| Mingus Moves | ||||
|---|---|---|---|---|
 | ||||
| Studio album by | ||||
| Released | 1973 | |||
| Recorded | October 29–31, 1973 | |||
| Genre | Jazz | |||
| Length | 62:34 | |||
| Label | Atlantic | |||
| Producer | Nesuhi Ertegun | |||
| Charles Mingus chronology | ||||
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| Review scores | |
|---|---|
| Source | Rating |
| AllMusic |   [1] |
| The Rolling Stone Jazz Record Guide | [2] |
Mingus Moves is an album by the jazz composer and bassist Charles Mingus, released in 1973.
Mingus Moves (Atlantic SD 1653) is one of the late works of American jazz bassist, composer, and bandleader Charles Mingus. He hired three new musicians for the recording: Don Pullen on piano; Ronald Hampton on trumpet, and George Adams on tenor saxophone. Drummer Dannie Richmond, a stalwart of Mingus's bands in the 1950s and '60s, rejoined the band on the first day of recording after not working with the bassist for several years.
The album, although not generally regarded as one of Mingus's best, does feature three remarkable compositions: "Canon", "Opus 3", and "Opus 4". "Canon" is a theme, as the title suggests, that can be superimposed upon itself. The song has a spiritual character, à la Coltrane, and is played with a warm sound by Pullen and Adams. This tune was also released on Hal Willner's tribute CD: Weird Nightmare - Meditations on Mingus. "Opus 3" is based on the Mingus's 1957 composition "Pithecanthropus Erectus", in which certain sections are played without key or meter restrictions. "Opus 4" is a straight-ahead swinger that features Don Pullen playing a free solo part.
The other tunes include "Moves", a composition written and sung (along with Honi Gordon) by Doug Hammond, Richmond's predecessor; "Wee", composed and arranged by Sy Johnson, who also worked with Mingus on Let My Children Hear Music (1971) and Charles Mingus and Friends in Concert (1972); "Flowers", written by Adams; and "Newcomer" by Pullen, dedicated to his newborn daughter.
The CD released in 1993 contains the bonus tracks "Big Alice" and "The Call", which were recorded during the same sessions.
(All compositions by Mingus except where noted.)
