Mills Blue Rhythm Band
Two trombonists and three trumpet players facing inwards
Mills Blue Rhythm Band. From left to right: George Washington, J. C. Higginbotham, Henry "Red" Allen, Wardell Jones and Shelton Hemphill
Background information
Also known asBlue Rhythm Band, Blue Ribbon Band, Blue Rhythm Boys, The Blue Racketeers, Earl Jackson's Musical Champions, Earl Jackson and his Orchestra, Duke Wilson and his Ten Blackberries, King Carter's Royal Orchestra, Mills Music Masters, Harlem Hot Shots, Coconut Grove Orchestra
OriginNew York City, U.S.
GenresJazz, swing
Years active1930–1938
LabelsBrunswick, Columbia, Victor, Oriole, Perfect, Regal, Romeo, Banner, Melotone, Variety

The Mills Blue Rhythm Band was an American big band active during the 1930s.

History

The band was formed in New York City in 1930 by drummer Willie Lynch as the Blue Rhythm Band, and then briefly operated as the Coconut Grove Orchestra.[1] Irving Mills became its manager in 1931 and it subsequently assumed the name Mills Blue Rhythm Band.[2] Compere Jimmy Ferguson (Baron Lee) replaced Lynch.[1] Another brief leader, reeds player Bingie Madison, left at the time of the final name change.[3] Over its lifetime, the group was known as the "Blue Rhythm Band", "Blue Ribbon Band", "Blue Rhythm Boys", "The Blue Racketeers", "Earl Jackson's Musical Champions", "Earl Jackson and his Orchestra", "Duke Wilson and his Ten Blackberries", "King Carter's Royal Orchestra", "Mills Music Masters", "Harlem Hot Shots".[4] It accompanied Louis Armstrong on some record sides.[1]

The Mills Blue Rhythm Band were based at The Cotton Club in Harlem. They worked steadily through the 1930s deputizing for the orchestra of Duke Ellington and Cab Calloway, often taking their undesirable engagements. Mills managed Ellington and Calloway as well.[5] Edgar Hayes, Eddie Mallory and Dave Nelson all had temporary stints as band leader, until Lucky Millinder permanently took over the role in 1934.[2]

The band recorded 150 sides for labels including Brunswick, Columbia, Victor, the ARC stable of labels (including Oriole, Perfect, Regal, Romeo, Banner, Melotone, Domino), Variety, and Vocalion. Although a few of their records became hits (including "Truckin'" and "Ride, Red, Ride") and the MBRB had a lineup of talented soloists, the group never attained the prominence of their peers.[2] This has been attributed to the lack of a single identifiable leader,[2][6] and Irving Mills' preference to have the band perform an understudy role.

By 1937, the group was billed as Lucky Millinder and his Orchestra and disbanded in 1938.[1] Millinder joined Bill Doggett's band before reforming it into his own orchestra in 1940.[7]

Irving Mills revived the Mills Blue Rhythm Band name for two recording sessions in 1947,[2] under the guidance of Van Alexander. The only original band member performing at either of the 1947 sessions was trumpeter Charlie Shavers.

Members

References

  1. ^ a b c d e Simmen, Johnny (2003). "Mills Blue Rhythm Band [Blue Rhythm Band]". Grove Music Online (8th ed.). Oxford University Press. ISBN 978-1-56159-263-0.
  2. ^ a b c d e Colin Larkin, ed. (1992). The Guinness Who's Who of Jazz (First ed.). Guinness Publishing. p. 284. ISBN 0-85112-580-8.
  3. ^ Rye, Howard; Kernfeld, Barry (2002). "Madison, Bingie (Stilgo)". Grove Music Online (8th ed.). Oxford University Press. ISBN 978-1-56159-263-0.
  4. ^ "The Duke Ellington Music Society". Archived from the original on February 12, 2007. Retrieved March 1, 2007.
  5. ^ Chilton, John (June 27, 2000). Ride, Red, Ride. Continuum International Publishing Group. p. 80. ISBN 0-8264-4744-9.
  6. ^ "The Mills Blue Rhythm Band AJA5634 : Jazz CD Reviews- 2006 MusicWeb International". Musicweb-international.com. Retrieved July 30, 2021.
  7. ^ "Anniston, Alabama, Lucky Millinder". Southernmusic.net. Retrieved July 30, 2021.
  8. ^ "Jammin' for the Jackpot: Big Bands and Territory Bands of the '30s" (PDF). Newworldrecords.org. 2002. Retrieved January 27, 2019.
  9. ^ Schuller, Gunther (1991). The Swing Era: The Development of Jazz, 1930–1945. Oxford University Press. pp. 386ff. ISBN 978-0-19-507140-5.
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