| Miss 1917 | |
|---|---|
| The Musical Comedy | |
| Music | Victor Herbert, Jerome Kern and others |
| Lyrics | Harry B. Smith, Otto Harbach, Henry Blossom and others |
| Book | Guy Bolton P. G. Wodehouse |
| Productions | 1917 Broadway |
Miss 1917 is a musical revue with a book by Guy Bolton and P. G. Wodehouse, music by Victor Herbert, Jerome Kern and others, and lyrics by Harry B. Smith, Otto Harbach, Henry Blossom and others. Made up of a string of vignettes, the show features songs from such musicals as The Wizard of Oz, Three Twins, Babes in Toyland, Ziegfeld Follies and The Belle of New York.[1]
In 1916, Charles Dillingham and Florenz Ziegfeld produced The Century Girl, with music by Irving Berlin. Despite mildly positive reviews, the show closed without recouping its investment.[2] On their next production, which was to be called Miss 1917, they hired Jerome Kern and Victor Herbert to compose the score and Guy Bolton and P. G. Wodehouse to collaborate on the book. Kern and Bolton had collaborated on the Princess Theatre musicals, including Very Good Eddie (1915). British humorist and playwright Wodehouse then joined them for several innovative musicals there, including Oh, Boy! (1917).[3]
The show is mostly known today as George Gershwin's introduction to musical theatre.[4] During rehearsals for Miss 1917, Gershwin conducted the pit orchestra and played the piano.[2] He was hired in October 1917, being paid $35 each week. As the rehearsal period extended, Gershwin earned more money.[5] He would later record Kern's "The Land Where the Good Songs Go", which was used in the revue, as a piano roll in January 1918.[5]
While working for the show, Gershwin and his brother Ira Gershwin befriended Herbert and Kern, keeping "in contact with some of the major figures on Broadway".[5] Sunday night concerts held in New York City by the show's cast introduced Gershwin's "There's More to a Kiss Than the Sound" and "You-oo, Just You", both with lyrics by Irving Caesar.[5] "Gershwin had begun work on Broadway as a rehearsal pianist for the Jerome Kern and Victor Herbert musical Miss 1917. Within months, his talent as a composer was noticed by everyone in the show and he was quickly put under contract by Harms Music.[4] His involvement with Miss 1917 brought him to the attention of music producer Harry Askins, who in turn mentioned him to Max Dreyfus, "one of the giants of music publishing".[4]
The producers of the show "had demanded extremely elaborate staging for the revue", so no out-of-town tryouts were held, and the show premiered directly on Broadway on 5 November 1917, at the Century Theatre.[2][6][7] The production was staged, directed and supervised by Ned Wayburn, with choreography by Adolph Bohm. The creative team also included set designer Joseph Urban, who built a rotating thrust stage for the theatre. Costume design was attributed to eight designers, including Paul Chaflin, Willy Pogany, and Max Weldy.
The original cast starred comedian Lew Fields, Andrew Tombes and Vivienne Segal. it also included George White, Ann Pennington, Charles King, Bessie McCoy Davis, Bert Savoy, Irene Castle, Marion Davies, Lilyan Tashman and the comedic team Van and Schenck.[6] Kern originally wanted Segal to sing "They Didn't Believe Me" in the revue, though Dillingham and Herbert preferred her to sing "Kiss Me Again" from Mlle. Modiste. Segal's siding with the latter caused tension among the creative team.[6] According to a member of the production crew, technical rehearsals were interrupted several times due to disagreements in staging and choreography; at one point, Kern sought to close the show early, though Ziegfeld wouldn't have it.[8]
The show got rave reviews.[9][10] Although Castle was singled out for praise by reviewers, she was unhappy performing on stage without her husband and usual dance partner Vernon Castle: "I found myself hopelessly lost as a solo number. I had no training for dancing alone and I should never have tried it."[9] Though successful with critics, the revue failed to attract an audience; at least not enough of one to pay for the lavish production.[11][9] Castle, White and others were let go by the producers, but the show still foundered in its out-of-the-way theatre.[9] It closed on 5 January 1918, after only six weeks of performances.[2][12]
A month after Miss 1917 closed on Broadway, on 21 February 1918, items used in the show were sold in an auction, raising $11,300, according to The New York Times. Most of the items for auction were bought by J. J. Shubert.[13] The following day, Sam Harrison of the New Amsterdam Theatre bought the performing rights to the musical.[14] A London transfer, planned for March 1920, as well as a US national tour were cancelled. According to The New York Times, the creative team would not allow Ziegfeld to stage the show internationally due to planned major staging and plot changes that he hoped would make the humour more accessible to international audiences.[8]
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Although no official cast recording was made, brief excerpts from some of the songs used in Miss 1917 can be heard on the compilation album, "Jerome Kern: Silver Linings", which was officially released on 22 July 2008.[15]