Milton Sills | |
|---|---|
.jpg) Sills c. 1910 | |
| Born | January 12, 1882 Chicago, Illinois, U.S. |
| Died | September 15, 1930 (aged 48) Los Angeles, California, U.S. |
| Burial place | Rosehill Cemetery, Chicago |
| Occupation | Actor |
| Years active | 1906–1914 (stage) 1914–1930 (film) |
| Spouses | |
| Children | 2 |
Milton George Gustavus Sills (January 12, 1882 – September 15, 1930) was an American stage and film actor of the early twentieth century.
Sills was born in Chicago, Illinois, into a wealthy family. He was the son of William Henry Sills, a successful mineral dealer, and Josephine Antoinette Troost Sills, an heiress from a prosperous banking family.[1] Upon completing high school, Sills was offered a one-year scholarship to the University of Chicago, where he studied psychology and philosophy. After graduating, he was offered a position at the university as a researcher and within several years worked his way up to become a professor at the school.[citation needed]
In 1905, stage actor Donald Robertson visited the school to lecture on author and playwright Henrik Ibsen and suggested to Sills that he try his hand at acting. On a whim, Sills agreed and left his teaching career to embark on a stint in acting. Sills joined Robertson's stock theater company and began touring the country.[citation needed]
In 1908, while Sills was performing in New York City, he attracted the notice of Broadway producers such as David Belasco and Charles Frohman. That same year he made his Broadway debut in This Woman and This Man.[2] From 1908 to 1914, Sills appeared in about a dozen Broadway shows.
In 1912, Sills joined the summer stock cast at the Elitch Theatre. Owner and producer of the theatre, Mary Elitch Long, reported: "Milton Sills, one of the most charming young men I ever knew, came as my leading man, and Louise Woods as leading lady, for a limited engagement."[3]
In 1910, Sills married English stage actress Gladys Edith Wynne, a niece of actress Edith Wynne Matthison. The union produced one child, Dorothy Sills; Gladys filed for divorce in 1925.[4] In 1926, Sills married silent film actress Doris Kenyon with whom he had a son, Kenyon Clarence Sills, born in 1927.[citation needed]
In 1914, Sills made his film debut in the big-budget drama The Pit for the World Film Company and was signed to a contract with film producer William A. Brady. Sills made three more films for the company, including The Deep Purple opposite Clara Kimball Young.[2]
By the early 1920s, Sills had achieved matinee idol status[5] and was working for various film studios, including Metro Pictures, Famous Players–Lasky, and Pathé Exchange. In 1923 he was Colleen Moore's leading man in the very successful Flaming Youth,[6] but his biggest box office success was The Sea Hawk (1924), the top-grossing film of that year. In 1925, Sills and his wife, Doris Kenyon, starred in The Unguarded Hour for First National Pictures.[7] In 1926 he wrote the screenplay for Men of Steel, also starring in it along with Kenyon.[8]
Sills had begun to make the transition to sound pictures as early as 1928 with the part-talking The Barker. His final appearance was in the title role of The Sea Wolf (1930), a performance called "incisive" by The New York Times.[9]
_at_Rosehill_Cemetery,_Chicago_1.jpg)
Sills died of a heart attack in 1930 while playing tennis with his wife at his Brentwood home at the age of 48.[1] He was interred at Rosehill Cemetery and Mausoleum in Chicago. In December 1930, Photoplay published a poem found among his personal effects.[10]
He was a founding member in 1913 of Actors' Equity.[11] On May 11, 1927, he was among the original 36 individuals in the film industry to found the Academy of Motion Picture Arts and Sciences (AMPAS), a professional honorary organization dedicated to the advancement of the arts and sciences of motion pictures.[12]
Sills also wrote a book, published posthumously in 1932: Values: A Philosophy of Human Needs – Six Dialogues on Subjects from Reality to Immortality, co-edited by Ernest Holmes.[13]
In his time, his fame as an attractive movie star was such that his name was used in a 1928 Danish vaudeville revue song, with the idea that "modern girls find fault with almost everybody; unless a man is a Milton Sills, he doesn't stand a chance".[14]
For his contribution to the motion picture industry, Milton Sills received a star on the Hollywood Walk of Fame at 6263 Hollywood Boulevard.[15] Sills was the favorite actor of poet Weldon Kees as a child, and Sills' Men of Steel influenced Kees' poem "1926".[16]
