University of America]] in Washington, D.C. He also attended the [[American University]] and the [[École Américaine des Beaux-Arts]] in the [[Palais de Fontainebleau]] in France. He died on April 1, 2005, in [[Santo Domingo, Dominican Republic]].

== Architectural development ==
Miguel Vila Luna was officially introduced during the so-called "''twelve years of Balaguer''", from 1966 to 1978, which mark the Dominican territory an unavoidable stage in the development of national architecture and urbanism. [[Joaquín Balaguer]], former president of the country, was able to choose well, at this stage, his architects. The list of outstanding projects designated for several specific architects is long and plentiful. Miguel Vila led a new style among Dominican professionals, in which he dedicated himself to the discipline of including [[landscaping]] in buildings. After Balaguer's two reelections, his control over the architecture was reduced. In addition, the interactional architectural scene changes drastically. A new generation of postmodernity arises including architects such as Miguel Vila, Plácido Piña, Teófilo Carbonell, Angel Giudicelli, Oscar Imbert, Gustavo Luis "Cuquito" Moré, Tácito Cordero, among others.

In those years, Miguel Vila, with his unequaled leadership among the youngest architects, produced a series of private works that imposed part of the aesthetic guidelines of [[postmodernism]]. Vila, whose work began in the early 1970s under the laws of modern architecture, gradually penetrated the study of regional architecture to his enthusiastic attachment of historicist architecture, from where he developed multiple proposals that produced a whole environment of innovations in the national scenario.<ref>"Convocan a su IX Bienal Internacional de Arquitectura de Santo Domingo." El Nuevo Diario. Llego la hora del arquitecto, 10 Sept. 2008. Web.http://www.elnuevodiario.com.do/mobile/article.aspx?id=119205.</ref> Convinced of the aesthetic strength of architecture as a key element for a better quality of life, Miguel Vila developed particular work for space and formal capacities, which was advanced for his era. This became references for the architects of the period which reproduced his criteria of integrating architecture with the exterior.  The sequence, spatial categorization, and wealth of decorative resources were set by Vila as motivators for the coexistence. His treatment of the walls in which he rejected the edges and framed the gaps were part of his language, which was used for a whole generation. His followers became, later, protagonists of architecture committed to tropical solutions.  
<ref>Moré, Gustavo Luis. Historias para la construcción de la arquitectura dominicana, 1492–2008. Santo Domingo, Dominican Republic: Grupo León Jimenes, 2008. Print.</ref>

Since its inauguration, [[Casa de Campo, Dominican Republic]] has undergone significant changes in its original concept of architecture. The designs of Miguel Vila, Roberto Copa, William Cox, Rafael Eduardo Selman, Jose Horacio Marranzini and his son Alejandro have been important in its development.

== Artistic style ==
In 1963, his pictorial works appeared in the XI National Biennial. In 1979, Micky recorded his first exhibition which was held in Paris, in the ''Ives Brun'' gallery. He headed a movement with the poet [[Manuel Antonio Rueda González]] that offered the following traits: a plurality of readings of the work, active participation in the spectator's interpretation, inseparability of color and form, integration of universal and local elements, and motivations to the plastic and psycho-philosophies. His artistic movement of [[futurism]] was rich in followers. His works resemble futurism and are bountiful in brilliant compositions of color and movement.<ref>Santos, Danilo De los. Memoria de la pintura dominicana. Santo Domingo, República Dominicana: Grupo León Jimenes, 2005. Print.</ref>

==References==
((Reflist))

((Authority control))

((DEFAULTSORT:Vila Luna, Miguel))
[[Category:1943 births]]
[[Category:2005 deaths]]
[[Category:20th-century Dominican Republic artists]]
[[Category:20th-century Dominican Republic painters]]
[[Category:20th-century male artists]]
[[Category:Abstract painters]]
[[Category:Art educators]]
[[Category:Catholic University of America alumni]]
[[Category:Dominican Republic architects]]
[[Category:Dominican Republic male artists]]
[[Category:Dominican Republic people of Catalan descent]]
[[Category:Futurist painters]]
[[Category:Male painters]]
[[Category:Modern painters]]
[[Category:People from Santiago de los Caballeros]]
[[Category:Landscape painters]]

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